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| Wood The Lindenrinde ("Linden Bark") apartment building, designed by Ken Architekten, features eight apartments on four floors. It is tucked into the middle of a large block with some mature trees. The building takes its name from a large linden tree next to the building. |
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| Zurich is also a city that embraces modern architecture, though not all of it is distinctive. Buildings like the Lindenrinde veer from the norm without being formally different: This is still a boxy building with a regular arrangement of windows. |
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| Glass Theo Hotz Partner designed this apartment building on Bäckerstrasse in a much denser part of Zurich. The corner building stands out because of its floor-to-ceiling glass exterior wall, but also because of the rooftop plantings that soften the straight lines. |
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| The building, which is longer one one side than the other, is not a straightforward glass box; it is eroded at the bottom and the top. These relate to the ground-floor retail stores and the special apartments on the roof. What underlies the whole is a grid of concrete horizontals and red verticals; the latter are especially important, as will be seen. |
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| A close-up of the facade shows the large panes of fixed glass that alternate with two narrow verticals: one glass and one red. Shades and blinds cover the windows to cut down on direct sunlight. Most of the modern buildings in Zurich feature horizontal blinds, many of them on the exterior of the glass facades. |
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| Concrete The level of craft in building with concrete in Zurich — and all of Switzerland, for that matter — is higher than in most of the world. Most exteriors formed with reinforced concrete are painted, resembling stucco more than concrete, but many new buildings leave the material exposed. The qualities of concrete are typically not evident at first glance, but they reveal themselves the closer one gets. |
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| The intentional shaping of the building is apparent in this view looking up at one of the corners. The texture and seams on the concrete start to become apparent this close. The large window openings are separated into large and small panes. Both can be opened slightly, but the smaller one can be opened all the way inside, hence the railing across the window. |
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| A detail of the concrete and windows reveals an intentional messiness in the joints and in the texture. It is as if the architects wanted to violate the grid of different-size windows that wraps the building; very few of the joints follow the windows. |

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