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| In 1897, Wharton co-authored her first published work, The Decoration of Houses, with architect Ogden Codman, Jr. Together, along with architect Francis L.V. Hoppin, they designed The Mount, an estate where Wharton authored many works, including The House of Mirth and Ethan Frome. They sited the house atop a rock outcropping to take advantage of the views of the Berkshires. There's so much to show you that we'll take a tour of the gardens later this week. For now, let's go inside! |
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| Tired of cluttered and oppressive Victorian architecture, Wharton was much more interested in the pleasing classical proportions of Italian architecture. This shows in the gallery on the main floor.
The gallery allows access to all main rooms on this floor, which include the library, den, drawing room, dining room and staircase. While the gallery is full of objects Wharton collected on her extensive travels, the space was kept quite clear for circulation and entertaining. |
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| One of the many details in the gallery is this bas relief of John the Baptist. |
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| The floors of the gallery are marble terrazzo. |
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| Wharton strongly believed that the primary decoration of a library should be books. She was also a big proponent of built-in shelves. |
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| The built-in shelves and paneling are oak. The photograph over the fireplace is of Wharton writing at her desk in this room. |
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| The drawing room is the largest room in the house. Highlights include large tapestries inset into the paneling on either end of the room. The originals were from the early 18th century and have been reproduced from photographs as part of the restoration.
If you look closely at the front right corner, you can see one of the many original doorknobs that survived. |
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| The light-filled dining room was beautifully recreated by Bunny Williams. As in the adjacent drawing room, these doors lead out to the long veranda.
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| The one photograph Williams had to go on showed white French armchairs, a round Victorian dining table and a cushion for a favorite dog. (Those actresses who carry little dogs around in their purses did not start the dog trend).
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| Floral arrangements change with the seasons. |
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| The dining room is full of intricate plaster pieces designed by Wharton's design partner, Ogden Codman. |
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| The plaster sculptures were based on the work of Grinling Gibbons, a 17th-century English woodcarver. |
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| This is Wharton's boudoir. It is an upstairs retreat (not her bedroom) that included eight still-life paintings from Milan, a stunning marble fireplace and more ornate plasterwork. It was here that she might have worked at a desk, caught a nap on a daybed, or entertained her most intimate friends.
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...but what's a dishwasher doing in there???
http://www.edithwharton.org/
Thanks so much for finding and posting The Mount restoration, Becky. How about a Houzz series on literary restorations? Gee, you could start with the Wren's Nest right there in Atlanta.
Now I'm off to check out The Wren's Nest - I've never been there!
I took 5 (!) kids, ranging in age from 1 to 8, there back in 1988 BEFORE it was restored. The neighborhood was rough, and the condition of the house was such that I was hestitant to walk up the porch steps, and I've got the pictures that prove it. I'm so glad we did. That day at the Wren's Nest remains one of my best memories of living near Atlanta. Last year, I looked up the house out of curiosity, wondering if it survived, and when I saw the restoration, it warmed my heart. It is an example of how the preservation of a structure can give rise to wonderful new programs, and drive improvement of the surrounding community.
Pam
Sadly, Wharton only owned The Mount for ten years, and yes, it went on to become a school from 1942-1976.