Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

A modest proposal for a family of four, this is a three-bedroom, 2500 square-foot house. There are his-and-hers home offices, a playroom for their two young sons, and a media room that doubles as a guest room. Spaces are organized in two distinct volumes, with primary living spaces and entry combined in a single-story, sloped-roof volume with heated concrete floors. Walls of this volume are clad with cedar reclaimed from the house that was deconstructed, with the planks stripped bare and turned vertically. Deep overhangs provide weather protection for the entry, carport, and covered terrace. The playroom, media room, laundry, offices, bedrooms, and three baths occupy the two-story volume, clad in fiber-reinforced cement siding applied as a rainscreen. Photo by Alex Hayden

Bergen County, NJ - Traditional - Kitchen Designed by Bart Lidsky of The Hammer & Nail Inc. Photography by: Steve Rossi This classic white kitchen creamy white Rutt Handcrafted Cabinetry and espresso Stained Rift White Oak Base Cabinetry. The highly articulated storage is a functional hidden feature of this kitchen. The countertops are 2" Thick Danby Marble with a mosaic marble backsplash. Pendant lights are built into the cabinetry above the sink. http://thehammerandnail.com #BartLidsky #HNdesigns #KitchenDesign

The meandering service drive, made of rustic antique pavers, is more of a garden path than drive. Mature Norway Spruce and Dense Yews along with sweeping bands of perennials and groundcovers thrive in the 10 – 12” deep imported soil mix. An elevated tennis court is accented by lush gardens.

This "perfect-sized" laundry room is just off the mudroom and can be closed off from the rest of the house. The large window makes the space feel large and open. A custom designed wall of shelving and specialty cabinets accommodates everything necessary for day-to-day laundry needs. This custom home was designed and built by Meadowlark Design+Build in Ann Arbor, Michigan. Photography by Joshua Caldwell.

Example of an eclectic master medium tone wood floor bedroom design in New York

Kitchen - contemporary kitchen idea in Other with flat-panel cabinets and black cabinets

What our clients needed: • Create a garden folly that doubles as a well-built shed for crafts and storage. • Size the structure large enough for comfortable storage without dominating the garden. • Discreetly locate the shed in the far corner of the rear yard while maintaining existing trees. • Ensure that the structure is protected from the weather and carefully detailed to deter access of wildlife and rodents. FUNCTION • Construct the shed slab close to grade to permit easy access for bicycle storage, while building shed walls above grade to ensure against termites and dryrot. • Install a French door and operable casement windows to admit plenty of daylight and provide views to the garden. • Include rugged built-in work bench, shelves, bike racks and tool storage for a rustic well-organized and efficient space. • Incorporate GFIC electrical service for safe access to power at this distant corner of the yard. • Position energy-efficient interior lighting to ensure space can be used year-round. • Switch control of exterior light from house and from shed for ease of command. AESTHETICS • Design and detail the shed to coordinate with the Arts and Crafts style house. • Include an arbor for future flowering vines, further softening the shed’s garden presence. • Simple and rustic interior surfaces ensure that the space is easy to clean. • Create an aged and softly weathered appearance, and protect the exterior siding by finishing the cedar with a custom-colored semi-transparent stain. INNOVATIVE MATERIALS AND CONSTRUCTION • Factory-built components were pre-assembled to allow for a speedy assembly and for a shorter on-site construction schedule. • Each component was easily transported through the yard without disturbing garden features. • Decorative exterior trim frames the door and windows, while a simpler trim is used inside the unadorned shed. OBSTACLE OVERCOME • The structure is located in the corner of the yard to avoid disturbance of a curly willow tree. • The low-profile structure is positioned close to property lines while staying beneath the allowable daylight plane for structures. • To comply with daylight plane close to fence, the roof form combines hip and gable forms, with door located at gable end. • The height of the modest interior is maximized, without exceeding the allowable building height. CRAFTSMANSHIP • The concrete slab was precisely formed and finished for ease of shed assembly before the factory-built components were delivered to site. • Precision planning meant the pre-framed door fit exactly between raised concrete curb.

Modest, contemporary mountain home in Shenandoah Valley, CO. Home enhance the extraordinary surrounding scenery through the thoughtful integration of building elements with the natural assets of the site and terrain.

