Project Overview: This intensively-designed small project by MQ Architecture expanded on a functional outbuilding to make something beautiful, matching the fantastic wooded location directly across the Hudson River from West Point. From MQ Architecture: “This project entitled a surgical demolition of an existing shed and the erection of a small ancillary building. The old structure housed the electrical and communications utilities of a large compound, and the new project had to preserve the location and function of all this equipment, therefore some walls and floor levels are set from the beginning. The program required two different type of users, therefore we decided to split the building in two, allowing for a separate circulation for each group. The upper piece houses the electrical room and the team quarters, while the lower portion holds two individual restrooms for visitors. The project sits in the middle of the forest therefore we chose charred wood to make it blend with the surrounding nature. On the other hand, the polycarbonate façade brings natural light and privacy to the interior. All floors are made of polished concrete for easy maintenance and a radiant slab keeps an optimal temperature during extreme winters.” Product: Gendai 1×6 select grade shiplap Prefinish: Black Application: Residential – Exterior SF: 1100SF Designer: Miguel Quismondo (MQ Architecture) Builder: Miguel Quismondo Date: August 2018 Location: Garrison, NY

Project Overview: This intensively-designed small project by MQ Architecture expanded on a functional outbuilding to make something beautiful, matching the fantastic wooded location directly across the Hudson River from West Point. From MQ Architecture: “This project entitled a surgical demolition of an existing shed and the erection of a small ancillary building. The old structure housed the electrical and communications utilities of a large compound, and the new project had to preserve the location and function of all this equipment, therefore some walls and floor levels are set from the beginning. The program required two different type of users, therefore we decided to split the building in two, allowing for a separate circulation for each group. The upper piece houses the electrical room and the team quarters, while the lower portion holds two individual restrooms for visitors. The project sits in the middle of the forest therefore we chose charred wood to make it blend with the surrounding nature. On the other hand, the polycarbonate façade brings natural light and privacy to the interior. All floors are made of polished concrete for easy maintenance and a radiant slab keeps an optimal temperature during extreme winters.” Product: Gendai 1×6 select grade shiplap Prefinish: Black Application: Residential – Exterior SF: 1100SF Designer: Miguel Quismondo (MQ Architecture) Builder: Miguel Quismondo Date: August 2018 Location: Garrison, NY

Project Overview: This intensively-designed small project by MQ Architecture expanded on a functional outbuilding to make something beautiful, matching the fantastic wooded location directly across the Hudson River from West Point. From MQ Architecture: “This project entitled a surgical demolition of an existing shed and the erection of a small ancillary building. The old structure housed the electrical and communications utilities of a large compound, and the new project had to preserve the location and function of all this equipment, therefore some walls and floor levels are set from the beginning. The program required two different type of users, therefore we decided to split the building in two, allowing for a separate circulation for each group. The upper piece houses the electrical room and the team quarters, while the lower portion holds two individual restrooms for visitors. The project sits in the middle of the forest therefore we chose charred wood to make it blend with the surrounding nature. On the other hand, the polycarbonate façade brings natural light and privacy to the interior. All floors are made of polished concrete for easy maintenance and a radiant slab keeps an optimal temperature during extreme winters.” Product: Gendai 1×6 select grade shiplap Prefinish: Black Application: Residential – Exterior SF: 1100SF Designer: Miguel Quismondo (MQ Architecture) Builder: Miguel Quismondo Date: August 2018 Location: Garrison, NY

Project Overview: This intensively-designed small project by MQ Architecture expanded on a functional outbuilding to make something beautiful, matching the fantastic wooded location directly across the Hudson River from West Point. From MQ Architecture: “This project entitled a surgical demolition of an existing shed and the erection of a small ancillary building. The old structure housed the electrical and communications utilities of a large compound, and the new project had to preserve the location and function of all this equipment, therefore some walls and floor levels are set from the beginning. The program required two different type of users, therefore we decided to split the building in two, allowing for a separate circulation for each group. The upper piece houses the electrical room and the team quarters, while the lower portion holds two individual restrooms for visitors. The project sits in the middle of the forest therefore we chose charred wood to make it blend with the surrounding nature. On the other hand, the polycarbonate façade brings natural light and privacy to the interior. All floors are made of polished concrete for easy maintenance and a radiant slab keeps an optimal temperature during extreme winters.” Product: Gendai 1×6 select grade shiplap Prefinish: Black Application: Residential – Exterior SF: 1100SF Designer: Miguel Quismondo (MQ Architecture) Builder: Miguel Quismondo Date: August 2018 Location: Garrison, NY

