Located steps from the Katy Trail, 3509 Edgewater Street is a 3-story modern townhouse built by Robert Elliott Custom Homes. High-end finishes characterize this 3-bedroom, 3-bath residence complete with a 2-car garage. The first floor includes an office with backyard access, as well as a guest space and abundant storage. On the second floor, an expansive kitchen – featuring marble countertops and a waterfall island – flows into an open-concept living room with a bar area for seamless entertaining. A gas fireplace centers the living room, which opens up to a balcony with glass railing. The second floor also features an additional bedroom that shines with natural light from the oversized windows found throughout the home. The master suite, located on the third floor, offers ample privacy and generous space for relaxing. an on-suite laundry room, complete with a sink , connects with the spacious master bathroom and closet. In the master suite sitting area, a spiral staircase provides rooftop access where one can enjoy stunning views of Downtown Dallas – illustrating Edgewater is urban living at its finest.

This collection consists of armchair, foot rest, rocking armchair and coffee table. Main feature of this collection is spherical shape of armchair, which is made from two semi-oval shapes separated from each other, which resemble a coffee grain. That part is made from Plexiglas substructure. Left or right half as well as front and rear part of the sphere can be upholstered with various materials in terms of texture and color. Additional grace of the armchair lies in its legs, which are made from solid wood and have the shape of Nordic sleighs and gracefully fit in the upper part. Aesthetic detail is the adjustable head cushion which moves up and down, when turning the decorative wooden bolt located in the rear part of the armchair.The armchair is characterized by exceptional ergonomics which comes from its spherical shape. Dimensions: width 77 cm, length 96 cm, height 95 cm, weight 22 kg.

Minimalist contemporary designer big ceramic/clay pendant light 'Naaya Garlic Bud' is best for Foyer, Study, Dining, Kitchen island. It is inspired by organic form. Although most shapes, in their first look, seem naturally round and smooth, each of them holds a surprise design element that differentiates it from what would easily be possible on a pottery wheel. Characterized by subtle bend, mismatching halves, quarter splits, blending creases and other design elements that you will find in places that you expect least. Welcome home to some of the most refined forms of design that is at the edge of minimalism and finesse ! At the first sight, a conventional shape of lamp, take a closer look, and you see a gradually deviating circle at every quarter in the lower end blending back to a perfect circle on the top. A blend of old school design with wisp of modern minimalism, for the connoisseurs of conventional forms with a touch of never ending subtlety of surprises. 3 variation of sizes available as per below dimensions: 1. 8.5" dia x 7" height ( 21.5 cm dia X 17.5 cm height) 2. 10.5" dia x 8.75" height ( 26.6 cm dia X 22.25 cm height) 3. 12.5" dia x 10.5" height ( 31.7 cm dia X 26.6 cm height) Buy assorted of more than 1 and save big! PRODUCT INFO - A small Naaya logo (approx 3/4") is embossed in 1 place on the inside surface of lamp. - All the shades are available in Plug in as well as hard wired version. - 10 feet (3 meter) of wire comes as standard with plug in versions. country specific converter is supplied with Indian pin - 6 feet (2 meter) wire is supplied with all the hard wired version - All Light electrical Fixtures are in compliance with US, European, UK, Australian, Canadian and International Standard. - Each lamp comes with individual canopy. Individual canopy are available black or white color (please specify). By default Black canopy will be sent. - Lamp comes with E27 holder (bulbs not supplied) - 3 port black / white canopy is available on request. - Wire/cord length and color (black/white) can be changed on request, please write to us. Black cord will be sent by default

This collection consists of armchair, foot rest, rocking armchair and coffee table. Main feature of this collection is spherical shape of armchair, which is made from two semi-oval shapes separated from each other, which resemble a coffee grain. That part is made from Plexiglas substructure. Left or right half as well as front and rear part of the sphere can be upholstered with various materials in terms of texture and color. Additional grace of the armchair lies in its legs, which are made from solid wood and have the shape of Nordic sleighs and gracefully fit in the upper part. Aesthetic detail is the adjustable head cushion which moves up and down, when turning the decorative wooden bolt located in the rear part of the armchair.The armchair is characterized by exceptional ergonomics which comes from its spherical shape. Dimensions: width 77 cm, length 96 cm, height 95 cm, weight 22 kg.

Dining Table characterized by a large geometrical base with a small decorative mirror at each side. It is available in three lengths and many different finishes of solid or combined colors.

Alivar Layer table is striking for its essential design and its large dimensions. It is available in lengths up to 118". LAYER is characterised by a minimalist style that makes it extremely versatile: it's ideal for both home and office spaces. The legs, with a slightly irregular interior edge, slim down towards the base, giving the entire structure a lighter look. The table is made of steel covered with a LAYER of white acrylic stone: a high-quality composite that's long lasting, durable and colourfast. Design by Giuseppe Bavuso.. 100% Made in Italy.

