Zachary Molino
Example of a large cottage master multicolored tile and glass tile bathroom design in Salt Lake City with shaker cabinets, dark wood cabinets and granite countertops

This open concept kitchen by Thompson Remodeling involved removing walls to allow open flow from the kitchen into the living and dining rooms. The star of this kitchen is the expansive island, anchored by gorgeous columns with features that include plenty of work space, built-in bookshelves, and seating for three. Perimeter cabinets are maple with a caramel, chocolate glaze finish and the island cabinetry is alder with chestnut finish. Other design details include quartz countertops and ceramic tile flooring and backsplash.

Example of a mid-sized classic kitchen pantry design in San Diego with open cabinets and white cabinets

photography by Rob Karosis
Example of a large classic l-shaped medium tone wood floor kitchen design in Portland Maine with a farmhouse sink, shaker cabinets, white cabinets, granite countertops, white backsplash, ceramic backsplash and stainless steel appliances

Betsy Barron Fine Art Photography
Example of a mid-sized cottage l-shaped terra-cotta tile and red floor eat-in kitchen design in Nashville with a farmhouse sink, marble countertops, shaker cabinets, distressed cabinets, white backsplash, stone slab backsplash, paneled appliances, an island and white countertops

A great way to brighten up a bedroom is with painted nightstands. In this case, we wanted to maintain a calming environment with neutral wall colors and bedding. To add a bit of cheer to the space, we upholstered two lounge chairs and painted both nightstands similar shaded of aqua. Martha O'Hara Interiors, Interior Design | L. Cramer Builders + Remodelers, Builder | Troy Thies, Photography | Shannon Gale, Photo Styling Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.

5'6" × 7'-0" room with Restoration Hardware "Hutton" vanity (36"w x 24"d) and "Hutton" mirror, sconces by Waterworks "Newel", shower size 36" x 36" with 22" door, HansGrohe "Axor Montreux" shower set. Wall paint is "pearl white" by Pratt & Lambert and wood trim is "white dove" eggshell from Benjamin Moore. Wall tiles are 3"x6" honed, carrara marble with inset hexagonals for the niche. Coved ceiling - walls are curved into a flat ceiling.

Photography by Jared Kuzia
Mudroom - mid-sized cottage slate floor and gray floor mudroom idea in Boston with white walls

Martha O’Hara Interiors, Interior Design & Photo Styling | John Kraemer & Sons, Builder | Troy Thies, Photography | Ben Nelson, Designer | Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For info about our work: design@oharainteriors.com

