Beach contemporary design featuring custom succulent wall planters, drought tolerant plants, permeable paving, fruit trees and outdoor rooms
Photo of a mid-sized contemporary partial sun backyard brick landscaping in Orange County.

Dania Bagia Photography In 2014, when new owners purchased one of the grand, 19th-century "summer cottages" that grace historic North Broadway in Saratoga Springs, Old Saratoga Restorations was already intimately acquainted with it. Year after year, the previous owner had hired OSR to work on one carefully planned restoration project after another. What had not been dealt with in the previous restoration projects was the Eliza Doolittle of a garage tucked behind the stately home. Under its dingy aluminum siding and electric bay door was a proper Victorian carriage house. The new family saw both the charm and potential of the building and asked OSR to turn the building into a single family home. The project was granted an Adaptive Reuse Award in 2015 by the Saratoga Springs Historic Preservation Foundation for the project. Upon accepting the award, the owner said, “the house is similar to a geode, historic on the outside, but shiny and new on the inside.”

Dania Bagia Photography In 2014, when new owners purchased one of the grand, 19th-century "summer cottages" that grace historic North Broadway in Saratoga Springs, Old Saratoga Restorations was already intimately acquainted with it. Year after year, the previous owner had hired OSR to work on one carefully planned restoration project after another. What had not been dealt with in the previous restoration projects was the Eliza Doolittle of a garage tucked behind the stately home. Under its dingy aluminum siding and electric bay door was a proper Victorian carriage house. The new family saw both the charm and potential of the building and asked OSR to turn the building into a single family home. The project was granted an Adaptive Reuse Award in 2015 by the Saratoga Springs Historic Preservation Foundation for the project. Upon accepting the award, the owner said, “the house is similar to a geode, historic on the outside, but shiny and new on the inside.”

A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.

A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.

A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.

Inspiration for a small coastal carpeted family room remodel in Orange County with gray walls and a wall-mounted tv

A focal aspect of the 221 square-foot addition is its stairway. Beyond its newel post, the railing ribbons up to the second floor, bridging over the doorway. The resulting open space, canopied above the foyer contributes to an airy atmosphere, allowing natural light to sprawl throughout the entry space and to the private second-floor family area. The new windows further add buoyancy and sunlight. The addition also provided an opportunity to move the powder room to a more discreet location adjacent to the dining room. On the outside of the home, the entry addition introduces a gambrel form, drawing from and repurposing the design of the original structure. Despite its modest size, the addition transformed the entry of the home and its first impression, communicating openness and warmth within first acquainting steps.

Powder rooms are among the most public rooms in your home. Visitors who might see only your living or dining room will also make the acquaintance of your powder room. So it becomes a very public place for a very private function, a reflection of your taste and style among quite intimate surroundings. I tend to see Powder Rooms as opportunities to display a bolder, edgier look, within the confines of what is usually a confined space. My interior design schemes use decorative faucets and pedestal sinks, vanities with the bowl resting on stone, interesting wood or mosaic floors, and lighting that is soft but efficient.

A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.

On this project, a bright and modern apartment on central park west, we were fortunate enough to have already established a strong working relationship with the architect. having collaborated on a number of projects in the past, we were already acquainted with working as a team, which allowed us to hit the ground running.

Dania Bagia Photography In 2014, when new owners purchased one of the grand, 19th-century "summer cottages" that grace historic North Broadway in Saratoga Springs, Old Saratoga Restorations was already intimately acquainted with it. Year after year, the previous owner had hired OSR to work on one carefully planned restoration project after another. What had not been dealt with in the previous restoration projects was the Eliza Doolittle of a garage tucked behind the stately home. Under its dingy aluminum siding and electric bay door was a proper Victorian carriage house. The new family saw both the charm and potential of the building and asked OSR to turn the building into a single family home. The project was granted an Adaptive Reuse Award in 2015 by the Saratoga Springs Historic Preservation Foundation for the project. Upon accepting the award, the owner said, “the house is similar to a geode, historic on the outside, but shiny and new on the inside.”

Dania Bagia Photography In 2014, when new owners purchased one of the grand, 19th-century "summer cottages" that grace historic North Broadway in Saratoga Springs, Old Saratoga Restorations was already intimately acquainted with it. Year after year, the previous owner had hired OSR to work on one carefully planned restoration project after another. What had not been dealt with in the previous restoration projects was the Eliza Doolittle of a garage tucked behind the stately home. Under its dingy aluminum siding and electric bay door was a proper Victorian carriage house. The new family saw both the charm and potential of the building and asked OSR to turn the building into a single family home. The project was granted an Adaptive Reuse Award in 2015 by the Saratoga Springs Historic Preservation Foundation for the project. Upon accepting the award, the owner said, “the house is similar to a geode, historic on the outside, but shiny and new on the inside.”

Inspiration for a mid-sized modern u-shaped medium tone wood floor enclosed kitchen remodel in Atlanta with a farmhouse sink, white cabinets, marble countertops, stainless steel appliances and an island

Eat-in kitchen - transitional u-shaped eat-in kitchen idea in San Francisco with a farmhouse sink and black cabinets

This minute addition reimagined the entry of a St. Martins home into a gracious gesture, motivated by acute space constraints that rendered moving furniture to the second floor impossible. A focal aspect of the 221 square-foot addition is its stairway. Beyond its newel post, the railing ribbons up to the second floor, bridging over the doorway. The resulting open space, canopied above the foyer contributes to an airy atmosphere, allowing natural light to sprawl throughout the entry space and to the private second-floor family area. The new windows further add buoyancy and sunlight. The addition also provided an opportunity to move the powder room to a more discreet location adjacent to the dining room. On the outside of the home, the entry addition introduces a gambrel form, drawing from and repurposing the design of the original structure. Despite its modest size, the addition transformed the entry of the home and its first impression, communicating openness and warmth within first acquainting steps.

Dania Bagia Photography In 2014, when new owners purchased one of the grand, 19th-century "summer cottages" that grace historic North Broadway in Saratoga Springs, Old Saratoga Restorations was already intimately acquainted with it. Year after year, the previous owner had hired OSR to work on one carefully planned restoration project after another. What had not been dealt with in the previous restoration projects was the Eliza Doolittle of a garage tucked behind the stately home. Under its dingy aluminum siding and electric bay door was a proper Victorian carriage house. The new family saw both the charm and potential of the building and asked OSR to turn the building into a single family home. The project was granted an Adaptive Reuse Award in 2015 by the Saratoga Springs Historic Preservation Foundation for the project. Upon accepting the award, the owner said, “the house is similar to a geode, historic on the outside, but shiny and new on the inside.”

Rikki Snyder © 2012 Houzz
Inspiration for an eclectic dining room remodel in New York

Inspiration for a tropical landscaping in Miami.