8 Contemporary Furniture Trends for 2026
Decorative detailing, historical references and playful forms defined this year’s ICFF trade fair in New York
The annual International Contemporary Furniture Fair, a global gathering of designers, manufacturers, architects and design enthusiasts, returned to New York City’s Javits Center on May 17-19 with ornamentation, tactile materials and expressive forms taking center stage. Throughout the trade show, furniture, lighting, accessories, wallcoverings, flooring and kitchen and bath products balanced vintage influences with playful silhouettes, softer textures and updated classic motifs. Below are the standout directions that emerged in new products at the 2026 ICFF.
Partnering with San Francisco-based design studio Ammunition, Gantri introduced 10 new wireless lighting designs, including the Eave Slim Wireless in Manzanita, named for the North American shrub known for its vibrant red bark.
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2. The Ripple Effect
Curvy, wavy lines and crinkled forms appeared repeatedly at this year’s ICFF. The undulating silhouettes folded in on themselves and doubled back in complex, sculptural ways, showing up across furnishings, lighting and hardware alike.
Nitush & Aroosh’s Moro coffee table set calls to mind crumpled paper. Its sculptural stainless steel form features mirrored sides that emphasize the irregular surface while reflecting surrounding colors and textures.
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Curvy, wavy lines and crinkled forms appeared repeatedly at this year’s ICFF. The undulating silhouettes folded in on themselves and doubled back in complex, sculptural ways, showing up across furnishings, lighting and hardware alike.
Nitush & Aroosh’s Moro coffee table set calls to mind crumpled paper. Its sculptural stainless steel form features mirrored sides that emphasize the irregular surface while reflecting surrounding colors and textures.
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3. Brocade and Chinoiserie
Brocade and chinoiserie patterns appeared in several new introductions, furthering the Art Deco influences seen throughout ICFF.
Kristi Bender and Wendy Schwartz of Cuff Studio, known for richly detailed interiors, showcased several new furniture introductions at ICFF, including the Fold lounge chair, ottoman and stool. Each paired sculptural forms with traditional upholstery from Scalamandre.
Brocade and chinoiserie patterns appeared in several new introductions, furthering the Art Deco influences seen throughout ICFF.
Kristi Bender and Wendy Schwartz of Cuff Studio, known for richly detailed interiors, showcased several new furniture introductions at ICFF, including the Fold lounge chair, ottoman and stool. Each paired sculptural forms with traditional upholstery from Scalamandre.
Merenda Wallpaper’s Imperial Dragon pattern, shown in Midnight Dynasty, was inspired by historic Chinese tapestry robes. It reinterprets the intricate linework of textile motifs as a bold, statement-making wallcovering.
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4. Borders
As traditional design aesthetics continue to regain popularity, so too do the layered, decorative details that define them. The once-maligned wallpaper border, for instance, a hallmark of 1980s and 1990s interiors, has reemerged in recent years, paving the way for similar detailing to appear in other forms as well.
Part of Alex DelBello’s rug collection for her design studio, DelBello, Sumac features a neutral field edged with vibrant sumac leaves. While the indented shape feels contemporary, the edging nods to the renewed interest in classic decorative details. DelBello says, “While some traditional elements are certainly coming back in design, I hope they aren’t too quickly labeled a trend, because in my opinion, the ones coming back are timeless, including borders.”
As traditional design aesthetics continue to regain popularity, so too do the layered, decorative details that define them. The once-maligned wallpaper border, for instance, a hallmark of 1980s and 1990s interiors, has reemerged in recent years, paving the way for similar detailing to appear in other forms as well.
Part of Alex DelBello’s rug collection for her design studio, DelBello, Sumac features a neutral field edged with vibrant sumac leaves. While the indented shape feels contemporary, the edging nods to the renewed interest in classic decorative details. DelBello says, “While some traditional elements are certainly coming back in design, I hope they aren’t too quickly labeled a trend, because in my opinion, the ones coming back are timeless, including borders.”
5. Weaving
A noticeable thread of woven forms appeared repeatedly throughout the show. Whether used in seating, wallcoverings or rugs, braided materials became a structural and decorative element in many introductions. The applications ranged from refined and architectural to softer, more organic expressions, including Scott Group Studio’s Rista rug designed in collaboration with Mary Ratcliffe.
