Large urban master white tile and subway tile mosaic tile floor bathroom photo in Omaha with open cabinets, medium tone wood cabinets, a one-piece toilet, gray walls, an undermount sink and marble countertops

Entryway design with blue door from Osmond Designs.
Hallway - transitional light wood floor and beige floor hallway idea in Salt Lake City with beige walls

The sink base features two full extension rollouts that handle trash and recyclables in the front and have divided storage for cleaning supplies in the back. No more getting on your hands and knees to access this cabinet. Idea found in Fine Homebuilding magazine. Small tilt drawer holds sponges. The raised panel, French blue cabinets are finished with a dark brown glazing. These are full overlay doors and drawers, constructed with high precision to maintain a 1/8” gap between every side of a door and drawer. PHOTO CREDIT: John Ray

Modern Italian Wall Unit Velvet Composition 111 by Artigian Mobili. Velvet is a new line of italian wall units and entertainment centers that creates flexible living areas taking into account you individual needs. Smart furniture capable of performing different functions. An abundance of units gives limitless opportunities to realize any project design and adapt to any space. Color is not a problem anymore - each unit can be ordered in ANY RAL COLOR you want! You can select from our pre-designed compositions or build your own according to your sketches and interior project. Please contact our office regarding customization of this wall unit composition. MATERIAL/CONSTRUCTION: 18 mm thick wooden particles melamine panels The lacquered structures and fronts are made of REAL POLISH SCRATCH PROOF LACQUERING, which is non toxic and non allergic products. The starting price is for the Wall Unit Composition as shown in the main picture in Gessato Canapa finish / Quercia finish / Corten finish. Dimensions: Wall Unit: W141.7" x D14.5"/19.7" x H89.4" TV Space: W70.8" x H35.4"

The homeowner of this traditional home requested a traditional pool and spa with a resort-like style and finishes. AquaTerra was able to create this wonderful outdoor environment with all they could have asked for. While the pool and spa may be simple on the surface, extensive planning went into this environment to incorporate the intricate deck pattern. During site layout and during construction, extreme attention to detail was required to make sure nothing compromised the precise deck layout. The pool is 42'x19' and includes a custom water feature wall, glass waterline tile and a fully tiled lounge with bubblers. The separate spa is fully glass tiled and is designed to be a water feature with custom spillways when not in use. LED lighting is used in both the pool and spa to create dramatic lighting that can be enjoyed at night. The pool/spa deck is made of 2'x2' travertine stones, four to a square, creating a 4'x4' grid that is rotated 45 degrees in relation to the pool. In between all of the stones is synthetic turf that ties into the synthetic turf putting green that is adjacent to the deck. Underneath all of this decking and turf is a concrete sub-deck to support and drain the entire system. Finishes and details that increase the aesthetic appeal for project include: -All glass tile spa and spa basin -Travertine deck -Tiled sun lounge with bubblers -Custom water feature wall -LED lighting -Synthetic turf This traditional pool and all the intricate details make it a perfect environment for the homeowners to live, relax and play! Photography: Daniel Driensky

Open kitchen design with white shaker cabinets and a large custom Island. 12x24 gray tile ties in with the stone backsplash and quartz countertop. The navy/blue island anchors the kitchen and adds some needed color. - Shot by Matt Kocourek

Transitional kids' room photo in New York

Kitchen - contemporary kitchen idea in Denver

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

The client wanted to create a traditional rustic design with clean lines and a feminine edge. She works from her home office, so she needed it to be functional and organized with elegant and timeless lines. In the kitchen, we removed the peninsula that separated it for the breakfast room and kitchen, to create better flow and unity throughout the space.

A stunning walnut kitchen remodel named Wonderfully Walnut! Our kitchen and bath designer, Claire, worked with her clients to transform their kitchen with a new design and higher quality cabinetry. Photography: Scott Amundson Photography

Locati Architects, LongViews Studio
Small cottage built-in desk light wood floor study room photo in Other with beige walls

Inspiration for a transitional medium tone wood floor, brown floor, tray ceiling, wall paneling and wallpaper enclosed dining room remodel in Tampa with green walls

