This house west of Boston was originally designed in 1958 by the great New England modernist, Henry Hoover. He built his own modern home in Lincoln in 1937, the year before the German émigré Walter Gropius built his own world famous house only a few miles away. By the time this 1958 house was built, Hoover had matured as an architect; sensitively adapting the house to the land and incorporating the clients wish to recreate the indoor-outdoor vibe of their previous home in Hawaii. The house is beautifully nestled into its site. The slope of the roof perfectly matches the natural slope of the land. The levels of the house delicately step down the hill avoiding the granite ledge below. The entry stairs also follow the natural grade to an entry hall that is on a mid level between the upper main public rooms and bedrooms below. The living spaces feature a south- facing shed roof that brings the sun deep in to the home. Collaborating closely with the homeowner and general contractor, we freshened up the house by adding radiant heat under the new purple/green natural cleft slate floor. The original interior and exterior Douglas fir walls were stripped and refinished. Photo by: Nat Rea Photography

The homeowner had custom etched and stained glass to incorporate into various parts of the home. The homeowners are cyclists, and if you look closely you can see the bicycle seat riding through a bamboo forest above the sink. Dave Adams Photography

Soft, refreshing colors combine with comfortable furnishing and statement lighting in this elegant home: Project completed by Wendy Langston's Everything Home interior design firm , which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis. For more about Everything Home, click here: https://everythinghomedesigns.com/

Large arts and crafts l-shaped medium tone wood floor and brown floor open concept kitchen photo in Denver with a farmhouse sink, recessed-panel cabinets, white cabinets, quartzite countertops, gray backsplash, ceramic backsplash, an island and stainless steel appliances

Tricia Shay Photography
Example of a mid-sized trendy multicolored two-story mixed siding exterior home design in Milwaukee

Transitional bathroom photo in Portland

One Studio :: Photography http://www.onestudiosphotography.com/

View of fieldstone retaining walls and bluestone steps from lower yard.
This is an example of a large traditional full sun backyard stone retaining wall landscape in Boston.

The homeowners desired an outdoor space that felt more rustic than their refined interior spaces, but still related architecturally to their house. Cement plaster support arbor columns provide enough of visual tie to the existing house exterior. Oversized wood beams and rafter members provide a unique outdoor atmosphere. Structural bolts and hardware were minimized for a cleaner appearance. Structural connections and supports were engineered to meet California's stringent earthquake standards. Ali Atri Photography

Designer: Allen Construction General Contractor: Allen Construction Photographer: Jim Bartsch Photography
Inspiration for a mid-sized 1950s brown one-story wood gable roof remodel in Los Angeles

Charming cottage featuring Winter Haven brick using Federal White mortar.
Example of a classic white brick house exterior design in Other with a shingle roof

The owners acquired an adjacent property and called on our firm and a team of consultants to join the properties into one seamless private park like setting complete with a Pool Pavilion and Pool. A study of light and space, The Pavilion offers different experiences at different times of the day. The optimum display of light and transparency occurs at dusk. At that hour, one can catch the reflections in the pool and the glowing of this small jewel within in the landscape. Amenities include an air conditioned lounging area with TV and kitchen/bar, a laundry and changing room, a private bathroom with shower, an additional outdoor shower and a full basement for storage of pool toys and equipment. The contemporary approach combines rich woods, stainless steel, and concrete with marble, glass tile and natural stones. Cedar shingles, a nod to the main house, recede into the landscape while the soaring glass windows and doors flood the space with light and views back into the landscape. The building also features a bead board ceiling and exposed structure. This blend of materials yields a sophisticated modern design that is calm and cheerful while providing conditioned entertaining space for the Owner’s family and friends. The client gushes “I feel like I am transported-- on vacation-- every time I open the doors and enter the space.” Robert Glasgow Photography

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

The two prefabricated modules are connected to the site built garage. Alpinfoto
Small minimalist two-story mixed siding flat roof photo in Seattle

The shower is universally designed and has no curb or step at its entry. The drawer pulls are also designed for easy use. A Bonisolli Photography
Mid-sized transitional white tile walk-in shower photo in Miami with an undermount sink, flat-panel cabinets, white cabinets and marble countertops

