This complete remodel of a 1980's red brick ranch house transform the home from boring to amazing. All existing ceilings were raised to create a more spacious interior. Also included in the project was a 3 -car garage addition with guest quarters above. Photos by Robert Clark and Joel Van Dyke

It started with vision. Then arrived fresh sight, seeing what was absent, seeing what was possible. Followed quickly by desire and creativity and know-how and communication and collaboration. When the Ramsowers first called Exterior Worlds, all they had in mind was an outdoor fountain. About working with the Ramsowers, Jeff Halper, owner of Exterior Worlds says, “The Ramsowers had great vision. While they didn’t know exactly what they wanted, they did push us to create something special for them. I get inspired by my clients who are engaged and focused on design like they were. When you get that kind of inspiration and dialogue, you end up with a project like this one.” For Exterior Worlds, our design process addressed two main features of the original space—the blank surface of the yard surrounded by looming architecture and plain fencing. With the yard, we dug out the center of it to create a one-foot drop in elevation in which to build a sunken pool. At one end, we installed a spa, lining it with a contrasting darker blue glass tile. Pedestals topped with urns anchor the pool and provide a place for spot color. Jets of water emerge from these pedestals. This moving water becomes a shield to block out urban noises and makes the scene lively. (And the children think it’s great fun to play in them.) On the side of the pool, another fountain, an illuminated basin built of limestone, brick and stainless steel, feeds the pool through three slots. The pool is counterbalanced by a large plot of grass. What is inventive about this grassy area is its sub-structure. Before putting down the grass, we installed a French drain using grid pavers that pulls water away, an action that keeps the soil from compacting and the grass from suffocating. The entire sunken area is finished off with a border of ground cover that transitions the eye to the limestone walkway and the retaining wall, where we used the same reclaimed bricks found in architectural features of the house. In the outer border along the fence line, we planted small trees that give the space scale and also hide some unsightly utility infrastructure. Boxwood and limestone gravel were embroidered into a parterre design to underscore the formal shape of the pool. Additionally, we planted a rose garden around the illuminated basin and a color garden for seasonal color at the far end of the yard across from the covered terrace. To address the issue of the house’s prominence, we added a pergola to the main wing of the house. The pergola is made of solid aluminum, chosen for its durability, and painted black. The Ramsowers had used reclaimed ornamental iron around their front yard and so we replicated its pattern in the pergola’s design. “In making this design choice and also by using the reclaimed brick in the pool area, we wanted to honor the architecture of the house,” says Halper. We continued the ornamental pattern by building an aluminum arbor and pool security fence along the covered terrace. The arbor’s supports gently curve out and away from the house. It, plus the pergola, extends the structural aspect of the house into the landscape. At the same time, it softens the hard edges of the house and unifies it with the yard. The softening effect is further enhanced by the wisteria vine that will eventually cover both the arbor and the pergola. From a practical standpoint, the pergola and arbor provide shade, especially when the vine becomes mature, a definite plus for the west-facing main house. This newly-created space is an updated vision for a traditional garden that combines classic lines with the modern sensibility of innovative materials. The family is able to sit in the house or on the covered terrace and look out over the landscaping. To enjoy its pleasing form and practical function. To appreciate its cool, soothing palette, the blues of the water flowing into the greens of the garden with a judicious use of color. And accept its invitation to step out, step down, jump in, enjoy.

My client came to me after staying in an upscale Hotel in the Napa valley and had an idea to change her 1960's ranch into a contemporary style ranch home. The idea was to get rid of the stucco exterior, add several dormers that brought style and light as well as change the roof to a standing seam metal roof. The entire house had metamorphisized into a whole new home and brings together a very clean lined look.

A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography

A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography.

Glencoe Residence Landscape. Brick Paver Driveway with Bluestone Motorcourt Border, Radiant Snow Melt Heat System, French Inspired Formal Entrance Landscape, Low Voltage Lighting, and Irrigation. Entire property Constructed by: Arrow. Designed by: Marco Romani, RLA - Landscape Architect.

