Starting Each Day Clean and Refreshed In This Classically-Modern, Marble Masterpiece In 1985, the previous owner of the house had added an addition of which part included a 17 feet by 13 feet space off the master bedroom for both a master bath and walk-in closet. Irrespective of the dated red carpet that blanketed the entire bathroom of this 1964 colonial in Annandale, VA, the combination bathroom/closet space had its other oddities, primarily in that there was no shower. The current homeowners -- a family of five, who has been in the home for 7 years, was tired of going down the hall to use the kids’ bathroom to take a shower before work. The renovation that they have created now is a bright and luxurious space that one could bask in all day. They used this bathroom renovation opportunity to total remake the layout and function of this essential room that sets the tone for the day ahead. Prior to the renovation, the existing bathroom oddly had two entrances, a typical one off of the master bedroom, but another straight off the upstairs hallway. As the toilet was out in the open in the previous design, ensuring that this second door was closed when company was in town was essential and a nuisance. As you entered the room, situated below the arc window, a large soaking tub that was covered on three sides with wooden steps dominated the room from the corner it projected. A relatively small 42” single bowl sink did not leave much space for his and hers toiletries, and there was no other linen closet or cabinetry for storage in the bathroom. The 8 foot by 5 foot closet with accordion doors had poorly laid out rungs not letting the storage space to be fully utilized. At over 220 square feet, the room did offer considerable space to work with, yet the existing layout, which even included a partition wall behind the vanity, felt cramped and dysfunctional. The homeowners wished to create a classic yet modern, private, deluxe bathroom that would better integrate into their master suite and enable them to start and end each day in a luxurious way. They wanted to maintain having a soaking tub, add in a large shower, have an enclosed commode, expand to include double sinks, and add more storage for toiletries and linens. We worked with the customer to develop a creative design with extensive plumbing rework that accomplished all these needs and more. The first order of business was to gut out all the carpet, tub, cabinetry, and non-load bearing partition walls. The new tub would be generally in the same location, but as the previous walk-in closet would be repurposed for the commode and the walk-in shower additional water lines, plumbing, and draining needed to be added; fortunately the room below is the garage, which enabled the team to frame out some bulkheads to accomplish this complex plumbing. Following the framing, including walling up the second entrance to the bathroom, adding in a pocket door for the commode, and creating the shape of the new shower, the team also laid down the wiring for one of the luxuries of this room – heated flooring. A glossy percaline boarder, and two-inch hexagon shape percaline tiles cover the entire floor, making it much easier and cleaner than the previous carpet. Marble look tile is predominant throughout the bathroom as despite the angled frameless glass door, the entire shower is covered in 18 inch polished marble look tiles. The shower coats the user in water from either the overhead rain head, large main showerhead and/or the hand held sprayer. Over 7 feet of white Italian Statuetto marble countertop, enable the couple to have two sink bowls and plenty of room on each side. The bowls are exposed in this stainless steel console sink design which required the team to ensure that the exposed plumbing looked pristine, and painting the bottom of the porcelain bowl to match the coloring. The white cast-iron 72-inch Cecilia claw-foot soaking tub and its chrome lion’s paws complement that other chrome and white used throughout the room. A tall, almost floor-to-ceiling linen closet finished in arctic white is nestled in the corner near the tub, enabling ample storage of towels, etc. Other cabinetry includes an 18 inch-wide vanity with decorative footing is centered between the two sinks, and a 27 inch wall mounted cabinet with shelf is above the Kohler Devonshire elongated toilet. Billowing cloud colored grey blue paint was a great choice for this room to pick up on the veining in the marble. Mirrored medicine chests, a chandelier, wall sconces, and overhead recessed lighting also were incorporated into the design and function of the new room. The artful combination of classic design from material choices, such as free-standing Victorian claw-foot tub along with the modern design as seen in the angled shower, frameless medicine cabinet mirrors, and frosted glass pocket door on the commode, make this bathroom quite a masterpiece. The clients are enjoying having their private space and not having the use the kids’ bathroom anymore.