Beez Kneez Pleez is an ceramic sculpture approximately 8 to 10-feet high by 3-feet in diameter. The piece has grown into a concrete art concept after I participated as part of an unplanned group, called "The Bee Swarm" in the Marche du Nain Rouge parade in Detroit. Visually noticing the decline of the honey bee in addition to being fascinated with the structure of the bee itself, I've begun a love for all the bee represents: hard work, happiness, warm sun, clover, industriousness and flowers. The use of carved and stacked honeycomb cells, fun, furry colors, and whimsical characterizations present the underlying seriousness and interconnectivity of this environmental issue, with a more lighthearted approach. This sculpture is a nod to the bee and the imperative role they play in the delicate balance of survival. The bee reminds us to leave that dandelion, violet, reduce pesticide use and preserve habitat. A totem of ceramic bees, leaves, flowers, corn, butterflies, frogs, rabbits, extruded hexagons, and perhaps a few other surprises arranged along an 10-foot steel pole. The pole will thread into a sturdy base via a threaded rod. Weight should not exceed 250 hundred pounds. The use of celadon glazes will highlight the intricate carving on the bees, honeycomb and other items which are nestled, hung with manilla rope or stick mounted along the length of the totem. The stabile and it's stoneware components is suited to indoor or outdoor areas. Created for ArtPrize 10 in 2018: Venue: Grand Rapids Public Museum. Permanently installed at Central Insurance Company Headquarters, Van Wert, Ohio

Minimalist contemporary designer big ceramic/clay pendant light 'Naaya Garlic Bud' is best for Foyer, Study, Dining, Kitchen island. It is inspired by organic form. Although most shapes, in their first look, seem naturally round and smooth, each of them holds a surprise design element that differentiates it from what would easily be possible on a pottery wheel. Characterized by subtle bend, mismatching halves, quarter splits, blending creases and other design elements that you will find in places that you expect least. Welcome home to some of the most refined forms of design that is at the edge of minimalism and finesse ! At the first sight, a conventional shape of lamp, take a closer look, and you see a gradually deviating circle at every quarter in the lower end blending back to a perfect circle on the top. A blend of old school design with wisp of modern minimalism, for the connoisseurs of conventional forms with a touch of never ending subtlety of surprises. 3 variation of sizes available as per below dimensions: 1. 8.5" dia x 7" height ( 21.5 cm dia X 17.5 cm height) 2. 10.5" dia x 8.75" height ( 26.6 cm dia X 22.25 cm height) 3. 12.5" dia x 10.5" height ( 31.7 cm dia X 26.6 cm height) Buy assorted of more than 1 and save big! PRODUCT INFO - A small Naaya logo (approx 3/4") is embossed in 1 place on the inside surface of lamp. - All the shades are available in Plug in as well as hard wired version. - 10 feet (3 meter) of wire comes as standard with plug in versions. country specific converter is supplied with Indian pin - 6 feet (2 meter) wire is supplied with all the hard wired version - All Light electrical Fixtures are in compliance with US, European, UK, Australian, Canadian and International Standard. - Each lamp comes with individual canopy. Individual canopy are available black or white color (please specify). By default Black canopy will be sent. - Lamp comes with E27 holder (bulbs not supplied) - 3 port black / white canopy is available on request. - Wire/cord length and color (black/white) can be changed on request, please write to us. Black cord will be sent by default

This collection consists of armchair, foot rest, rocking armchair and coffee table. Main feature of this collection is spherical shape of armchair, which is made from two semi-oval shapes separated from each other, which resemble a coffee grain. That part is made from Plexiglas substructure. Left or right half as well as front and rear part of the sphere can be upholstered with various materials in terms of texture and color. Additional grace of the armchair lies in its legs, which are made from solid wood and have the shape of Nordic sleighs and gracefully fit in the upper part. Aesthetic detail is the adjustable head cushion which moves up and down, when turning the decorative wooden bolt located in the rear part of the armchair.The armchair is characterized by exceptional ergonomics which comes from its spherical shape. Dimensions: width 77 cm, length 96 cm, height 95 cm, weight 22 kg.

Ready to update both modern and transitional dining spaces, the set is characterized by simple lines and rich wood finish. The set includes table, 4 chairs, and buffet with frosted glass gliding door that covers 2 glass shelves and 3 drawers. The chairs come with chocolate leather seats & backs. The table has expandable 16" leaf that easily converts the length from 54" to 69", comfortably seating extra guests. from modernfurniturebay.com

The living room is characterized by its airy space, bright lighting and the full length bay window which provides a magnificent view of the greenery outside.

