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The lack of any structural support at the corner has the effect of flattening the space, transforming the view into what appears to be a large landscape painting.
Glass wraps the corner, and the wall is virtually nonexistent. The horizontal muntin bars form a residual corner and connect the two walls. The space of the room is simultaneously contained and allowed to spill free, a nice duality.
There is nothing in the way to impede the view while creating the next great piece of literature.