Interior Design: Lucy Interior Design Builder: Claremont Design + Build Photography: SPACECRAFTING
Transitional gender-neutral carpeted playroom photo in Minneapolis with multicolored walls

Example of a mountain style beige tile and travertine tile pebble tile floor alcove shower design in Sacramento with an undermount sink, shaker cabinets, medium tone wood cabinets, a two-piece toilet, beige walls and white countertops

Vintage Tub & Bath supplied the farmhouse sink and brass bridge faucet. The window was recreated from vintage sashes found at Pasadena Architectural Salvage, which also supplied the brass cabinet hardware. Cabinets by Fernando's Building Materials in Cypress Park area of Los Angeles. Custom stain finish in Charcoal Blue.

An Arts & Crafts Bungalow is one of my favorite styles of homes. We have quite a few of them in our Stockton Mid-Town area. And when C&L called us to help them remodel their 1923 American Bungalow, I was beyond thrilled. As per usual, when we get a new inquiry, we quickly Google the project location while we are talking to you on the phone. My excitement escalated when I saw the Google Earth Image of the sweet Sage Green bungalow in Mid-Town Stockton. "Yes, we would be interested in working with you," I said trying to keep my cool. But what made it even better was meeting C&L and touring their home, because they are the nicest young couple, eager to make their home period perfect. Unfortunately, it had been slightly molested by some bad house-flippers, and we needed to bring the bathroom back to it "roots." We knew we had to banish the hideous brown tile and cheap vanity quickly. But C&L complained about the condensation problems and the constant fight with mold. This immediately told me that improper remodeling had occurred and we needed to remedy that right away. The Before: Frustrations with a Botched Remodel The bathroom needed to be brought back to period appropriate design with all the functionality of a modern bathroom. We thought of things like marble countertop, white mosaic floor tiles, white subway tile, board and batten molding, and of course a fabulous wallpaper. This small (and only) bathroom on a tight budget required a little bit of design sleuthing to figure out how we could get the proper look and feel. Our goal was to determine where to splurge and where to economize and how to complete the remodel as quickly as possible because C&L would have to move out while construction was going on. The Process: Hard Work to Remedy Design and Function During our initial design study, (which included 2 hours in the owners’ home), we noticed framed images of William Morris Arts and Crafts textile patterns and knew this would be our design inspiration. We presented C&L with three options and they quickly selected the Pimpernel Design Concept. We had originally selected the Black and Olive colors with a black vanity, mirror, and black and white floor tile. C&L liked it but weren’t quite sure about the black, We went back to the drawing board and decided the William & Co Pimpernel Wallpaper in Bayleaf and Manilla color with a softer gray painted vanity and mirror and white floor tile was more to their liking. After the Design Concept was approved, we went to work securing the building permit, procuring all the elements, and scheduling our trusted tradesmen to perform the work. We did uncover some shoddy work by the flippers such as live electrical wires hidden behind the wall, plumbing venting cut-off and buried in the walls (hence the constant dampness), the tub barely balancing on two fence boards across the floor joist, and no insulation on the exterior wall. All of the previous blunders were fixed and the bathroom put back to its previous glory. We could feel the house thanking us for making it pretty again. The After Reveal: Cohesive Design Decisions We selected a simple white subway tile for the tub/shower. This is always classic and in keeping with the style of the house. We selected a pre-fab vanity and mirror, but they look rich with the quartz countertop. There is much more storage in this small vanity than you would think. The Transformation: A Period Perfect Refresh We began the remodel just as the pandemic reared and stay-in-place orders went into effect. As C&L were already moved out and living with relatives, we got the go-ahead from city officials to get the work done (after all, how can you shelter in place without a bathroom?). All our tradesmen were scheduled to work so that only one crew was on the job site at a time. We stayed on the original schedule with only a one week delay. The end result is the sweetest little bathroom I've ever seen (and I can't wait to start work on C&L's kitchen next). Thank you for joining me in this project transformation. I hope this inspired you to think about being creative with your design projects, determining what works best in keeping with the architecture of your space, and carefully assessing how you can have the best life in your home.