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Photos by Hanrahan Meyers Architects
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type: architect
135 West 20th Street Suite 300
New York, US 10011
phone: 212.989.6026
fax: 212.255.3776
web site: www.hanrahanmeyers.com
hMa: hanrahan Meyers architects
hanrahanMeyers architects (hMa) believe that abstract and minimal form is part of an ongoing transformation of design as a global practice of universal forms, as well as a local practice that values essential human experience by accomplishing the most with the least means.
Architecture and Nature
hMa’s architecture of abstract and minimal form is open and sympathetic to nature, as well as revealing of nature. It is open to nature by allowing natural spaces and materials to come into buildings. It also reveals nature by contrast, where the single architectural gesture frames complex topographies and views. In this way, the architecture of hMa both absorbs and measures nature.
Trajectories
These two statements place hMa in the school of designers and artists who conceptually integrate art, architecture and nature by means of essential forms and experiences, including such figures as Carl Andre, Mies Van Der Rohe and John Cage. This conceptual integration is a complex cultural phenomenon belied by the simplicity of forms that are employed, relying both on the invented and the found, the new and the contextual, and the abstract and the natural.
hMa has teamed with artists on several projects. Composer Michael Schumacher and sculptor David Teeple have been in-house consultants on a number of hMa projects. For hMa’s new Community Center adjacent to Ground Zero, Michael Schumacher composed the composition, ‘Birdsong’, that establishes the formal language for a ‘frit’ pattern that will go on the glass façade of the building. David Teeple’s sculptural vision was part of the formal discussion both for Holley House, as well as Dune House (currently in design). hMa has served as an ongoing advisor to Mark di Suvero and Socrates Sculpture Park.
hMa’s value that they place on abstraction in their architecture is exemplified by their design of the Holley Loft in Manhattan, featured in MoMA’s ‘Un-Private House’ show. Holley Loft was included as a demonstration of hMa’s concept of ‘liberated living’. The Holley House in Garrison, New York is their second commission for the same client and is the rural counterpart to the urban loft.
Ecological Form
By integrating nature and minimalism into their work, hMa accomplishes the most with the least means: extensive natural light, buildings set into topography, renewable energy sources and local materials . hMa’s practice began when partners Victoria Meyers and Thomas Hanrahan came to international attention after designing the winning entry in the design competition for Chattanooga Nature Interpretive Center. hMa’s winning entry was arguably the first ecologically designed museum in the world, and set the tone for their practice and their ongoing dialogue between nature, art, and minimalism.
Office Research
Research by hMa include investigations into sound and sound waves (WaveLine; Ojai Festival Shell); research into techniques for stone wall construction (Holley House); research into vision and sight as they relate to formal constructions (See-Thru House); research into light and shadow to coordinate the placement of architectural program in space (Queens Museum of Art; Won Buddhist Retreat); Research into the fabrication of sound waves into visual patterns in order to allow visitors to inhabit sound, visually (Battery Park City Community Center); Research into the development of pre-stressed and failed materials in the design of a dwelling (Dune House); Research into the use of pre-fabricated elements to create dwelling (Pre-Fab House). The firm’s researches into these areas are in the process of being collected for hMa’s next book.
hMa is a certified WBE.
hanrahanMeyers architects (hMa) believe that abstract and minimal form is part of an ongoing transformation of design as a global practice of universal forms, as well as a local practice that values essential human experience by accomplishing the most with the least means.
Architecture and Nature
hMa’s architecture of abstract and minimal form is open and sympathetic to nature, as well as revealing of nature. It is open to nature by allowing natural spaces and materials to come into buildings. It also reveals nature by contrast, where the single architectural gesture frames complex topographies and views. In this way, the architecture of hMa both absorbs and measures nature.
Trajectories
These two statements place hMa in the school of designers and artists who conceptually integrate art, architecture and nature by means of essential forms and experiences, including such figures as Carl Andre, Mies Van Der Rohe and John Cage. This conceptual integration is a complex cultural phenomenon belied by the simplicity of forms that are employed, relying both on the invented and the found, the new and the contextual, and the abstract and the natural.
hMa has teamed with artists on several projects. Composer Michael Schumacher and sculptor David Teeple have been in-house consultants on a number of hMa projects. For hMa’s new Community Center adjacent to Ground Zero, Michael Schumacher composed the composition, ‘Birdsong’, that establishes the formal language for a ‘frit’ pattern that will go on the glass façade of the building. David Teeple’s sculptural vision was part of the formal discussion both for Holley House, as well as Dune House (currently in design). hMa has served as an ongoing advisor to Mark di Suvero and Socrates Sculpture Park.
hMa’s value that they place on abstraction in their architecture is exemplified by their design of the Holley Loft in Manhattan, featured in MoMA’s ‘Un-Private House’ show. Holley Loft was included as a demonstration of hMa’s concept of ‘liberated living’. The Holley House in Garrison, New York is their second commission for the same client and is the rural counterpart to the urban loft.
Ecological Form
By integrating nature and minimalism into their work, hMa accomplishes the most with the least means: extensive natural light, buildings set into topography, renewable energy sources and local materials . hMa’s practice began when partners Victoria Meyers and Thomas Hanrahan came to international attention after designing the winning entry in the design competition for Chattanooga Nature Interpretive Center. hMa’s winning entry was arguably the first ecologically designed museum in the world, and set the tone for their practice and their ongoing dialogue between nature, art, and minimalism.
Office Research
Research by hMa include investigations into sound and sound waves (WaveLine; Ojai Festival Shell); research into techniques for stone wall construction (Holley House); research into vision and sight as they relate to formal constructions (See-Thru House); research into light and shadow to coordinate the placement of architectural program in space (Queens Museum of Art; Won Buddhist Retreat); Research into the fabrication of sound waves into visual patterns in order to allow visitors to inhabit sound, visually (Battery Park City Community Center); Research into the development of pre-stressed and failed materials in the design of a dwelling (Dune House); Research into the use of pre-fabricated elements to create dwelling (Pre-Fab House). The firm’s researches into these areas are in the process of being collected for hMa’s next book.
hMa is a certified WBE.
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