The local fieldstone blend covering the facade, the roof pitch, roofing materials, and architectural details of the new pool structure matches that of the main house. The rough hewn trusses in the hearth room mimic the structural components of the family room in the main house. Sliding barn doors at the front & back of the poorhouse allow the structure to be fully opened or closed. To provide access for cords of firewood to be delivered directly to the pool house, a cart path was cut through the woods from the driveway around the back of the house.

We were contacted by a family named Pesek who lived near Memorial Drive on the West side of Houston. They lived in a stately home built in the late 1950’s. Many years back, they had contracted a local pool company to install an old lagoon-style pool, which they had since grown tired of. When they initially called us, they wanted to know if we could build them an outdoor room at the far end of the swimming pool. We scheduled a free consultation at a time convenient to them, and we drove out to their residence to take a look at the property. After a quick survey of the back yard, rear of the home, and the swimming pool, we determined that building an outdoor room as an addition to their existing landscaping design would not bring them the results they expected. The pool was visibly dated with an early “70’s” look, which not only clashed with the late 50’s style of home architecture, but guaranteed an even greater clash with any modern-style outdoor room we constructed. Luckily for the Peseks, we offered an even better landscaping plan than the one they had hoped for. We proposed the construction of a new outdoor room and an entirely new swimming pool. Both of these new structures would be built around the classical geometry of proportional right angles. This would allow a very modern design to compliment an older home, because basic geometric patterns are universal in many architectural designs used throughout history. In this case, both the swimming pool and the outdoor rooms were designed as interrelated quadrilateral forms with proportional right angles that created the illusion of lengthened distance and a sense of Classical elegance. This proved a perfect complement to a house that had originally been built as a symbolic emblem of a simpler, more rugged and absolute era. Though reminiscent of classical design and complimentary to the conservative design of the home, the interior of the outdoor room was ultra-modern in its array of comfort and convenience. The Peseks felt this would be a great place to hold birthday parties for their child. With this new outdoor room, the Peseks could take the party outside at any time of day or night, and at any time of year. We also built the structure to be fully functional as an outdoor kitchen as well as an outdoor entertainment area. There was a smoker, a refrigerator, an ice maker, and a water heater—all intended to eliminate any need to return to the house once the party began. Seating and entertainment systems were also added to provide state of the art fun for adults and children alike. We installed a flat-screen plasma TV, and we wired it for cable. The swimming pool was built between the outdoor room and the rear entrance to the house. We got rid of the old lagoon-pool design which geometrically clashed with the right angles of the house and outdoor room. We then had a completely new pool built, in the shape of a rectangle, with a rather innovative coping design. We showcased the pool with a coping that rose perpendicular to the ground out of the stone patio surface. This reinforced our blend of contemporary look with classical right angles. We saved the client an enormous amount of money on travertine by setting the coping so that it does not overhang with the tile. Because the ground between the house and the outdoor room gradually dropped in grade, we used the natural slope of the ground to create another perpendicular right angle at the end of the pool. Here, we installed a waterfall which spilled over into a heated spa. Although the spa was fed from within itself, it was built to look as though water was coming from within the pool. The ultimate result of all of this is a new sense of visual “ebb and flow,” so to speak. When Mr. Pesek sits in his couch facing his house, the earth appears to rise up first into an illuminated pool which leads the way up the steps to his home. When he sits in his spa facing the other direction, the earth rises up like a doorway to his outdoor room, where he can comfortably relax in the water while he watches TV. For more the 20 years Exterior Worlds has specialized in servicing many of Houston's fine neighborhoods.