Every once in a while, a project comes along that doesn’t just meet expectations—it resets the standard. That’s exactly what happened at Upper Valley project, where the team at GoDesigns El Paso was entrusted with a blank canvas and turned it into a fully integrated luxury retreat, built with precision, purpose, and passion. At the core of this dream backyard is a custom-designed pool and spa, meticulously planned and built together. The pool glows with a Pebble Brilliance finish, its deep, vibrant tones shimmering under sunlight by day and glowing softly under water-lit skies at night. Lightstreams glass tile adds a jewelry-like elegance to the raised spa and the sun shelf, creating rich reflections and textures from every angle. That sundeck isn’t just for lounging—it’s a tactile, thoughtful experience. Designed with Lightstreams glass tile, it’s where kids play, grownups cool off, and everyone can dip their toes and soak their feet in style. It’s as inviting to walk across as it is to sit beside, offering both elegance and functionality. A standout design element is the set of custom stainless steel handrails, elegantly curved and installed with sculptural intent. Not only are they beautiful, but they’re also built to last—resistant to corrosion, timeless in design, and made for safety without sacrificing aesthetics. While beauty was key, so was resilience. The entire project was engineered to meet 100-year flood zone requirements—a critical design element in this El Paso neighborhood. GoDesigns accounted for water flow, elevations, and structural integrity, ensuring that every footing, drainage channel, and grade slope works in harmony with nature. And there’s more than water to love here. The oversized mossrock boulder waterfall along the edge of the putting green is both functional and artistic. Designed as a “table rock” feature, it creates soothing sound and visual movement while anchoring the landscape’s natural side. It’s a conversation piece as much as a sensory experience. Just steps away is a personal putting green and a custom basketball half court, both thoughtfully illuminated for day-to-night enjoyment. The putting green rolls true, edged with boulders and sand pits, while the court boasts pro-level surfacing under bright, architectural pole lighting. The surrounding landscape design ties it all together. Carefully chosen plantings bring color, texture, and balance to the clean stonework and turf areas. Strategic lighting highlights not just the beauty of the plants, but also enhances safety, drama, and ambiance across the entire yard—including the fence lines, water features, and sports zones. Every inch of this Upper Valley Project was built for purpose, performance, and passion. It’s a space where families gather, grand kids play, and memories are made—all under the sun and stars of West Texas. This is what happens when GoDesigns El Paso gets to do what they do best: combine timeless design, elite materials, and masterful installation to create outdoor living environments that are not only beautiful, but unforgettable.

Haris Kenjar http://www.hariskenjar.com/
Transitional entryway photo in Seattle

Beach style family room photo in Other

Example of a transitional living room design in San Francisco

I have been a custom window treatment professional for sixteen years, have fabricated lots of draperies, valances and Roman shades and sold a lot of Hunter Douglas blinds, shades and shutters. I thought of pillows as accessories, as a sort of add on or didn't think about them much at all until I started to update the decor in my own home. We built our house 22 years ago, and after two decades of kids, dogs and elderly parents, things were starting to look a little shabby. I'm very fortunate to have accounts with a number of decorator fabric distributors and fortunate to work with my upholsterer, the Custom Shoppe in Ansonia CT and with my designer friend, Lynda Reid. At a charity fund raiser event I fell in love with a multi-colored kilim. Didn't get it but found another; that was the first piece in our decor update for our family room. We put it on top of an old berber rug, and of course. it didn't go with the furniture, which was getting pretty Old. My upholsterer, Andy Apuzzo, suggested it look for vintage pieces of furniture at a Goodwill Super Store in Bridgeport CT. Over time I found three pieces, a sofa, loveseat and ottoman. I was determined to have a purple couch and. after ordering several samples and half yards, found just the one I wanted; very durable. With the help of my friend, designer Lynda Reid of Lynda Reid Designs in Shelton CT, I chose a teal velvet, also very durable and also from Kasmir for the loveseat. I upholstered the ottoman in the purple fabric, partly in an effort to make the sofa look bigger (Lynda's suggestion). Next I looked for fabric for pillows. I found some fabulous fabrics from Vervain (purchased from Fabricut, and also used a Romo fabric for the bolsters. Eventually, we had the ugly old berber replaced with a hardware floor. Next years project in her: new paint, draperies and wall art.

Photo by Jordan Powers
Example of a mid-sized transitional 3/4 gray tile, white tile and mosaic tile bathroom design in New York with flat-panel cabinets, dark wood cabinets, a one-piece toilet, an undermount sink and white countertops