While the majority of APD designs are created to meet the specific and unique needs of the client, this whole home remodel was completed in partnership with Black Sheep Construction as a high end house flip. From space planning to cabinet design, finishes to fixtures, appliances to plumbing, cabinet finish to hardware, paint to stone, siding to roofing; Amy created a design plan within the contractor’s remodel budget focusing on the details that would be important to the future home owner. What was a single story house that had fallen out of repair became a stunning Pacific Northwest modern lodge nestled in the woods!

This mixed-income housing development on six acres in town is adjacent to national forest. Conservation concerns restricted building south of the creek and budgets led to efficient layouts. All of the units have decks and primary spaces facing south for sun and mountain views; an orientation reflected in the building forms. The seven detached market-rate duplexes along the creek subsidized the deed restricted two- and three-story attached duplexes along the street and west boundary which can be entered through covered access from street and courtyard. This arrangement of the units forms a courtyard and thus unifies them into a single community. The use of corrugated, galvanized metal and fiber cement board – requiring limited maintenance – references ranch and agricultural buildings. These vernacular references, combined with the arrangement of units, integrate the housing development into the fabric of the region. A.I.A. Wyoming Chapter Design Award of Citation 2008 Project Year: 2009

This 2,300-square-foot contemporary ranch is perched on a lake bluff preparing for take-off. The house is composed of three wing-like metal roofs, stucco walls, concrete floors, a two-story library, a screen porch and lots and lots of glass. The primary airfoil reflects the slope of the bluff and the single story extends the ground plane created by the pine-bow canopy. Translucency and spatial extension were the cornerstones of the design of this very open plan. george heinrich

The house was a traditional Foursquare. The heavy Mission-style roof parapet, oppressive dark porch and interior trim along with an unfortunate addition did not foster a cheerful lifestyle. Upon entry, the immediate focus of the Entry Hall was an enclosed staircase which arrested the flow and energy of the home. As you circulated through the rooms of the house it was apparent that there were numerous dead ends. The previous addition did not compliment the house, in function, scale or massing. AIA Gold Medal Winner for Interior Architectural Element. For the whole story visit www.clawsonarchitects.com

A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography

Located upon a 200-acre farm of rolling terrain in western Wisconsin, this new, single-family sustainable residence implements today’s advanced technology within a historic farm setting. The arrangement of volumes, detailing of forms and selection of materials provide a weekend retreat that reflects the agrarian styles of the surrounding area. Open floor plans and expansive views allow a free-flowing living experience connected to the natural environment.

A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography.

Picture Perfect House
Inspiration for a large farmhouse white two-story wood house exterior remodel in Chicago with a shingle roof

Photo: Sarah Greenman © 2013 Houzz
Traditional one-story brick exterior home idea in Dallas

While cleaning out the attic of this recently purchased Arlington farmhouse, an amazing view was discovered: the Washington Monument was visible on the horizon. The architect and owner agreed that this was a serendipitous opportunity. A badly needed renovation and addition of this residence was organized around a grand gesture reinforcing this view shed. A glassy “look out room” caps a new tower element added to the left side of the house and reveals distant views east over the Rosslyn business district and beyond to the National Mall. A two-story addition, containing a new kitchen and master suite, was placed in the rear yard, where a crumbling former porch and oddly shaped closet addition was removed. The new work defers to the original structure, stepping back to maintain a reading of the historic house. The dwelling was completely restored and repaired, maintaining existing room proportions as much as possible, while opening up views and adding larger windows. A small mudroom appendage engages the landscape and helps to create an outdoor room at the rear of the property. It also provides a secondary entrance to the house from the detached garage. Internally, there is a seamless transition between old and new. Photos: Hoachlander Davis Photography

Micheal Hospelt Photography 3000 sf single story home with composite and metal roof.
Example of a mid-sized farmhouse white one-story exterior home design in San Francisco with a mixed material roof

This beautiful 2 story kitchen remodel was created by removing an unwanted bedroom. The increased ceiling height was conceived by adding some structural columns and a triple barrel arch, creating a usable balcony that connects to the original back stairwell and overlooks the Kitchen as well as the Greatroom. This dramatic renovation took place without disturbing the original 100yr. old stone exterior and maintaining the original french doors above the balcony.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Susan Teare
Example of a small mountain style two-story wood exterior home design in Burlington

