We call these gardens "living landscapes" because the native plants they contain seed off and change locations from year to year in a dynamic, dramatic show. The gardener becomes audience, director, and dramaturge--all in one--rather than one who tightly controls the results. (What is a dramaturge, one might ask if their friends are not in the theater?) Oxford languages explains: "1. a dramatist. 2. a literary editor on the staff of a theater who consults with authors and edits texts." In living landscapes, the native plants become a sort of text which the gardener edits in order to shape the unfolding drama for the current and next season. The gardener chooses where to pull back overly assertive plants, when to nudge forward the under-confident actor waiting to shine, when to let the mystery unfold and surprise. It is not laissez-faire or "what will be will be"--rather, it is an ongoing movement rooted in observation and reflection. This is the living landscape we strive to design and build at The Natural Garden.

We call these gardens "living landscapes" because the native plants they contain seed off and change locations from year to year in a dynamic, dramatic show. The gardener becomes audience, director, and dramaturge--all in one--rather than one who tightly controls the results. (What is a dramaturge, one might ask if their friends are not in the theater?) Oxford languages explains: "1. a dramatist. 2. a literary editor on the staff of a theater who consults with authors and edits texts." In living landscapes, the native plants become a sort of text which the gardener edits in order to shape the unfolding drama for the current and next season. The gardener chooses where to pull back overly assertive plants, when to nudge forward the under-confident actor waiting to shine, when to let the mystery unfold and surprise. It is not laissez-faire or "what will be will be"--rather, it is an ongoing movement rooted in observation and reflection. This is the living landscape we strive to design and build at The Natural Garden.

Living Room looking into Dining Room Sara Essex Bradley
Mid-sized eclectic medium tone wood floor living room photo in San Francisco with beige walls and no tv

The way one chooses to maintain one's garden is an important element of design. One option is to leave intact last year's growth on warm-season grasses for their sculptural quality. We love how the native Meadow Petunia fills in all the gaps, while the Black Eyed Susans provide bright and bold contrast to the mix. We call these gardens "living landscapes" because the native plants they contain seed off and change locations from year to year in a dynamic, dramatic show. The gardener becomes audience, director, and dramaturge--all in one--rather than one who tightly controls the results. (What is a dramaturge, one might ask if their friends are not in the theater?) Oxford languages explains: "1. a dramatist. 2. a literary editor on the staff of a theater who consults with authors and edits texts." In living landscapes, the native plants become a sort of text which the gardener edits in order to shape the unfolding drama for the current and next season. The gardener chooses where to pull back overly assertive plants, when to nudge forward the under-confident actor waiting to shine, when to let the mystery unfold and surprise. It is not laissez-faire or "what will be will be"--rather, it is an ongoing movement rooted in observation and reflection. This is the living landscape we strive to design and build at The Natural Garden.

We call these gardens "living landscapes" because the native plants they contain seed off and change locations from year to year in a dynamic, dramatic show. The gardener becomes audience, director, and dramaturge--all in one--rather than one who tightly controls the results. (What is a dramaturge, one might ask if their friends are not in the theater?) Oxford languages explains: "1. a dramatist. 2. a literary editor on the staff of a theater who consults with authors and edits texts." In living landscapes, the native plants become a sort of text which the gardener edits in order to shape the unfolding drama for the current and next season. The gardener chooses where to pull back overly assertive plants, when to nudge forward the under-confident actor waiting to shine, when to let the mystery unfold and surprise. It is not laissez-faire or "what will be will be"--rather, it is an ongoing movement rooted in observation and reflection. This is the living landscape we strive to design and build at The Natural Garden.

We call these gardens "living landscapes" because the native plants they contain seed off and change locations from year to year in a dynamic, dramatic show. The gardener becomes audience, director, and dramaturge--all in one--rather than one who tightly controls the results. (What is a dramaturge, one might ask if their friends are not in the theater?) Oxford languages explains: "1. a dramatist. 2. a literary editor on the staff of a theater who consults with authors and edits texts." In living landscapes, the native plants become a sort of text which the gardener edits in order to shape the unfolding drama for the current and next season. The gardener chooses where to pull back overly assertive plants, when to nudge forward the under-confident actor waiting to shine, when to let the mystery unfold and surprise. It is not laissez-faire or "what will be will be"--rather, it is an ongoing movement rooted in observation and reflection. This is the living landscape we strive to design and build at The Natural Garden.

We call these gardens "living landscapes" because the native plants they contain seed off and change locations from year to year in a dynamic, dramatic show. The gardener becomes audience, director, and dramaturge--all in one--rather than one who tightly controls the results. (What is a dramaturge, one might ask if their friends are not in the theater?) Oxford languages explains: "1. a dramatist. 2. a literary editor on the staff of a theater who consults with authors and edits texts." In living landscapes, the native plants become a sort of text which the gardener edits in order to shape the unfolding drama for the current and next season. The gardener chooses where to pull back overly assertive plants, when to nudge forward the under-confident actor waiting to shine, when to let the mystery unfold and surprise. It is not laissez-faire or "what will be will be"--rather, it is an ongoing movement rooted in observation and reflection. This is the living landscape we strive to design and build at The Natural Garden.

We call these gardens "living landscapes" because the native plants they contain seed off and change locations from year to year in a dynamic, dramatic show. The gardener becomes audience, director, and dramaturge--all in one--rather than one who tightly controls the results. (What is a dramaturge, one might ask if their friends are not in the theater?) Oxford languages explains: "1. a dramatist. 2. a literary editor on the staff of a theater who consults with authors and edits texts." In living landscapes, the native plants become a sort of text which the gardener edits in order to shape the unfolding drama for the current and next season. The gardener chooses where to pull back overly assertive plants, when to nudge forward the under-confident actor waiting to shine, when to let the mystery unfold and surprise. It is not laissez-faire or "what will be will be"--rather, it is an ongoing movement rooted in observation and reflection. This is the living landscape we strive to design and build at The Natural Garden.