Michael J. Lee
Elegant kitchen photo in Boston with recessed-panel cabinets, white cabinets, white backsplash, subway tile backsplash and paneled appliances

Balanced shade, dappled sunlight, and tree canopy views are the basis of the 518 Sacramento Drive house design. The entry is on center with the lot’s primary Live Oak tree, and each interior space has a unique relationship to this central element. Composed of crisply-detailed, considered materials, surfaces and finishes, the home is a balance of sophistication and restraint. The two-story massing is designed to allow for a bold yet humble street presence, while each single-story wing extends through the site, forming intimate outdoor and indoor spaces. Photo: Brian Mihealsick

2016 MBIA Gold Award Winner: From whence an old one-story house once stood now stands this 5,000+ SF marvel that Finecraft built in the heart of Bethesda, MD. Thomson & Cooke Architects Susie Soleimani Photography

Michael J. Lee
Elegant slate floor and gray floor kitchen photo in Boston with a farmhouse sink, recessed-panel cabinets, white cabinets, white backsplash and stainless steel appliances

Karuna Passive House designed by Holst Architecture and built by Hammer & Hand. This high performance home meets the world's most demanding green building certifications. Photo by Jeremy Bittermann.

A new Seattle modern house designed by chadbourne + doss architects houses a couple and their 18 bicycles. 3 floors connect indoors and out and provide panoramic views of Lake Washington. photo by Benjamin Benschneider

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Photo credit: Louis Habeck #FOASmallSpaces
Small urban exterior home photo

Small urban two-story and detached metal shed photo

Louis Habeck #FOASmallSpaces
Small modern yellow two-story metal exterior home idea

Inspiration for a small rustic single-wall light wood floor open concept kitchen remodel with an undermount sink, flat-panel cabinets, stainless steel cabinets, granite countertops, black backsplash and no island

Inspiration for a small rustic single-wall light wood floor open concept kitchen remodel with an undermount sink, flat-panel cabinets, stainless steel cabinets, granite countertops, black backsplash and no island

Lower level art studio space, and stair. Nick Pancheau #FOASmallSpaces
Inspiration for a small eclectic wooden straight open staircase remodel

Lower level art studio space, and stair with view to living level and roof. Nick Pancheau #FOASmallSpaces
Staircase - eclectic staircase idea

Lower level art studio space, and stair with view to living level and roof. Nick Pancheau #FOASmallSpaces
Home design - eclectic home design idea

This four bedroom beach house in Washington's South Sound is all about growing up near the water's edge during summer's freedom from school. The owner's childhood was spent in a small cabin on this site with her parents and siblings. Now married and with children of her own, it was time to savor those childhood memories and create new ones in a house designed for generations to come. At 3,200 square feet, including a whimsical Crow's Nest, the new summer cabin is much larger than the original cabin. The home is still about family and fun though. Above the 600 square foot water toys filled garage, there is a 500 square foot bunk room for friends and family. The bunk room is connected to the main house by an upper bridge where built-in storage frames a window seat overlooking the property. Throughout the home are playful details drawing from the waterfront locale. Paddles are integrated into the stair railing, engineered flooring with a weathered look, marine cleats as hardware, a boardwalk to the main entry, and nautical lighting are found throughout the house. Designed by BC&J Architecture.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Small mountain style shed photo

http://chrisandmalissa.com/
Example of a small mountain style exterior home design in Seattle