Stoney Bank Nurseries, Inc. http://www.stoneybanknurseries.com/ Project Entry: Restoration of Rose Valley Farm 2013 PLNA Awards for Landscape Excellence Winner Category: Residential $60,000 & Over Award Level: Gold Project Description: Rose Valley Farm is an irreplaceable part of local identity and pride as much as it is a testament to the development of distinctive American design and craftsmanship. Our challenge was to restore this historic landscape to former glory while seamlessly blending desired amenities. This landscape architecture restoration project has preserved the work of our predecessors by creating a living document and preserving arguably the finest example of the arts and crafts movement in America. In 1901 Quaker architect William Lightfoot Price founded the Rose Valley Association to save and encourage the continuation of craftsmanship in response to the Industrial Revolution. In support of Price's experiment, Mr. and Mrs. Charles T Schoen purchased the estate and commissioned Price to transform the existing cottage into an elegant villa. After Schoen's death, Maurice and Adele Saul purchased the property. The property and villa was retained in a family trust after Saul's death in 1974. In 2005, a developer purchased the estate and the twenty-six acres of land that remained attached to the estate with the intent of creating a housing community. The Borough of Rose Valley rarely allows housing developments within its boundaries. The borough agreed to allow the developer to construct a higher density townhouse community with the condition that half of the property remained as open space and notable trees and buildings would be protected and preserved. Our company was brought in by the new estate owners with the intent to repurpose the historical artifacts found throughout the site and to restore the gardens to their previous state of glory. The developer gave the estate owner permission to remove any salvageable stone and plantings that would be lost in during construction. In addition to the many salvaged shrubs and trees, over 20 mature trees from our nursery were hand selected and transplanted onto the estate. The result is a landscape that responds to the age of the house while providing critical screening from the surrounding development. Trees shading the formal gardens and untamed undergrowth swarming garden bed remnants were proof that the gardens had not received any maintenance for at least ten years_ Garden beds were purged and then reinstated by adding new boxwood varieties that are more resistant to the diseases that were crippling existing boxwoods. Transplanted peonies and irises now burst into bloom around the repaired central garden fountain in springtime followed by an array of lilies and lavender in the summer. A spectrum of over 120 different plant species was selected for the estate in order to provide year round interest. Amsonia's lavender blue flowers steal the show early in the spring and its leaves celebrate autumn by turning a brilliant yellow. Different daylily species were chosen with staggered bloom times to enlighten the gardens with their colorful manner. Japanese Stewartia was selected to enhance the diversity and compliment other mature trees as it decorates the landscape throughout the season with flowers, foliage, and intricate bark patterns. The remnant stone foundations of the original pump house were not feasible to restore but held the old grindstone from the mill on the property. The mill grindstone was relocated by crane and incorporated into a new water feature in the formal gardens. The foundations of the pump house were transformed into a ruin garden with multiple water features and lush plantings. Large Haste leaves create a backdrop for the finely detailed leaves of ferns growing from cracks in the stone walls. Eroding slopes near the studio guest house threatened its longevity and needed to be stabilized. More than 400 tons of large boulders were brought in to stabilize the steep bank near the studio building. A crane was used to lift the boulders as each stone was individually placed into the bank. Gro-low Fragrant Sumac and Cutleaf Stephanandra were especially useful in retaining soil on the steep bank while providing wonderful interest throughout the seasons. Any visiting guest will feel at home with their own private gather spaces connected to the studio. Views of the landscape are enjoyed off the back grilling patio of the studio guest house. Native Switchgrass and Northern Sea Oats are planted in the nearby embankment. They rustle in the wind all summer long and come fall highlight the landscape with seed heads. Pink Muhly Grass contrasts against the yellow leaves of Yucca filamentosa 'Golden Sword' as they mark the staircase that descends the hill to the observation terrace. The seamless blend of old and new features on the site was possible through the dedication of the new owners, designers, arid laborers working to preserve, restore, and enhance the works of outstanding craftsmen created a century ago. The result is a residence in which the sole purpose of its existence is to display and preserve one of the finest arts and crafts estates in the country. This landscape architecture historical restoration project has actualized the grace of a mature landscape in a modern era. Photo Credit: Stoney Bank Nurseries, Inc.

