- All Products
- Home Decor
- Rugs
- Pattern: Abstract
Oriental Rug Of Houston Abstract Rugs
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Bold, distinctive patterns; brilliants; affordability-these are some of the characteristics that explain the overwhelming popularity of the exquisite, flatwoven textiles from the Near and Far East known as kilims. Kilim designs are made by interweaving the variouslyed wefts and warps, thus creating what is known as a flatweave. Kilim patterns are created by winding the weft threads, which areed, backwards and forwards around pairs of warp threads. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. Kilims are prized by collectors for the crispness of their decoration.
Hand-knotted rugs are Pakistan's second-largest cottage and small industry that began as early as the 11th century under the Mughal rule. The craftsmen have the capacity to produce any type of rug using all the popular motifs of guls, medallions, paisleys (botehs), traceries, and geometric designs in various combinations . But the Pak Persian rugs are a quality best defined by their 16 by 18 KPSI count yielding over 288 kpsi or the common 300 KPSI quality which makes them exceptionally dense and enduring for high traffic area. Initially produced to address the vacuum when the US stopped trading with Iran in the 1970s, these rugs have persisted and are quite popular due to their superior weaving and array of design choices.
Oushak Rugs, originating in the west-central Anatolian town of Oushak in Turkey, are renowned for their exceptional texture, expansive design and elegant style. These rugs are made using a family of designs that originate in Ushak, Turkey. They're recognizable for their large-scale designs and are typically based on geometric motifs with central medallion drawings, smaller all-over medallions or scattered sprays of vine scroll and palmettes. Made from lustrous wool, they favor muted earth tones and are extremely versatile.
The Savonnerie rugs have their origins in French pile floor coverings that were produced at the Savonnerie Manufactory, most prestigious factory of knotted pile rugs, that enjoyed its greatest period during 1650-1685. Today the name Savonnerie depicts the tradition of knotted pile Savonnerie rugs with their unique design and schemata of essentially French designs, pictorial or armorial framed medallions, densely massed flowers in bouquets or leafy rinceaux against deep blue, black or deep brown grounds, within multiple borders. Further what distinguishes French Aubusson Savonnerie rugs is the technique of depth perspective that was invented by 17th century French artists and weavers whereby the patterns in the rug seem three dimensional. As such, Aubusson Rugs exhibit complex patterns, symmetrical knots and flamboyant designs. Today, it is still possible to enjoy these rugs as they continue to be replicated in India, Pakistan, China, and Iran.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Malayer rugs were woven in the small town of Malayer, located south of Hamedan on the road to Arak. The location in relation to these towns is significant, since Malayer rugs exhibit characteristics of both Hamedan and Sarouk rugs and rugs. The designs range from diamond or hexagon shaped medallions to all-over patterns, such as the classic Herati pattern. Although Malayer rugs were produced from classical Persian sources, they tend to be geometric and abstract in their renderings. Most Malayer rugs are single-wefted, resulting with white cotton warps being visible on the back of the rug. The softation with occasional dark blues and reds, make Malayer rugs beautiful decorative pieces for elegant settings.
Art Deco rugs reflect innovations in modern European decorative arts during early twentieth century and borrow design elements from neoclassical, constructionist, cubism, modernism and art nouveau. These rugs rejected heavy ornamentation and floral extravagance in favor of experimentation with bolds, angular lines and modern, abstract and figurative motifs. The palette is both bold and muted.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
The rug is hand clipped into delightful and super-soft extra thin pile. A special wash system lends our carpets a unique antique-finished patina of grace and elegance that is ageless and enduring. We are a pioneer company of this technique and have perfected the art of reproductions to near perfection.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Oushak Rugs, originating in the west-central Anatolian town of Oushak in Turkey, are renowned for their exceptional texture, expansive design and elegant style. These rugs are made using a family of designs that originate in Usak, Turkey. They're recognizable for their large-scale designs and are typically based on geometric motifs with central medallion drawings, smaller all-over medallions or scattered sprays of vine scroll and palmettes. Made from lustrous wool, they favor muted earth tones and are extremely versatile.
Hand Tufted rugs, comparatively, are of newer origins. While the hand tufted rugs may look like hand knotted ones, the process that creates them is totally different. Hand Tufted rugs are created without using knots. Loops of yarns are pulled through a canvas that forms the rug foundation, using a handheld equipment called the tufting gun. The canvas, stretched on a loom, has a design outline that must be filled in. Once complete and off the loom, the loops are cut to create a smooth pile and a second backing is attached to hold the yarns in place. While it is handmade, it is not labor intensive like hand knotted rugs and thus less time consuming to make. Consequently, the rugs are affordable and easy on the pocket.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Frequently Asked Questions
Where to buy Rugs?
If you are looking to buy a Rug, Houzz is a great option with a wide range of curated products with high-quality features. They also offer free shipping on orders over $49, free returns, and top-notch customer service.How much do Rugs cost?
The cost of a rug can vary depending on size, material, and weave type among other factors:
- Size: Smaller rugs, such as 2′x3′ or 3′x5′, can range from $20 to $200, while larger rugs like 8′x10′ or 9′x12′ can cost anywhere from $200 to $2000 or more, depending on quality and materials.
- Material: Different materials have varying price ranges. Natural fibers like wool or silk tend to be more expensive than synthetic fibers such as polyester or polypropylene.
- Quality: Handmade or hand-knotted rugs are typically more expensive due to the craftsmanship involved, while machine-made rugs are often more affordable.
- Design and Brand: Intricate designs, patterns, and branded rugs may come with a higher price tag compared to simpler or generic designs.
On average, rug prices can range from as low as $20 for smaller, basic synthetic rugs to several thousand dollars for larger, high-quality, handmade
How to keep Rugs from Sliding?
To prevent rugs from sliding on hard surfaces like hardwood, tile, or laminate, consider purchasing Rug Pads. Use non-slip rug pads or grippers designed for the specific floor type. These provide traction and grip to keep the rug in place.
Where to buy cheap and affordable rugs?
Explore Houzz’s rug sale for a diverse selection of affordable rugs that perfectly complement your individual style. Enjoy additional discounts while shopping to elevate your space with quality and affordability
How to choose the right rug size?
Selecting the right rug size involves considering both the room’s dimensions and the furniture layout.
- 2′x3′ to 3′x5′ Rugs: Ideal for small areas like entryways, bedside, or kitchen sinks.
- 5′x7′ to 6′x9′ Rugs: Versatile for medium-sized rooms like living rooms or dining areas, allowing furniture legs to sit on or off the rug.
- 8′x10′ to 9′x12′ Rugs: Suitable for larger spaces like living rooms or bedrooms, providing ample coverage with furniture entirely on the rug.
- 10′x14′ Rugs and Larger: Perfect for grand living rooms or open floor plans, accommodating large furniture groupings.
Review our Rug Size guide to how to find the perfect fit.
What are the best rug materials for high traffic areas?
For high-traffic areas, durability is key. Consider these rug materials known for their resilience:
- Wool: Naturally durable, wool rugs handle foot traffic well, resist stains, and maintain their appearance over time. They’re also good at hiding dirt.
- Polypropylene: A synthetic material, polypropylene, is stain-resistant, easy to clean, and stands up well to heavy use.
- Polyester: While not as durable as nylon, polyester rugs are stain-resistant, budget-friendly, and offer a soft feel, making them a good choice for moderate traffic areas.