The client’s coastal New England roots inspired this Shingle style design for a lakefront lot. With a background in interior design, her ideas strongly influenced the process, presenting both challenge and reward in executing her exact vision. Vintage coastal style grounds a thoroughly modern open floor plan, designed to house a busy family with three active children. A primary focus was the kitchen, and more importantly, the butler’s pantry tucked behind it. Flowing logically from the garage entry and mudroom, and with two access points from the main kitchen, it fulfills the utilitarian functions of storage and prep, leaving the main kitchen free to shine as an integral part of the open living area. An ARDA for Custom Home Design goes to Royal Oaks Design Designer: Kieran Liebl From: Oakdale, Minnesota

Photo Credit: Paul Bardagjy
This is an example of a mid-sized farmhouse landscaping in Austin.

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

Picture Perfect House
Inspiration for a large farmhouse white two-story wood house exterior remodel in Chicago with a shingle roof

This tropical landscape compliments this Key West style home in Naples, FL. It has a great mixture of various palms, crotons, bushes, and other tropical specimens.

In order to meld with the clean lines of this contemporary Boulder residence, lights were detailed such that they float each step at night. This hidden lighting detail was the perfect complement to the cascading hardscape. Architect: Mosaic Architects, Boulder Colorado Landscape Architect: R Design, Denver Colorado Photographer: Jim Bartsch Photography Key Words: Lights under stairs, step lights, lights under treads, stair lighting, exterior stair lighting, exterior stairs, outdoor stairs outdoor stair lighting, landscape stair lighting, landscape step lighting, outdoor step lighting, LED step lighting, LED stair Lighting, hardscape lighting, outdoor lighting, exterior lighting, lighting designer, lighting design, contemporary exterior, modern exterior, contemporary exterior lighting, exterior modern, modern exterior lighting, modern exteriors, contemporary exteriors, modern lighting, modern lighting, modern lighting design, modern lighting, modern design, modern lighting design, modern design

A traditional house that meanders around courtyards built as though it where built in stages over time. Well proportioned and timeless. Presenting its modest humble face this large home is filled with surprises as it demands that you take your time to experience it.

