Minimalist home office photo in Los Angeles

Builder: Carl M. Hansen Companies - Photo: Spacecrafting Photography
Inspiration for a mid-sized timeless built-in desk study room remodel in Minneapolis with gray walls

Photo: Sarah Greenman © 2013 Houzz
Home office - traditional home office idea in Dallas

W.D. Wells & Associates, Inc. https://www.facebook.com/wdwells.inc Project Entry: The Potager Garden at Stonebridge Mansion 2013 PLNA Awards for Landscape Excellence Winner Category: Theme Garden Award Level: Bronze Project Description: The Potager Garden at Stonebridge Mansion was completed as part ofthe Oxford Arts Alliance 2011Decorator's Showcase. The Garden is a fun and productive garden featuring culinary & medicinal herbs, vegetables, and sustainable gardening concepts. Many sustainable practices can be seen throughout the project such as a compost bin, a rain water harvesting system, and use of many native herbs and vegetables. A Potager is a French term for an ornamental vegetable garden or kitchen garden. We made sure to keep that in mind as we designed the space. By using a number of herbs that have both culinary and medicinal use we are trying to encourage the public to find more sustainable, home grown options for their own food and medicine. The project also features a vertical herbal wall which is a new idea taking shape in the industry. The wall allows you to provide herbs and vegetables with an optimum growing environment while saving an exorbitant amount of space. It gives people with limited space or poor growing conditions, such as people who live in cities an opportunity to grow their own herbs and vegetables. In addition to the herb wall, vegetables such as lettuce, spinach,beans,tomatoes, and many more can be seen throughout the garden. The garden is located adjacent to the kitchen of the residence to further enhance the garden to table idea. We hope that after seeing this fun themed garden people can both enjoy the space,but also try to apply many of the practices we show to their own landscape. We encouraged visitors to stroll through,or sit awhile in our garden, and learn about rain water harvesting, food crops,vertical gardening,and more! Plant List: Botanical Name (Common Name) 16 - Buxus microphylla 'Franklin's Gem' (Franklin's Gem Boxwood) 1 - Nandina domestica (Heavenly Bamboo) 3 - Dicentra eximia (Bleeding Heart) 5 - Hellebourous orienta/is (Lenten Rose) 8 - Vaccinium corymbost"1J (Highbush B;ueberry) 4 - Hellianthus anuus (Sunflower) 15 - Calendula officina/is (Marigold) 30 - Assorted Vegetables 30 - Assorted Herbs Photo Credit: W.D. Wells & Associates, Inc.

The primary goal for this project was to craft a modernist derivation of pueblo architecture. Set into a heavily laden boulder hillside, the design also reflects the nature of the stacked boulder formations. The site, located near local landmark Pinnacle Peak, offered breathtaking views which were largely upward, making proximity an issue. Maintaining southwest fenestration protection and maximizing views created the primary design constraint. The views are maximized with careful orientation, exacting overhangs, and wing wall locations. The overhangs intertwine and undulate with alternating materials stacking to reinforce the boulder strewn backdrop. The elegant material palette and siting allow for great harmony with the native desert. The Elegant Modern at Estancia was the collaboration of many of the Valley's finest luxury home specialists. Interiors guru David Michael Miller contributed elegance and refinement in every detail. Landscape architect Russ Greey of Greey | Pickett contributed a landscape design that not only complimented the architecture, but nestled into the surrounding desert as if always a part of it. And contractor Manship Builders -- Jim Manship and project manager Mark Laidlaw -- brought precision and skill to the construction of what architect C.P. Drewett described as "a watch." Project Details | Elegant Modern at Estancia Architecture: CP Drewett, AIA, NCARB Builder: Manship Builders, Carefree, AZ Interiors: David Michael Miller, Scottsdale, AZ Landscape: Greey | Pickett, Scottsdale, AZ Photography: Dino Tonn, Scottsdale, AZ Publications: "On the Edge: The Rugged Desert Landscape Forms the Ideal Backdrop for an Estancia Home Distinguished by its Modernist Lines" Luxe Interiors + Design, Nov/Dec 2015. Awards: 2015 PCBC Grand Award: Best Custom Home over 8,000 sq. ft. 2015 PCBC Award of Merit: Best Custom Home over 8,000 sq. ft. The Nationals 2016 Silver Award: Best Architectural Design of a One of a Kind Home - Custom or Spec 2015 Excellence in Masonry Architectural Award - Merit Award Photography: Dino Tonn

Placed upon a sunlit grassy knoll facing Colorado’s San Juan, and San Miguel mountain ranges, with Utah’s La Salle Mountains to the south, North Star Ranch overlooks an Aspen painted valley with touches of Ponderosa and Scrub Oak accents. The core of the structure was designed with large facades of glazing facing the southern views while the garage was rotated 45 degrees to work with the existing grades as well as minimize the impact of the garage pod as one approaches the home. The home was thoughtfully sited to nestle next to a several large existing Ponderosa Pines creating an intimate mountain setting. Sustainable measures were discussed and implemented early during the design and construction process such as utilizing indigenous stone harvested from site for retaining walls and portions of the home’s veneer. Reclaimed materials were considered and implemented wherever possible, ranging from historic wood directly from “The Wizard of Oz” production set to miscellaneous parts from old mining carts historic to the area. The historic wood was given a patch work effect combining horizontal planks with a reverse vertical board and batten with a mixture rusted metal accents on certain walls to introduce a visual exception from the consistency of the wood. Wood and steel structural members such as timber trusses, knee braces, purlins, beams and columns are exposed throughout the exterior and interior as a way of celebrating the structure and telling the story of how the home is constructed. As guests arrive, they are welcomed by an entry bridge constructed from a single solid stone slab 2 1/2 feet thick spanning over a calm flowing stream. The bridge is covered by an articulated gable element supported by ornate columns and connections tying directly to the stone slab. The layout of the interior is divided into separate living corridors; a master core witch houses the master suite, office, sitting room and exercise room with a separate stair connecting to all three levels. The centrally located kitchen was designed with several working and entertaining stations defined by multiple islands and a floor to ceiling wall of glass in lieu of wall lined cabinets to allow for maximum natural light in the major public areas. The core living spaces are linked via an internal trestle bridge designed on location and constructed from old mine carts as the walking surface and the reclaimed steel wheels as a structural detail. The rest of the home is detailed throughout with ornamental ironwork, granites, tiles, etc. all enhancing the modern like aesthetic with an historic mining influence. (photos by James Ray Spahn)

Placed upon a sunlit grassy knoll facing Colorado’s San Juan, and San Miguel mountain ranges, with Utah’s La Salle Mountains to the south, North Star Ranch overlooks an Aspen painted valley with touches of Ponderosa and Scrub Oak accents. The core of the structure was designed with large facades of glazing facing the southern views while the garage was rotated 45 degrees to work with the existing grades as well as minimize the impact of the garage pod as one approaches the home. The home was thoughtfully sited to nestle next to a several large existing Ponderosa Pines creating an intimate mountain setting. Sustainable measures were discussed and implemented early during the design and construction process such as utilizing indigenous stone harvested from site for retaining walls and portions of the home’s veneer. Reclaimed materials were considered and implemented wherever possible, ranging from historic wood directly from “The Wizard of Oz” production set to miscellaneous parts from old mining carts historic to the area. The historic wood was given a patch work effect combining horizontal planks with a reverse vertical board and batten with a mixture rusted metal accents on certain walls to introduce a visual exception from the consistency of the wood. Wood and steel structural members such as timber trusses, knee braces, purlins, beams and columns are exposed throughout the exterior and interior as a way of celebrating the structure and telling the story of how the home is constructed. As guests arrive, they are welcomed by an entry bridge constructed from a single solid stone slab 2 1/2 feet thick spanning over a calm flowing stream. The bridge is covered by an articulated gable element supported by ornate columns and connections tying directly to the stone slab. The layout of the interior is divided into separate living corridors; a master core witch houses the master suite, office, sitting room and exercise room with a separate stair connecting to all three levels. The centrally located kitchen was designed with several working and entertaining stations defined by multiple islands and a floor to ceiling wall of glass in lieu of wall lined cabinets to allow for maximum natural light in the major public areas. The core living spaces are linked via an internal trestle bridge designed on location and constructed from old mine carts as the walking surface and the reclaimed steel wheels as a structural detail. The rest of the home is detailed throughout with ornamental ironwork, granites, tiles, etc. all enhancing the modern like aesthetic with an historic mining influence. (photos by James Ray Spahn)

