The 1,500 sq. ft. GO Home offers two story living with a combined kitchen/living/dining space on the main level and three bedrooms with full bath on the upper level. Amenities include covered entry porch, kitchen pantry, powder room, mud room and laundry closet. LEED Platinum certification; 1st Passive House–certified home in Maine, 12th certified in U.S.; USGBC Residential Project of the Year Award 2011; EcoHome Magazine Design Merit Award, 2011; TreeHugger, Best Passive House of the Year Award 2012 photo by Trent Bell

Example of a huge farmhouse master carpeted bedroom design in Gloucestershire with gray walls

This house, in eastern Washington’s Kittitas County, is sited on the shallow incline of a slight elevation, in the midst of fifty acres of pasture and prairie grassland, a place of vast expanses, where only distant hills and the occasional isolated tree interrupt the view toward the horizon. Where another design might seem to be an alien import, this house feels entirely native, powerfully attached to the land. Set back from and protected under the tent-like protection of the roof, the front of the house is entirely transparent, glowing like a lantern in the evening. Along the windowed wall that looks out over the porch, a full-length enfilade reaches out to the far window at each end. Steep ship’s ladders on either side of the great room lead to loft spaces, lighted by a single window placed high on the gable ends. On either side of the massive stone fireplace, angled window seats offer views of the grasslands and of the watch tower. Eight-foot-high accordion doors at the porch end of the great room fold away, extending the room out to a screened space for summer, a glass-enclosed solarium in winter. In addition to serving as an observation look-out and beacon, the tower serves the practical function of housing a below-grade wine cellar and sleeping benches. Tower and house align from entrance to entrance, literally linked by a pathway, set off axis and leading to steps that descend into the courtyard.

This remodel of an architect’s Seattle bungalow goes beyond simple renovation. It starts with the idea that, once completed, the house should look as if had been built that way originally. At the same time, it recognizes that the way a house was built in 1926 is not for the way we live today. Architectural pop-outs serve as window seats or garden windows. The living room and dinning room have been opened up to create a larger, more flexible space for living and entertaining. The ceiling in the central vestibule was lifted up through the roof and topped with a skylight that provides daylight to the middle of the house. The broken-down garage in the back was transformed into a light-filled office space that the owner-architect refers to as the “studiolo.” Bosworth raised the roof of the stuidiolo by three feet, making the volume more generous, ensuring that light from the north would not be blocked by the neighboring house and trees, and improving the relationship between the studiolo and the house and courtyard.

The house was a traditional Foursquare. The heavy Mission-style roof parapet, oppressive dark porch and interior trim along with an unfortunate addition did not foster a cheerful lifestyle. Upon entry, the immediate focus of the Entry Hall was an enclosed staircase which arrested the flow and energy of the home. As you circulated through the rooms of the house it was apparent that there were numerous dead ends. The previous addition did not compliment the house, in function, scale or massing. AIA Gold Medal Winner for Interior Architectural Element. For the whole story visit www.clawsonarchitects.com

This complete remodel of a 1980's red brick ranch house transform the home from boring to amazing. All existing ceilings were raised to create a more spacious interior. Also included in the project was a 3 -car garage addition with guest quarters above. Photos by Robert Clark and Joel Van Dyke

A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography

Located upon a 200-acre farm of rolling terrain in western Wisconsin, this new, single-family sustainable residence implements today’s advanced technology within a historic farm setting. The arrangement of volumes, detailing of forms and selection of materials provide a weekend retreat that reflects the agrarian styles of the surrounding area. Open floor plans and expansive views allow a free-flowing living experience connected to the natural environment.

The local fieldstone blend covering the facade, the roof pitch, roofing materials, and architectural details of the new pool structure matches that of the main house. The rough hewn trusses in the hearth room mimic the structural components of the family room in the main house. Sliding barn doors at the front & back of the poorhouse allow the structure to be fully opened or closed. To provide access for cords of firewood to be delivered directly to the pool house, a cart path was cut through the woods from the driveway around the back of the house.

Custom maple kitchen in a 1920 Mediterranean Revival designed to coordinate with original butler's pantry. White painted shaker cabinets with statuary marble counters. Glass and polished nickel knobs. Dish washer drawers with panels. Wood bead board backspalsh, paired with white glass mosaic tiles behind sink. Waterworks bridge faucet and Rohl Shaw's Original apron front sink. Tyler Florence dinnerware. Glass canisters from West Elm. Wood and zinc monogram and porcelain blue floral fish from Anthropologie. Basket fromDean & Deluca, Napa. Navy stripe Madeleine Weinrib rug. Illy Espresso machine by Francis Francis. Claudia Uribe

Island house in southern Florida, custom-designed and pre-cut by Habitat Post & Beam, Inc. This house was ferried to the job site where it was assembled by a local builder. Photos by Michael Penney, architectural photographer IMPORTANT NOTE: We are not involved in the finish or decoration of these homes, so it is unlikely that we can answer any questions about elements that were not part of our kit package, i.e., specific elements of the spaces such as appliances, colors, lighting, furniture, landscaping, etc. ADDITIONAL NOTE: This photo was used in a nice Houzz article about vacation house swapping options. The use of the photo in that article was not preapproved by Habitat, and we want to clarify that this house is not available for vacation home swapping.

