Search results for "Main distinctive" in Home Design Ideas


Peter Vanderwarker
View towards ocean
Example of a mid-sized 1960s open concept and formal light wood floor and brown floor living room design in Boston with white walls, a stone fireplace, no tv and a two-sided fireplace
Example of a mid-sized 1960s open concept and formal light wood floor and brown floor living room design in Boston with white walls, a stone fireplace, no tv and a two-sided fireplace


The distinct spaces can be seen from this overhead view. The dining area is separated from the social space by three large containers on one side and from the fire pit by a low profile planting bed on the other side. A small grill with counter is conveniently located near the three season room. Landscape design by John Algozzini. Photo courtesy of Mike Crews Photography.
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Won 2013 AIANC Design Award
Transitional brown two-story wood house exterior photo in Charlotte with a metal roof
Transitional brown two-story wood house exterior photo in Charlotte with a metal roof


morning terrace facing the pasture with large sliding doors to the main living spaces and view beyond
Example of a cottage wood exterior home design in Seattle with a metal roof and a brown roof
Example of a cottage wood exterior home design in Seattle with a metal roof and a brown roof


This project was designed by Mikal Otten. Interior design by Beth Armijo (www.armijodesigngroup.com). Photography by Emily Minton Redfield.
Example of a transitional formal living room design in Denver with a standard fireplace
Example of a transitional formal living room design in Denver with a standard fireplace


Clean and simple define this 1200 square foot Portage Bay floating home. After living on the water for 10 years, the owner was familiar with the area’s history and concerned with environmental issues. With that in mind, she worked with Architect Ryan Mankoski of Ninebark Studios and Dyna to create a functional dwelling that honored its surroundings. The original 19th century log float was maintained as the foundation for the new home and some of the historic logs were salvaged and custom milled to create the distinctive interior wood paneling. The atrium space celebrates light and water with open and connected kitchen, living and dining areas. The bedroom, office and bathroom have a more intimate feel, like a waterside retreat. The rooftop and water-level decks extend and maximize the main living space. The materials for the home’s exterior include a mixture of structural steel and glass, and salvaged cedar blended with Cor ten steel panels. Locally milled reclaimed untreated cedar creates an environmentally sound rain and privacy screen.


The #1 Most Popular Bathroom Photo in 2018 on Houzz!
Please see all of the specifications to this shower:
Shower wall tile:
Daltile- Pickets- Matte white, model: CG-PKMTWH7530
Bathroom floor tile: Lili Cement tiles, Tiffany collection, color 3. http://lilitile.com/project/tiffany-3/
Plumbing fixtures:
Brizo, Litze collection in the brilliance luxe gold
https://www.brizo.com/bath/collection/litze
Vanity hardware:
Amerock pulls in the golden champagne finish: https://www.amerock.com/Products/Detail/pid/2836/s/golden-champagne_pull_bar-pulls_128mm_bp40517bbz
The dimensions of this bathroom are: 4'-11" wide by 8'-10" long
Paint by Sherwin Williams:
Vanity cabinet- SW 6244 Naval
Walls- SW 7015 Repose Gray
Door hardware: Emtek C520ROUUS19- Flat Black Round Knob
https://www.build.com/emtek-c520rou-privacy-door-knob/s443128?uid=2613248
Lighting was purchased via Etsy:
https://www.etsy.com/listing/266595096/double-bulb-sconce-light-solid-brass?gpla=1&gao=1&&utm_source=google&utm_medium=cpc&utm_campaign=shopping_us_a-home_and_living-lighting-sconces&utm_custom1=e0d352ca-f1fd-4e22-9313-ab9669b0b1ff&gclid=EAIaIQobChMIpNGS_9r61wIVDoRpCh1XAQWxEAQYASABEgKLhPD_BwE
These are the gold tipped bulbs for the light fixture:
https://www.cb2.com/g25-gold-tipped-60w-light-bulb/s161692


Hand scraped hardwood floor. Marble counter tops, traditional kitchen, crackle ceramic subway tile, farmhouse sink
Inspiration for a mid-sized timeless dark wood floor kitchen remodel in San Francisco with a farmhouse sink, stainless steel appliances, white countertops, shaker cabinets and white cabinets
Inspiration for a mid-sized timeless dark wood floor kitchen remodel in San Francisco with a farmhouse sink, stainless steel appliances, white countertops, shaker cabinets and white cabinets


Inspiration for a large transitional 3/4 porcelain tile and gray floor alcove shower remodel in Boston with blue cabinets, gray walls, an undermount sink, quartz countertops, a hinged shower door, white countertops and recessed-panel cabinets


The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider


• SEE THROUGH FIREPLACE WITH CUSTOM TRIMMED MANTLE AND MARBLE SURROUND
• TWO STORY CEILING WITH CUSTOM DESIGNED WINDOW WALLS
• CUSTOM TRIMMED ACCENT COLUMNS

Sponsored
South Riding, VA

Interior Style by Marisa Moore
Northern Virginia Interior Designer - Best of Houzz 2013-2020!