THE DOOR NAME ORIGIN - "ALLUMINIO ELIVIA VERTICAL WOOD GRAIN 4HS" Of all the interior door models in the Elivia collection, this one is perhaps the most unapologetically elegant. Why? Hmm … That which is self-evident can be the most difficult to explain. Is it because it is built using the latest breakthroughs in interior door making technology? Look at the finish: the process of applying it utilizes something called “stretching” by professionals, which is to say that instead of simply slapping the finish on top of the interior door’s surface, our company fuses (for lack of a better word) the materials (on molecular level, no less), the result being that the finished product is more warp-resistant, scratch-resistant, and fade-proof than any interior door put together in the past. This is especially important in climates known for their high humidity levels. Yes, but this has more to do with engineering than aesthetics, right? Okay, so, is this interior door super-elegant because ... Show more! FINISH: WALNUT When it comes to interior door finishes, walnut may not be king per se, since “different folk have different views,” as the poet said, and it behooves a proper collection of finishes to be thoroughly democratic; but, but … you could view walnut as an important majority leader descended from royalty – like, say, Louis Napoleon back when he was still an elected official and not, as he eventually came to style himself, Napoleon III. Strictly speaking, a walnut is the seed of a drupaceous nut, and not a true nut in the botanical sense. It is native to Persia (walnut oil is a staple in Iranian cuisine to this day) and North America, even though approximately one half of the world’s production today is done in China. That said, one of its more historically curious uses would be the production of ink and dyes. Those are made, or used to be made, at least, from the husk surrounding the nut. The ink could be used to produce drawings – or darken paper to make it look older. It has (as it turned out by the by) excellent archival properties. It was used liberally by many capable and honest artists in the past. A keen observer of the human condition, a Florentine named Leonardo da Vinci never left his house (which featured some pretty interesting interior doors, but that’s a story for another day) … never left it without a vial – and a sketch book. As he took leisurely strolls around the streets and piazzas, he observed folks – socializing, arguing, fighting, striking bargains, and gossiping. Let us mention in passing – and this is merely an opinion, mind you – that his sketches seem to be a great deal livelier than his portraits, which for the most part adhere to the epoch’s somewhat mawkish standards and the algebraic, rather than harmonious, approach to depicting humans. The perpetual beguiling mystery of Mona Lisa’s smile is undoubtedly magnificent, but it is the Tuscan polymath’s quick yet amazingly insightful drawings that give us an idea – oftentimes a very comprehensive one – of what everyday life was truly like in Florence in the Sixteenth Century. An old man gloating at someone’s misfortune, two passionate merchants arguing over the price of some highly important delivery, a young woman lamenting the lack of decent men whom a reasonable person could view as husband material, and on and on – it’s all there in Leonardo’s sketches characterized by masterful lines and elegant shading despite the obvious – and necessary – impetuosity of each sketch. So precious and brilliant are those casual masterpieces that, had the scientifically inclined fellow eliminated the need for outdoor sketching by inventing photography, it would have been an historian’s immeasurable gain, certainly, but also an art lover’s great loss. The idea behind our Walnut Finish is to invoke in the interior door owner a feeling of timeless historicity. Some things change, but others are forever. Stability is an important quality in an interior door, is it not? Rembrandt van Rijn, who also used walnut ink extensively, was a studio artist, with only a few outdoor paintings in his legacy. Truth be told, he was a better draftsman than Leonardo, at least as far as technique goes (don’t let this get around). Well. He lived a century later and had the benefit of all the development art had undergone since the great Italian master. Just like these interior doors – your interior doors – are a huge improvement on anything that was available only twenty years ago, never mind a hundred years ago. The “oscillation” of Rembrandt’s line, the delightful shift from the descriptive to the aesthetic stroke, makes his production in that category quite unique. Upon reaching artistic maturity, the stubborn Dutch master began to shun the unbroken contour line, which caused a lot of trouble for his drawings a century later, when dealers and collectors who wished to “update” his sketches to fit the current fashion had the audacity to “complete” Rembrandt’s pen-and-inks. Fortunately, some of the sketches escaped this sorry fate and have been preserved in their original glorious state to this day. Rembrandt’s mastery is yet another thing this interior door finish might remind you of each time you look at your doors.

Example of a classic kitchen design in Bridgeport with a drop-in sink, raised-panel cabinets, medium tone wood cabinets, beige backsplash and black appliances

Mindy Mellenbruch
Kitchen - mid-sized contemporary medium tone wood floor kitchen idea in San Diego with gray cabinets, blue backsplash, stainless steel appliances and an island

Pull out knife block makes use of a small space while keep essential cooking tools close at hand. ~ Brian DalBalcon Photography
Kitchen - mid-sized transitional kitchen idea in Seattle

Location: Nantucket, MA, USA A gorgeous New England beach compound which features a tranquil, sophisticated kitchen. The blue backsplash is the perfect backdrop to a sunny breakfast at the island or a glamorous dinner party in the paneled banquet. The cabinets are accented with hand-made European hardware that enhances the bespoke nature of the kitchen. The children's bathroom has a fun penny tile on the floor juxtaposed against the over-sized subway wall tile. The master bath features crystal fixtures and fittings imported from France. threshold interiors loves working with our clients to produce the perfect blend of relaxation and sophistication in your beach home! Photographed by: Michael Partenio

Photo: Carolyn Reyes © 2015 Houzz
Inspiration for a timeless bathroom remodel in Los Angeles

Casey Dunn
Inspiration for a contemporary kitchen remodel in Austin with a farmhouse sink, flat-panel cabinets and white cabinets

Transitional l-shaped medium tone wood floor eat-in kitchen photo in Austin with shaker cabinets, white cabinets, gray backsplash, subway tile backsplash, stainless steel appliances and an island

Kitchen - transitional kitchen idea in Kansas City

Example of a mid-sized classic master beige tile and stone slab marble floor bathroom design in Detroit with an undermount sink, furniture-like cabinets, dark wood cabinets, granite countertops, a one-piece toilet and blue walls