Placed upon a sunlit grassy knoll facing Colorado’s San Juan, and San Miguel mountain ranges, with Utah’s La Salle Mountains to the south, North Star Ranch overlooks an Aspen painted valley with touches of Ponderosa and Scrub Oak accents. The core of the structure was designed with large facades of glazing facing the southern views while the garage was rotated 45 degrees to work with the existing grades as well as minimize the impact of the garage pod as one approaches the home. The home was thoughtfully sited to nestle next to a several large existing Ponderosa Pines creating an intimate mountain setting. Sustainable measures were discussed and implemented early during the design and construction process such as utilizing indigenous stone harvested from site for retaining walls and portions of the home’s veneer. Reclaimed materials were considered and implemented wherever possible, ranging from historic wood directly from “The Wizard of Oz” production set to miscellaneous parts from old mining carts historic to the area. The historic wood was given a patch work effect combining horizontal planks with a reverse vertical board and batten with a mixture rusted metal accents on certain walls to introduce a visual exception from the consistency of the wood. Wood and steel structural members such as timber trusses, knee braces, purlins, beams and columns are exposed throughout the exterior and interior as a way of celebrating the structure and telling the story of how the home is constructed. As guests arrive, they are welcomed by an entry bridge constructed from a single solid stone slab 2 1/2 feet thick spanning over a calm flowing stream. The bridge is covered by an articulated gable element supported by ornate columns and connections tying directly to the stone slab. The layout of the interior is divided into separate living corridors; a master core witch houses the master suite, office, sitting room and exercise room with a separate stair connecting to all three levels. The centrally located kitchen was designed with several working and entertaining stations defined by multiple islands and a floor to ceiling wall of glass in lieu of wall lined cabinets to allow for maximum natural light in the major public areas. The core living spaces are linked via an internal trestle bridge designed on location and constructed from old mine carts as the walking surface and the reclaimed steel wheels as a structural detail. The rest of the home is detailed throughout with ornamental ironwork, granites, tiles, etc. all enhancing the modern like aesthetic with an historic mining influence. (photos by James Ray Spahn)

Split Level 1970 home of a young and active family of four. The main pubic spaces in this home were remodeled to create a fresh, clean look. The Jack + Mare demo'd the kitchen and dining room down to studs and removed the wall between the kitchen/dining and living room to create an open concept space with a clean and fresh new kitchen and dining with ample storage. Now the family can all be together and enjoy one another's company even if mom or dad is busy in the kitchen prepping the next meal. The custom white cabinets and the blue accent island (and walls) really give a nice clean and fun feel to the space. The island has a gorgeous local solid slab of wood on top. A local artisan salvaged and milled up the big leaf maple for this project. In fact, the tree was from the University of Portland's campus located right where the client once rode the bus to school when she was a child. So it's an extra special custom piece! (fun fact: there is a bullet lodged in the wood that is visible...we estimate it was shot into the tree 30-35 years ago!) The 'public' spaces were given a brand new waterproof luxury vinyl wide plank tile. With 2 young daughters, a large golden retriever and elderly cat, the durable floor was a must. project scope at quick glance: - demo'd and rebuild kitchen and dining room. - removed wall separating kitchen/dining and living room - removed carpet and installed new flooring in public spaces - removed stair carpet and gave fresh black and white paint - painted all public spaces - new hallway doorknob harware - all new LED lighting (kitchen, dining, living room and hallway) Jason Quigley Photography

Early morning shadow play as my artwork "Promenade" is splayed onto the corridor walls.
Inspiration for a huge craftsman green three-story concrete fiberboard exterior home remodel in Austin

Placed upon a sunlit grassy knoll facing Colorado’s San Juan, and San Miguel mountain ranges, with Utah’s La Salle Mountains to the south, North Star Ranch overlooks an Aspen painted valley with touches of Ponderosa and Scrub Oak accents. The core of the structure was designed with large facades of glazing facing the southern views while the garage was rotated 45 degrees to work with the existing grades as well as minimize the impact of the garage pod as one approaches the home. The home was thoughtfully sited to nestle next to a several large existing Ponderosa Pines creating an intimate mountain setting. Sustainable measures were discussed and implemented early during the design and construction process such as utilizing indigenous stone harvested from site for retaining walls and portions of the home’s veneer. Reclaimed materials were considered and implemented wherever possible, ranging from historic wood directly from “The Wizard of Oz” production set to miscellaneous parts from old mining carts historic to the area. The historic wood was given a patch work effect combining horizontal planks with a reverse vertical board and batten with a mixture rusted metal accents on certain walls to introduce a visual exception from the consistency of the wood. Wood and steel structural members such as timber trusses, knee braces, purlins, beams and columns are exposed throughout the exterior and interior as a way of celebrating the structure and telling the story of how the home is constructed. As guests arrive, they are welcomed by an entry bridge constructed from a single solid stone slab 2 1/2 feet thick spanning over a calm flowing stream. The bridge is covered by an articulated gable element supported by ornate columns and connections tying directly to the stone slab. The layout of the interior is divided into separate living corridors; a master core witch houses the master suite, office, sitting room and exercise room with a separate stair connecting to all three levels. The centrally located kitchen was designed with several working and entertaining stations defined by multiple islands and a floor to ceiling wall of glass in lieu of wall lined cabinets to allow for maximum natural light in the major public areas. The core living spaces are linked via an internal trestle bridge designed on location and constructed from old mine carts as the walking surface and the reclaimed steel wheels as a structural detail. The rest of the home is detailed throughout with ornamental ironwork, granites, tiles, etc. all enhancing the modern like aesthetic with an historic mining influence. (photos by James Ray Spahn)

Placed upon a sunlit grassy knoll facing Colorado’s San Juan, and San Miguel mountain ranges, with Utah’s La Salle Mountains to the south, North Star Ranch overlooks an Aspen painted valley with touches of Ponderosa and Scrub Oak accents. The core of the structure was designed with large facades of glazing facing the southern views while the garage was rotated 45 degrees to work with the existing grades as well as minimize the impact of the garage pod as one approaches the home. The home was thoughtfully sited to nestle next to a several large existing Ponderosa Pines creating an intimate mountain setting. Sustainable measures were discussed and implemented early during the design and construction process such as utilizing indigenous stone harvested from site for retaining walls and portions of the home’s veneer. Reclaimed materials were considered and implemented wherever possible, ranging from historic wood directly from “The Wizard of Oz” production set to miscellaneous parts from old mining carts historic to the area. The historic wood was given a patch work effect combining horizontal planks with a reverse vertical board and batten with a mixture rusted metal accents on certain walls to introduce a visual exception from the consistency of the wood. Wood and steel structural members such as timber trusses, knee braces, purlins, beams and columns are exposed throughout the exterior and interior as a way of celebrating the structure and telling the story of how the home is constructed. As guests arrive, they are welcomed by an entry bridge constructed from a single solid stone slab 2 1/2 feet thick spanning over a calm flowing stream. The bridge is covered by an articulated gable element supported by ornate columns and connections tying directly to the stone slab. The layout of the interior is divided into separate living corridors; a master core witch houses the master suite, office, sitting room and exercise room with a separate stair connecting to all three levels. The centrally located kitchen was designed with several working and entertaining stations defined by multiple islands and a floor to ceiling wall of glass in lieu of wall lined cabinets to allow for maximum natural light in the major public areas. The core living spaces are linked via an internal trestle bridge designed on location and constructed from old mine carts as the walking surface and the reclaimed steel wheels as a structural detail. The rest of the home is detailed throughout with ornamental ironwork, granites, tiles, etc. all enhancing the modern like aesthetic with an historic mining influence. (photos by James Ray Spahn)

Brady Architectural Photography
Beach style family room photo in Phoenix

Move in Ready 2020 New construction townhome for sale in the Grand Central District of St. Petersburg and just One block to Central Avenue. Part of a townhome collection uniquely centered in St. Petersburg this tri-level modern townhome features 3 bedrooms, 3 bathrooms and a 210 sq. ft. rooftop observation deck. The home has a 3 car garage and was designed for a home charging station to accommodate electric vehicles. The main floor of the townhome includes open space living with 9 ft' ceilings and a 2nd level 400 sq. ft. deck. The indoor and summer kitchens are natural gas equipped including the dryer on the 3rd level. The designer kitchen is an open concept with Woodland Cabinetry and lighting fixtures. The kitchen has Top of the Line Samsung appliances and installed beverage wine cooler combo. From the 3rd level rooftop observation deck you will enjoy amazing sunrises and skyline views the city of St Petersburg. The townhome has a public alley access to the oversized 3-car garage and offers energy efficient kitchen appliances and is pre-wired for Smart Home technologies. Home Buyers will enjoy knowing the home was built with Hurricane Impact Windows and Garage Door. This townhome is single-family zoning with a variance from the City of St. Petersburg, so you can enjoy the benefits of owning a home with no HOA or dues.

