Search results for "Desired intention" in Home Design Ideas


Stoney Bank Nurseries, Inc. http://www.stoneybanknurseries.com/
Project Entry: Restoration of Rose Valley Farm
2013 PLNA Awards for Landscape Excellence Winner
Category: Residential $60,000 & Over
Award Level: Gold
Project Description:
Rose Valley Farm is an irreplaceable part of local identity and pride as much as it is a testament to the development of distinctive American design and craftsmanship. Our challenge was to restore this historic landscape to former glory while seamlessly blending desired amenities. This landscape architecture restoration project has preserved the work of our predecessors by creating a living document and preserving arguably the finest example of the arts and crafts movement in America.
In 1901 Quaker architect William Lightfoot Price founded the Rose Valley Association to save and encourage the continuation of craftsmanship in response to the Industrial Revolution. In support of Price's experiment, Mr. and Mrs. Charles T Schoen purchased the estate and commissioned Price to transform the existing cottage into an elegant villa. After Schoen's death, Maurice and Adele Saul purchased the property. The property and villa was retained in a family trust after Saul's death in 1974.
In 2005, a developer purchased the estate and the twenty-six acres of land that remained attached to the estate with the intent of creating a housing community. The Borough of Rose Valley rarely allows housing developments within its boundaries. The borough agreed to allow the developer to construct a higher density townhouse community with the condition that half of the property remained as open space and notable trees and buildings would be protected and preserved.
Our company was brought in by the new estate owners with the intent to repurpose the historical artifacts found throughout the site and to restore the gardens to their previous state of glory. The developer gave the estate owner permission to remove any salvageable stone and plantings that would be lost in during construction. In addition to the many salvaged shrubs and trees, over 20 mature trees from our nursery were hand selected and transplanted onto the estate. The result is a landscape that responds to the age of the house while providing critical screening from the surrounding development.
Trees shading the formal gardens and untamed undergrowth swarming garden bed remnants were proof that the gardens had not received any maintenance for at least ten years_ Garden beds were purged and then reinstated by adding new boxwood varieties that are more resistant to the diseases that were crippling existing boxwoods. Transplanted peonies and irises now burst into bloom around the repaired central garden fountain in springtime followed by an array of lilies and lavender in the summer.
A spectrum of over 120 different plant species was selected for the estate in order to provide year round interest. Amsonia's lavender blue flowers steal the show early in the spring and its leaves celebrate autumn by turning a brilliant yellow. Different daylily species were chosen with staggered bloom times to enlighten the gardens with their colorful manner. Japanese Stewartia was selected to enhance the diversity and compliment other mature trees as it decorates the landscape throughout the season with flowers, foliage, and intricate bark patterns.
The remnant stone foundations of the original pump house were not feasible to restore but held the old grindstone from the mill on the property. The mill grindstone was relocated by crane and incorporated into a new water feature in the formal gardens. The foundations of the pump house were transformed into a ruin garden with multiple water features and lush plantings. Large Haste leaves create a backdrop for the finely detailed leaves of ferns growing from cracks in the stone walls.
Eroding slopes near the studio guest house threatened its longevity and needed to be stabilized. More than 400 tons of large boulders were brought in to stabilize the steep bank near the studio building. A crane was used to lift the boulders as each stone was individually placed into the bank. Gro-low Fragrant Sumac and Cutleaf Stephanandra were especially useful in retaining soil on the steep bank while providing wonderful interest throughout the seasons.
Any visiting guest will feel at home with their own private gather spaces connected to the studio. Views of the landscape are enjoyed off the back grilling patio of the studio guest house. Native Switchgrass and Northern Sea Oats are planted in the nearby embankment. They rustle in the wind all summer long and come fall highlight the landscape with seed heads. Pink Muhly Grass contrasts against the yellow leaves of Yucca filamentosa 'Golden Sword' as they mark the staircase that descends the hill to the observation terrace.
The seamless blend of old and new features on the site was possible through the dedication of the new owners, designers, arid laborers working to preserve, restore, and enhance the works of outstanding craftsmen created a century ago. The result is a residence in which the sole purpose of its existence is to display and preserve one of the finest arts and crafts estates in the country. This landscape architecture historical restoration project has actualized the grace of a mature landscape in a modern era.
Photo Credit: Stoney Bank Nurseries, Inc.