Project Type : Residential Location : Ethul Kotte Land Area :3267 sqft ( 12 p ) Architects : Archt. Sameera Dharmasena (menakaimai design studio) : Archt. Menaka Karunarathna (menakaimai design studio) Structural Engineering : Eng Sajeewa Edirrisingha Write-up : Archt. Navoda Rthnayaka Photographs : Amila Rathnayaka (Amila Rathnayaka photography) Just as the eyes are the windows to a person’s soul, a house is a window to its architect’s aspirations. The residence for Mr. Alex and family at Ethul Kotte is a perfect example for this, which is an open book with multiple layers. From the entrance to the rooftop, each space creates a specific impression and reveals a little more about the users, as it has been perfectly captured by the architect. The house is located at the further end of a narrow drive-way, almost hidden from view with its dark façade and greenery, and sits in a compact lot that opens to a marsh at its rear end. With its cladded wall of cement blocks with a unique imprint and the line of bamboo covering the length of the front wall, the boundaries are defined effortlessly while drawing focus to the main entrance. Earthy feeling created at this point heavily dwells on the solidity of the materials and the muted color palette, which is juxtaposed by the lightness of the timber gate, perforated external façade and screen of vines flowing down from the rooftop. Upon entering, the ambiance of the house changes from its somber guarded exterior to a bright and spacious interior that completely opens to its surroundings. The floating staircase that climbs along the dark titanium wall and the adjoining courtyard run through the full height of the building, merging the solids and the voids at all levels. Spatial organization in the house is predominantly in three layers and each section of a floor has a clear demarcation between the public and private spaces. Spaciousness is achieved through the simplicity of the spaces, minimalistic furniture and muted tones that are complemented by the complete openness created by the glass facades covering the full height of the spaces. Another noticeable feature is the landscaping where thick low hedges are broken by thin trees to mimic a rampart that characterizes the intermediate space between the interior and boundary of the site, which is demarcated by the alternating solids and voids of the boundary fence. The ground level creates a warm, welcoming ambiance that is ideal for entertaining guests. From the lines of textures and materials used, to heights and orientations of furniture, each element complements each other to add volume and composure to the space. A peculiar feature is a subtle inspiration from Japanese architecture that is visible in the sharp lines and several decorative features, which enhance the ambiance with splashes of vibrancy created by the simple, yet colorful elements. While the open living-dining space is a subtle fusion between a modern western living space and the Sri Lankan lifestyle that welcomes nature and social interactions, privacy of adjoining spaces such as the kitchen and bedroom is ensured by isolation made pleasant by their private courtyards. Gradually gracing a visitor at the extended landing of the first floor is the calming sight of the full height cross formed by light filtering through crafted gaps on the wall which becomes a feature and an open shrine. This , seamless flows to the rest of the floor with its vibrant, spacious family living room and TV lobby a that connects all these well as the custom-designed bedrooms The ambiance of each room voices the unique needs and tastes of its user, while the private balcony screened from the outside by a perforated aluminum façade and a screen of vines, creates an intimate niche. A significant feature is the glazed walls of the master bedroom, which are only screened by thick canvas shades that open to a mesmerizing sunset and a view of the marsh. This makes one question the concepts of privacy traditionally Sri Lankans, whereas the user appears to be embracing the vulnerability in openness and enjoying the soothing beauty in nature through the same. The second floor is mostly the rooftop garden and bar, which is a multi-functional space ideal for a small gathering. The curtain of creepers covering the full height glass façade separating the bar and open terrace creates a significant change in ambiance by defining the cozy, timber interior of the bar, against the outdoor-, where the monotonous greenery is only broken by a splash of red from the punctured cover of a service staircase running to the upper rooftop level. The uniqueness is in how each space caters for contrast in transition between ambiances spanning from an intimate, mystic bar area ideal for isolation, to a lively social space creates a unique mood compared to the rest of the house. The rooftop thus completes the transition of spaces from open and interactive interior to a mind-palace and a garden that inspires the soul. “I think that my job is to observe people and the world, and not to judge them; I always hope To position myself away from so-called conclusions; I would like to leave everything wide open To all the possibilities in the world.” -Haruki Murakami- Layering is a key feature in this design, which is evident in how the façade filters inwards from the curtain of greenery, permeable panel and the external wall, as well as the spatial structure of the interior. The linear form of the building, where the living spaces completely open-out through the glazed facades at the rear end of each floor merges these family-spaces with the neighborhood, which avoids complete isolation of the family. Thus, the design is inspired by the need for a sense of freedom in the residents, while allowing the house to become a place for escape when desired.