This remodel of an architect’s Seattle bungalow goes beyond simple renovation. It starts with the idea that, once completed, the house should look as if had been built that way originally. At the same time, it recognizes that the way a house was built in 1926 is not for the way we live today. Architectural pop-outs serve as window seats or garden windows. The living room and dinning room have been opened up to create a larger, more flexible space for living and entertaining. The ceiling in the central vestibule was lifted up through the roof and topped with a skylight that provides daylight to the middle of the house. The broken-down garage in the back was transformed into a light-filled office space that the owner-architect refers to as the “studiolo.” Bosworth raised the roof of the stuidiolo by three feet, making the volume more generous, ensuring that light from the north would not be blocked by the neighboring house and trees, and improving the relationship between the studiolo and the house and courtyard.

The original planting bed was too narrow and the lack of evergreen plant material left this side of the residence completely bare in the winter.
Inspiration for a traditional landscaping in Seattle.

Inspiration for a contemporary hillside gravel landscaping in Los Angeles.

We moved the existing maple tree out slightly from the house corner to provide more privacy from the street view.
Photo of a traditional landscaping in Seattle.

After reshaping the lawn to widen the bed, we relocated a weeping birch from a hidden part of the site and planted it in a more prominent location to be a focal point.

Design and landscape of a historic house in Ridgefield, CT.
Photo of a traditional landscaping in New York.

This beautiful home features a wide stone pathway to the front door, stone retaining walls wrapped around the sides of the house, a large bermed planting bed near the u-shaped driveway for added privacy, a curved paver path leading to the backyard with a large entertainment space and gas fire pit, softened with planting beds. Drainage in the backyard was an issue, so a dry creek bed was built to divert water away from the house's foundation.

This beautiful home features a wide stone pathway to the front door, stone retaining walls wrapped around the sides of the house, a large bermed planting bed near the u-shaped driveway for added privacy, a curved paver path leading to the backyard with a large entertainment space and gas fire pit, softened with planting beds. Drainage in the backyard was an issue, so a dry creek bed was built to divert water away from the house's foundation.

Inspiration for a traditional backyard landscaping in Austin.

This Cape Cod style greenhouse is 12x20 feet. The unique foundation and decorative cresting give it a beautiful look, and it is used as a sitting room with a view of the ocean.

This lovely, lush front yard is a collection of drought tolerant perennials and ornamental grass. The small lawn is drought tolerant grass. Note the small 'Baby Blue Eyes' spruce tree in the back by the north west corner of the house, it replaced a full sized Blue Spruce threatening the house's foundation. Rick Laughlin, APLD

Stoney Bank Nurseries, Inc. http://www.stoneybanknurseries.com/ Project Entry: Restoration of Rose Valley Farm 2013 PLNA Awards for Landscape Excellence Winner Category: Residential $60,000 & Over Award Level: Gold Project Description: Rose Valley Farm is an irreplaceable part of local identity and pride as much as it is a testament to the development of distinctive American design and craftsmanship. Our challenge was to restore this historic landscape to former glory while seamlessly blending desired amenities. This landscape architecture restoration project has preserved the work of our predecessors by creating a living document and preserving arguably the finest example of the arts and crafts movement in America. In 1901 Quaker architect William Lightfoot Price founded the Rose Valley Association to save and encourage the continuation of craftsmanship in response to the Industrial Revolution. In support of Price's experiment, Mr. and Mrs. Charles T Schoen purchased the estate and commissioned Price to transform the existing cottage into an elegant villa. After Schoen's death, Maurice and Adele Saul purchased the property. The property and villa was retained in a family trust after Saul's death in 1974. In 2005, a developer purchased the estate and the twenty-six acres of land that remained attached to the estate with the intent of creating a housing community. The Borough of Rose Valley rarely allows housing developments within its boundaries. The borough agreed to allow the developer to construct a higher density townhouse community with the condition that half of the property remained as open space and notable trees and buildings would be protected and preserved. Our company was brought in by the new estate owners with the intent to repurpose the historical artifacts found throughout the site and to restore the gardens to their previous state of glory. The developer gave the estate owner permission to remove any salvageable stone and plantings that would be lost in during construction. In addition to the many salvaged shrubs and trees, over 20 mature trees from our nursery were hand selected and transplanted onto the estate. The result is a landscape that responds to the age of the house while providing critical screening from the surrounding development. Trees shading the formal gardens and untamed undergrowth swarming garden bed remnants were proof that the gardens had not received any maintenance for at least ten years_ Garden beds were purged and then reinstated by adding new boxwood varieties that are more resistant to the diseases that were crippling existing boxwoods. Transplanted peonies and irises now burst into bloom around the repaired central garden fountain in springtime followed by an array of lilies and lavender in the summer. A spectrum of over 120 different plant species was selected for the estate in order to provide year round interest. Amsonia's lavender blue flowers steal the show early in the spring and its leaves celebrate autumn by turning a brilliant yellow. Different daylily species were chosen with staggered bloom times to enlighten the gardens with their colorful manner. Japanese Stewartia was selected to enhance the diversity and compliment other mature trees as it decorates the landscape throughout the season with flowers, foliage, and intricate bark patterns. The remnant stone foundations of the original pump house were not feasible to restore but held the old grindstone from the mill on the property. The mill grindstone was relocated by crane and incorporated into a new water feature in the formal gardens. The foundations of the pump house were transformed into a ruin garden with multiple water features and lush plantings. Large Haste leaves create a backdrop for the finely detailed leaves of ferns growing from cracks in the stone walls. Eroding slopes near the studio guest house threatened its longevity and needed to be stabilized. More than 400 tons of large boulders were brought in to stabilize the steep bank near the studio building. A crane was used to lift the boulders as each stone was individually placed into the bank. Gro-low Fragrant Sumac and Cutleaf Stephanandra were especially useful in retaining soil on the steep bank while providing wonderful interest throughout the seasons. Any visiting guest will feel at home with their own private gather spaces connected to the studio. Views of the landscape are enjoyed off the back grilling patio of the studio guest house. Native Switchgrass and Northern Sea Oats are planted in the nearby embankment. They rustle in the wind all summer long and come fall highlight the landscape with seed heads. Pink Muhly Grass contrasts against the yellow leaves of Yucca filamentosa 'Golden Sword' as they mark the staircase that descends the hill to the observation terrace. The seamless blend of old and new features on the site was possible through the dedication of the new owners, designers, arid laborers working to preserve, restore, and enhance the works of outstanding craftsmen created a century ago. The result is a residence in which the sole purpose of its existence is to display and preserve one of the finest arts and crafts estates in the country. This landscape architecture historical restoration project has actualized the grace of a mature landscape in a modern era. Photo Credit: Stoney Bank Nurseries, Inc.