Stoney Bank Nurseries, Inc. http://www.stoneybanknurseries.com/
Project Entry: Restoration of Rose Valley Farm
2013 PLNA Awards for Landscape Excellence Winner
Category: Residential $60,000 & Over
Award Level: Gold
Project Description:
Rose Valley Farm is an irreplaceable part of local identity and pride as much as it is a testament to the development of distinctive American design and craftsmanship. Our challenge was to restore this historic landscape to former glory while seamlessly blending desired amenities. This landscape architecture restoration project has preserved the work of our predecessors by creating a living document and preserving arguably the finest example of the arts and crafts movement in America.
In 1901 Quaker architect William Lightfoot Price founded the Rose Valley Association to save and encourage the continuation of craftsmanship in response to the Industrial Revolution. In support of Price's experiment, Mr. and Mrs. Charles T Schoen purchased the estate and commissioned Price to transform the existing cottage into an elegant villa. After Schoen's death, Maurice and Adele Saul purchased the property. The property and villa was retained in a family trust after Saul's death in 1974.
In 2005, a developer purchased the estate and the twenty-six acres of land that remained attached to the estate with the intent of creating a housing community. The Borough of Rose Valley rarely allows housing developments within its boundaries. The borough agreed to allow the developer to construct a higher density townhouse community with the condition that half of the property remained as open space and notable trees and buildings would be protected and preserved.
Our company was brought in by the new estate owners with the intent to repurpose the historical artifacts found throughout the site and to restore the gardens to their previous state of glory. The developer gave the estate owner permission to remove any salvageable stone and plantings that would be lost in during construction. In addition to the many salvaged shrubs and trees, over 20 mature trees from our nursery were hand selected and transplanted onto the estate. The result is a landscape that responds to the age of the house while providing critical screening from the surrounding development.
Trees shading the formal gardens and untamed undergrowth swarming garden bed remnants were proof that the gardens had not received any maintenance for at least ten years_ Garden beds were purged and then reinstated by adding new boxwood varieties that are more resistant to the diseases that were crippling existing boxwoods. Transplanted peonies and irises now burst into bloom around the repaired central garden fountain in springtime followed by an array of lilies and lavender in the summer.
A spectrum of over 120 different plant species was selected for the estate in order to provide year round interest. Amsonia's lavender blue flowers steal the show early in the spring and its leaves celebrate autumn by turning a brilliant yellow. Different daylily species were chosen with staggered bloom times to enlighten the gardens with their colorful manner. Japanese Stewartia was selected to enhance the diversity and compliment other mature trees as it decorates the landscape throughout the season with flowers, foliage, and intricate bark patterns.
The remnant stone foundations of the original pump house were not feasible to restore but held the old grindstone from the mill on the property. The mill grindstone was relocated by crane and incorporated into a new water feature in the formal gardens. The foundations of the pump house were transformed into a ruin garden with multiple water features and lush plantings. Large Haste leaves create a backdrop for the finely detailed leaves of ferns growing from cracks in the stone walls.
Eroding slopes near the studio guest house threatened its longevity and needed to be stabilized. More than 400 tons of large boulders were brought in to stabilize the steep bank near the studio building. A crane was used to lift the boulders as each stone was individually placed into the bank. Gro-low Fragrant Sumac and Cutleaf Stephanandra were especially useful in retaining soil on the steep bank while providing wonderful interest throughout the seasons.
Any visiting guest will feel at home with their own private gather spaces connected to the studio. Views of the landscape are enjoyed off the back grilling patio of the studio guest house. Native Switchgrass and Northern Sea Oats are planted in the nearby embankment. They rustle in the wind all summer long and come fall highlight the landscape with seed heads. Pink Muhly Grass contrasts against the yellow leaves of Yucca filamentosa 'Golden Sword' as they mark the staircase that descends the hill to the observation terrace.
The seamless blend of old and new features on the site was possible through the dedication of the new owners, designers, arid laborers working to preserve, restore, and enhance the works of outstanding craftsmen created a century ago. The result is a residence in which the sole purpose of its existence is to display and preserve one of the finest arts and crafts estates in the country. This landscape architecture historical restoration project has actualized the grace of a mature landscape in a modern era.
Photo Credit: Stoney Bank Nurseries, Inc.
Find the right local pro for your project


