- Product Description
- Product Specifications
- Shipping and Returns
This Is The Tenth Painting In My Most Recent Series, Started In September 2011. The Series Is Done With Poured Acrylics And Metal Leaf. I Exposed Some Of The Metal Leaf, Allowing It To Oxidize, And Preserved The Warm Shimmery Glow Of Other Sections. This Series Was Inspired By The Series Of Political, Economic And Environmental Cataclysms That Hit In Late August/Early September And Conveys Heat, Energy, And Combustion.
The Painting Has Several Coats Of Varnish With Uv Protection, To Protect The Value Of Your Investment. This Piece Is Done In Acrylics On Museum-Quality Gessoboard, Which Mounted On A Pale Wood Frame That Shows On The Edges. I Have Mounted This Painting In A Simple Wooden Frame With Gold Leaf That Really Makes The Metal Leaf Pop!!
The Rupture Series Has Been My Most Popular Series Ever - 12 Out Of 17 Paintings Have Sold Already!
I'M Offering All Abstracts Done In Acrylics With Metallic Leaf. The Acrylics Are Typically Poured, And Then I Rub In The Metal Leaf By Hand. It'S A Very Therapeutic Process, Almost Like Kneading Bread. I Typically Expose Some Of The Metal Leaf, Allowing It To Oxidize, While Covering Other Sections In Varnish To Preserve The Warm Shimmery Glow. Once The Piece "Sets" The Way I Want It To, I Cover The Whole Painting In A Thin Layer Of Uv-Resistant Film, To Protect The Piece From Fading.
All Of The Pieces Are Done On Gessoboard, Which Is Essentially Masonite Coated With Opaque White Paint. The Painting Surface Is Mounted On A One Inch Thick Maple Cradle. No Framing Is Required, Although I Did Frame A Few Of The Pieces In This Series.
The Painting Has Several Coats Of Varnish With Uv Protection, To Protect The Value Of Your Investment. This Piece Is Done In Acrylics On Museum-Quality Gessoboard, Which Mounted On A Pale Wood Frame That Shows On The Edges. I Have Mounted This Painting In A Simple Wooden Frame With Gold Leaf That Really Makes The Metal Leaf Pop!!
The Rupture Series Has Been My Most Popular Series Ever - 12 Out Of 17 Paintings Have Sold Already!
About The Artist:
I Live And Work In Charlestown, A Neighborhood Of Boston, And My Studio Is Right On The Mystic River (Yup, The Same One Sean Penn Made Famous). Our Building Is Called The Stovefactory Studios, And One Half Of The Building Is Still A Working Factory, Although They Stopped Making Stoves In The 1800S, And Now Repurpose Textiles. I'Ve Got A Bank Of North-Facing Windows, And My Studio Is Flooded With Light, If Not Heat, Even In The Middle Of Winter.I'M Offering All Abstracts Done In Acrylics With Metallic Leaf. The Acrylics Are Typically Poured, And Then I Rub In The Metal Leaf By Hand. It'S A Very Therapeutic Process, Almost Like Kneading Bread. I Typically Expose Some Of The Metal Leaf, Allowing It To Oxidize, While Covering Other Sections In Varnish To Preserve The Warm Shimmery Glow. Once The Piece "Sets" The Way I Want It To, I Cover The Whole Painting In A Thin Layer Of Uv-Resistant Film, To Protect The Piece From Fading.
All Of The Pieces Are Done On Gessoboard, Which Is Essentially Masonite Coated With Opaque White Paint. The Painting Surface Is Mounted On A One Inch Thick Maple Cradle. No Framing Is Required, Although I Did Frame A Few Of The Pieces In This Series.
"Rupture X" Original By Marcia Crumley
This Is The Tenth Painting In My Most Recent Series, Started In September 2011. The Series Is Done With Poured Acrylics And Metal Leaf. I Exposed Some Of The Metal Leaf, Allowing It To Oxidize, And Preserved The Warm Shimmery Glow Of Other Sections. This Series Was Inspired By The Series Of Political, Economic And Environmental Cataclysms That Hit In Late August/Early September And Conveys Heat, Energy, And Combustion.
The Painting Has Several Coats Of Varnish With Uv Protection, To Protect The Value Of Your Investment. This Piece Is Done In Acrylics On Museum-Quality Gessoboard, Which Mounted On A Pale Wood Frame That Shows On The Edges. I Have Mounted This Painting In A Simple Wooden Frame With Gold Leaf That Really Makes The Metal Leaf Pop!!
The Rupture Series Has Been My Most Popular Series Ever - 12 Out Of 17 Paintings Have Sold Already!
I'M Offering All Abstracts Done In Acrylics With Metallic Leaf. The Acrylics Are Typically Poured, And Then I Rub In The Metal Leaf By Hand. It'S A Very Therapeutic Process, Almost Like Kneading Bread. I Typically Expose Some Of The Metal Leaf, Allowing It To Oxidize, While Covering Other Sections In Varnish To Preserve The Warm Shimmery Glow. Once The Piece "Sets" The Way I Want It To, I Cover The Whole Painting In A Thin Layer Of Uv-Resistant Film, To Protect The Piece From Fading.
All Of The Pieces Are Done On Gessoboard, Which Is Essentially Masonite Coated With Opaque White Paint. The Painting Surface Is Mounted On A One Inch Thick Maple Cradle. No Framing Is Required, Although I Did Frame A Few Of The Pieces In This Series.