The property is one of the original farm houses located on the main street of a small town. It has been in the family for many years and our client just inherited the property. They were trying to have balance of preserving the old while realizing modern day living has its benefits too. The house had a large addition added using mostly old style materials, but designed with function and modern day luxuries. Our goal was to carry that theme to the outside.
Our first problem we had to address was how to transition between the first floor elevation changes. The lower room was the husband’s office. He stated in the future he may have clients over and it would be nice to have an area to sit outside. The wife’s main concern was to renew the four corner garden. She also felt it was very important to be able to see it from the kitchen area. Finally there was an old wishing well stuck right outside the kitchen. They both felt it would be neat to be able to incorporate this in some how. They wanted a patio area with a built in grill to accommodate there family and friends. They also wanted to keep a large play area for the kids.
We were able to pull this off successfully. We addressed the first issue by having a small lower level flagstone area. This area is large enough for 1 to 2 people to sit comfortably. It also provides a transition from his office to the larger patio area. We installed a simple small gravel sitting area opposite of the main patio. This provides our client a secluded place to relax or do business. Mrs.... told me she is amazed how much her and her husband enjoys this area. It is so peaceful looking at the small creek over a glass of wine.
We built a natural limestone retaining wall to create the patio terrace. The stone was chosen to extend the houses architectural elements into the landscape. Irregular broken flagstone was used to give it a more casual feel. We installed three Serviceberries into the patio terrace to replace some trees that were taken down during the remodeling. She was very concern that they would block the view of the four corner garden. We new they were crucial to nestle in the terrace, so we placed them for a couple days for her to decide. Fortunately she agreed they not only kept the view open, but helped frame the garden.
The four corner garden was designed to be viewed from afar and experienced up close. We wanted the space to have some formal structure while keeping with the casual farm house feel. Another natural limestone retaining wall was created. This leveled the garden terrace and helped associate it with the rest of the property. The four corner garden is nestled into the existing woods edge. This provides three distinct experiences to entering the garden; a more formal from the driveway, an open feel from the lower lawn, and a more natural / casual experience from the wooded area. The Plymouth brown gravel was used for the center of the garden. This helped highlight the stone post that was found during construction. The gravel also brings the sense of sound into the garden space. Lamb’s ear was chosen as a fun way to get kids interest in horticulture.
The balance of using the new to create the old feel is what makes this project a success. The property has already hosted a local historical society event and won an award for its preservation efforts. When Mrs.... can’t find her husband, she knows he is either reading the newspaper by the grill or resting in the hammock along the wood’s path.


West End of Studio Space.
Cathy Schwabe Architecture.
Photograph by David Wakely
Trendy concrete floor living room photo in San Francisco with a wood stove
Trendy concrete floor living room photo in San Francisco with a wood stove


Photo: Margot Hartford © 2015 Houzz
Landscape Design: Chris Kukula
http://www.houzz.com/ideabooks/56354604/list/my-houzz-backyard-cottage-office-and-an-artful-low-water-garden
Showing Results for "Main Distinctive"

Sponsored
Haymarket, VA

Century Stair Company
DC Metro Area Luxury Custom Staircase & Railing Professional