Stoney Bank Nurseries, Inc. http://www.stoneybanknurseries.com/
Project Entry: Restoration of Rose Valley Farm
2013 PLNA Awards for Landscape Excellence Winner
Category: Residential $60,000 & Over
Award Level: Gold
Project Description:
Rose Valley Farm is an irreplaceable part of local identity and pride as much as it is a testament to the development of distinctive American design and craftsmanship. Our challenge was to restore this historic landscape to former glory while seamlessly blending desired amenities. This landscape architecture restoration project has preserved the work of our predecessors by creating a living document and preserving arguably the finest example of the arts and crafts movement in America.
In 1901 Quaker architect William Lightfoot Price founded the Rose Valley Association to save and encourage the continuation of craftsmanship in response to the Industrial Revolution. In support of Price's experiment, Mr. and Mrs. Charles T Schoen purchased the estate and commissioned Price to transform the existing cottage into an elegant villa. After Schoen's death, Maurice and Adele Saul purchased the property. The property and villa was retained in a family trust after Saul's death in 1974.
In 2005, a developer purchased the estate and the twenty-six acres of land that remained attached to the estate with the intent of creating a housing community. The Borough of Rose Valley rarely allows housing developments within its boundaries. The borough agreed to allow the developer to construct a higher density townhouse community with the condition that half of the property remained as open space and notable trees and buildings would be protected and preserved.
Our company was brought in by the new estate owners with the intent to repurpose the historical artifacts found throughout the site and to restore the gardens to their previous state of glory. The developer gave the estate owner permission to remove any salvageable stone and plantings that would be lost in during construction. In addition to the many salvaged shrubs and trees, over 20 mature trees from our nursery were hand selected and transplanted onto the estate. The result is a landscape that responds to the age of the house while providing critical screening from the surrounding development.
Trees shading the formal gardens and untamed undergrowth swarming garden bed remnants were proof that the gardens had not received any maintenance for at least ten years_ Garden beds were purged and then reinstated by adding new boxwood varieties that are more resistant to the diseases that were crippling existing boxwoods. Transplanted peonies and irises now burst into bloom around the repaired central garden fountain in springtime followed by an array of lilies and lavender in the summer.
A spectrum of over 120 different plant species was selected for the estate in order to provide year round interest. Amsonia's lavender blue flowers steal the show early in the spring and its leaves celebrate autumn by turning a brilliant yellow. Different daylily species were chosen with staggered bloom times to enlighten the gardens with their colorful manner. Japanese Stewartia was selected to enhance the diversity and compliment other mature trees as it decorates the landscape throughout the season with flowers, foliage, and intricate bark patterns.
The remnant stone foundations of the original pump house were not feasible to restore but held the old grindstone from the mill on the property. The mill grindstone was relocated by crane and incorporated into a new water feature in the formal gardens. The foundations of the pump house were transformed into a ruin garden with multiple water features and lush plantings. Large Haste leaves create a backdrop for the finely detailed leaves of ferns growing from cracks in the stone walls.
Eroding slopes near the studio guest house threatened its longevity and needed to be stabilized. More than 400 tons of large boulders were brought in to stabilize the steep bank near the studio building. A crane was used to lift the boulders as each stone was individually placed into the bank. Gro-low Fragrant Sumac and Cutleaf Stephanandra were especially useful in retaining soil on the steep bank while providing wonderful interest throughout the seasons.
Any visiting guest will feel at home with their own private gather spaces connected to the studio. Views of the landscape are enjoyed off the back grilling patio of the studio guest house. Native Switchgrass and Northern Sea Oats are planted in the nearby embankment. They rustle in the wind all summer long and come fall highlight the landscape with seed heads. Pink Muhly Grass contrasts against the yellow leaves of Yucca filamentosa 'Golden Sword' as they mark the staircase that descends the hill to the observation terrace.
The seamless blend of old and new features on the site was possible through the dedication of the new owners, designers, arid laborers working to preserve, restore, and enhance the works of outstanding craftsmen created a century ago. The result is a residence in which the sole purpose of its existence is to display and preserve one of the finest arts and crafts estates in the country. This landscape architecture historical restoration project has actualized the grace of a mature landscape in a modern era.
Photo Credit: Stoney Bank Nurseries, Inc.