This contemporary renovation makes no concession towards differentiating the old from the new. Rather than razing the entire residence an effort was made to conserve what elements could be worked with and added space where an expanded program required it. Clad with cedar, the addition contains a master suite on the first floor and two children’s rooms and playroom on the second floor. A small vegetated roof is located adjacent to the stairwell and is visible from the upper landing. Interiors throughout the house, both in new construction and in the existing renovation, were handled with great care to ensure an experience that is cohesive. Partition walls that once differentiated living, dining, and kitchen spaces, were removed and ceiling vaults expressed. A new kitchen island both defines and complements this singular space. The parti is a modern addition to a suburban midcentury ranch house. Hence, the name “Modern with Ranch.”

Covid During Construction and Making Face Masks Dear Houzz Folks, We've started getting back to work and are educating everyone at our projects on how to be safe during COVID, posting signage, and we've been making masks for our employees, colleagues, friends, family etc... Here's some information on what I've learned so far in sewing the best fitting face mask for COVID. 1. Put in a wire at the nose bridge (about 3.5 inches) - it helps with fit and if you wear glasses, it keeps them from fogging up. I found that doorbell wire, available at the hardware store, seems to work well. It isn't too thin or too fat, bends easily and holds its shape. I attach it by using a zigzag stitch on the interior seam of the outside of the mask (so there's a bit more cushion on the inside). 2. For the shaped masks, I make a pocket in case my friends, family, colleagues, want to insert a filter - it also allows for three layers of fabric in the breathing area and less bulk where the ties go. For patterns that don't offer pockets, I just make my own pattern pocket. I also first baste the two inside pieces first and then sew the front on. This way, there's no worries about slipping. No pins are needed and no pins minimizes the number of extra air holes in the fabric. 3. So that the ties/loops can be replaced or modified, I make a channel for rather than sewing it in permanently. Many videos show using a safety pin to pull the elastic through. If you sew much, you might have a bodkin in your sewing box, but it might be a bit too wide. Instead, I use a long hairpin (you could probably make a long loop with a paper clip). I run the hairpin through the channel, loop the elastic through the end of the pin and pull through. That takes much less time than piercing it with a safety-pin. 4. For the inside of the masks, it is nice to have softer fabric inside, so high-thread-count sheets purchased on sale work great. Then you can easily tell what is inside as well. 5. For surgical-style masks, there's a pattern with a pocket on the inside and a wire. I like the ideas in this video but use 2 fabrics and make them bigger. About a 9x9 inch for the outside and 9x8 inch for the inside. 5/8 seam on the nose and 1/4 seam on the bottom. 6. For the fitted masks, there are two patterns that I like. For this one, https://moinliz.de/mundschutz-naehen-mit-schnittmuster it expects you to print on European-sized paper, so if you want to get the size right, print at 100% I also really like this pattern and I added a pocket and lengthened the ends to make channels https://intermountainhealthcare.org/covid19-coronavirus/homemade-cloth-face-coverings/ (scroll down to a link to download the pdf) Lots of folks sew craftpassion, but I like the fit of these patterns better. There are still some other patterns I have left to try! 6. After breaking lots of needles, I realized that I really didn't need to topstich the fitted masks over the bridge, so I just started skipping the bridge. 7. If you're going to wear a face-covering for a really long time, you might want to skip the ear hangers and go for ties behind the head. Instead of two ties, I'll use one long one so that the bottom one is a loop and the top one ties. Bungee cord works nice. Happy Sewing! : ) Rhoda Fry, Bill Fry Construction