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Starting Each Day Clean and Refreshed In This Classically-Modern, Marble Masterpiece In 1985, the previous owner of the house had added an addition of which part included a 17 feet by 13 feet space off the master bedroom for both a master bath and walk-in closet. Irrespective of the dated red carpet that blanketed the entire bathroom of this 1964 colonial in Annandale, VA, the combination bathroom/closet space had its other oddities, primarily in that there was no shower. The current homeowners -- a family of five, who has been in the home for 7 years, was tired of going down the hall to use the kids’ bathroom to take a shower before work. The renovation that they have created now is a bright and luxurious space that one could bask in all day. They used this bathroom renovation opportunity to total remake the layout and function of this essential room that sets the tone for the day ahead. Prior to the renovation, the existing bathroom oddly had two entrances, a typical one off of the master bedroom, but another straight off the upstairs hallway. As the toilet was out in the open in the previous design, ensuring that this second door was closed when company was in town was essential and a nuisance. As you entered the room, situated below the arc window, a large soaking tub that was covered on three sides with wooden steps dominated the room from the corner it projected. A relatively small 42” single bowl sink did not leave much space for his and hers toiletries, and there was no other linen closet or cabinetry for storage in the bathroom. The 8 foot by 5 foot closet with accordion doors had poorly laid out rungs not letting the storage space to be fully utilized. At over 220 square feet, the room did offer considerable space to work with, yet the existing layout, which even included a partition wall behind the vanity, felt cramped and dysfunctional. The homeowners wished to create a classic yet modern, private, deluxe bathroom that would better integrate into their master suite and enable them to start and end each day in a luxurious way. They wanted to maintain having a soaking tub, add in a large shower, have an enclosed commode, expand to include double sinks, and add more storage for toiletries and linens. We worked with the customer to develop a creative design with extensive plumbing rework that accomplished all these needs and more. The first order of business was to gut out all the carpet, tub, cabinetry, and non-load bearing partition walls. The new tub would be generally in the same location, but as the previous walk-in closet would be repurposed for the commode and the walk-in shower additional water lines, plumbing, and draining needed to be added; fortunately the room below is the garage, which enabled the team to frame out some bulkheads to accomplish this complex plumbing. Following the framing, including walling up the second entrance to the bathroom, adding in a pocket door for the commode, and creating the shape of the new shower, the team also laid down the wiring for one of the luxuries of this room – heated flooring. A glossy percaline boarder, and two-inch hexagon shape percaline tiles cover the entire floor, making it much easier and cleaner than the previous carpet. Marble look tile is predominant throughout the bathroom as despite the angled frameless glass door, the entire shower is covered in 18 inch polished marble look tiles. The shower coats the user in water from either the overhead rain head, large main showerhead and/or the hand held sprayer. Over 7 feet of white Italian Statuetto marble countertop, enable the couple to have two sink bowls and plenty of room on each side. The bowls are exposed in this stainless steel console sink design which required the team to ensure that the exposed plumbing looked pristine, and painting the bottom of the porcelain bowl to match the coloring. The white cast-iron 72-inch Cecilia claw-foot soaking tub and its chrome lion’s paws complement that other chrome and white used throughout the room. A tall, almost floor-to-ceiling linen closet finished in arctic white is nestled in the corner near the tub, enabling ample storage of towels, etc. Other cabinetry includes an 18 inch-wide vanity with decorative footing is centered between the two sinks, and a 27 inch wall mounted cabinet with shelf is above the Kohler Devonshire elongated toilet. Billowing cloud colored grey blue paint was a great choice for this room to pick up on the veining in the marble. Mirrored medicine chests, a chandelier, wall sconces, and overhead recessed lighting also were incorporated into the design and function of the new room. The artful combination of classic design from material choices, such as free-standing Victorian claw-foot tub along with the modern design as seen in the angled shower, frameless medicine cabinet mirrors, and frosted glass pocket door on the commode, make this bathroom quite a masterpiece. The clients are enjoying having their private space and not having the use the kids’ bathroom anymore.