Stoney Bank Nurseries, Inc. http://www.stoneybanknurseries.com/
Project Entry: Restoration of Rose Valley Farm
2013 PLNA Awards for Landscape Excellence Winner
Category: Residential $60,000 & Over
Award Level: Gold
Project Description:
Rose Valley Farm is an irreplaceable part of local identity and pride as much as it is a testament to the development of distinctive American design and craftsmanship. Our challenge was to restore this historic landscape to former glory while seamlessly blending desired amenities. This landscape architecture restoration project has preserved the work of our predecessors by creating a living document and preserving arguably the finest example of the arts and crafts movement in America.
In 1901 Quaker architect William Lightfoot Price founded the Rose Valley Association to save and encourage the continuation of craftsmanship in response to the Industrial Revolution. In support of Price's experiment, Mr. and Mrs. Charles T Schoen purchased the estate and commissioned Price to transform the existing cottage into an elegant villa. After Schoen's death, Maurice and Adele Saul purchased the property. The property and villa was retained in a family trust after Saul's death in 1974.
In 2005, a developer purchased the estate and the twenty-six acres of land that remained attached to the estate with the intent of creating a housing community. The Borough of Rose Valley rarely allows housing developments within its boundaries. The borough agreed to allow the developer to construct a higher density townhouse community with the condition that half of the property remained as open space and notable trees and buildings would be protected and preserved.
Our company was brought in by the new estate owners with the intent to repurpose the historical artifacts found throughout the site and to restore the gardens to their previous state of glory. The developer gave the estate owner permission to remove any salvageable stone and plantings that would be lost in during construction. In addition to the many salvaged shrubs and trees, over 20 mature trees from our nursery were hand selected and transplanted onto the estate. The result is a landscape that responds to the age of the house while providing critical screening from the surrounding development.
Trees shading the formal gardens and untamed undergrowth swarming garden bed remnants were proof that the gardens had not received any maintenance for at least ten years_ Garden beds were purged and then reinstated by adding new boxwood varieties that are more resistant to the diseases that were crippling existing boxwoods. Transplanted peonies and irises now burst into bloom around the repaired central garden fountain in springtime followed by an array of lilies and lavender in the summer.
A spectrum of over 120 different plant species was selected for the estate in order to provide year round interest. Amsonia's lavender blue flowers steal the show early in the spring and its leaves celebrate autumn by turning a brilliant yellow. Different daylily species were chosen with staggered bloom times to enlighten the gardens with their colorful manner. Japanese Stewartia was selected to enhance the diversity and compliment other mature trees as it decorates the landscape throughout the season with flowers, foliage, and intricate bark patterns.
The remnant stone foundations of the original pump house were not feasible to restore but held the old grindstone from the mill on the property. The mill grindstone was relocated by crane and incorporated into a new water feature in the formal gardens. The foundations of the pump house were transformed into a ruin garden with multiple water features and lush plantings. Large Haste leaves create a backdrop for the finely detailed leaves of ferns growing from cracks in the stone walls.
Eroding slopes near the studio guest house threatened its longevity and needed to be stabilized. More than 400 tons of large boulders were brought in to stabilize the steep bank near the studio building. A crane was used to lift the boulders as each stone was individually placed into the bank. Gro-low Fragrant Sumac and Cutleaf Stephanandra were especially useful in retaining soil on the steep bank while providing wonderful interest throughout the seasons.
Any visiting guest will feel at home with their own private gather spaces connected to the studio. Views of the landscape are enjoyed off the back grilling patio of the studio guest house. Native Switchgrass and Northern Sea Oats are planted in the nearby embankment. They rustle in the wind all summer long and come fall highlight the landscape with seed heads. Pink Muhly Grass contrasts against the yellow leaves of Yucca filamentosa 'Golden Sword' as they mark the staircase that descends the hill to the observation terrace.
The seamless blend of old and new features on the site was possible through the dedication of the new owners, designers, arid laborers working to preserve, restore, and enhance the works of outstanding craftsmen created a century ago. The result is a residence in which the sole purpose of its existence is to display and preserve one of the finest arts and crafts estates in the country. This landscape architecture historical restoration project has actualized the grace of a mature landscape in a modern era.
Photo Credit: Stoney Bank Nurseries, Inc.


Stoney Bank Nurseries, Inc. http://www.stoneybanknurseries.com/
Project Entry: Restoration of Rose Valley Farm
2013 PLNA Awards for Landscape Excellence Winner
Category: Residential $60,000 & Over
Award Level: Gold
Project Description:
Rose Valley Farm is an irreplaceable part of local identity and pride as much as it is a testament to the development of distinctive American design and craftsmanship. Our challenge was to restore this historic landscape to former glory while seamlessly blending desired amenities. This landscape architecture restoration project has preserved the work of our predecessors by creating a living document and preserving arguably the finest example of the arts and crafts movement in America.
In 1901 Quaker architect William Lightfoot Price founded the Rose Valley Association to save and encourage the continuation of craftsmanship in response to the Industrial Revolution. In support of Price's experiment, Mr. and Mrs. Charles T Schoen purchased the estate and commissioned Price to transform the existing cottage into an elegant villa. After Schoen's death, Maurice and Adele Saul purchased the property. The property and villa was retained in a family trust after Saul's death in 1974.
In 2005, a developer purchased the estate and the twenty-six acres of land that remained attached to the estate with the intent of creating a housing community. The Borough of Rose Valley rarely allows housing developments within its boundaries. The borough agreed to allow the developer to construct a higher density townhouse community with the condition that half of the property remained as open space and notable trees and buildings would be protected and preserved.
Our company was brought in by the new estate owners with the intent to repurpose the historical artifacts found throughout the site and to restore the gardens to their previous state of glory. The developer gave the estate owner permission to remove any salvageable stone and plantings that would be lost in during construction. In addition to the many salvaged shrubs and trees, over 20 mature trees from our nursery were hand selected and transplanted onto the estate. The result is a landscape that responds to the age of the house while providing critical screening from the surrounding development.
Trees shading the formal gardens and untamed undergrowth swarming garden bed remnants were proof that the gardens had not received any maintenance for at least ten years_ Garden beds were purged and then reinstated by adding new boxwood varieties that are more resistant to the diseases that were crippling existing boxwoods. Transplanted peonies and irises now burst into bloom around the repaired central garden fountain in springtime followed by an array of lilies and lavender in the summer.
A spectrum of over 120 different plant species was selected for the estate in order to provide year round interest. Amsonia's lavender blue flowers steal the show early in the spring and its leaves celebrate autumn by turning a brilliant yellow. Different daylily species were chosen with staggered bloom times to enlighten the gardens with their colorful manner. Japanese Stewartia was selected to enhance the diversity and compliment other mature trees as it decorates the landscape throughout the season with flowers, foliage, and intricate bark patterns.
The remnant stone foundations of the original pump house were not feasible to restore but held the old grindstone from the mill on the property. The mill grindstone was relocated by crane and incorporated into a new water feature in the formal gardens. The foundations of the pump house were transformed into a ruin garden with multiple water features and lush plantings. Large Haste leaves create a backdrop for the finely detailed leaves of ferns growing from cracks in the stone walls.
Eroding slopes near the studio guest house threatened its longevity and needed to be stabilized. More than 400 tons of large boulders were brought in to stabilize the steep bank near the studio building. A crane was used to lift the boulders as each stone was individually placed into the bank. Gro-low Fragrant Sumac and Cutleaf Stephanandra were especially useful in retaining soil on the steep bank while providing wonderful interest throughout the seasons.
Any visiting guest will feel at home with their own private gather spaces connected to the studio. Views of the landscape are enjoyed off the back grilling patio of the studio guest house. Native Switchgrass and Northern Sea Oats are planted in the nearby embankment. They rustle in the wind all summer long and come fall highlight the landscape with seed heads. Pink Muhly Grass contrasts against the yellow leaves of Yucca filamentosa 'Golden Sword' as they mark the staircase that descends the hill to the observation terrace.
The seamless blend of old and new features on the site was possible through the dedication of the new owners, designers, arid laborers working to preserve, restore, and enhance the works of outstanding craftsmen created a century ago. The result is a residence in which the sole purpose of its existence is to display and preserve one of the finest arts and crafts estates in the country. This landscape architecture historical restoration project has actualized the grace of a mature landscape in a modern era.
Photo Credit: Stoney Bank Nurseries, Inc.