©2015 Andy Schwartz - Stylish Detroit Photography
Design ideas for a rustic outdoor playset in Detroit.

After removing an outdated circle drive and overgrown plantings, our team reconfigured the drive and installed a full-range color bluestone walk to clearly emphasize the main door over the side entry.

Photographer: Tom Crane Made of 300, 10-foot steel blades set upright 8 inches apart, the award winning Cor-Ten Cattails Sculptural fence was designed for a home in Berwyn, Pennsylvania as a yard sculpture that also keeps deer out. Made of COR-TEN, a steel alloy that eliminates the need for painting and maintains a rich, dark rust color without corroding, the fence stanchions were cut with a plasma cutter from sheets of the alloy. Each blade stands 8 feet above grade, set in concrete 3 feet below, weighs 80-90 pounds and is 5/8 inch thick. The profile of the blades is an irregular trapezoid with no horizontal connections or supports. Only the gate has two horizontal bars, and each leaf weighs 1200 pounds.

Garden for the Disconnected Downspout. Photo by Amy Whitworth, Installation by Apogee Landscapes www.apogeelandscapes.com
Photo of an asian landscaping in Portland.

Architect: Blaine Bonadies, Bonadies Architect Photography By: Jean Allsopp Photography “Just as described, there is an edgy, irreverent vibe here, but the result has an appropriate stature and seriousness. Love the overscale windows. And the outdoor spaces are so great.” Situated atop an old Civil War battle site, this new residence was conceived for a couple with southern values and a rock-and-roll attitude. The project consists of a house, a pool with a pool house and a renovated music studio. A marriage of modern and traditional design, this project used a combination of California redwood siding, stone and a slate roof with flat-seam lead overhangs. Intimate and well planned, there is no space wasted in this home. The execution of the detail work, such as handmade railings, metal awnings and custom windows jambs, made this project mesmerizing. Cues from the client and how they use their space helped inspire and develop the initial floor plan, making it live at a human scale but with dramatic elements. Their varying taste then inspired the theme of traditional with an edge. The lines and rhythm of the house were simplified, and then complemented with some key details that made the house a juxtaposition of styles. The wood Ultimate Casement windows were all standard sizes. However, there was a desire to make the windows have a “deep pocket” look to create a break in the facade and add a dramatic shadow line. Marvin was able to customize the jambs by extruding them to the exterior. They added a very thin exterior profile, which negated the need for exterior casing. The same detail was in the stone veneers and walls, as well as the horizontal siding walls, with no need for any modification. This resulted in a very sleek look. MARVIN PRODUCTS USED: Marvin Ultimate Casement Window

Inspiration for a contemporary front yard landscaping in Miami.