David Wilson
Kitchen/dining room combo - contemporary dark wood floor kitchen/dining room combo idea in San Francisco with beige walls

David Wilson
Example of a trendy l-shaped dark wood floor kitchen design in San Francisco with an undermount sink, flat-panel cabinets, medium tone wood cabinets, white backsplash, stainless steel appliances and an island

David Wilson
Inspiration for a contemporary wooden u-shaped open staircase remodel in San Francisco

Photo of a southwestern landscaping in Phoenix.

Our Reclaimed Transbay Terminal Douglas Fir was the inspiration on this very unique project. The wood's natural color variation make this project captivating and full of visual interest.

Our Reclaimed Transbay Terminal Douglas Fir is the perfect touch to make this breakroom cozy and sophisticated.
Inspiration for a contemporary home bar remodel in San Francisco

This asymmetrical reception desk, at the Bay Area Metro Center, is softened by the beautiful colors of our Transbay Terminal Douglas Fir.
Example of a trendy home office library design in San Francisco

Our Reclaimed Transbay Terminal Douglas Fir was the inspiration on this very unique project. The wood's natural color variation make this project captivating and full of visual interest.

This beautiful conference room is rich in history. The wall cladding includes Redwood from Moffett Field Hangar One and Douglas Fir from the Transbay Terminal in San Francisco.

This image is a close up of the reglet detail at the window. The detail gives the space a very modern feel with clean lines. No wood trim is necessary with detail other than the fir window liner as used in the image. Bray Hayden Photography and H2D Architecture + Design

When cladding a wall, you can't go wrong with our Reclaimed Transbay Terminal Douglas Fir! Here, we installed our reclaimed material at random depths, random lengths, and applied a clear matte finish. When complete, this space is going to be the talk of the town.

Inspiration for a mid-sized transitional freestanding desk medium tone wood floor and brown floor study room remodel in Boston with blue walls

Designed by: Studio Revolution Photography by: Thomas Kuoh
Family room - scandinavian carpeted family room idea in San Francisco with white walls

Located in Highland Park, Texas and completed in 2015, this traditional residence underwent a complete garden renovation which included new walkway approach, bluestone walkways, steps, decorative urns, custom lattice screen panels, gates, outdoor kitchen and extensive landscaping.

Rebecca Zagoory - Grand Central Terminal. This photo is offered in two sizes 18" x 24" and 24" x 36"
Example of a mid-sized trendy open concept living room library design in New York