The Port Ludlow Residence is a compact, 2400 SF modern house located on a wooded waterfront property at the north end of the Hood Canal, a long, fjord-like arm of western Puget Sound. The house creates a simple glazed living space that opens up to become a front porch to the beautiful Hood Canal. The east-facing house is sited along a high bank, with a wonderful view of the water. The main living volume is completely glazed, with 12-ft. high glass walls facing the view and large, 8-ft.x8-ft. sliding glass doors that open to a slightly raised wood deck, creating a seamless indoor-outdoor space. During the warm summer months, the living area feels like a large, open porch. Anchoring the north end of the living space is a two-story building volume containing several bedrooms and separate his/her office spaces. The interior finishes are simple and elegant, with IPE wood flooring, zebrawood cabinet doors with mahogany end panels, quartz and limestone countertops, and Douglas Fir trim and doors. Exterior materials are completely maintenance-free: metal siding and aluminum windows and doors. The metal siding has an alternating pattern using two different siding profiles. The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and rain protection; metal siding (recycled steel) for maximum durability, and a heat pump mechanical system for maximum energy efficiency. Sustainable interior finish materials include wood cabinets, linoleum floors, low-VOC paints, and natural wool carpet.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Jennifer and Dan have lived in their Deer Park Illinois home for 15 years, slowly making minor fixes like painting and decorating; but they had a new plan for their kitchen the entire time. An awkwardly placed garage door, and an island cooktop with a terrible downdraft made a full-scale kitchen remodel an absolute must. Jennifer had many ideas in mind and wanted to work with a company that could provide high-end work, while partnering with a designer that would tailor the kitchen to her ideas. She was intrigued by the phrase “Common Sense Remodeling” in Advance Design’s feature she discovered while perusing an issue of the community’s Quintessential Barrington Magazine. Doing further research on the company’s website, as she looked through project profiles and read about Advance Design’s “Common Sense Remodeling” philosophy, she promptly scheduled an appointment to see if the people and ideas she read about were truly who they said they were. The more she read, the more she knew that the “Common Sense” approach to remodeling they described was exactly the type of company she was looking for. The partnership was sealed after an initial consultation with Owner Todd Jurs and Project Designer Michelle Lecinski. They displayed a combination of friendliness, professionalism and respect that was unmatched by any of the other companies Jennifer talked to. She knew that with Advance Design, she would be able to retain the vision that she had in mind with high-quality craftsmanship. “I reached out to Advance Design because of the ‘Common Sense Remodeling’ tagline,” Jennifer said. “That’s what lingered for me”. “Advance Design was the most respectful- of the house and of my design ideas, and the most professional of the handful of companies that looked at my project”. Soon after the meeting Jennifer began working with Michelle on the project design. They quickly developed chemistry. Jennifer loved how Michelle researched and located every detail that Jennifer wanted for the kitchen. Between the two of them, every concept and idea was worked through and perfected. “Jennifer had definite ideas about what she wanted the new kitchen to look like, she just didn’t know how to bring it all together. We worked together really well to make her ideas into the practical reality necessary for a well-functioning kitchen, with the look and feel that she had envisioned”, says Michelle. “Michelle was wonderful in using the CAD system she would show me new drawings every time we changed the layout while working through the design,” Jennifer said. “She was a really wonderful partner in execution, she made sure everything happened quickly and easily.” The finished design drew out elements of Jennifer’s style and personality. The pair call the look “sophisticated farmhouse” to describe the kitchen renovation to family and friends. The result was a beautifully crafted, authentic-feeling space that satisfied Jennifer’s dreams 15 years in the making. The whole project consisted of a kitchen remodel, mudroom upgrade with powder room, and garage entry relocation. “The projects I personally like the best, are the ones that put the client’s dreams on display,” Project Designer Michelle said. “And this is one of those projects.” The main focal point of the kitchen is custom zinc and brass ventilation hood with a vintage sheen, which was hand made to order by a small company in Indiana named Vogler Metalworking. “It’s like sculpture, a true work of art”, says Jennifer. Your eye is immediately drawn towards this elegant yet practical hood that eliminated the home’s downdraft problem and added a striking conversation piece at the same time. The carpenters had to use special gloves when transporting and installing it, so they didn’t smudge it with fingerprints. The beautiful hood centers proudly over the stunning black enamel and brass LaCornue Range. “I had a friend who had a LaCornue range and after learning how easy it was to cook perfect meals, I was convinced I wanted to have one”, says Jennifer. This unique, breathtaking combination anchors the entire kitchen and is apparent immediately as you walk into the great room the surrounds the space. DuraSupreme Crestwood cabinets with a Kendall Panel add function and sophistication. A custom gray paint color paired with a storm blue was developed so that the new kitchen looked like it belonged to the existing space. Unlacquered brass faucets and hardware were important to Jennifer because she wanted the living finishes to age over time. Remarkable brass diamond mesh cabinet door inserts