Stoney Bank Nurseries, Inc. http://www.stoneybanknurseries.com/
Project Entry: Restoration of Rose Valley Farm
2013 PLNA Awards for Landscape Excellence Winner
Category: Residential $60,000 & Over
Award Level: Gold
Project Description:
Rose Valley Farm is an irreplaceable part of local identity and pride as much as it is a testament to the development of distinctive American design and craftsmanship. Our challenge was to restore this historic landscape to former glory while seamlessly blending desired amenities. This landscape architecture restoration project has preserved the work of our predecessors by creating a living document and preserving arguably the finest example of the arts and crafts movement in America.
In 1901 Quaker architect William Lightfoot Price founded the Rose Valley Association to save and encourage the continuation of craftsmanship in response to the Industrial Revolution. In support of Price's experiment, Mr. and Mrs. Charles T Schoen purchased the estate and commissioned Price to transform the existing cottage into an elegant villa. After Schoen's death, Maurice and Adele Saul purchased the property. The property and villa was retained in a family trust after Saul's death in 1974.
In 2005, a developer purchased the estate and the twenty-six acres of land that remained attached to the estate with the intent of creating a housing community. The Borough of Rose Valley rarely allows housing developments within its boundaries. The borough agreed to allow the developer to construct a higher density townhouse community with the condition that half of the property remained as open space and notable trees and buildings would be protected and preserved.
Our company was brought in by the new estate owners with the intent to repurpose the historical artifacts found throughout the site and to restore the gardens to their previous state of glory. The developer gave the estate owner permission to remove any salvageable stone and plantings that would be lost in during construction. In addition to the many salvaged shrubs and trees, over 20 mature trees from our nursery were hand selected and transplanted onto the estate. The result is a landscape that responds to the age of the house while providing critical screening from the surrounding development.
Trees shading the formal gardens and untamed undergrowth swarming garden bed remnants were proof that the gardens had not received any maintenance for at least ten years_ Garden beds were purged and then reinstated by adding new boxwood varieties that are more resistant to the diseases that were crippling existing boxwoods. Transplanted peonies and irises now burst into bloom around the repaired central garden fountain in springtime followed by an array of lilies and lavender in the summer.
A spectrum of over 120 different plant species was selected for the estate in order to provide year round interest. Amsonia's lavender blue flowers steal the show early in the spring and its leaves celebrate autumn by turning a brilliant yellow. Different daylily species were chosen with staggered bloom times to enlighten the gardens with their colorful manner. Japanese Stewartia was selected to enhance the diversity and compliment other mature trees as it decorates the landscape throughout the season with flowers, foliage, and intricate bark patterns.
The remnant stone foundations of the original pump house were not feasible to restore but held the old grindstone from the mill on the property. The mill grindstone was relocated by crane and incorporated into a new water feature in the formal gardens. The foundations of the pump house were transformed into a ruin garden with multiple water features and lush plantings. Large Haste leaves create a backdrop for the finely detailed leaves of ferns growing from cracks in the stone walls.
Eroding slopes near the studio guest house threatened its longevity and needed to be stabilized. More than 400 tons of large boulders were brought in to stabilize the steep bank near the studio building. A crane was used to lift the boulders as each stone was individually placed into the bank. Gro-low Fragrant Sumac and Cutleaf Stephanandra were especially useful in retaining soil on the steep bank while providing wonderful interest throughout the seasons.
Any visiting guest will feel at home with their own private gather spaces connected to the studio. Views of the landscape are enjoyed off the back grilling patio of the studio guest house. Native Switchgrass and Northern Sea Oats are planted in the nearby embankment. They rustle in the wind all summer long and come fall highlight the landscape with seed heads. Pink Muhly Grass contrasts against the yellow leaves of Yucca filamentosa 'Golden Sword' as they mark the staircase that descends the hill to the observation terrace.
The seamless blend of old and new features on the site was possible through the dedication of the new owners, designers, arid laborers working to preserve, restore, and enhance the works of outstanding craftsmen created a century ago. The result is a residence in which the sole purpose of its existence is to display and preserve one of the finest arts and crafts estates in the country. This landscape architecture historical restoration project has actualized the grace of a mature landscape in a modern era.
Photo Credit: Stoney Bank Nurseries, Inc.