The Port Ludlow Residence is a compact, 2400 SF modern house located on a wooded waterfront property at the north end of the Hood Canal, a long, fjord-like arm of western Puget Sound. The house creates a simple glazed living space that opens up to become a front porch to the beautiful Hood Canal. The east-facing house is sited along a high bank, with a wonderful view of the water. The main living volume is completely glazed, with 12-ft. high glass walls facing the view and large, 8-ft.x8-ft. sliding glass doors that open to a slightly raised wood deck, creating a seamless indoor-outdoor space. During the warm summer months, the living area feels like a large, open porch. Anchoring the north end of the living space is a two-story building volume containing several bedrooms and separate his/her office spaces. The interior finishes are simple and elegant, with IPE wood flooring, zebrawood cabinet doors with mahogany end panels, quartz and limestone countertops, and Douglas Fir trim and doors. Exterior materials are completely maintenance-free: metal siding and aluminum windows and doors. The metal siding has an alternating pattern using two different siding profiles. The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and rain protection; metal siding (recycled steel) for maximum durability, and a heat pump mechanical system for maximum energy efficiency. Sustainable interior finish materials include wood cabinets, linoleum floors, low-VOC paints, and natural wool carpet.

This house, in eastern Washington’s Kittitas County, is sited on the shallow incline of a slight elevation, in the midst of fifty acres of pasture and prairie grassland, a place of vast expanses, where only distant hills and the occasional isolated tree interrupt the view toward the horizon. Where another design might seem to be an alien import, this house feels entirely native, powerfully attached to the land. Set back from and protected under the tent-like protection of the roof, the front of the house is entirely transparent, glowing like a lantern in the evening. Along the windowed wall that looks out over the porch, a full-length enfilade reaches out to the far window at each end. Steep ship’s ladders on either side of the great room lead to loft spaces, lighted by a single window placed high on the gable ends. On either side of the massive stone fireplace, angled window seats offer views of the grasslands and of the watch tower. Eight-foot-high accordion doors at the porch end of the great room fold away, extending the room out to a screened space for summer, a glass-enclosed solarium in winter. In addition to serving as an observation look-out and beacon, the tower serves the practical function of housing a below-grade wine cellar and sleeping benches. Tower and house align from entrance to entrance, literally linked by a pathway, set off axis and leading to steps that descend into the courtyard.

The Port Ludlow Residence is a compact, 2400 SF modern house located on a wooded waterfront property at the north end of the Hood Canal, a long, fjord-like arm of western Puget Sound. The house creates a simple glazed living space that opens up to become a front porch to the beautiful Hood Canal. The east-facing house is sited along a high bank, with a wonderful view of the water. The main living volume is completely glazed, with 12-ft. high glass walls facing the view and large, 8-ft.x8-ft. sliding glass doors that open to a slightly raised wood deck, creating a seamless indoor-outdoor space. During the warm summer months, the living area feels like a large, open porch. Anchoring the north end of the living space is a two-story building volume containing several bedrooms and separate his/her office spaces. The interior finishes are simple and elegant, with IPE wood flooring, zebrawood cabinet doors with mahogany end panels, quartz and limestone countertops, and Douglas Fir trim and doors. Exterior materials are completely maintenance-free: metal siding and aluminum windows and doors. The metal siding has an alternating pattern using two different siding profiles. The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and rain protection; metal siding (recycled steel) for maximum durability, and a heat pump mechanical system for maximum energy efficiency. Sustainable interior finish materials include wood cabinets, linoleum floors, low-VOC paints, and natural wool carpet.

Minimalist patio photo in Phoenix

Inspired by DesignARC's Greenworth House, the owners of this 1960's single-story ranch house desired a fresh take on their out-dated, well-worn Montecito residence. Hailing from Toronto Canada, the couple is at ease in urban, loft-like spaces and looked to create a pared-down dwelling that could become their home. Photo Credit: Jim Bartsch Photography