1930's Cottage Casey Dunn Photography
Small traditional one-story wood exterior home idea in Austin

Photo: Sarah Greenman © 2013 Houzz
Traditional beige one-story exterior home idea in Austin

Example of a small eclectic exterior home design in Portland

Photo by Stacy Bass, courtesy of the Glass House.
Modern exterior home idea in New York

Originally built in the 1940’s as an austere three-bedroom partial center-hall neo-colonial with attached garage, this house has assumed an entirely new identity. The transformation to an asymmetrical dormered cottage responded to the architectural character of the surrounding City of Falls Church neighborhood. The family had lived in this house for seven years, but recognized that the plan of the house, with its discreet box-like rooms, was at odds with their desired life-style. The circulation for the house included each room, without a distinct circulation system. The architect was asked to expand the living space on both floors, and create a house that unified family activities. A family room and breakfast room were added to the rear of the first floor, and the existing spaces reconfigured to create an openness and connection among the rooms. An existing garage was integrated into the house volume, becoming the kitchen, powder room and mudroom. Front and back porches were added, allowing an overlap of family life inside the house and outside in the yard. Rather than simply enlarge the rectangular footprint of the house, the architect sought to break down the massing with perpendicular gable roofs and dormers to alleviate the roof line. The Craftsman style provided texture to the fenestration. The broad roof overhangs provided sun screening and rain protection. The challenge of unifying the massing led to the development of the breakfast room. Conceived as a modern element, the one-story massing of the breakfast room with roof terrace above twists the volume 45% to the mass of the main house. Materials and detailing express the distinction. While the main house is clad in the original brick and new horizontal siding with trim and details appropriate to its cottage vocabulary, the breakfast room exterior is clad in vertical wide-board tongue-and-groove siding to minimize the texture. The steel hand railing on the roof terrace above accentuates the clean lines of this special element. Hoachlander Davis Photography

Oasis Photography
Mid-sized craftsman blue one-story metal exterior home idea in Charlotte

http://mollywinnphotography.com
Example of a mid-sized farmhouse white one-story exterior home design in Austin

Oasis Photography
Inspiration for a mid-sized craftsman blue one-story metal exterior home remodel in Charlotte

Example of a mid-sized classic white two-story wood gable roof design in Bridgeport with a mixed material roof

Jeri Keogel
Example of a mid-sized trendy two-story exterior home design in Orange County

The exterior of the home was designed to feel as though it was a summer lodge from the 1930s or 1940s with the idea that it would feel like it's always been there. Careful attention was paid to the detailing of the exterior and the material and color pallet. Water oaks found on the site were inspirational to the color pallet. So the stain for the shingle siding was derived from the bark on the tree. Paint colors for the trim and shutters and doors were all developed from that pallet, including the dark mossy bronze green. The orientation of the house is situated to take advantage of the long panoramic views of golf and the lake with sunset views from the cooking porch and entertainment terraces on the waterside centered around a large pool and outdoor chairs. Because of its vertical nature, retaining walls of Arkansas fieldstone were used in several outdoor spaces. Sarah Rossi, Photographer

Eames House, Case Study House No. 8 (1949), Pacific Palisades, California, designed by Charles and Ray Eames Photograph: Flickr user kleemo's photostream, used under Creative Commons license.

Photos by Jeff Zaruba. Marin County Tiny House.
Example of a farmhouse white one-story tiny house design in San Francisco

David Papazian
Elegant white two-story gable roof photo in Portland

The exterior of the home was designed to feel as though it was a summer lodge from the 1930s or 1940s with the idea that it would feel like it's always been there. Careful attention was paid to the detailing of the exterior and the material and color pallet. Water oaks found on the site were inspirational to the color pallet. So the stain for the shingle siding was derived from the bark on the tree. Paint colors for the trim and shutters and doors were all developed from that pallet, including the dark mossy bronze green. Sarah Rossi, Photographer

Traditional exterior home idea in Chicago

The exterior of the home was designed to feel as though it was a summer lodge from the 1930s or 1940s with the idea that it would feel like it's always been there. Careful attention was paid to the detailing of the exterior and the material and color pallet. Water oaks found on the site were inspirational to the color pallet. So the stain for the shingle siding was derived from the bark on the tree. Paint colors for the trim and shutters and doors were all developed from that pallet, including the dark mossy bronze green. Sarah Rossi, Photographer

The exterior of the home was designed to feel as though it was a summer lodge from the 1930s or 1940s with the idea that it would feel like it's always been there. Careful attention was paid to the detailing of the exterior and the material and color pallet. Water oaks found on the site were inspirational to the color pallet. So the stain for the shingle siding was derived from the bark on the tree. Paint colors for the trim and shutters and doors were all developed from that pallet, including the dark mossy bronze green. Sarah Rossi, Photographer

A complete tear-off and new second floor now graces this this Seattle bungalow. A 3-Star Built-Green remodel, new energy efficient details were used through-out. This home was featured on the Cover of Fine Homebuilding Houses Issue #203 Summer 2009