Sponsored
Great Falls, VA
View Our Spotlight Story!

Pristine Acres
Leading Northern Virginia Custom Outdoor Specialist- 10x Best of Houzz


Firmness . . .
Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time.
A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass.
Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency.
Commodity . . .
Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”.
A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century.
Delight . . .
Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer.
This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own.
Architect - Noel Cross Architect
Landscape Architect - Christopher Yates
Interior Designer - Gina Viscusi-Elson
Lighting Designer - Vita Pehar Design
Contractor - The Conrado Company


Stoney Bank Nurseries, Inc. http://www.stoneybanknurseries.com/
Project Entry: Restoration of Rose Valley Farm
2013 PLNA Awards for Landscape Excellence Winner
Category: Residential $60,000 & Over
Award Level: Gold
Project Description:
Rose Valley Farm is an irreplaceable part of local identity and pride as much as it is a testament to the development of distinctive American design and craftsmanship. Our challenge was to restore this historic landscape to former glory while seamlessly blending desired amenities. This landscape architecture restoration project has preserved the work of our predecessors by creating a living document and preserving arguably the finest example of the arts and crafts movement in America.
In 1901 Quaker architect William Lightfoot Price founded the Rose Valley Association to save and encourage the continuation of craftsmanship in response to the Industrial Revolution. In support of Price's experiment, Mr. and Mrs. Charles T Schoen purchased the estate and commissioned Price to transform the existing cottage into an elegant villa. After Schoen's death, Maurice and Adele Saul purchased the property. The property and villa was retained in a family trust after Saul's death in 1974.
In 2005, a developer purchased the estate and the twenty-six acres of land that remained attached to the estate with the intent of creating a housing community. The Borough of Rose Valley rarely allows housing developments within its boundaries. The borough agreed to allow the developer to construct a higher density townhouse community with the condition that half of the property remained as open space and notable trees and buildings would be protected and preserved.
Our company was brought in by the new estate owners with the intent to repurpose the historical artifacts found throughout the site and to restore the gardens to their previous state of glory. The developer gave the estate owner permission to remove any salvageable stone and plantings that would be lost in during construction. In addition to the many salvaged shrubs and trees, over 20 mature trees from our nursery were hand selected and transplanted onto the estate. The result is a landscape that responds to the age of the house while providing critical screening from the surrounding development.
Trees shading the formal gardens and untamed undergrowth swarming garden bed remnants were proof that the gardens had not received any maintenance for at least ten years_ Garden beds were purged and then reinstated by adding new boxwood varieties that are more resistant to the diseases that were crippling existing boxwoods. Transplanted peonies and irises now burst into bloom around the repaired central garden fountain in springtime followed by an array of lilies and lavender in the summer.
A spectrum of over 120 different plant species was selected for the estate in order to provide year round interest. Amsonia's lavender blue flowers steal the show early in the spring and its leaves celebrate autumn by turning a brilliant yellow. Different daylily species were chosen with staggered bloom times to enlighten the gardens with their colorful manner. Japanese Stewartia was selected to enhance the diversity and compliment other mature trees as it decorates the landscape throughout the season with flowers, foliage, and intricate bark patterns.
The remnant stone foundations of the original pump house were not feasible to restore but held the old grindstone from the mill on the property. The mill grindstone was relocated by crane and incorporated into a new water feature in the formal gardens. The foundations of the pump house were transformed into a ruin garden with multiple water features and lush plantings. Large Haste leaves create a backdrop for the finely detailed leaves of ferns growing from cracks in the stone walls.
Eroding slopes near the studio guest house threatened its longevity and needed to be stabilized. More than 400 tons of large boulders were brought in to stabilize the steep bank near the studio building. A crane was used to lift the boulders as each stone was individually placed into the bank. Gro-low Fragrant Sumac and Cutleaf Stephanandra were especially useful in retaining soil on the steep bank while providing wonderful interest throughout the seasons.
Any visiting guest will feel at home with their own private gather spaces connected to the studio. Views of the landscape are enjoyed off the back grilling patio of the studio guest house. Native Switchgrass and Northern Sea Oats are planted in the nearby embankment. They rustle in the wind all summer long and come fall highlight the landscape with seed heads. Pink Muhly Grass contrasts against the yellow leaves of Yucca filamentosa 'Golden Sword' as they mark the staircase that descends the hill to the observation terrace.
The seamless blend of old and new features on the site was possible through the dedication of the new owners, designers, arid laborers working to preserve, restore, and enhance the works of outstanding craftsmen created a century ago. The result is a residence in which the sole purpose of its existence is to display and preserve one of the finest arts and crafts estates in the country. This landscape architecture historical restoration project has actualized the grace of a mature landscape in a modern era.
Photo Credit: Stoney Bank Nurseries, Inc.


