This is a beautiful install of a V300-6L108 PVC vinyl Tongue and Groove Privacy Grand Illusions Color Spectrum Adobe (L108) from Illusions Vinyl Fence. The install is awesome, the fence is awesome, the property is awesome, and the decor is awesome. What more can we say? It's pretty much perfect. Grand Illusions Color Spectrum Adobe (L108) is a very interesting and popular color. It's darker than Classic Beige (C101) AND it's matte finish. This gives it the look of a painted wood fence. Many consumers out there are looking for the matte finish of a painted wood fence, but wish it had the low maintenance of a vinyl fence. That's exactly what Grand Illusions provides.

The restoration of a c.1850's plantation house with a compatible addition, pool, pool house, and outdoor kitchen pavilion; project includes historic finishes, refurbished vintage light and plumbing fixtures, antique furniture, custom cabinetry and millwork, encaustic tile, new and vintage reproduction appliances, and historic reproduction carpets and drapes. © Copyright 2011, Rick Patrick Photography

Firmness . . . Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time. A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass. Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency. Commodity . . . Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”. A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century. Delight . . . Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer. This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own. Architect - Noel Cross Architect Landscape Architect - Christopher Yates Interior Designer - Gina Viscusi-Elson Lighting Designer - Vita Pehar Design Contractor - The Conrado Company

The main entry to the house is carefully framed by a fenced courtyard to separate the entry from the parking and street. Lath screen, trellis and pathways frame and surround the courtyard. This farmstead is located in the Northwest corner of Washington State. Photo by Ian Gleadle

Terrific Black PVC vinyl picket fence from the Grand Illusions Color Spectrum line by Illusions Vinyl Fence. The American Dream fence just got cooler! A terrific backyard idea. The fence that looks great all year round. Just look at how it's offset by the Fall leaf colors.

POTS & HORIZONTAL BOARD FENCE, BRADANINI
Design ideas for a modern backyard gravel and wood fence landscaping in San Francisco.

Jagoe Homes, Inc. Project: Creekside at Deer Valley, Mulberry Craftsman Model Home. Location: Owensboro, Kentucky. Elevation: Craftsman-C1, Site Number: CSDV 81.

Photographer: Tom Crane Made of 300, 10-foot steel blades set upright 8 inches apart, the award winning Cor-Ten Cattails Sculptural fence was designed for a home in Berwyn, Pennsylvania as a yard sculpture that also keeps deer out. Made of COR-TEN, a steel alloy that eliminates the need for painting and maintains a rich, dark rust color without corroding, the fence stanchions were cut with a plasma cutter from sheets of the alloy. Each blade stands 8 feet above grade, set in concrete 3 feet below, weighs 80-90 pounds and is 5/8 inch thick. The profile of the blades is an irregular trapezoid with no horizontal connections or supports. Only the gate has two horizontal bars, and each leaf weighs 1200 pounds.

photo credit: David Gilbert
Elegant wood exterior home photo in New York with a clipped gable roof

Eat-in kitchen - large traditional dark wood floor eat-in kitchen idea in Portland with stainless steel appliances, recessed-panel cabinets, white cabinets, white backsplash, subway tile backsplash, granite countertops, an undermount sink, two islands and black countertops

The client wanted patio space for a chair so she could relax in the sun when the mood struck. The only spot in the yard with any sun is near the fence gate. A full-range New York Bluestone patio was added using 30” x 30” slabs. These slabs are dry-set so leveling was a challenge.

Kids Bedrooms can be fun. This preteen bedroom design was create for a young girl in need o her own bedroom. Having shared bedrooms with hr younger sister it was time Abby had her own room! Interior Designer Rebecca Robeson took the box shaped room and added a much needed closet by using Ikea's PAX wardrobe system which flanked either side of the window. This provided the perfect spot to add a simple bench seat below the window creating a delightful window seat for young Abby to curl up and enjoy a great book or text a friend. Robeson's artful use of bright wall colors mixed with PB teen bedding makes for a fun exhilarating first impression when walking into Abby's room! For more details on Abby's bedroom, watch YouTubes most popular Interior Designer, Rebecca Robeson as she walks you through the actual room! http://www.youtube.com/watch?v=a2ZQbjBJsEs Photos by David Hartig

  Free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW   Our clients and their three teenage kids had outgrown the footprint of their existing home and felt they needed some space to spread out. They came in with a couple of sets of drawings from different architects that were not quite what they were looking for, so we set out to really listen and try to provide a design that would meet their objectives given what the space could offer. We started by agreeing that a bump out was the best way to go and then decided on the size and the floor plan locations of the mudroom, powder room and butler pantry which were all part of the project. We also planned for an eat-in banquette that is neatly tucked into the corner and surrounded by windows providing a lovely spot for daily meals. The kitchen itself is L-shaped with the refrigerator and range along one wall, and the new sink along the exterior wall with a large window overlooking the backyard. A large island, with seating for five, houses a prep sink and microwave. A new opening space between the kitchen and dining room includes a butler pantry/bar in one section and a large kitchen pantry in the other. Through the door to the left of the main sink is access to the new mudroom and powder room and existing attached garage. White inset cabinets, quartzite countertops, subway tile and nickel accents provide a traditional feel. The gray island is a needed contrast to the dark wood flooring. Last but not least, professional appliances provide the tools of the trade needed to make this one hardworking kitchen. Designed by: Susan Klimala, CKD, CBD Photography by: Mike Kaskel For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

Arrow. Land + Structures. Marco Romani, RLA. Landscape Architect
Inspiration for a traditional shade backyard stone garden path in Chicago.

Landscape Architect: Howard Cohen Photography by: Ron Blunt
This is an example of a mid-sized traditional backyard gravel and wood fence landscaping in DC Metro.

8' high Hunter Green Illusions Fence. Need a new fence idea? Here it is. Blend your fence into the background with this dark green color vinyl fence. Grand Illusions Color Spectrum Hunter Green (E117). The style of fence is the popular V300-8 tongue and groove vinyl PVC privacy fence. David Silver - Silver Photography

Aspen
Design ideas for a large traditional full sun backyard mulch and vinyl fence formal garden in Raleigh for spring.

Design ideas for a mid-sized traditional partial sun backyard mulch formal garden in Raleigh for spring.