The Painting Has Several Coats Of Varnish With Uv Protection, To Protect The Value Of Your Investment. This Piece Is Done In Acrylics On Museum-Quality Gessoboard, Which Mounted On A Pale Wood Frame That Shows On The Edges. I Have Mounted This Painting In A Simple Wooden Frame With Gold Leaf That Really Makes The Metal Leaf Pop!!
The Rupture Series Has Been My Most Popular Series Ever - 12 Out Of 17 Paintings Have Sold Already!
About The Artist:
I Live And Work In Charlestown, A Neighborhood Of Boston, And My Studio Is Right On The Mystic River (Yup, The Same One Sean Penn Made Famous). Our Building Is Called The Stovefactory Studios, And One Half Of The Building Is Still A Working Factory, Although They Stopped Making Stoves In The 1800S, And Now Repurpose Textiles. I'Ve Got A Bank Of North-Facing Windows, And My Studio Is Flooded With Light, If Not Heat, Even In The Middle Of Winter.I'M Offering All Abstracts Done In Acrylics With Metallic Leaf. The Acrylics Are Typically Poured, And Then I Rub In The Metal Leaf By Hand. It'S A Very Therapeutic Process, Almost Like Kneading Bread. I Typically Expose Some Of The Metal Leaf, Allowing It To Oxidize, While Covering Other Sections In Varnish To Preserve The Warm Shimmery Glow. Once The Piece "Sets" The Way I Want It To, I Cover The Whole Painting In A Thin Layer Of Uv-Resistant Film, To Protect The Piece From Fading.
All Of The Pieces Are Done On Gessoboard, Which Is Essentially Masonite Coated With Opaque White Paint. The Painting Surface Is Mounted On A One Inch Thick Maple Cradle. No Framing Is Required, Although I Did Frame A Few Of The Pieces In This Series.
- Product ID
- 13133539
- Sold By
- hproduct
- Size
- W 12" / D 1" / H 12"
- Designer
- Marcia Crumley
- Category
- Paintings
- Style
- Contemporary
- Product Description
- Product Specifications
- Shipping and Returns
This Is The Tenth Painting In My Most Recent Series, Started In September 2011. The Series Is Done With Poured Acrylics And Metal Leaf. I Exposed Some Of The Metal Leaf, Allowing It To Oxidize, And Preserved The Warm Shimmery Glow Of Other Sections. This Series Was Inspired By The Series Of Political, Economic And Environmental Cataclysms That Hit In Late August/Early September And Conveys Heat, Energy, And Combustion.
The Painting Has Several Coats Of Varnish With Uv Protection, To Protect The Value Of Your Investment. This Piece Is Done In Acrylics On Museum-Quality Gessoboard, Which Mounted On A Pale Wood Frame That Shows On The Edges. I Have Mounted This Painting In A Simple Wooden Frame With Gold Leaf That Really Makes The Metal Leaf Pop!!
The Rupture Series Has Been My Most Popular Series Ever - 12 Out Of 17 Paintings Have Sold Already!
I'M Offering All Abstracts Done In Acrylics With Metallic Leaf. The Acrylics Are Typically Poured, And Then I Rub In The Metal Leaf By Hand. It'S A Very Therapeutic Process, Almost Like Kneading Bread. I Typically Expose Some Of The Metal Leaf, Allowing It To Oxidize, While Covering Other Sections In Varnish To Preserve The Warm Shimmery Glow. Once The Piece "Sets" The Way I Want It To, I Cover The Whole Painting In A Thin Layer Of Uv-Resistant Film, To Protect The Piece From Fading.
All Of The Pieces Are Done On Gessoboard, Which Is Essentially Masonite Coated With Opaque White Paint. The Painting Surface Is Mounted On A One Inch Thick Maple Cradle. No Framing Is Required, Although I Did Frame A Few Of The Pieces In This Series.
The Painting Has Several Coats Of Varnish With Uv Protection, To Protect The Value Of Your Investment. This Piece Is Done In Acrylics On Museum-Quality Gessoboard, Which Mounted On A Pale Wood Frame That Shows On The Edges. I Have Mounted This Painting In A Simple Wooden Frame With Gold Leaf That Really Makes The Metal Leaf Pop!!
The Rupture Series Has Been My Most Popular Series Ever - 12 Out Of 17 Paintings Have Sold Already!
About The Artist:
I Live And Work In Charlestown, A Neighborhood Of Boston, And My Studio Is Right On The Mystic River (Yup, The Same One Sean Penn Made Famous). Our Building Is Called The Stovefactory Studios, And One Half Of The Building Is Still A Working Factory, Although They Stopped Making Stoves In The 1800S, And Now Repurpose Textiles. I'Ve Got A Bank Of North-Facing Windows, And My Studio Is Flooded With Light, If Not Heat, Even In The Middle Of Winter.I'M Offering All Abstracts Done In Acrylics With Metallic Leaf. The Acrylics Are Typically Poured, And Then I Rub In The Metal Leaf By Hand. It'S A Very Therapeutic Process, Almost Like Kneading Bread. I Typically Expose Some Of The Metal Leaf, Allowing It To Oxidize, While Covering Other Sections In Varnish To Preserve The Warm Shimmery Glow. Once The Piece "Sets" The Way I Want It To, I Cover The Whole Painting In A Thin Layer Of Uv-Resistant Film, To Protect The Piece From Fading.
All Of The Pieces Are Done On Gessoboard, Which Is Essentially Masonite Coated With Opaque White Paint. The Painting Surface Is Mounted On A One Inch Thick Maple Cradle. No Framing Is Required, Although I Did Frame A Few Of The Pieces In This Series.
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