Sara Cukerbaum received her B.A. from New York University in 2004. She later returned to study Interior Design at The Harrington Institute of Design in Chicago. After graduating, Sara worked as a designer at several high-end residential firms on a variety of published projects in Chicago, New York, and Dallas. She then returned to her home state of Texas where she founded SLIC Interiors in Austin.
Sara Cukerbaum received her B.A. from New York University in 2004. She... More »
Sharon Radovich of Panache Interiors was busy renovating four bathrooms in Herb and Nan Schwetman's house when she got a call from Nan. Nan told Sharon to stop working on the bathrooms because a lot the couple had wanted for years finally came on the market. The Schwetmans bought the lot immediately and put together a team of award-winning designers including Barley & Pfeiffer Architects, Panache Interiors and Botanical Concerns Landscaping.
The Schwetmans told the design team they wanted something contemporary, but with natural elements to tie their home to the beautiful panoramic views. With a strong focus on the topography, the architect created a linear home with tall north-facing windows to bring in cool light, protect the home's south-facing walls, and shield it from exposure to the sun.
Once the architects completed the design, Radovich came to the plate with an array of natural materials to promote the ambiance of the home's setting. The Schwetmans couldn't be happier. When it came to working with design professionals, Nan says, "We think we know what we like, but sometimes you just need a little nudging in the right direction."
Houzz at a Glance Who lives here: Herb and Nan Schwetman Location: Austin, Texas Size: 4,000-square-foot, two-story house with 4 bedrooms
The architects at Barley & Pfeiffer created an open floor plan for the main living area, using the lot's natural slope to conceal all secondary living spaces. Detaching the garage and placing the deck and screened-in porch on the south side protects the home from harsh winds. The design team further emphasized the home's energy efficiency by using premium non-degrading exterior materials.
Two bridges connect the carport to the house, allowing entry to the house via the main entrance or via the kitchen and utility room.
Barley & Pfeiffer utilized stone, steel and wood in the home's exterior to create a modern aesthetic while allowing the house to better blend with the surrounding landscape.
Panache Interiors used Mesquite wood floors in the main area of the house. Horizontal wood panels offset the shell fossil limestone fireplace surround. Radovich chose gray for the walls. Sliding doors lead from the living room on to the deck, showcasing the home's spectacular view of the Austin Hill Country.
All furniture and area rugs came from Room & Board. Nan says, "We just love that store. Their pieces are modern but still look cozy and they are really reasonably priced. It was perfect for us."
Radovich selected Verde Marinace as the material for the kitchen island countertop. The Marinace is comprised of large colored river rocks fused together. "Everyone is always asking me what this stone is. It is very unique," Nan says.
Ayers green granite was placed on all of the remaining kitchen counters and the kitchen backsplash was covered in a combination of horizontal limestone and glass mosaic tiles. Green-gray cabinetry in Sherwin Williams Rare Gray 6199 further emphasizes the home's contemporary look.
A custom booth built into the kitchen give the pair a place to enjoy their morning coffee. A Varaluz recycled steel and glass chandelier adds modern sparkle.
The decks are made of sustainable Ipe Brazilian hardwood. "One of my favorite things about this house is its natural setting," Nan says. "We tried to bring as much of that setting inside with our choice of colors and with some of the art that we used."
In the master bathroom, Radovich combined honed seagrass stone with mosaic bamboo tiles for the floor. "The bamboo is warmer to the foot so when Nan and Herb step out of their shower, they aren't stepping onto cold tiles," Radovich says.
In the master bedroom, a glass mosaic backsplash adds visual interest to the space. It also adds a dash of natural color that works well with the other stone in the bathroom.
NOrma Remick The view is lovely, the house is not. What are you promoting? The view or the design of the house. If the view, it's beautiful. If it's the house, well....it's not special but it is interesting, although not original or especially attractive.
festus Wow, what snarky rude comments. I think the house was built to take advantage of the views and not upstage them. The palette is neutral, warm and yet contemporary. The lines are clean. It is not somewhere you will tire of quickly. The previous comments must be from people who appreciate the "Beetlejuice renovation" type of modern.
kirb I totally agree with you festus, you took the words right out of my mouth. I think that this is a home that respects its surroundings the exterior blends beautifully and I love the bridge. I also agree completely with your comments about the interior, simple and clean is the best way when dealing with this kind of surroundings. Well said!
sefac I personally would like to see further exterior photo's. However I would not normally associate the dominate colors in the stonework with pastel green. A most curious color palate.
Deb Kapteyn I agree with some of the above comments. The view is amazing! The architecture of the home is beautiful. I am not a fan of the interior design... it feels really cold with the blues and cold tones of the stone. I would have taken it a warmer more organic direction to make it feel cozy even with all the space and windows, but everyone is drawn to different things and if the family is happy there, that is what really matters.
wandm The style reminds me of a house my family lived in in the 70s, very clean, striking lines, also had a nice view but not as nice as this. I couldn't part with my junk but I love the clean look...so easy on the eyes.
Sandra Diamond-Byrne The views dominate, the house does not compete....that's a wise direction. However, what would have made it all more cohesive, is the repeating wood choices. They used far too many, red dark Ipe, golden oak flooring, table top, etc.
ccreed01 The house probably looks more appealing with signs of life. It's so empty and the colors are almost too limited. Some small pops of color in little accents would be nice. The kitchen doesn't seem very inviting to the warmth of a family. It's beautiful and peaceful, but maybe needs a little flair.
Henrietta Starling The palette is cool, too cool for the overall feeling of the interior, in my opinion, so the end result is a lack of warmth, which is what would complement the timber in the house.
Too many timbers used, so the eye is not rewarded with peaceful continuity which is what is needed in a small space. This is especially apparent in the view from the end of the dining room, facing the kitchen. There is too much for the eye to take in and the floor enhances this. It is a strange color to put in the mix and the patchy look of the different length boards wins no prizes. The deep gray in the dining nook is not right.
The tone should be lighter - the colors in the stone are beautiful and any one of these colors could be used, with a slightly deeper tint to tie it all together.
As I said, my opinion!
Too many timbers used, so the eye is not rewarded with peaceful continuity which is what is needed in a small space. This is especially apparent in the view from the end of the dining room, facing the kitchen. There is too much for the eye to take in and the floor enhances this. It is a strange color to put in the mix and the patchy look of the different length boards wins no prizes. The deep gray in the dining nook is not right.
The tone should be lighter - the colors in the stone are beautiful and any one of these colors could be used, with a slightly deeper tint to tie it all together.
As I said, my opinion!