Keith Wagner drew from his love of flat land and open sky when it came to selecting a site and designing his own home. The resulting assembly of wood and metal outbuildings forms a minimalist compound containing a main house, guest house, painting studio and sculpture studio. The outbuildings are organized by and contained within a datum of low concrete walls, a tree bosque, hedgerows and a crushed stone sculpture court. The architecture gives way to the landscape and allows visitors to focus on nature. Keith's own large spherical sculptures dot the landscape and evoke the rolled hay bales seen across the New England landscape.
Architectural Design: Keith Wagner with Birdseye Design
Image Credit: Westphalen Photography
This photo has 2 questions
leahbeth wrote:
So beautiful! What is the siding used for the Barn? Thanks! - We are wanting to build a shed/studio and would love a modern, simple barn. Yours is fantastic! »
H. Keith Wagner Partnership My busniess partner Keith is an artist and makes those out of scrap steel. You can see more of them at http://www.hkeithwagner.com/
Set amongst the formality of the allée of standard deciduous trees, rusty ball sculptures bring this viewing garden to life. The minimalist buildings behind, including the sculptor's studio, create the perfect background and setting for this nearly plant-free garden.
Use negative spaces wisely. The flat void between these two buildings might have been a place to park the car or stash waste and recycling bins. But now, in the hands of a gifted designer, this opening contains a collection of botanical and man-made elements. Together they create a focal point that makes the entire landscape feel cohesive.I love the interplay between the bosk and the various-size metal orbs on the ground. I love how the gaps between the tree trunks and the artwork can be navigated so anyone visiting walks through the space (rather than just observes it). This space is modern and understated — but certainly makes a powerful design statement.
Stevie, we need to think about the space between the house and garage at the Kamp. Hide the functional elements (e.g., generator, clothesline) and build in some design. Maybe this is a spot for specimen trees (like the non-native larch at the Edge of the Wilderness Discovery Center)
Mr. and Mrs. McDonald reported that their farm had been overrun by giant dung beetles. The upside was that the barn no longer had to be cleaned, but the giant balls of "compost" caused the driveway to sprout trees.
Use negative spaces wisely. The flat void between these two buildings might have been a place to park the car or stash waste and recycling bins. But now, in the hands of a gifted designer, this opening contains a collection of botanical and man-made elements. Together they create a focal point that makes the entire landscape feel cohesive.
I love the interplay between the bosk and the various-size metal orbs on the ground. I love how the gaps between the tree trunks and the artwork can be navigated so anyone visiting walks through the space (rather than just observes it). This space is modern and understated — but certainly makes a powerful design statement.
Use negative spaces wisely. The flat void between these two buildings might have been a place to park the car or stash waste and recycling bins. But now, in the hands of a gifted designer, this opening contains a collection of botanical and man-made elements