Clean lines and a refined material palette transformed the Moss Hill House master bath into an open, light-filled space appropriate to its 1960 modern character.
Underlying the design is a thoughtful intent to maximize opportunities within the long narrow footprint. Minimizing project cost and disruption, fixture locations were generally maintained. All interior walls and existing soaking tub were removed, making room for a large walk-in shower. Large planes of glass provide definition and maintain desired openness, allowing daylight from clerestory windows to fill the space.
Light-toned finishes and large format tiles throughout offer an uncluttered vision. Polished marble “circles” provide textural contrast and small-scale detail, while an oak veneered vanity adds additional warmth.
In-floor radiant heat, reclaimed veneer, dimming controls, and ample daylighting are important sustainable features. This renovation converted a well-worn room into one with a modern functionality and a visual timelessness that will take it into the future.
Photographed by: place, inc


Wing Wong/ Memories TTL
Inspiration for a mid-sized craftsman white tile porcelain tile and multicolored floor bathroom remodel in New York with furniture-like cabinets, medium tone wood cabinets, a two-piece toilet, white walls, an undermount sink, granite countertops, a hinged shower door and gray countertops
Inspiration for a mid-sized craftsman white tile porcelain tile and multicolored floor bathroom remodel in New York with furniture-like cabinets, medium tone wood cabinets, a two-piece toilet, white walls, an undermount sink, granite countertops, a hinged shower door and gray countertops


Firmness . . .
Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time.
A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass.
Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency.
Commodity . . .
Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”.
A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century.
Delight . . .
Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer.
This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own.
Architect - Noel Cross Architect
Landscape Architect - Christopher Yates
Interior Designer - Gina Viscusi-Elson
Lighting Designer - Vita Pehar Design
Contractor - The Conrado Company


The nearly 10’ island is an ideal place for food prep, a quick bite, buffet set-up, or sharing a glass of wine with friends. 2.5” thick marble countertop on the island gives substance and a professional feel.

Sponsored
Great Falls, VA
View Our Spotlight Story!

Pristine Acres
Leading Northern Virginia Custom Outdoor Specialist- 10x Best of Houzz


Download our free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW
The homeowners built their traditional Colonial style home 17 years’ ago. It was in great shape but needed some updating. Over the years, their taste had drifted into a more contemporary realm, and they wanted our help to bridge the gap between traditional and modern.
We decided the layout of the kitchen worked well in the space and the cabinets were in good shape, so we opted to do a refresh with the kitchen. The original kitchen had blond maple cabinets and granite countertops. This was also a great opportunity to make some updates to the functionality that they were hoping to accomplish.
After re-finishing all the first floor wood floors with a gray stain, which helped to remove some of the red tones from the red oak, we painted the cabinetry Benjamin Moore “Repose Gray” a very soft light gray. The new countertops are hardworking quartz, and the waterfall countertop to the left of the sink gives a bit of the contemporary flavor.
We reworked the refrigerator wall to create more pantry storage and eliminated the double oven in favor of a single oven and a steam oven. The existing cooktop was replaced with a new range paired with a Venetian plaster hood above. The glossy finish from the hood is echoed in the pendant lights. A touch of gold in the lighting and hardware adds some contrast to the gray and white. A theme we repeated down to the smallest detail illustrated by the Jason Wu faucet by Brizo with its similar touches of white and gold (the arrival of which we eagerly awaited for months due to ripples in the supply chain – but worth it!).
The original breakfast room was pleasant enough with its windows looking into the backyard. Now with its colorful window treatments, new blue chairs and sculptural light fixture, this space flows seamlessly into the kitchen and gives more of a punch to the space.
The original butler’s pantry was functional but was also starting to show its age. The new space was inspired by a wallpaper selection that our client had set aside as a possibility for a future project. It worked perfectly with our pallet and gave a fun eclectic vibe to this functional space. We eliminated some upper cabinets in favor of open shelving and painted the cabinetry in a high gloss finish, added a beautiful quartzite countertop and some statement lighting. The new room is anything but cookie cutter.
Next the mudroom. You can see a peek of the mudroom across the way from the butler’s pantry which got a facelift with new paint, tile floor, lighting and hardware. Simple updates but a dramatic change! The first floor powder room got the glam treatment with its own update of wainscoting, wallpaper, console sink, fixtures and artwork. A great little introduction to what’s to come in the rest of the home.
The whole first floor now flows together in a cohesive pallet of green and blue, reflects the homeowner’s desire for a more modern aesthetic, and feels like a thoughtful and intentional evolution. Our clients were wonderful to work with! Their style meshed perfectly with our brand aesthetic which created the opportunity for wonderful things to happen. We know they will enjoy their remodel for many years to come!
Photography by Margaret Rajic Photography


