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Maldives #9 11x14  Natural No Mat
Maldives #9 11x14  Natural No Mat
Maldives #9 11x14  Natural No Mat
  • Product Description
  • Product Specifications
  • Shipping and Returns
  • 40x60 inch prints are only available unframed and Face Mounted. 40x60 inch prints are editions of 25
  • All prints are signed and numbered on a card of authenticity
In August, 2012, I led an Arctic art expedition called Chasing the Light aboard the Wanderbird up the NW coast of Greenland. It was the second expedition to this area whose mission was to create art inspired by the dramatic geography. The first was in 1869, led by the American painter William Bradford. This body of work documents climate change through art. In a deeper sense, this series addresses the concept of saying goodbye on both a personal and global level. My mother, Rena Bass Forman, had conceived the idea for the voyage, but sadly did not live to see it through. During the months of her illness her dedication to the expedition never wavered and I promised to carry out her final journey. In Greenland, I scattered her ashes amongst crackling ice diamonds, on the towering peak of one of earth's oldest stones and under the green glow of northern lights. She is now a part of the landscape she loved so much. I am deeply grateful for the team of talented artists and scholars and the Wanderbird captains and crew for helping me carry out her wishes and realize her dream. My hope is that these drawings bring awareness, and invite viewers to share the urgency in a hopeful and meaningful way. Art can facilitate a deeper understanding of any crisis, helping us find meaning and optimism in shifting landscapes.

Maldives #9 11x14 Natural No Mat

    • 40x60 inch prints are only available unframed and Face Mounted. 40x60 inch prints are editions of 25
    • All prints are signed and numbered on a card of authenticity
    In August, 2012, I led an Arctic art expedition called Chasing the Light aboard the Wanderbird up the NW coast of Greenland. It was the second expedition to this area whose mission was to create art inspired by the dramatic geography. The first was in 1869, led by the American painter William Bradford. This body of work documents climate change through art. In a deeper sense, this series addresses the concept of saying goodbye on both a personal and global level. My mother, Rena Bass Forman, had conceived the idea for the voyage, but sadly did not live to see it through. During the months of her illness her dedication to the expedition never wavered and I promised to carry out her final journey. In Greenland, I scattered her ashes amongst crackling ice diamonds, on the towering peak of one of earth's oldest stones and under the green glow of northern lights. She is now a part of the landscape she loved so much. I am deeply grateful for the team of talented artists and scholars and the Wanderbird captains and crew for helping me carry out her wishes and realize her dream. My hope is that these drawings bring awareness, and invite viewers to share the urgency in a hopeful and meaningful way. Art can facilitate a deeper understanding of any crisis, helping us find meaning and optimism in shifting landscapes.

    Product ID
    24083819
    Sold By
    hproduct
    Size
    W 11" / H 14"


    • Product Description
    • Product Specifications
    • Shipping and Returns
    • 40x60 inch prints are only available unframed and Face Mounted. 40x60 inch prints are editions of 25
    • All prints are signed and numbered on a card of authenticity
    In August, 2012, I led an Arctic art expedition called Chasing the Light aboard the Wanderbird up the NW coast of Greenland. It was the second expedition to this area whose mission was to create art inspired by the dramatic geography. The first was in 1869, led by the American painter William Bradford. This body of work documents climate change through art. In a deeper sense, this series addresses the concept of saying goodbye on both a personal and global level. My mother, Rena Bass Forman, had conceived the idea for the voyage, but sadly did not live to see it through. During the months of her illness her dedication to the expedition never wavered and I promised to carry out her final journey. In Greenland, I scattered her ashes amongst crackling ice diamonds, on the towering peak of one of earth's oldest stones and under the green glow of northern lights. She is now a part of the landscape she loved so much. I am deeply grateful for the team of talented artists and scholars and the Wanderbird captains and crew for helping me carry out her wishes and realize her dream. My hope is that these drawings bring awareness, and invite viewers to share the urgency in a hopeful and meaningful way. Art can facilitate a deeper understanding of any crisis, helping us find meaning and optimism in shifting landscapes.

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