Industrial Original Wood Artwork

Artist Primo is proud to present his three-dimensional iron wall sculptures on slatted solid wood. This collection represents the culmination of Primo's dream to take his original artwork and make them available to all that love his concepts in. This 32" x 48" unique original is hand painted and a signed work of art that's renown for Primo's skills of manipulating iron into a textured work of art with extraordinary depth and skill. For this piece, Primo depicts a landscape of a group of ducks�quack, quack! This industrial style of mixed media can also be presented outdoors as long as it is varnished every year, as it will take on a patina characteristic that is inherent in its presentation.

Artist Primo is proud to present his three-dimensional wood wall sculptures. This collection represents the culmination of Primo's dream to take his original artwork and make them available to all that love his concepts in. This 22" x 64" unique original is hand painted and a signed work of art that’s renown for Primo's skills of manipulating resin and wood into a textured work of art with extraordinary depth and skill. For this piece, Primo depicts a beautiful landscape of one of the most iconic landmarks in the United States, the Golden Gate Bridge. This industrial style of mixed media can also be presented outdoors as long as it is varnished every year, as it will take on a patina characteristic that is inherent in its presentation.

Limited Edition Henry Moore lithograph, 1973. Title: Multitude II. Proofed at Petersburg Press, Ltd London 1974. Plate Size: 27x 29.2cm. Frame Size: 18 1/4 x 21 1/2in. Numbered Limited Edition AP 7/10 (these were reserved for the artist.) This piece is catalogue referenced by Cramer (c253) of which reference is included with artwork. Artwork comes with Gallery Prepared Documentation, which includes Gallery Certificate of Authenticity and Prepared Catalogue Reference (c253), justification copy and Provenance.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.

Limited Edition Henry Moore lithograph, 1973. Title: Windswept Landscape. Size: 33.7cm x 41.4cm. Frame Size: 24 1/4 x 26 1/4in. Proofed at Petersburg Press, Ltd London 1974. This piece is catalogue referenced by Cramer (c245) of which reference is included with artwork. Artwork comes with Gallery Prepared Documentation, which includes Gallery Certificate of Authenticity and Prepared Catalogue Reference (c245), justification copy and Provenance.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.

Limited Edition Henry Moore lithograph, 1973. Title: Crevasse. Plate Size: 21.6x28.9cm. Frame Size: 18 1/2 x 21 1/2in. Proofed at Petersburg Press, Ltd London 1974. Numbered Limited Edition AP 7/10 (these were reserved for the artists.) This piece is catalogue referenced by Cramer (c261) of which reference is included with artwork. Artwork comes with Gallery Prepared Documentation, which includes Gallery Certificate of Authenticity and Prepared Catalogue Reference (c261), justification copy and Provenance.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.

Limited Edition Henry Moore lithograph, 1973. Title: Cavern. Plate Size: 26.7x32.1cm. Frame Size: 18 1/4 x 21 1/4in. Proofed at Petersburg Press, Ltd London 1974. This piece is catalogue referenced by Cramer (c248) of which reference is included with artwork. Numbered Limited Edition (38/150.) Artwork comes with Gallery Prepared Documentation, which includes Gallery Certificate of Authenticity and Prepared Catalogue Reference (c248), justification copy and Provenance.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.

Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.

Limited Edition Henry Moore lithograph, 1973. Title: The Forest. Plate Size: 21 x 28.9cm. Frame Size: 18 1/4 x 21 1/2in. Proofed at Petersburg Press, Ltd London 1974. Numbered Limited Edition (38/150.) This piece is catalogue referenced by Cramer (c262) of which reference is included with artwork. Artwork comes with Gallery Prepared Documentation, which includes Gallery Certificate of Authenticity and Prepared Catalogue Reference (c262), justification copy and Provenance.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.

Artist Primo is proud to present his three-dimensional iron wall sculptures on slatted solid wood. This collection represents the culmination of Primo's dream to take his original artwork and make them available to all that love his concepts in. This 24" x 60" unique original is hand painted and a signed work of art that's renown for Primo's skills of manipulating iron into a textured work of art with extraordinary depth and skill. For this piece, Primo depicts a landscape of a group chickens. This industrial style of mixed media can also be presented outdoors as long as it is varnished every year, as it will take on a patina characteristic that is inherent in its presentation.