A young Mexican couple approached us to create a streamline modern and fresh home for their growing family. They expressed a desire for natural textures and finishes such as natural stone and a variety of woods to juxtapose against a clean linear white backdrop. For the kid’s rooms we are staying within the modern and fresh feel of the house while bringing in pops of bright color such as lime green. We are looking to incorporate interactive features such as a chalkboard wall and fun unique kid size furniture. The bathrooms are very linear and play with the concept of planes in the use of materials.They will be a study in contrasting and complementary textures established with tiles from resin inlaid with pebbles to a long porcelain tile that resembles wood grain. This beautiful house is a 5 bedroom home located in Presidential Estates in Aventura, FL.

Picture Perfect House
Inspiration for a large farmhouse white two-story wood house exterior remodel in Chicago with a shingle roof

Photo credit: Scott McDonald @ Hedrich Blessing 7RR-Ecohome: The design objective was to build a house for a couple recently married who both had kids from previous marriages. How to bridge two families together? The design looks forward in terms of how people live today. The home is an experiment in transparency and solid form; removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. The house floor plan is derived by pushing and pulling the house’s form to maximize the backyard and minimize the public front yard while welcoming the sun in key rooms by rotating the house 45-degrees to true north. The angular form of the house is a result of the family’s program, the zoning rules, the lot’s attributes, and the sun’s path. We wanted to construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. We could tell a story of how the house is built in terms of the constructability, structure and enclosure, with a nod to Japanese wood construction in the method in which the siding is installed and the exposed interior beams are placed in the double height space. We engineered the house to be smart which not only looks modern but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades, blinds, HVAC, communication, audio, video, or security. We developed a planning module based on a 6-foot square room size and a 6-foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The house is 6,200 SF of livable space, plus garage and basement gallery for a total of 9,200 SF. A large formal foyer celebrates the entry and opens up to the living, dining, kitchen and family rooms all focused on the rear garden. The east side of the second floor is the Master wing and a center bridge connects it to the kid’s wing on the west. Second floor terraces and sunscreens provide views and shade in this suburban setting. The playful mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hard-scapes, all centered on a suburban one-acre lot. Many green attributes were designed into the home; Ipe wood sunscreens and window shades block out unwanted solar gain in summer, but allow winter sun in. Patio door and operable windows provide ample opportunity for natural ventilation throughout the open floor plan. Minimal windows on east and west sides to reduce heat loss in winter and unwanted gains in summer. Open floor plan and large window expanse reduces lighting demands and maximizes available daylight. Skylights provide natural light to the basement rooms. Durable, low-maintenance exterior materials include stone, ipe wood siding and decking, and concrete roof pavers. Design is based on a 2' planning grid to minimize construction waste. Basement foundation walls and slab are highly insulated. FSC-certified walnut wood flooring was used. Light colored concrete roof pavers to reduce cooling loads by as much as 15%. 2x6 framing allows for more insulation and energy savings. Super efficient windows have low-E argon gas filled units, and thermally insulated aluminum frames. Permeable brick and stone pavers reduce the site’s storm-water runoff. Countertops use recycled composite materials. Energy-Star rated furnaces and smart thermostats are located throughout the house to minimize duct runs and avoid energy loss. Energy-Star rated boiler that heats up both radiant floors and domestic hot water. Low-flow toilets and plumbing fixtures are used to conserve water usage. No VOC finish options and direct venting fireplaces maintain a high interior air quality. Smart home system controls lighting, HVAC, and shades to better manage energy use. Plumbing runs through interior walls reducing possibilities of heat loss and freezing problems. A large food pantry was placed next to kitchen to reduce trips to the grocery store. Home office reduces need for automobile transit and associated CO2 footprint. Plan allows for aging in place, with guest suite than can become the master suite, with no need to move as family members mature.

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

Jean Allsopp (courtesy of Coastal Living)
Traditional white three-story exterior home idea in Atlanta

Richard Leo Johnson
Inspiration for a small cottage gray one-story exterior home remodel in Atlanta

The Port Ludlow Residence is a compact, 2400 SF modern house located on a wooded waterfront property at the north end of the Hood Canal, a long, fjord-like arm of western Puget Sound. The house creates a simple glazed living space that opens up to become a front porch to the beautiful Hood Canal. The east-facing house is sited along a high bank, with a wonderful view of the water. The main living volume is completely glazed, with 12-ft. high glass walls facing the view and large, 8-ft.x8-ft. sliding glass doors that open to a slightly raised wood deck, creating a seamless indoor-outdoor space. During the warm summer months, the living area feels like a large, open porch. Anchoring the north end of the living space is a two-story building volume containing several bedrooms and separate his/her office spaces. The interior finishes are simple and elegant, with IPE wood flooring, zebrawood cabinet doors with mahogany end panels, quartz and limestone countertops, and Douglas Fir trim and doors. Exterior materials are completely maintenance-free: metal siding and aluminum windows and doors. The metal siding has an alternating pattern using two different siding profiles. The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and rain protection; metal siding (recycled steel) for maximum durability, and a heat pump mechanical system for maximum energy efficiency. Sustainable interior finish materials include wood cabinets, linoleum floors, low-VOC paints, and natural wool carpet.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider