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| Pulling up the driveway, the first evidence of the home you will discover is the garage, aptly called the barn, on your right. Designed in the same language as the rest of the house, the barn completely opens up on both sides enabling a car to drive through and down to the water if needed. As you make your way through the property, you encounter the smallest structures first so as not to overwhelm your personal experience and discovery of the site. The compound was designed completely with the human scale in mind. |
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| Once reaching the main house, the full scale of the home is still withheld from view. The roofline at the entrance to the main house is lower and more understated, with the larger two-story portion of the home receding to the back of the property. The residence is composed of two properties the owners were able to acquire over time to really create the feeling of a genuine sprawling coastal compound. |
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| Even at the entry of the house, you are forced to walk past a reclaimed driftwood wall, which is the kitchen, on your left and into the living room. It is only there where you get the full experience of the view. |
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| Whether lounging on the PK22 Easy Chairs or napping on the Long Island Sectional, the living room serves as the physical center of the house, but also the psychological core. “The house was really designed from the inside out for the family inside,” explains architect Robert Young. As both walls fully open to connect the view, the sun, and the breeze, all physical as well as social elements converge here. |
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| Custom built-ins at the far end of the living room bring the substantial expanse of the room back down to human scale. The handmade walnut dining table adds a single moment of color to an otherwise monochromatic palette.
The home intentionally lacks color in order to more clearly reveal texture. The "composition of the house creates a dialogue between the different elements — glass, aluminum, steel, and wood. It is a pared-down design, but in no way minimal," continues Young. |
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| Designed to resemble a Swedish barn, the massive structural trusses enable the primary living area to be one open, continuous, and uninterrupted space. With the structure of the home made solely of wood, the natural warping and wear of the planks has been something Young has enjoyed witnessing as the house ages. Young notes that it was quite a struggle convincing a perfectionist contractor that in this case, gaps between floorboards were okay. |
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| Most family meals take place in the kitchen. Stainless steel and White Gioia Venatino marble were carefully selected for the countertops due to their visual and material characteristics. As both materials age, they will visually show the wear of use, and in the opinion of the architect, become more beautiful. It is the imperfections that make these spaces beautiful and livable.
Moving your gaze from the kitchen and onto the lake, notice there is also an open pass-through to a screened dining porch outside. |
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| Material selection is a great way to connect the interior with the exterior of the house. Materials used in the kitchen continue outside and onto the porch in order to eliminate the threshold between inside and out. |
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| The outdoor shower is conveniently located just off the master bedroom. The family uses this shower in summer or can use it to rinse off after a swim in the pool. |
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| “Many guests who visit the house would say that the girls' bedroom is their favorite room in the house,” adds Young. These bunk beds were custom designed for three young sisters who share this space together. The furnishings, as well as the architecture and interior, were all designed by Robert Young Architects. The homeowners were very involved, resulting in a collaborative and creative process. |
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| "The landscape was designed to look like it wasn't designed," continues Young. Due to environmental regulations, the first 50 feet from the water has to serve as a natural buffer. The plants found naturally in that area were then incorporated into the landscape design. The vegetation was planted in swaths as it occurs naturally, resembling brush strokes on the landscape. |
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| Robert Young Architects designed the landscape in collaboration with Brady Mitchell Anderson Landscape Architecture in order to maintain a smooth continuity between the structures and the environment. The design is simple, clean, and relies heavily on native plants. |
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| While the massive expanse of the perfectly manicured lawn around the pool sharply contrasts the surrounding vegetation and nautralistic style that dominates the majority of the property, it creates a clean visual landing and also allows young kids to safely play around the pool. |
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| Looking across the pool and lower portion of the landscape, you can just make out the guest house nestled in the right corner of this photo. From the main house to the lawn and pool, there is a grade change of 10 feet; just enough to visibly maintain a comfortable sense of seclusion and privacy for each space. |
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| Upon discovery, you realize that the guest house design nearly mirrors that of the main house, even down to the sliding glass walls and muted materials and color palette. |
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| For that reason, while the style and materials mimic the design of the main house, many were left a little unfinished and often cost less. The kitchen in the previous photo, for example, is from IKEA. |
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| Just as swiftly as if never discovered, the compound fades quietly into the landscape as you leave, and will continue to exist in hidden perfection. I thank Robert Young Architects and the owners of this seclusive gem for allowing the Houzz community and me a glimpse into the beautifully concealed realm of The Lake House. Photography by Michael Moran. More: Houzz Tour: Modern Craftsman on Nantucket 20 Spectacular Beach Houses Browse beach-house photos |