In this 1905 Tudor home, the intent of this design was to take advantage of the classic architecture of the home and incorporate modern conveniences.
Located in the Joseph Berry Subdivision in Detroit, this stellar home presented several design challenges. The most difficult challenge to overcome was the 11” slope from one end of the kitchen to the other, caused by 110 years of settling. All new floor joists were installed and the floor by the side door was then recessed down one step. This created a cozy nook when you first enter the kitchen. A tiered ceiling with strategically planned cabinetry heights and crown molding concealed the slope of the walls at the ceiling level.
The second challenge in this historic home was the awkward foot print of the kitchen. It’s likely that this kitchen had a butler’s pantry originally. However it was remodeled sometime in the 70’s and all original character was erased. Clever pantry storage was added to an awkward corner creating a space that mimicked the essence of a butler’s pantry, while providing storage desired in kitchens today.
Keeping the large footprint of the kitchen presented obstacles with the working triangle; the distance from the sink to the cooktop is several feet. The solution was installation of a pot filler over the cooktop that added convenience and elegance (not sure about this word). Not everything in this project was a challenge; the discovery of a brick chimney hiding behind plaster was a welcome surprise and brought character back honoring the historic charm of this beautiful home.
Kitchen Designer: Rebekah Tull of Whiski Kitchen Design Studio
Remodeling Contractor: Renaissance Restorations, Inc.
Counter Top Fabricator: Lakeside Solid Surfaces - Cambria
Cabinetry: Legacy Crafted Cabinets
Photographer: Shermin Photography
Lighting: Rejuvenation
Tile: TileBar.com


Living room - mid-sized eclectic formal and open concept painted wood floor and white floor living room idea in New York with white walls, no fireplace and no tv


This stunning master bathroom started with a creative reconfiguration of space, but it’s the wall of shimmering blue dimensional tile that really makes this a “statement” bathroom.
The homeowners’, parents of two boys, wanted to add a master bedroom and bath onto the main floor of their classic mid-century home. Their objective was to be close to their kids’ rooms, but still have a quiet and private retreat.
To obtain space for the master suite, the construction was designed to add onto the rear of their home. This was done by expanding the interior footprint into their existing outside corner covered patio. To create a sizeable suite, we also utilized the current interior footprint of their existing laundry room, adjacent to the patio. The design also required rebuilding the exterior walls of the kitchen nook which was adjacent to the back porch. Our clients rounded out the updated rear home design by installing all new windows along the back wall of their living and dining rooms.
Once the structure was formed, our design team worked with the homeowners to fill in the space with luxurious elements to form their desired retreat with universal design in mind. The selections were intentional, mixing modern-day comfort and amenities with 1955 architecture.
The shower was planned to be accessible and easy to use at the couple ages in place. Features include a curb-less, walk-in shower with a wide shower door. We also installed two shower fixtures, a handheld unit and showerhead.
To brighten the room without sacrificing privacy, a clearstory window was installed high in the shower and the room is topped off with a skylight.
For ultimate comfort, heated floors were installed below the silvery gray wood-plank floor tiles which run throughout the entire room and into the shower! Additional features include custom cabinetry in rich walnut with horizontal grain and white quartz countertops. In the shower, oversized white subway tiles surround a mermaid-like soft-blue tile niche, and at the vanity the mirrors are surrounded by boomerang-shaped ultra-glossy marine blue tiles. These create a dramatic focal point. Serene and spectacular.
Showing Results for "Desired Intention"

Sponsored
Great Falls, VA
View Our Spotlight Story!

Pristine Acres
Leading Northern Virginia Custom Outdoor Specialist- 10x Best of Houzz


For the art, I chose that was graphic and bold. There's a youthful feeling with original art and the arrangement creates a focal point for the room while balancing the large screen TV. Lucite, soft edges and texture dominate while the layout is well thought out for the creature comforts of everyday living.
Even though space was limited, I was still able to include comfortable seating for pre-theatre or dinner gatherings. Count them…the sofa holds 3, 2 Ottomans, the 3 lucite bright yellow bar stools, the lounge chair, 2 side chairs, the upholstered chair by the waterfall desk and if you add the 4 chairs for the dining area, you're at 16, and this doesn’t count the custom coffee table with upholstered seating!


Mike McCaw - Spacecrafting / Architectural Photography
Living room - traditional living room idea in Minneapolis with gray walls and a standard fireplace
Living room - traditional living room idea in Minneapolis with gray walls and a standard fireplace


"Brandon Stengel - www.farmkidstudios.com”
Example of a small danish multicolored floor mudroom design in Minneapolis with green walls
Example of a small danish multicolored floor mudroom design in Minneapolis with green walls
1