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| Griffin notes that the family already had amazing furniture. "One of the owners is from Denmark and brought over a lot of the pieces," she says. "They had a very specific idea of a lifestyle and wanted the house to work with their furniture." The living room's main pop of color comes from the Zanotta sofa, which sits alongside Orange Slice Chairs by Pierre Paulin. The floors throughout the home are ebony-stained rift-cut white oak. A single column (seen at the rear, center) stands where four walls previous met and divided the main level into four separate rooms. |
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| Back inside, it's clear how well the indoor and outdoor areas flow together. "The family likes to entertain a lot, so we used the connection with the courtyard as a way to open up the entire house," Griffin says. The dining table, visible at left beyond the kitchen, is from Design Within Reach and is surrounded by Verner Panton chairs. |
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| The library (and a guest room on the second floor) is part of a 300-square-foot addition to the floor plan. Its back wall abuts a fairly steep cliff, and "we wanted the library to step into the hill a bit," says Griffin. "It's part of the main house but distinct within the main area — basically a room within a room." To further distinguish the two spaces, the living room has dark wood flooring and a white ceiling, while the library has the exact opposite: a white floor and a dark-stained microlined oak ceiling. |
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| The kitchen cabinets are rift-cut white oak that was bleached to provide high contrast with the white Corian counters and dark wood floors. The island holds the sink (recessed fixtures provide task lighting), while the Miele range has a pop-up Dacor hood to keep the overall look clean. A Sub-Zero refrigerator completes the kitchen triangle. The doors visible at the rear lead out to another courtyard. |
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| The desire to keep things minimal is also on display in the master bedroom. A single Verner Panton chair is visible in the mirror's reflection. The pitched wall is part of the home's original roofline. "It became an abstract element, especially with the scale of the window boxes" says Griffin. The line of laminated glass is just high enough to hide the roof of a neighboring house but allows for sweeping views to the south, east and west — on a clear day you can even see the Pacific Ocean. |


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