Search results for "Framed sea shells" in Home Design Ideas

Photo: Corynne Pless © 2013 Houzz
Beach style master medium tone wood floor bedroom photo in New York with beige walls
Beach style master medium tone wood floor bedroom photo in New York with beige walls

Sitting aside the slopes of Windham Ski Resort in the Catskills, this is a stunning example of what happens when everything gels — from the homeowners’ vision, the property, the design, the decorating, and the workmanship involved throughout.
An outstanding finished home materializes like a complex magic trick. You start with a piece of land and an undefined vision. Maybe you know it’s a timber frame, maybe not. But soon you gather a team and you have this wide range of inter-dependent ideas swirling around everyone’s heads — architects, engineers, designers, decorators — and like alchemy you’re just not 100% sure that all the ingredients will work. And when they do, you end up with a home like this.
The architectural design and engineering is based on our versatile Olive layout. Our field team installed the ultra-efficient shell of Insulspan SIP wall and roof panels, local tradesmen did a great job on the rest.
And in the end the homeowners made us all look like first-ballot-hall-of-famers by commissioning Design Bar by Kathy Kuo for the interior design.
Doesn’t hurt to send the best photographer we know to capture it all. Pics from Kim Smith Photo.

The large counter space and cabinets surrounding this washer and dryer makes doing laundry a breeze in this timber home.
Photo Credit: Roger Wade Studios
Find the right local pro for your project

Trouble charting the right course in your home decorating? The coast is crystal clear with this design that wants to sea and be seen. Each of the Indigo Shells in this series are limited edition pieces that are hand embellished with Swarovski crystals. The elegant squares are highlighted in silver leaf and encrusted with Indigo crystals and is surrounded by a wide, white mat and rubbed antique gold bamboo moulding.
'This series in available in three different framing combinations so that they will coordinate beautifully with your decor. With 6 images to choose from, you can mix and match to your hearts content.' -Michelle Woolley Sauter
OneCoastDesign.com

Lisa Weatherbee
Example of an eclectic bedroom design in New York with blue walls
Example of an eclectic bedroom design in New York with blue walls

A view of the living room and foyer beyond. The bold orange entry door is a pleasant surprise one only sees after winding around a tall brick wall. Within the entry is a wall of walnut paneling with a hidden door leading to a large closet. The stairs lead up to a second floor landing with a glass railing that opens onto a double height space capped with a series of five over-scaled skylights.

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

The beach theme continues in the bathroom with a vessel sink that sits atop a glass shelf showing the sea shells and glass underneath. The sliding door is adorned with a mermaid handle. Tongue and groove cedar planks line the ceiling and Winter Wheat Bamboo Flooring is from Lumber Liquidators. And plenty of turquoise accents round out the décor.
Photo credit: Shane McKenzie

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Inspiration for a contemporary dark wood floor bedroom remodel in Charlotte with white walls

Tom Harper
Example of a transitional multicolored tile powder room design in Miami with a vessel sink, flat-panel cabinets, dark wood cabinets and gray countertops
Example of a transitional multicolored tile powder room design in Miami with a vessel sink, flat-panel cabinets, dark wood cabinets and gray countertops

Discover the ultimate solution in television concealment with this TV Art Cover. With the press of a button this 50" TV is revealed as the canvas giclee painting rolls up into the decorative frame. You can choose from over 1,200 pieces of art or send us your own art.
Visit www.FrameMyTV.com to see how easy it is to design a frame for your TV. Every unit is custom made-to-order for your TV by our experienced craftsman here in the USA.
Frame Style: M1017
TV: 50" Panasonic TC-P50ST50
Art: Gloaming by Matthew Hasty
Image Reference: 221669

A hand finished distressed driftwood accent wall decorates the stairwell niche, where antique green and blue glass bottles display starfish accents.
Small beach style porcelain tile and gray floor entryway photo in Hawaii with white walls and a white front door
Small beach style porcelain tile and gray floor entryway photo in Hawaii with white walls and a white front door

Sponsored
Fredericksburg, OH
High Point Cabinets
Columbus' Experienced Custom Cabinet Builder | 4x Best of Houzz Winner

curbless, infinity shower with handheld and nooks.
Bathroom - large modern master beige tile and porcelain tile porcelain tile and beige floor bathroom idea in Sacramento with a hinged shower door, dark wood cabinets, white walls, a vessel sink and quartz countertops
Bathroom - large modern master beige tile and porcelain tile porcelain tile and beige floor bathroom idea in Sacramento with a hinged shower door, dark wood cabinets, white walls, a vessel sink and quartz countertops