John Bedell Photography, Interiors by Angela Free Design
Home design - traditional home design idea in San Francisco

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

A wonderful client of ours contacted us one day to say she was having her first child and needed help with a storage problem. The problem was a strange angled closet in her new baby's room. More drawer space, hanging space, and shelving were all needed, along with space for all those wonderful new toys. This closet remodel solved all these concerns and created a wonderful way to display books, toys, games, and all those beautiful new baby clothes. A stunning additional to any baby's room, this build-out fits with the deep blues and dark stained furniture of the space. copyright 2011 marilyn peryer photography

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

Mid-sized trendy one-story glass exterior home photo in San Francisco

What our clients needed: • Create a garden folly that doubles as a well-built shed for crafts and storage. • Size the structure large enough for comfortable storage without dominating the garden. • Discreetly locate the shed in the far corner of the rear yard while maintaining existing trees. • Ensure that the structure is protected from the weather and carefully detailed to deter access of wildlife and rodents. FUNCTION • Construct the shed slab close to grade to permit easy access for bicycle storage, while building shed walls above grade to ensure against termites and dryrot. • Install a French door and operable casement windows to admit plenty of daylight and provide views to the garden. • Include rugged built-in work bench, shelves, bike racks and tool storage for a rustic well-organized and efficient space. • Incorporate GFIC electrical service for safe access to power at this distant corner of the yard. • Position energy-efficient interior lighting to ensure space can be used year-round. • Switch control of exterior light from house and from shed for ease of command. AESTHETICS • Design and detail the shed to coordinate with the Arts and Crafts style house. • Include an arbor for future flowering vines, further softening the shed’s garden presence. • Simple and rustic interior surfaces ensure that the space is easy to clean. • Create an aged and softly weathered appearance, and protect the exterior siding by finishing the cedar with a custom-colored semi-transparent stain. INNOVATIVE MATERIALS AND CONSTRUCTION • Factory-built components were pre-assembled to allow for a speedy assembly and for a shorter on-site construction schedule. • Each component was easily transported through the yard without disturbing garden features. • Decorative exterior trim frames the door and windows, while a simpler trim is used inside the unadorned shed. OBSTACLE OVERCOME • The structure is located in the corner of the yard to avoid disturbance of a curly willow tree. • The low-profile structure is positioned close to property lines while staying beneath the allowable daylight plane for structures. • To comply with daylight plane close to fence, the roof form combines hip and gable forms, with door located at gable end. • The height of the modest interior is maximized, without exceeding the allowable building height. CRAFTSMANSHIP • The concrete slab was precisely formed and finished for ease of shed assembly before the factory-built components were delivered to site. • Precision planning meant the pre-framed door fit exactly between raised concrete curb.

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.

The owners desired a modest home that would enable them to experience the dual natures of the outdoors: intimate forest and sweeping views. The use of economical, pre-fabricated materials was seen as an opportunity to develop an expressive architecture. The house is organized on a four-foot module, establishing a delicate rigor for the building and maximizing the use of pre-manufactured materials. A series of open web trusses are combined with dimensional wood framing to form broad overhangs. Plywood sheets spanning between the trusses are left exposed at the eaves. An insulated aluminum window system is attached to exposed laminated wood columns, creating an expansive yet economical wall of glass in the living spaces with mountain views. On the opposite side, support spaces and a children’s desk are located along the hallway. A bridge clad in green fiber cement panels marks the entry. Visible through the front door is an angled yellow wall that opens to a protected outdoor space between the garage and living spaces, offering the first views of the mountain peaks. Living and sleeping spaces are arranged in a line, with a circulation corridor to the east. The exterior is clad in pre-finished fiber cement panels that match the horizontal spacing of the window mullions, accentuating the linear nature of the structure. Two boxes clad in corrugated metal punctuate the east elevation. At the north end of the house, a deck extends into the landscape, providing a quiet place to enjoy the view. Images by Nic LeHoux Photography

The owners desired a modest home that would enable them to experience the dual natures of the outdoors: intimate forest and sweeping views. The use of economical, pre-fabricated materials was seen as an opportunity to develop an expressive architecture. The house is organized on a four-foot module, establishing a delicate rigor for the building and maximizing the use of pre-manufactured materials. A series of open web trusses are combined with dimensional wood framing to form broad overhangs. Plywood sheets spanning between the trusses are left exposed at the eaves. An insulated aluminum window system is attached to exposed laminated wood columns, creating an expansive yet economical wall of glass in the living spaces with mountain views. On the opposite side, support spaces and a children’s desk are located along the hallway. A bridge clad in green fiber cement panels marks the entry. Visible through the front door is an angled yellow wall that opens to a protected outdoor space between the garage and living spaces, offering the first views of the mountain peaks. Living and sleeping spaces are arranged in a line, with a circulation corridor to the east. The exterior is clad in pre-finished fiber cement panels that match the horizontal spacing of the window mullions, accentuating the linear nature of the structure. Two boxes clad in corrugated metal punctuate the east elevation. At the north end of the house, a deck extends into the landscape, providing a quiet place to enjoy the view. Images by Nic LeHoux Photography

Designed in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right. To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub. Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.