**I. Spatial Composition & Architectural Volume** This powder room operates as a compressed, processional vestibule — a jewel-box volume whose narrowness is deliberately weaponized to intensify the encounter with a single focal event. The plan reads as a tight rectilinear corridor, entered obliquely past a pivoting sculptural door leaf at the left foreground, with the sightline funnelling directly to a recessed alcove at the terminal wall. That alcove is the compositional engine of the room: a deep, orthogonal reveal framed in slender blackened-metal profiles, within which a monolithic marble vanity cantilevers as a full-width plinth, its shadow-gap plinth detail dissolving the mass into apparent levitation. The full-height glazed screens flanking both side walls — divided into a disciplined grid of stile-and-rail metal mullions above a stone dado — introduce a Miesian rhythm of verticals that visually widen the space while preserving enclosure. Above, a crisp plaster soffit with a razor-thin perimeter reveal caps the volume, while the mullion grid's continuation across the ceiling plane and door surround creates a cage-like armature, an architectural drawing rendered in three dimensions. The suspended, wall-hung water closet at left is deliberately subordinated, half-concealed by the stone return, ensuring the axial procession terminates not on plumbing but on art. **II. Materiality, Color & Texture** The material palette is orchestrated as a controlled dialogue between the geologic, the vegetal, and the metallic. Book-matched Calacatta Viola — or a closely related Paonazzo — sheathes the dado and vanity in slabs whose oxblood, umber, and graphite veining reads as gestural brushwork, its cool bone-white ground counterweighted by the warm ferrous rust of its fissures; the veining on the right-hand wall is sequenced to cascade, treating stone as a continuous painterly field rather than a modular cladding. Against this, the foreground door presents a deeply carved, three-dimensional sculpted timber relief in a mid-tone oak or walnut, its undulating, plaited chevron texture introducing a haptic, almost textile-like tactility that provides the composition's most overtly artisanal register. The glazed screens deploy reeded or fluted glass in a smoky sage-olive cast, their striations diffusing and abstracting whatever lies beyond into vertical striae of light — a translucent counterpoint to the opacity of stone and wood. Blackened bronze or patinated steel mullions supply the graphic scaffolding, while unlacquered brass appears as accent punctuation: the gooseneck spout with exposed swivel collar, and, most emphatically, the flame-patinated bronze oval of the mirror frame, whose molten amber bloom is the single high-saturation event in an otherwise desaturated envelope of greys, greiges, and bone. Underfoot, chevron-laid oak parquet in a soft tobacco stain grounds the palette and repeats the door's zigzag geometry at a domestic scale. **III. Lighting, Atmosphere & Style Profile** Lighting is handled with theatrical restraint and a distinctly museological logic. The terminal alcove is backlit by a full-height plane of sheer, pinch-pleated linen sheers washed with daylight — an ambiguous, screened luminance that functions as a lightbox, silhouetting the mirror and reading as a window without conceding a view. Concealed cove or perimeter LED at the soffit reveal lifts the ceiling and grazes the plaster, while the reeded glass side screens capture and refract borrowed light along their flutes, producing a soft vertical shimmer that keeps the narrow volume from collapsing into gloom. The lower register is intentionally darker, the recessed shadow gap beneath the vanity and the bronze toe detail anchoring the composition in a low-key, chiaroscuro base. The atmosphere is hushed, contemplative, and faintly ecclesiastical — the alcove operating as a reredos, the framed portrait glimpsed in the mirror's reflection functioning as an unexpected, wry apparition that injects narrative and humor into an otherwise austere scheme. Stylistically, the room synthesizes into what might be termed *Tactile Luxe Modernism* or Refined Warm Modernism: the structural clarity and metal-gridded transparency of mid-century International Style, tempered by Italian post-war sensuality in the bronze and marble, and finally humanized by contemporary craft-forward texture. The result is a space of considerable discipline that nonetheless privileges touch, patina, and surprise over minimalist abstinence.

D-Trac Construction was contracted to address install issues from a previous contractor related to the workmanship and install of the exterior hardie board package. Because of the issues, the local county would not pass building permit inspection due to non-compliance with the Alberta Building Code and the Safety Codes Act. Issues and corrective actions included: 1. Aluminum J and corner trim does not allow for the plank to be sealed (caulked at termination). Corrective Action: Install 5/4" Smart Trim and color match caulk at all terminations. 2. Flashing detail on primary head flashings are cut and bent, creating point of entry on each end dam at the back side of drip. Corrective Action: Install new primary head flashings using the fold method to create end dam. 3: Incorrect stagger on plank install, Not enough distance between butt joints on stagger, no slip plates at butt joints. Corrective Action: Install new plank using a either a 24" or 32" stagger pattern, with aluminum slip plates behind all butt joints. 4: Many terminations through plank siding have no trim block, not sealed correctly. Corrective Action: Install 5/4" trim blocks to allow plank to be sealed(caulked to termination. At the end of the project, a final inspection was completed and the local county passed the building permit inspection.

D-Trac Construction was contracted to address install issues from a previous contractor related to the workmanship and install of the exterior hardie board package. Because of the issues, the local county would not pass building permit inspection due to non-compliance with the Alberta Building Code and the Safety Codes Act. Issues and corrective actions included: 1. Aluminum J and corner trim does not allow for the plank to be sealed (caulked at termination). Corrective Action: Install 5/4" Smart Trim and color match caulk at all terminations. 2. Flashing detail on primary head flashings are cut and bent, creating point of entry on each end dam at the back side of drip. Corrective Action: Install new primary head flashings using the fold method to create end dam. 3: Incorrect stagger on plank install, Not enough distance between butt joints on stagger, no slip plates at butt joints. Corrective Action: Install new plank using a either a 24" or 32" stagger pattern, with aluminum slip plates behind all butt joints. 4: Many terminations through plank siding have no trim block, not sealed correctly. Corrective Action: Install 5/4" trim blocks to allow plank to be sealed(caulked to termination. At the end of the project, a final inspection was completed and the local county passed the building permit inspection.