Sea Arches is a stunning modern architectural masterpiece, perched atop an eleven-acre peninsular promontory rising 160 feet above the Pacific Ocean on northern California’s spectacular Mendocino coast. Surrounded by the ocean on 3 sides and presiding over unparalleled vistas of sea and surf, Sea Arches includes 2,000 feet of ocean frontage, as well as beaches that extend some 1,300 feet. This one-of-a-kind property also includes one of the famous Elk Sea Stacks, a grouping of remarkable ancient rock outcroppings that tower above the Pacific, and add a powerful and dramatic element to the coastal scenery. Integrated gracefully into its spectacular setting, Sea Arches is set back 500 feet from the Pacific Coast Hwy and is completely screened from public view by more than 400 Monterey cypress trees. Approached by a winding, tree-lined drive, the main house and guesthouse include over 4,200 square feet of modern living space with four bedrooms, two mezzanines, two mini-lofts, and five full bathrooms. All rooms are spacious and the hallways are extra-wide. A cantilevered, raised deck off the living-room mezzanine provides a stunningly close approach to the ocean. Walls of glass invite views of the enchanting scenery in every direction: north to the Elk Sea Stacks, south to Point Arena and its historic lighthouse, west beyond the property’s captive sea stack to the horizon, and east to lofty wooded mountains. All of these vistas are enjoyed from Sea Arches and from the property’s mile-long groomed trails that extend along the oceanfront bluff tops overlooking the beautiful beaches on the north and south side of the home. While completely private and secluded, Sea Arches is just a two-minute drive from the charming village of Elk offering quaint and cozy restaurants and inns. A scenic seventeen-mile coastal drive north will bring you to the picturesque and historic seaside village of Mendocino which attracts tourists from near and far. One can also find many world-class wineries in nearby Anderson Valley. All of this just a three-hour drive from San Francisco or if you choose to fly, Little River Airport, with its mile long runway, is only 16 miles north of Sea Arches. Truly a special and unique property, Sea Arches commands some of the most dramatic coastal views in the world, and offers superb design, construction, and high-end finishes throughout, along with unparalleled beauty, tranquility, and privacy. Property Highlights: • Idyllically situated on a one-of-a-kind eleven-acre oceanfront parcel • Dwelling is completely screened from public view by over 400 trees • Includes 2,000 feet of ocean frontage plus over 1,300 feet of beaches • Includes one of the famous Elk Sea Stacks connected to the property by an isthmus • Main house plus private guest house totaling over 4300 sq ft of superb living space • 4 bedrooms and 5 full bathrooms • Separate His and Hers master baths • Open floor plan featuring Single Level Living (with the exception of mezzanines and lofts) • Spacious common rooms with extra wide hallways • Ample opportunities throughout the home for displaying art • Radiant heated slate floors throughout • Soaring 18 foot high ceilings in main living room with walls of glass • Cantilevered viewing deck off the mezzanine for up close ocean views • Gourmet kitchen with top of the line stainless appliances, custom cabinetry and granite counter tops • Granite window sills throughout the home • Spacious guest house including a living room, wet bar, large bedroom, an office/second bedroom, two spacious baths, sleeping loft and two mini lofts • Spectacular ocean and sunset views from most every room in the house • Gracious winding driveway offering ample parking • Large 2 car-garage with workshop • Extensive low-maintenance landscaping offering a profusion of Spring and Summer blooms • Approx. 1 mile of groomed trails • Equipped with a generator • Copper roof • Anchored in bedrock by 42 reinforced concrete piers and framed with steel girders.
2 Fireplaces
Deck
Granite Countertops
Guest House
Patio
Security System
Storage
Gardens

Design, Fabrication, Install and Photography by MacLaren Kitchen and Bath
Cabinetry: Centra/Mouser Square Inset style. Coventry Doors/Drawers and select Slab top drawers. Semi-Custom Cabinetry, mouldings and hardware installed by MacLaren and adjusted onsite.
Decorative Hardware: Jeffrey Alexander/Florence Group Cups and Knobs
Backsplash: Handmade Subway Tile in Crackled Ice with Custom ledge and frame installed in Sea Pearl Quartzite
Countertops: Sea Pearl Quartzite with a Half-Round-Over Edge
Sink: Blanco Large Single Bowl in Metallic Gray
Extras: Modified wooden hood frame, Custom Doggie Niche feature for dog platters and treats drawer, embellished with a custom Corian dog-bone pull.

This massive timber frame great room showcases a floor-to-ceiling stone fireplace and large windows.
Photo credit: James Ray Spahn
Huge mountain style open concept medium tone wood floor living room photo in Other with a standard fireplace, a stone fireplace, a media wall and white walls
Huge mountain style open concept medium tone wood floor living room photo in Other with a standard fireplace, a stone fireplace, a media wall and white walls

Crystal Shell Custom Blown Glass Chandelier. Sea inspired glass shells glisten from their crackle-like texture. Available as individual pendants or multi-pendant chandeliers. Multiple sizes and colors are available.
Modern Custom Glass Lighting perfect for your entryway / foyer, stairwell, living room, dining room, kitchen, and any room in your home. Dramatic lighting that is fully customizable and tailored to fit your space perfectly. No two pieces are the same.
Visit our website: www.shakuff.com for more details.
Tel. 212.675.0383
info@shakuff.com
Photo Credit: Sean Litchenfield Photography
Interior Design By: MacWright Interiors LLC

Siri Blanchette/Blind Dog Photo Associates
This kids bath has all the fun of a sunny day at the beach. In a contemporary way, the details in the room are nautical and beachy. The color of the walls are like a clear blue sky, the vanity lights look like vintage boat lights, the vanity top looks like sand, and the shower walls are meant to look like a sea shanty with weathered looking wood grained tile plank walls and a shower "window pane" cubby with hand painted tiles designed by Marcye that look like a view out to the beach. The floor is bleached pebbles with hand painted sea creature tiles placed randomly for the kids to find.
1