A noticeable thread of woven forms appeared repeatedly throughout the show. Whether used in seating, wallcoverings or rugs, braided materials became a structural and decorative element in many introductions. The applications ranged from refined and architectural to softer, more organic expressions, including Scott Group Studio’s Rista rug designed in collaboration with Mary Ratcliffe.
Mycel’s new premium material line, Celmure, helped the South Korean biomaterials company garner this year’s Best in Sustainability award at ICFF. The booth’s woven and braided installations demonstrated the new line’s versatility and aesthetic potential, showcasing how the mycelium-based bio leather material, derived from the root-like structure of fungi, can be applied in interior and furniture design.
Innovative Sustainable Materials at Maison & Objet 2026
Innovative Sustainable Materials at Maison & Objet 2026
6. Heritage Bath Style
While many bath brands introduced compelling modern designs at this year’s show, others looked to the past. Brizo’s widespread wall-mount bridge faucet with side sprayer, part of the Faircroft kitchen collection, pairs a classic silhouette with contemporary technology, including touch-activated functionality.
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While many bath brands introduced compelling modern designs at this year’s show, others looked to the past. Brizo’s widespread wall-mount bridge faucet with side sprayer, part of the Faircroft kitchen collection, pairs a classic silhouette with contemporary technology, including touch-activated functionality.
25 Home Design Trends Defining How We’ll Live in 2026
7. Art Deco Inspiration
Reimagined Art Deco references surfaced repeatedly throughout the fair, from intricate inlays and plush textiles to glossy, reflective finishes. Rather than feeling overtly vintage, the influences were pared back through streamlined silhouettes and restrained material palettes.
Based on an original 1930s design by influential French designer Paul Poiret, the Roan lounge chair from Belgium’s Ethnicraft translates the Art Deco tastemaker’s work into a calmer, more streamlined silhouette.
Reimagined Art Deco references surfaced repeatedly throughout the fair, from intricate inlays and plush textiles to glossy, reflective finishes. Rather than feeling overtly vintage, the influences were pared back through streamlined silhouettes and restrained material palettes.
Based on an original 1930s design by influential French designer Paul Poiret, the Roan lounge chair from Belgium’s Ethnicraft translates the Art Deco tastemaker’s work into a calmer, more streamlined silhouette.
While both Art Deco and Brutalist influences were especially evident in Marx Et Al’s booth, the studio’s innovative brass finishes and sculptural forms felt notably fresh. The Watteau console combines patinated brass, blackened steel and Breccia Pernice marble in a composition that balances classic ornamentation with cutting-edge design.
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6 Interior Design Trends From Maison & Objet 2026
8. Dimpled, Doughy Forms
Plump, circular stacks appeared frequently throughout the show, shaping everything from tables and stools to decorative hardware. The layered forms introduced a playful sense of volume, with rounded silhouettes that almost begged to be pinched.
Long Island, N.Y.-based sculptor and furniture designer Ian Love introduced both color and cast stone into his woodworking this year. His Jackson nesting coffee tables combine brightly stained eucalyptus wood bases with microcement tops, reinforcing the fair’s embrace of thick, stacked circular forms.
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Plump, circular stacks appeared frequently throughout the show, shaping everything from tables and stools to decorative hardware. The layered forms introduced a playful sense of volume, with rounded silhouettes that almost begged to be pinched.
Long Island, N.Y.-based sculptor and furniture designer Ian Love introduced both color and cast stone into his woodworking this year. His Jackson nesting coffee tables combine brightly stained eucalyptus wood bases with microcement tops, reinforcing the fair’s embrace of thick, stacked circular forms.
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MOOOMO’s aptly named Mooosh stools, with their cushioned doughnut-shaped seats, are as comfortable as they look, especially after a long day walking a trade show. The swivel stools have removable, washable 3D-knit covers designed to be easily changed without tools.
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In the 1990s, interiors embraced wine-colored reds and browns. And though the palette faded from prominence, Pantone’s selection of Marsala as its 2015 Color of the Year signaled its return. Since then, the hue has steadily gained traction again, and at this year’s ICFF, its prevalence across new introductions was hard to ignore. Simply put, burgundy was everywhere, bringing depth, warmth and a slightly moodier edge.
At her booth, New Zealand designer Emma Hayes debuted Dreamer, a pattern “inspired by the quiet drama of the atmosphere.” Though available in more neutral colors, the design was especially striking in Merlot Brushed Metallic, pictured.
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