How do you modernize modernism on a budget? This house had charming midcentury character and lots of potential but had been neglected for many years and was sorely in need of a refresh to bring it up to modern standards of comfort, finish, and sustainability. The tight budget dictated that it would not be a down-to-the-studs, gut remodel, but more of a surgical intervention. Built in 1955, the house had settled on the downhill side, making the floors slope almost 4” from the front to the back of the house. Using an innovative and inexpensive push-pile method, the foundation was reinforced and the house was jacked back up. It now sits solidly on bedrock and the floor is level to within a half-inch throughout. Inside, the original kitchen was worn and needed replacement. This presented an opportunity to remove the walls separating it from the living and dining area and create a wide-open great room with a peninsula counter for guests to gather and an almost continuous wall of windows to take in views of the hills, trees, and bay. Throughout the rest of the house, most finishes were restored, or replaced when necessary. Wood floors were refinished, and new cork flooring, a slightly less durable but much less expensive alternative to tile and similar materials, was used in all wet areas, with the added benefit of warmth and resiliency. The existing textured walls and ceilings were skim-coated smooth with plaster, dark beams painted white, and existing wood wall paneling in the living room was cleaned and color-matched where new pieces were required. All of the existing frameless, direct-glazed windows were replaced with double pane units, and a new floor-to-ceiling window on the south side of the living room provides a key source of natural light. In the bathrooms, existing tile and vanities were saved, and a strangely colored tub and sinks were re-glazed. Flooring, toilets, lighting, double medicine cabinets, and paint in each space make these mostly unaltered rooms feel new again. Sustainability and comfort upgrades include an induction range (step one of an eventual transition to full electrification), spray foam insulation under the floor, spray-in cellulose in the walls, and warm-dim LED lighting throughout on a simple whole-house control system. Combined with a modern thermostat, the house’s systems are all accessible via app from anywhere. And the most sustainable feature of all? What we didn’t do: tear it down and start over. In a country that demolishes a million homes a year- 1% of our residential housing stock- reusing an existing home is the greenest solution of all.

This was a Listed Grade II Crown Estate property near the Zoological Gardens where a ‘surgical’ approach was required to insert a heating system into all four floors of the house without damaging the historic features of the building. Other works carried out concerned the construction of two conservatories and the refurbishment of the bathrooms to a very high specification.

Dynamic and technologically apt, this apartment was designed for an IT programmer and a business manager. The precise hallmarks of these disciplines resonate in the geometry and surgical splices that exist in the layout and custom made furnishings. All the geometry was designed to give a sense of movement and dynamicity to otherwise rather uneventful hallways. Notwithstanding this, the material palette is toned down to a more natural one, using marbles, veneers and Mediterranean tones to reflect the calm living environment required to balance out the hectic days on the ball. Photography: Peter M. Mercieca Styling: BoConcept, Biggie Best

Dynamic and technologically apt, this apartment was designed for an IT programmer and a business manager. The precise hallmarks of these disciplines resonate in the geometry and surgical splices that exist in the layout and custom made furnishings. All the geometry was designed to give a sense of movement and dynamicity to otherwise rather uneventful hallways. Notwithstanding this, the material palette is toned down to a more natural one, using marbles, veneers and Mediterranean tones to reflect the calm living environment required to balance out the hectic days on the ball. Photography: Peter M. Mercieca Styling: BoConcept, Biggie Best

Dynamic and technologically apt, this apartment was designed for an IT programmer and a business manager. The precise hallmarks of these disciplines resonate in the geometry and surgical splices that exist in the layout and custom made furnishings. All the geometry was designed to give a sense of movement and dynamicity to otherwise rather uneventful hallways. Notwithstanding this, the material palette is toned down to a more natural one, using marbles, veneers and Mediterranean tones to reflect the calm living environment required to balance out the hectic days on the ball. Photography: Peter M. Mercieca Styling: BoConcept, Biggie Best

The objective for this home cinema project in India was to deliver a room that featured stunning design and the highest quality sound, visuals, and effects to match. The brief was to deliver a lavish home cinema to accommodate a large family, as well as a big circle of friends. With the client’s surgical clinic and office located below the cinema room, acoustics were of high importance. Based on the customer’s requirement, the room size and dimensions, and possible speaker and sub placement, Sound Sense designed a cinema with a maximum occupancy of 33 people. With the client requesting a larger-than-life screen, the integrator opted for a 169" acoustically transparent screen with a Sony VPL-HW45ES projector. The audio aspect of the project was delivered by Phase Technology, with a package that included three LCR speakers, four surround speakers, two rear surrounds, four Atmos speakers, and two subwoofers. With the room being of limited size — 24.9 feet by 18.9 feet — and the client requesting 33 seats, Sound Sense designed five rows of seating in non-reclining chairs. The acoustic treatment was designed to rectify the reverberation time (RT) and solve problems relating to flutter echoes. Setting up the correct RT in the room helped to guarantee music clarity, sound definition, and speech intelligibility. Additionally, to attain the objective of precise listening, first reflections were treated, preventing undesirable effects like comb filter. Sound Sense also used diffuser panels in the back of the cinema between the surround and rear speakers.

How do you modernize modernism on a budget? This house had charming midcentury character and lots of potential but had been neglected for many years and was sorely in need of a refresh to bring it up to modern standards of comfort, finish, and sustainability. The tight budget dictated that it would not be a down-to-the-studs, gut remodel, but more of a surgical intervention. Built in 1955, the house had settled on the downhill side, making the floors slope almost 4” from the front to the back of the house. Using an innovative and inexpensive push-pile method, the foundation was reinforced and the house was jacked back up. It now sits solidly on bedrock and the floor is level to within a half-inch throughout. Inside, the original kitchen was worn and needed replacement. This presented an opportunity to remove the walls separating it from the living and dining area and create a wide-open great room with a peninsula counter for guests to gather and an almost continuous wall of windows to take in views of the hills, trees, and bay. Throughout the rest of the house, most finishes were restored, or replaced when necessary. Wood floors were refinished, and new cork flooring, a slightly less durable but much less expensive alternative to tile and similar materials, was used in all wet areas, with the added benefit of warmth and resiliency. The existing textured walls and ceilings were skim-coated smooth with plaster, dark beams painted white, and existing wood wall paneling in the living room was cleaned and color-matched where new pieces were required. All of the existing frameless, direct-glazed windows were replaced with double pane units, and a new floor-to-ceiling window on the south side of the living room provides a key source of natural light. In the bathrooms, existing tile and vanities were saved, and a strangely colored tub and sinks were re-glazed. Flooring, toilets, lighting, double medicine cabinets, and paint in each space make these mostly unaltered rooms feel new again. Sustainability and comfort upgrades include an induction range (step one of an eventual transition to full electrification), spray foam insulation under the floor, spray-in cellulose in the walls, and warm-dim LED lighting throughout on a simple whole-house control system. Combined with a modern thermostat, the house’s systems are all accessible via app from anywhere. And the most sustainable feature of all? What we didn’t do: tear it down and start over. In a country that demolishes a million homes a year- 1% of our residential housing stock- reusing an existing home is the greenest solution of all.

The objective for this home cinema project in India was to deliver a room that featured stunning design and the highest quality sound, visuals, and effects to match. The brief was to deliver a lavish home cinema to accommodate a large family, as well as a big circle of friends. With the client’s surgical clinic and office located below the cinema room, acoustics were of high importance. Based on the customer’s requirement, the room size and dimensions, and possible speaker and sub placement, Sound Sense designed a cinema with a maximum occupancy of 33 people. With the client requesting a larger-than-life screen, the integrator opted for a 169" acoustically transparent screen with a Sony VPL-HW45ES projector. The audio aspect of the project was delivered by Phase Technology, with a package that included three LCR speakers, four surround speakers, two rear surrounds, four Atmos speakers, and two subwoofers. With the room being of limited size — 24.9 feet by 18.9 feet — and the client requesting 33 seats, Sound Sense designed five rows of seating in non-reclining chairs. The acoustic treatment was designed to rectify the reverberation time (RT) and solve problems relating to flutter echoes. Setting up the correct RT in the room helped to guarantee music clarity, sound definition, and speech intelligibility. Additionally, to attain the objective of precise listening, first reflections were treated, preventing undesirable effects like comb filter. Sound Sense also used diffuser panels in the back of the cinema between the surround and rear speakers.

How do you modernize modernism on a budget? This house had charming midcentury character and lots of potential but had been neglected for many years and was sorely in need of a refresh to bring it up to modern standards of comfort, finish, and sustainability. The tight budget dictated that it would not be a down-to-the-studs, gut remodel, but more of a surgical intervention. Built in 1955, the house had settled on the downhill side, making the floors slope almost 4” from the front to the back of the house. Using an innovative and inexpensive push-pile method, the foundation was reinforced and the house was jacked back up. It now sits solidly on bedrock and the floor is level to within a half-inch throughout. Inside, the original kitchen was worn and needed replacement. This presented an opportunity to remove the walls separating it from the living and dining area and create a wide-open great room with a peninsula counter for guests to gather and an almost continuous wall of windows to take in views of the hills, trees, and bay. Throughout the rest of the house, most finishes were restored, or replaced when necessary. Wood floors were refinished, and new cork flooring, a slightly less durable but much less expensive alternative to tile and similar materials, was used in all wet areas, with the added benefit of warmth and resiliency. The existing textured walls and ceilings were skim-coated smooth with plaster, dark beams painted white, and existing wood wall paneling in the living room was cleaned and color-matched where new pieces were required. All of the existing frameless, direct-glazed windows were replaced with double pane units, and a new floor-to-ceiling window on the south side of the living room provides a key source of natural light. In the bathrooms, existing tile and vanities were saved, and a strangely colored tub and sinks were re-glazed. Flooring, toilets, lighting, double medicine cabinets, and paint in each space make these mostly unaltered rooms feel new again. Sustainability and comfort upgrades include an induction range (step one of an eventual transition to full electrification), spray foam insulation under the floor, spray-in cellulose in the walls, and warm-dim LED lighting throughout on a simple whole-house control system. Combined with a modern thermostat, the house’s systems are all accessible via app from anywhere. And the most sustainable feature of all? What we didn’t do: tear it down and start over. In a country that demolishes a million homes a year- 1% of our residential housing stock- reusing an existing home is the greenest solution of all.

How do you modernize modernism on a budget? This house had charming midcentury character and lots of potential but had been neglected for many years and was sorely in need of a refresh to bring it up to modern standards of comfort, finish, and sustainability. The tight budget dictated that it would not be a down-to-the-studs, gut remodel, but more of a surgical intervention. Built in 1955, the house had settled on the downhill side, making the floors slope almost 4” from the front to the back of the house. Using an innovative and inexpensive push-pile method, the foundation was reinforced and the house was jacked back up. It now sits solidly on bedrock and the floor is level to within a half-inch throughout. Inside, the original kitchen was worn and needed replacement. This presented an opportunity to remove the walls separating it from the living and dining area and create a wide-open great room with a peninsula counter for guests to gather and an almost continuous wall of windows to take in views of the hills, trees, and bay. Throughout the rest of the house, most finishes were restored, or replaced when necessary. Wood floors were refinished, and new cork flooring, a slightly less durable but much less expensive alternative to tile and similar materials, was used in all wet areas, with the added benefit of warmth and resiliency. The existing textured walls and ceilings were skim-coated smooth with plaster, dark beams painted white, and existing wood wall paneling in the living room was cleaned and color-matched where new pieces were required. All of the existing frameless, direct-glazed windows were replaced with double pane units, and a new floor-to-ceiling window on the south side of the living room provides a key source of natural light. In the bathrooms, existing tile and vanities were saved, and a strangely colored tub and sinks were re-glazed. Flooring, toilets, lighting, double medicine cabinets, and paint in each space make these mostly unaltered rooms feel new again. Sustainability and comfort upgrades include an induction range (step one of an eventual transition to full electrification), spray foam insulation under the floor, spray-in cellulose in the walls, and warm-dim LED lighting throughout on a simple whole-house control system. Combined with a modern thermostat, the house’s systems are all accessible via app from anywhere. And the most sustainable feature of all? What we didn’t do: tear it down and start over. In a country that demolishes a million homes a year- 1% of our residential housing stock- reusing an existing home is the greenest solution of all.

This was a Listed Grade II Crown Estate property near the Zoological Gardens where a ‘surgical’ approach was required to insert a heating system into all four floors of the house without damaging the historic features of the building. Other works carried out concerned the construction of two conservatories and the refurbishment of the bathrooms to a very high specification.

Dynamic and technologically apt, this apartment was designed for an IT programmer and a business manager. The precise hallmarks of these disciplines resonate in the geometry and surgical splices that exist in the layout and custom made furnishings. All the geometry was designed to give a sense of movement and dynamicity to otherwise rather uneventful hallways. Notwithstanding this, the material palette is toned down to a more natural one, using marbles, veneers and Mediterranean tones to reflect the calm living environment required to balance out the hectic days on the ball. Photography: Peter M. Mercieca Styling: BoConcept, Biggie Best

Dynamic and technologically apt, this apartment was designed for an IT programmer and a business manager. The precise hallmarks of these disciplines resonate in the geometry and surgical splices that exist in the layout and custom made furnishings. All the geometry was designed to give a sense of movement and dynamicity to otherwise rather uneventful hallways. Notwithstanding this, the material palette is toned down to a more natural one, using marbles, veneers and Mediterranean tones to reflect the calm living environment required to balance out the hectic days on the ball. Photography: Peter M. Mercieca Styling: BoConcept, Biggie Best