Starting Each Day Clean and Refreshed In This Classically-Modern, Marble Masterpiece In 1985, the previous owner of the house had added an addition of which part included a 17 feet by 13 feet space off the master bedroom for both a master bath and walk-in closet. Irrespective of the dated red carpet that blanketed the entire bathroom of this 1964 colonial in Annandale, VA, the combination bathroom/closet space had its other oddities, primarily in that there was no shower. The current homeowners -- a family of five, who has been in the home for 7 years, was tired of going down the hall to use the kids’ bathroom to take a shower before work. The renovation that they have created now is a bright and luxurious space that one could bask in all day. They used this bathroom renovation opportunity to total remake the layout and function of this essential room that sets the tone for the day ahead. Prior to the renovation, the existing bathroom oddly had two entrances, a typical one off of the master bedroom, but another straight off the upstairs hallway. As the toilet was out in the open in the previous design, ensuring that this second door was closed when company was in town was essential and a nuisance. As you entered the room, situated below the arc window, a large soaking tub that was covered on three sides with wooden steps dominated the room from the corner it projected. A relatively small 42” single bowl sink did not leave much space for his and hers toiletries, and there was no other linen closet or cabinetry for storage in the bathroom. The 8 foot by 5 foot closet with accordion doors had poorly laid out rungs not letting the storage space to be fully utilized. At over 220 square feet, the room did offer considerable space to work with, yet the existing layout, which even included a partition wall behind the vanity, felt cramped and dysfunctional. The homeowners wished to create a classic yet modern, private, deluxe bathroom that would better integrate into their master suite and enable them to start and end each day in a luxurious way. They wanted to maintain having a soaking tub, add in a large shower, have an enclosed commode, expand to include double sinks, and add more storage for toiletries and linens. We worked with the customer to develop a creative design with extensive plumbing rework that accomplished all these needs and more. The first order of business was to gut out all the carpet, tub, cabinetry, and non-load bearing partition walls. The new tub would be generally in the same location, but as the previous walk-in closet would be repurposed for the commode and the walk-in shower additional water lines, plumbing, and draining needed to be added; fortunately the room below is the garage, which enabled the team to frame out some bulkheads to accomplish this complex plumbing. Following the framing, including walling up the second entrance to the bathroom, adding in a pocket door for the commode, and creating the shape of the new shower, the team also laid down the wiring for one of the luxuries of this room – heated flooring. A glossy percaline boarder, and two-inch hexagon shape percaline tiles cover the entire floor, making it much easier and cleaner than the previous carpet. Marble look tile is predominant throughout the bathroom as despite the angled frameless glass door, the entire shower is covered in 18 inch polished marble look tiles. The shower coats the user in water from either the overhead rain head, large main showerhead and/or the hand held sprayer. Over 7 feet of white Italian Statuetto marble countertop, enable the couple to have two sink bowls and plenty of room on each side. The bowls are exposed in this stainless steel console sink design which required the team to ensure that the exposed plumbing looked pristine, and painting the bottom of the porcelain bowl to match the coloring. The white cast-iron 72-inch Cecilia claw-foot soaking tub and its chrome lion’s paws complement that other chrome and white used throughout the room. A tall, almost floor-to-ceiling linen closet finished in arctic white is nestled in the corner near the tub, enabling ample storage of towels, etc. Other cabinetry includes an 18 inch-wide vanity with decorative footing is centered between the two sinks, and a 27 inch wall mounted cabinet with shelf is above the Kohler Devonshire elongated toilet. Billowing cloud colored grey blue paint was a great choice for this room to pick up on the veining in the marble. Mirrored medicine chests, a chandelier, wall sconces, and overhead recessed lighting also were incorporated into the design and function of the new room. The artful combination of classic design from material choices, such as free-standing Victorian claw-foot tub along with the modern design as seen in the angled shower, frameless medicine cabinet mirrors, and frosted glass pocket door on the commode, make this bathroom quite a masterpiece. The clients are enjoying having their private space and not having the use the kids’ bathroom anymore.

