Modern. The neighboring four-condo project by Hugh Jefferson Randolph is clearly rooted in the modern architecture of its nearby predecessor: whitewash surfaces predominate, corner windows are evident, and cantilevers and overhangs can be found. Another aspect of the modern style that they both share is an intentional asymmetry, a departure from the Classical bilateral symmetry that was prevalent before the 20th century.
This classically modernist house has a variety of windows — large, horizontal, corner — but the small openings (one is visible in the middle of the photo) stand out against the whitewashed walls.