imported from the UK continue to add this one-of-a-kind kitchen renovation; giving it a “you won’t see this everywhere” quality. The use of old railcar flooring for the coffee bar countertop and reclaimed oak for the open shelving gives an authenticity to the space uncommon in kitchens today. Jennifer and Michelle fell in love with the Limestone Grey Stone while they were investigating unique island countertop ideas. They liked the fact that the limestone as a living finish will age and change over time. Calcutta Miel Quartz countertops made for an excellent pairing around the perimeter, as it’s durable and perfect for cooking preparations. A textured white subway tile backsplash that runs to the ceiling keeps your eye moving towards the open shelving, and to the main focal point of the stunning range hood combination. “The kitchen functions beautifully, and it’s gorgeous,” beams Jennifer as she gestures with both hands while smiling ear to ear. “The most important thing was I wanted a kitchen that had a wonderful flow, cooked beautiful meals and was a great gathering place for family and friends, and this space does that perfectly! Beauty wise, it turned out exactly how I had envisioned. I felt the function part was the hardest part, and that was nailed”! Relocating the garage entry to the new mudroom was a huge priority and has finally separated the family’s arriving home functions from their kitchen. Now coats and shoes and bags have their own area for dropping once members arrive home. Matching gray DuraSupreme cabinetry helped create gorgeous, purposeful lockers for the family. A reclaimed vintage sink and custom wall paper were added to the tiny powder room to beautify the once previously only functional space. Advance Design was even able to create a custom space for their dog to sleep while the family is away. “It was unbelievable that a project of this size was completed in such a short time, and I think that’s because of the large amount of planning and preparation that went into it,” Jennifer marveled, “When we started, we were ready, and everything was prepared”. When it came to execution, Project Manager Justin Davis and his crew were quick, accessible, and organized. Projects like this kitchen are typically completed in as little as 8-10 weeks. Jennifer’s kitchen however despite the relocation of some challenging HVAC in a soffit and moving of an exterior door was completed remarkably fast in part because the team was working with an existing tile floor that ran throughout the first floor that the client really loved. “You get to know these people really well because they’re living in your house while you’re living in your house. They were so fast and really good, it didn’t take as long as even planned” reported Jennifer. “I would text Justin and he always responded almost immediately. I got to know all the guys who were working in our house and they were all wonderful people”. Details in a customized kitchen like this one require skill and care from the people who install it. “All the guys on the job were skilled at what the did. I wanted small details like little feet to look like furniture, that is where their carpentry skill came in to make these all perfect”, said Jennifer. “The tile guys were wonderful. They even let me determine how I wanted the texture with the grout to appear for a salt and pepper look; now that is a very skilled trade person making it custom”. In Jennifer’s interview, she continued to reference Advance Design’s “Common Sense Remodeling”, so I took a minute to ask her exactly what that phrase meant to her and how it played out in her experience with her project and the Advance Design team. Here is what she said: “I was intrigued about Common Sense Remodeling and in my head that there would be clear costs and prices, great communication between the design team, the execution team and me”, said Jennifer. They did deliver on that, it was so clear about the cost breakdown, what I could expect from everyone who came to my house, and everything that we had ordered. That to me is the Common Sense”! It’s great to see a client take literally our assertion that a well-planned remodeling project is simply “Common Sense”! She anticipated each step of the way would be clear, concise, and predictable, all the while protecting the outcome due to the careful upfront planning. “Advance Design delivered on their ‘Common Sense Remodeling’ promise,” Jennifer said. “From the design team, to the execution team - everything was straight forward like I imagined. The project turned out exactly how I envisioned, I enjoyed this process and absolutely would recommend Advance Design Studio to anyone.”

This house, in eastern Washington’s Kittitas County, is sited on the shallow incline of a slight elevation, in the midst of fifty acres of pasture and prairie grassland, a place of vast expanses, where only distant hills and the occasional isolated tree interrupt the view toward the horizon. Where another design might seem to be an alien import, this house feels entirely native, powerfully attached to the land. Set back from and protected under the tent-like protection of the roof, the front of the house is entirely transparent, glowing like a lantern in the evening. Along the windowed wall that looks out over the porch, a full-length enfilade reaches out to the far window at each end. Steep ship’s ladders on either side of the great room lead to loft spaces, lighted by a single window placed high on the gable ends. On either side of the massive stone fireplace, angled window seats offer views of the grasslands and of the watch tower. Eight-foot-high accordion doors at the porch end of the great room fold away, extending the room out to a screened space for summer, a glass-enclosed solarium in winter. In addition to serving as an observation look-out and beacon, the tower serves the practical function of housing a below-grade wine cellar and sleeping benches. Tower and house align from entrance to entrance, literally linked by a pathway, set off axis and leading to steps that descend into the courtyard.