Starting Each Day Clean and Refreshed In This Classically-Modern, Marble Masterpiece In 1985, the previous owner of the house had added an addition of which part included a 17 feet by 13 feet space off the master bedroom for both a master bath and walk-in closet. Irrespective of the dated red carpet that blanketed the entire bathroom of this 1964 colonial in Annandale, VA, the combination bathroom/closet space had its other oddities, primarily in that there was no shower. The current homeowners -- a family of five, who has been in the home for 7 years, was tired of going down the hall to use the kids’ bathroom to take a shower before work. The renovation that they have created now is a bright and luxurious space that one could bask in all day. They used this bathroom renovation opportunity to total remake the layout and function of this essential room that sets the tone for the day ahead. Prior to the renovation, the existing bathroom oddly had two entrances, a typical one off of the master bedroom, but another straight off the upstairs hallway. As the toilet was out in the open in the previous design, ensuring that this second door was closed when company was in town was essential and a nuisance. As you entered the room, situated below the arc window, a large soaking tub that was covered on three sides with wooden steps dominated the room from the corner it projected. A relatively small 42” single bowl sink did not leave much space for his and hers toiletries, and there was no other linen closet or cabinetry for storage in the bathroom. The 8 foot by 5 foot closet with accordion doors had poorly laid out rungs not letting the storage space to be fully utilized. At over 220 square feet, the room did offer considerable space to work with, yet the existing layout, which even included a partition wall behind the vanity, felt cramped and dysfunctional. The homeowners wished to create a classic yet modern, private, deluxe bathroom that would better integrate into their master suite and enable them to start and end each day in a luxurious way. They wanted to maintain having a soaking tub, add in a large shower, have an enclosed commode, expand to include double sinks, and add more storage for toiletries and linens. We worked with the customer to develop a creative design with extensive plumbing rework that accomplished all these needs and more. The first order of business was to gut out all the carpet, tub, cabinetry, and non-load bearing partition walls. The new tub would be generally in the same location, but as the previous walk-in closet would be repurposed for the commode and the walk-in shower additional water lines, plumbing, and draining needed to be added; fortunately the room below is the garage, which enabled the team to frame out some bulkheads to accomplish this complex plumbing. Following the framing, including walling up the second entrance to the bathroom, adding in a pocket door for the commode, and creating the shape of the new shower, the team also laid down the wiring for one of the luxuries of this room – heated flooring. A glossy percaline boarder, and two-inch hexagon shape percaline tiles cover the entire floor, making it much easier and cleaner than the previous carpet. Marble look tile is predominant throughout the bathroom as despite the angled frameless glass door, the entire shower is covered in 18 inch polished marble look tiles. The shower coats the user in water from either the overhead rain head, large main showerhead and/or the hand held sprayer. Over 7 feet of white Italian Statuetto marble countertop, enable the couple to have two sink bowls and plenty of room on each side. The bowls are exposed in this stainless steel console sink design which required the team to ensure that the exposed plumbing looked pristine, and painting the bottom of the porcelain bowl to match the coloring. The white cast-iron 72-inch Cecilia claw-foot soaking tub and its chrome lion’s paws complement that other chrome and white used throughout the room. A tall, almost floor-to-ceiling linen closet finished in arctic white is nestled in the corner near the tub, enabling ample storage of towels, etc. Other cabinetry includes an 18 inch-wide vanity with decorative footing is centered between the two sinks, and a 27 inch wall mounted cabinet with shelf is above the Kohler Devonshire elongated toilet. Billowing cloud colored grey blue paint was a great choice for this room to pick up on the veining in the marble. Mirrored medicine chests, a chandelier, wall sconces, and overhead recessed lighting also were incorporated into the design and function of the new room. The artful combination of classic design from material choices, such as free-standing Victorian claw-foot tub along with the modern design as seen in the angled shower, frameless medicine cabinet mirrors, and frosted glass pocket door on the commode, make this bathroom quite a masterpiece. The clients are enjoying having their private space and not having the use the kids’ bathroom anymore.

