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I often have a simple goal ...that is to use multiple colors effectively and arrange them so they express intensity
...."My current paintings from 2012-2013 contain themes of time, erosion and rejuvenation; the growth cycle . I build them in systematic sedimentary layers of color and texture using squeegees and wood strips. The traces of underlying marks are the foundation that helps structure each new layer. Each layer is in dialogue with the previous layer. There may be hints of landscape, sky, natural formations, metals and rust in my work. I follow my intuition trying to achieve a balance between the dialogue of accident and intention.
About the artist:
Don was introduced to painting by friend and abstract painter Alfred Tulk�.� I remember being invited into his studio to watch him paint and discuss what he was working on and learning about de Kooning and Pollock these were the formative years that led me into painting��.Don then went on to study life drawing with Canadian artist Leroy Jenson, Collaborations followed with artists Kiki Smith and Clifford Smith and training as a docent at the Yale Art Gallery. Don also performs professionally as a Punch and Judy puppeteer and guitarist....."My current paintings from 2012-2013 contain themes of time, erosion and rejuvenation; the growth cycle . I build them in systematic sedimentary layers of color and texture using squeegees and wood strips. The traces of underlying marks are the foundation that helps structure each new layer. Each layer is in dialogue with the previous layer. There may be hints of landscape, sky, natural formations, metals and rust in my work. I follow my intuition trying to achieve a balance between the dialogue of accident and intention.
Random Ii: More Is More Original By Don Wunderlee
I often have a simple goal ...that is to use multiple colors effectively and arrange them so they express intensity
...."My current paintings from 2012-2013 contain themes of time, erosion and rejuvenation; the growth cycle . I build them in systematic sedimentary layers of color and texture using squeegees and wood strips. The traces of underlying marks are the foundation that helps structure each new layer. Each layer is in dialogue with the previous layer. There may be hints of landscape, sky, natural formations, metals and rust in my work. I follow my intuition trying to achieve a balance between the dialogue of accident and intention.
About the artist:
Don was introduced to painting by friend and abstract painter Alfred Tulk�.� I remember being invited into his studio to watch him paint and discuss what he was working on and learning about de Kooning and Pollock these were the formative years that led me into painting��.Don then went on to study life drawing with Canadian artist Leroy Jenson, Collaborations followed with artists Kiki Smith and Clifford Smith and training as a docent at the Yale Art Gallery. Don also performs professionally as a Punch and Judy puppeteer and guitarist....."My current paintings from 2012-2013 contain themes of time, erosion and rejuvenation; the growth cycle . I build them in systematic sedimentary layers of color and texture using squeegees and wood strips. The traces of underlying marks are the foundation that helps structure each new layer. Each layer is in dialogue with the previous layer. There may be hints of landscape, sky, natural formations, metals and rust in my work. I follow my intuition trying to achieve a balance between the dialogue of accident and intention.
- Product ID
- 15090000
- Sold By
- hproduct
- Size
- W 24" / D 0.75" / H 36"
- Designer
- don wunderlee
- Category
- Paintings
- Style
- Contemporary
- Product Description
- Product Specifications
- Shipping and Returns
I often have a simple goal ...that is to use multiple colors effectively and arrange them so they express intensity
...."My current paintings from 2012-2013 contain themes of time, erosion and rejuvenation; the growth cycle . I build them in systematic sedimentary layers of color and texture using squeegees and wood strips. The traces of underlying marks are the foundation that helps structure each new layer. Each layer is in dialogue with the previous layer. There may be hints of landscape, sky, natural formations, metals and rust in my work. I follow my intuition trying to achieve a balance between the dialogue of accident and intention.
About the artist:
Don was introduced to painting by friend and abstract painter Alfred Tulk�.� I remember being invited into his studio to watch him paint and discuss what he was working on and learning about de Kooning and Pollock these were the formative years that led me into painting��.Don then went on to study life drawing with Canadian artist Leroy Jenson, Collaborations followed with artists Kiki Smith and Clifford Smith and training as a docent at the Yale Art Gallery. Don also performs professionally as a Punch and Judy puppeteer and guitarist....."My current paintings from 2012-2013 contain themes of time, erosion and rejuvenation; the growth cycle . I build them in systematic sedimentary layers of color and texture using squeegees and wood strips. The traces of underlying marks are the foundation that helps structure each new layer. Each layer is in dialogue with the previous layer. There may be hints of landscape, sky, natural formations, metals and rust in my work. I follow my intuition trying to achieve a balance between the dialogue of accident and intention.
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