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| One way of giving exposed wood trusses a modern flavor is to treat them in the same manner as the rest of the construction. This Lake House on Long Island gives every surface — walls, floor, ceiling, trusses — a consistent whitewash. With this treatment, the large living space recalls a gallery, where objects stand out from the white background. |
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| Seen 90 degrees from the previous photo, the trusses in the Lake House give the living space a rhythm that helps break down the scale of the space. And in this photo we see the main justification for the (lack of a) color palette: the view outside becomes an expansive painting of sorts, the colors heightened by the white surfaces. |
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by SB Architects
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| The antithesis of the previous example may be this Hillside House, where the wood beams are left in a natural appearance. This approach lends this space a warmth, but the treatment of the structure, the walls, and the windows has a simplicity that is still modern. It should be noted that the roof structure is not technically made up of trusses; they are rafters resting on beams at the bottom and meeting at a ridge beam above. The horizontal members in the center of the photo tie the two sides together for lateral support, where the rafters are doubled up, creating a nice rhythm. |
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by SB Architects
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| The space in the previous photo can seen behind the glass in the top-right corner. In the foreground we see a variation on dealing with the roof structure: intermediate beams helps stabilize the roof structure in concert with the walls on either side of the open space. It's evident in this view that the Hillside House uses wood for just about everything, yet always in a pared-down way that makes the design quite modern. |
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| This grand space also keeps lets the wood's natural appearance prevail. Lots of glass means lots of light and views, be it down low, in a clerestory (barely visible in the top left), or the accent window below the roof's high point. Note that the trusses are built as hybrids, with a steel tension rod taking the place of the bottom chord in the middle. |
| Another view shows the strong rhythm and directionality of a row of trusses. |
| And still yet another view shows the way a space can be informed by the structure. Here the two walls with storage behind doors follow the rhythm of the trusses above. |
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| A few atypical examples finish this ideabook. Here is a pergola adjacent to a pool, where wood slats comprise the sun shade over the structure. Note how the wood members criss-cross in the bottom-right corner, giving a kinked shape to the roof. |
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| This quirky carport features wood (at least I think they're wood) trusses cantilevered from a freestanding wood-stud wall. Above the trusses is a roof of translucent corrugated plastic. The articulation of the trusses creates an implied ceiling at the bottom chords, making this outdoor space appear rectangular: a box for a car. |
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| This postmodern design shows a series of trusses painted green, easily standing out from the white surfaces. Here the trusses appear more as graphic devices than actual structures, as their spacing seems too far apart, and the triangulation is missing that all-too-important vertical from the apex to the bottom chord. Nevertheless the impact of the trusses on the space is undeniable. Next: More inspiring architectural details |
If you just rip out a ceiling to expose trusses, you may find hardware, electric, and service stuff that may not be too pleasing to look at - especially on houses built more recently. You may also have ventilation/heating/cooling issues to deal with.
That said, I plan on doing just that with our basement (exposing floor joists from the floor above rather than trusses) and rerouting electrical along the perimeter and making due with the ducting. I would love to see examples of folks exposing trusses and floor joists that were intended to be covered and how they have made those look aesthetically pleasing.
thanks for the idea book