A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography

This dressing room is a sanctuary for just her.
Walk-in closet - traditional walk-in closet idea in Richmond with blue cabinets

Placed upon a sunlit grassy knoll facing Colorado’s San Juan, and San Miguel mountain ranges, with Utah’s La Salle Mountains to the south, North Star Ranch overlooks an Aspen painted valley with touches of Ponderosa and Scrub Oak accents. The core of the structure was designed with large facades of glazing facing the southern views while the garage was rotated 45 degrees to work with the existing grades as well as minimize the impact of the garage pod as one approaches the home. The home was thoughtfully sited to nestle next to a several large existing Ponderosa Pines creating an intimate mountain setting. Sustainable measures were discussed and implemented early during the design and construction process such as utilizing indigenous stone harvested from site for retaining walls and portions of the home’s veneer. Reclaimed materials were considered and implemented wherever possible, ranging from historic wood directly from “The Wizard of Oz” production set to miscellaneous parts from old mining carts historic to the area. The historic wood was given a patch work effect combining horizontal planks with a reverse vertical board and batten with a mixture rusted metal accents on certain walls to introduce a visual exception from the consistency of the wood. Wood and steel structural members such as timber trusses, knee braces, purlins, beams and columns are exposed throughout the exterior and interior as a way of celebrating the structure and telling the story of how the home is constructed. As guests arrive, they are welcomed by an entry bridge constructed from a single solid stone slab 2 1/2 feet thick spanning over a calm flowing stream. The bridge is covered by an articulated gable element supported by ornate columns and connections tying directly to the stone slab. The layout of the interior is divided into separate living corridors; a master core witch houses the master suite, office, sitting room and exercise room with a separate stair connecting to all three levels. The centrally located kitchen was designed with several working and entertaining stations defined by multiple islands and a floor to ceiling wall of glass in lieu of wall lined cabinets to allow for maximum natural light in the major public areas. The core living spaces are linked via an internal trestle bridge designed on location and constructed from old mine carts as the walking surface and the reclaimed steel wheels as a structural detail. The rest of the home is detailed throughout with ornamental ironwork, granites, tiles, etc. all enhancing the modern like aesthetic with an historic mining influence. (photos by James Ray Spahn)

Placed upon a sunlit grassy knoll facing Colorado’s San Juan, and San Miguel mountain ranges, with Utah’s La Salle Mountains to the south, North Star Ranch overlooks an Aspen painted valley with touches of Ponderosa and Scrub Oak accents. The core of the structure was designed with large facades of glazing facing the southern views while the garage was rotated 45 degrees to work with the existing grades as well as minimize the impact of the garage pod as one approaches the home. The home was thoughtfully sited to nestle next to a several large existing Ponderosa Pines creating an intimate mountain setting. Sustainable measures were discussed and implemented early during the design and construction process such as utilizing indigenous stone harvested from site for retaining walls and portions of the home’s veneer. Reclaimed materials were considered and implemented wherever possible, ranging from historic wood directly from “The Wizard of Oz” production set to miscellaneous parts from old mining carts historic to the area. The historic wood was given a patch work effect combining horizontal planks with a reverse vertical board and batten with a mixture rusted metal accents on certain walls to introduce a visual exception from the consistency of the wood. Wood and steel structural members such as timber trusses, knee braces, purlins, beams and columns are exposed throughout the exterior and interior as a way of celebrating the structure and telling the story of how the home is constructed. As guests arrive, they are welcomed by an entry bridge constructed from a single solid stone slab 2 1/2 feet thick spanning over a calm flowing stream. The bridge is covered by an articulated gable element supported by ornate columns and connections tying directly to the stone slab. The layout of the interior is divided into separate living corridors; a master core witch houses the master suite, office, sitting room and exercise room with a separate stair connecting to all three levels. The centrally located kitchen was designed with several working and entertaining stations defined by multiple islands and a floor to ceiling wall of glass in lieu of wall lined cabinets to allow for maximum natural light in the major public areas. The core living spaces are linked via an internal trestle bridge designed on location and constructed from old mine carts as the walking surface and the reclaimed steel wheels as a structural detail. The rest of the home is detailed throughout with ornamental ironwork, granites, tiles, etc. all enhancing the modern like aesthetic with an historic mining influence. (photos by James Ray Spahn)

A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography