Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

This project was a gut renovation of a loft on Park Ave. South in Manhattan – it’s the personal residence of Andrew Petronio, partner at KA Design Group. Bilotta Senior Designer, Jeff Eakley, has worked with KA Design for 20 years. When it was time for Andrew to do his own kitchen, working with Jeff was a natural choice to bring it to life. Andrew wanted a modern, industrial, European-inspired aesthetic throughout his NYC loft. The allotted kitchen space wasn’t very big; it had to be designed in such a way that it was compact, yet functional, to allow for both plenty of storage and dining. Having an island look out over the living room would be too heavy in the space; instead they opted for a bar height table and added a second tier of cabinets for extra storage above the walls, accessible from the black-lacquer rolling library ladder. The dark finishes were selected to separate the kitchen from the rest of the vibrant, art-filled living area – a mix of dark textured wood and a contrasting smooth metal, all custom-made in Bilotta Collection Cabinetry. The base cabinets and refrigerator section are a horizontal-grained rift cut white oak with an Ebony stain and a wire-brushed finish. The wall cabinets are the focal point – stainless steel with a dark patina that brings out black and gold hues, picked up again in the blackened, brushed gold decorative hardware from H. Theophile. The countertops by Eastern Stone are a smooth Black Absolute; the backsplash is a black textured limestone from Artistic Tile that mimics the finish of the base cabinets. The far corner is all mirrored, elongating the room. They opted for the all black Bertazzoni range and wood appliance panels for a clean, uninterrupted run of cabinets. Designer: Jeff Eakley with Andrew Petronio partner at KA Design Group. Photographer: Stefan Radtke

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

This is the rear of the house seen from the dock. The low doors provide access to eht crawl space below the house. The house is in a flood zone so the floor elevations are raised. The railing is Azek. Windows are Pella. The standing seam roof is galvalume. The siding is applied over concrete block structural walls. Photography by James Borchuck

Tommy White, Boone NC
Inspiration for a rustic two-story stone exterior home remodel in Charlotte with a hip roof and a metal roof

Classic Island beach cottage exterior of an elevated historic home by Sea Island Builders. Light colored white wood contract wood shake roof. Juila Lynn

Stone: Moonlight - RoughCut RoughCut mimics limestone with its embedded, fossilized artifacts and roughly cleaved, pronounced face. Shaped for bold, traditional statements with clean contemporary lines, RoughCut ranges in heights from 2″ to 11″ and lengths from 2″ to over 18″. The color palettes contain blonds, russet, and cool grays. Get a Sample of RoughCut: https://shop.eldoradostone.com/products/rough-cut-sample

The kitchen, breakfast room and family room are all open to one another. The kitchen has a large twelve foot island topped with Calacatta marble and features a roll-out kneading table, and room to seat the whole family. The sunlight breakfast room opens onto the patio which has a built-in barbeque, and both bar top seating and a built in bench for outdoor dining. The large family room features a cozy fireplace, TV media, and a large built-in bookcase. The adjoining craft room is separated by a set of pocket french doors; where the kids can be visible from the family room as they do their homework.

Lake Cottage Porch, standing seam metal roofing and cedar shakes blend into the Vermont fall foliage. Simple and elegant. Photos by Susan Teare
Rustic one-story wood exterior home idea in Burlington with a metal roof and a black roof

Mid-sized country white two-story concrete fiberboard and board and batten exterior home idea in Philadelphia with a mixed material roof and a gray roof

Inspiration for a coastal gray one-story wood gable roof remodel in Seattle with a metal roof

Williamson Photography
Example of a small beach style galley ceramic tile and brown floor dedicated laundry room design in Other with an undermount sink, shaker cabinets, white cabinets, granite countertops, blue walls and a side-by-side washer/dryer

Inspiration for a mid-sized transitional light wood floor mudroom remodel in Chicago with purple walls

We designed this 3,162 square foot home for empty-nesters who love lake life. Functionally, the home accommodates multiple generations. Elderly in-laws stay for prolonged periods, and the homeowners are thinking ahead to their own aging in place. This required two master suites on the first floor. Accommodations were made for visiting children upstairs. Aside from the functional needs of the occupants, our clients desired a home which maximizes indoor connection to the lake, provides covered outdoor living, and is conducive to entertaining. Our concept celebrates the natural surroundings through materials, views, daylighting, and building massing. We placed all main public living areas along the rear of the house to capitalize on the lake views while efficiently stacking the bedrooms and bathrooms in a two-story side wing. Secondary support spaces are integrated across the front of the house with the dramatic foyer. The front elevation, with painted green and natural wood siding and soffits, blends harmoniously with wooded surroundings. The lines and contrasting colors of the light granite wall and silver roofline draws attention toward the entry and through the house to the real focus: the water. The one-story roof over the garage and support spaces takes flight at the entry, wraps the two-story wing, turns, and soars again toward the lake as it approaches the rear patio. The granite wall extending from the entry through the interior living space is mirrored along the opposite end of the rear covered patio. These granite bookends direct focus to the lake. Passive systems contribute to the efficiency. Southeastern exposure of the glassy rear façade is modulated while views are celebrated. Low, northeastern sun angles are largely blocked by the patio’s stone wall and roofline. As the sun rises southward, the exposed façade becomes glassier, but is protected by deep roof overhangs and a trellised awning. These cut out the higher late morning sun angles. In winter, when sun angles are lower, the morning light floods the living spaces, warming the thermal mass of the exposed concrete floor.

The five bay main block of the façade features a pedimented center bay. Finely detailed dormers with arch top windows sit on a graduated slate roof, anchored by limestone topped chimneys.

The front porch of the existing house remained. It made a good proportional guide for expanding the 2nd floor. The master bathroom bumps out to the side. And, hand sawn wood brackets hold up the traditional flying-rafter eaves. Max Sall Photography

We basically squeezed this into a closet, but wow does it deliver! The roll out shelf can expand for folding and ironing and push back in when it's not needed. The wood shelves offer great linen storage and the exposed brick is a great reminder of all the hard work that has been done in this home! Joe Kwon

Example of an arts and crafts green three-story exterior home design in Baltimore with a hip roof and a metal roof

Stone: Autumn Leaf - RoughCut RoughCut mimics limestone with its embedded, fossilized artifacts and roughly cleaved, pronounced face. Shaped for bold, traditional statements with clean contemporary lines, RoughCut ranges in heights from 2″ to 11″ and lengths from 2″ to over 18″. The color palettes contain blonds, russet, and cool grays. Get a Sample of RoughCut: http://shop.eldoradostone.com/products/rough-cut-sample