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| This installation is titled "Growth." Dube considers her work to be "a wonderful opportunity to present ceramics in various architectural spaces, engaging with new audiences who have perhaps not considered clay before."
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| Here is "Growth" again, ready for its close up. The mix of science and ceramic design "enhances my appreciation of the world around me," Dube says. |
| Note how this piece knows no bounds, extending up the wall, around a window corner, and on to hanging upside down from the ceiling. |
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| "Here is the clay ready to be rolled, sandwiched in between canvas sheets. I use the slab roller’s large-handled wheel to help feed through the clay. Dials on the side allow me to adjust the thickness. I feed the clay though numerous passes, slowly allowing for the clay to adjust to stretching and thinning." |
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| After the glaze is dry, the waves are stacked again on kiln shelves for a glaze firing. Afterward, the kiln door is opened to cool the pieces. |
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| Here are the cooled, glazed pieces ready for installation.
"The majority of my art is very light; therefore I have many ways to support each piece," Dube says. "For some light pieces, I can make a hole in the ceramics which a nail will be able to hook through. I also use wires, loops, fitting, hooks, and also attach pieces on panels to hang. If the piece happens to have some weight, I need to consider how the weight will be effectively distributed on the wall. " |