The owners requested that their home harmonize with the spirit of the surrounding Colorado mountain setting and enhance their outdoor recreational lifestyle - while reflecting their contemporary architectural tastes. The site was burdened with a myriad of strict design criteria enforced by the neighborhood covenants and architectural review board. Creating a distinct design challenge, the covenants included a narrow interpretation of a “mountain style” home which established predetermined roof pitches, glazing percentages and material palettes - at direct odds with the client‘s vision of a flat-roofed, glass, “contemporary” home.
Our solution finds inspiration and opportunities within the site covenant’s strict definitions. It promotes and celebrates the client’s outdoor lifestyle and resolves the definition of a contemporary “mountain style” home by reducing the architecture to its most basic vernacular forms and relying upon local materials.
The home utilizes a simple base, middle and top that echoes the surrounding mountains and vegetation. The massing takes its cues from the prevalent lodgepole pine trees that grow at the mountain’s high altitudes. These pine trees have a distinct growth pattern, highlighted by a single vertical trunk and a peaked, densely foliated growth zone above a sparse base. This growth pattern is referenced by placing the wood-clad body of the home at the second story above an open base composed of wood posts and glass. A simple peaked roof rests lightly atop the home - visually floating above a triangular glass transom. The home itself is neatly inserted amongst an existing grove of lodgepole pines and oriented to take advantage of panoramic views of the adjacent meadow and Continental Divide beyond.
The main functions of the house are arranged into public and private areas and this division is made apparent on the home’s exterior. Two large roof forms, clad in pre-patinated zinc, are separated by a sheltering central deck - which signals the main entry to the home. At this connection, the roof deck is opened to allow a cluster of aspen trees to grow – further reinforcing nature as an integral part of arrival.
Outdoor living spaces are provided on all levels of the house and are positioned to take advantage of sunrise and sunset moments. The distinction between interior and exterior space is blurred via the use of large expanses of glass. The dry stacked stone base and natural cedar cladding both reappear within the home’s interior spaces.
This home offers a unique solution to the client’s requests while satisfying the design requirements of the neighborhood covenants. The house provides a variety of indoor and outdoor living spaces that can be utilized in all seasons. Most importantly, the house takes its cues directly from its natural surroundings and local building traditions to become a prototype solution for the “modern mountain house”.
Overview
Ranch Creek Ranch
Winter Park, Colorado
Completion Date
October, 2007
Services
Architecture, Interior Design, Landscape Architecture


The owners requested that their home harmonize with the spirit of the surrounding Colorado mountain setting and enhance their outdoor recreational lifestyle - while reflecting their contemporary architectural tastes. The site was burdened with a myriad of strict design criteria enforced by the neighborhood covenants and architectural review board. Creating a distinct design challenge, the covenants included a narrow interpretation of a “mountain style” home which established predetermined roof pitches, glazing percentages and material palettes - at direct odds with the client‘s vision of a flat-roofed, glass, “contemporary” home.
Our solution finds inspiration and opportunities within the site covenant’s strict definitions. It promotes and celebrates the client’s outdoor lifestyle and resolves the definition of a contemporary “mountain style” home by reducing the architecture to its most basic vernacular forms and relying upon local materials.
The home utilizes a simple base, middle and top that echoes the surrounding mountains and vegetation. The massing takes its cues from the prevalent lodgepole pine trees that grow at the mountain’s high altitudes. These pine trees have a distinct growth pattern, highlighted by a single vertical trunk and a peaked, densely foliated growth zone above a sparse base. This growth pattern is referenced by placing the wood-clad body of the home at the second story above an open base composed of wood posts and glass. A simple peaked roof rests lightly atop the home - visually floating above a triangular glass transom. The home itself is neatly inserted amongst an existing grove of lodgepole pines and oriented to take advantage of panoramic views of the adjacent meadow and Continental Divide beyond.
The main functions of the house are arranged into public and private areas and this division is made apparent on the home’s exterior. Two large roof forms, clad in pre-patinated zinc, are separated by a sheltering central deck - which signals the main entry to the home. At this connection, the roof deck is opened to allow a cluster of aspen trees to grow – further reinforcing nature as an integral part of arrival.
Outdoor living spaces are provided on all levels of the house and are positioned to take advantage of sunrise and sunset moments. The distinction between interior and exterior space is blurred via the use of large expanses of glass. The dry stacked stone base and natural cedar cladding both reappear within the home’s interior spaces.
This home offers a unique solution to the client’s requests while satisfying the design requirements of the neighborhood covenants. The house provides a variety of indoor and outdoor living spaces that can be utilized in all seasons. Most importantly, the house takes its cues directly from its natural surroundings and local building traditions to become a prototype solution for the “modern mountain house”.
Overview
Ranch Creek Ranch
Winter Park, Colorado
Completion Date
October, 2007
Services
Architecture, Interior Design, Landscape Architecture


Located near the foot of the Teton Mountains, the site and a modest program led to placing the main house and guest quarters in separate buildings configured to form outdoor spaces. With mountains rising to the northwest and a stream cutting through the southeast corner of the lot, this placement of the main house and guest cabin distinctly responds to the two scales of the site. The public and private wings of the main house define a courtyard, which is visually enclosed by the prominence of the mountains beyond. At a more intimate scale, the garden walls of the main house and guest cabin create a private entry court.
A concrete wall, which extends into the landscape marks the entrance and defines the circulation of the main house. Public spaces open off this axis toward the views to the mountains. Secondary spaces branch off to the north and south forming the private wing of the main house and the guest cabin. With regulation restricting the roof forms, the structural trusses are shaped to lift the ceiling planes toward light and the views of the landscape.
A.I.A Wyoming Chapter Design Award of Citation 2017
Project Year: 2008
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