Starting Each Day Clean and Refreshed In This Classically-Modern, Marble Masterpiece In 1985, the previous owner of the house had added an addition of which part included a 17 feet by 13 feet space off the master bedroom for both a master bath and walk-in closet. Irrespective of the dated red carpet that blanketed the entire bathroom of this 1964 colonial in Annandale, VA, the combination bathroom/closet space had its other oddities, primarily in that there was no shower. The current homeowners -- a family of five, who has been in the home for 7 years, was tired of going down the hall to use the kids’ bathroom to take a shower before work. The renovation that they have created now is a bright and luxurious space that one could bask in all day. They used this bathroom renovation opportunity to total remake the layout and function of this essential room that sets the tone for the day ahead. Prior to the renovation, the existing bathroom oddly had two entrances, a typical one off of the master bedroom, but another straight off the upstairs hallway. As the toilet was out in the open in the previous design, ensuring that this second door was closed when company was in town was essential and a nuisance. As you entered the room, situated below the arc window, a large soaking tub that was covered on three sides with wooden steps dominated the room from the corner it projected. A relatively small 42” single bowl sink did not leave much space for his and hers toiletries, and there was no other linen closet or cabinetry for storage in the bathroom. The 8 foot by 5 foot closet with accordion doors had poorly laid out rungs not letting the storage space to be fully utilized. At over 220 square feet, the room did offer considerable space to work with, yet the existing layout, which even included a partition wall behind the vanity, felt cramped and dysfunctional. The homeowners wished to create a classic yet modern, private, deluxe bathroom that would better integrate into their master suite and enable them to start and end each day in a luxurious way. They wanted to maintain having a soaking tub, add in a large shower, have an enclosed commode, expand to include double sinks, and add more storage for toiletries and linens. We worked with the customer to develop a creative design with extensive plumbing rework that accomplished all these needs and more. The first order of business was to gut out all the carpet, tub, cabinetry, and non-load bearing partition walls. The new tub would be generally in the same location, but as the previous walk-in closet would be repurposed for the commode and the walk-in shower additional water lines, plumbing, and draining needed to be added; fortunately the room below is the garage, which enabled the team to frame out some bulkheads to accomplish this complex plumbing. Following the framing, including walling up the second entrance to the bathroom, adding in a pocket door for the commode, and creating the shape of the new shower, the team also laid down the wiring for one of the luxuries of this room – heated flooring. A glossy percaline boarder, and two-inch hexagon shape percaline tiles cover the entire floor, making it much easier and cleaner than the previous carpet. Marble look tile is predominant throughout the bathroom as despite the angled frameless glass door, the entire shower is covered in 18 inch polished marble look tiles. The shower coats the user in water from either the overhead rain head, large main showerhead and/or the hand held sprayer. Over 7 feet of white Italian Statuetto marble countertop, enable the couple to have two sink bowls and plenty of room on each side. The bowls are exposed in this stainless steel console sink design which required the team to ensure that the exposed plumbing looked pristine, and painting the bottom of the porcelain bowl to match the coloring. The white cast-iron 72-inch Cecilia claw-foot soaking tub and its chrome lion’s paws complement that other chrome and white used throughout the room. A tall, almost floor-to-ceiling linen closet finished in arctic white is nestled in the corner near the tub, enabling ample storage of towels, etc. Other cabinetry includes an 18 inch-wide vanity with decorative footing is centered between the two sinks, and a 27 inch wall mounted cabinet with shelf is above the Kohler Devonshire elongated toilet. Billowing cloud colored grey blue paint was a great choice for this room to pick up on the veining in the marble. Mirrored medicine chests, a chandelier, wall sconces, and overhead recessed lighting also were incorporated into the design and function of the new room. The artful combination of classic design from material choices, such as free-standing Victorian claw-foot tub along with the modern design as seen in the angled shower, frameless medicine cabinet mirrors, and frosted glass pocket door on the commode, make this bathroom quite a masterpiece. The clients are enjoying having their private space and not having the use the kids’ bathroom anymore.

Their Kitchen Remodel Siene & Kentay’s tired kitchen needed some attention. The large and heavy stone covered hood vent paired with the dark stained cabinets sucked the life and light out of the room. One thing that struggled was lighting. Even with the walls of windows the dark features just absorbed the light. We started by using a soft white shaker cabinet called Dove White as the main cabinet color in the kitchen. We removed the stone from the hood and the dark slate from the backsplash. We also removed the dated shape of the peninsula by squaring it off. By doing this, the new walking area improved and allows for transitioning between rooms. The oddly shaped island in the center struggled to give them the storage they needed. They were large cabinets, but items usually got stuck or lost. After determining that Siene wanted to prepare food here, we opted to do deep drawer cabinets to store a lot of her prep items at arm’s reach. The Island and bar cabinets are in a natural stain called Fawn. This color complimented the existing slate flooring. We also lined the hood in trim that matches the island. The island is also waterfalled on both sides with quartz from Arizona Tile called Ivory White Honed. Kitchen getting remodeled before & after photo Kitchen being remodeled before and after photo Just off the kitchen there was a bar, however it was hidden from all rooms. We decided that we would move the bar to a more prominent place in the home, and the existing would be turned into an appliance pantry. A place for the coffee maker, microwave, and other smaller appliance storage. We finished the kitchen with a simple backsplash in a lantern white mosaic with a natural tan grout. The door hardware, faucet from Delta and the new pendant lighting are all in the stainless family allowing for depth and consistency. The new bar features a Sub-Zero wine column with refrigerated storage below. The upper lit glass cabinets offer a chance to showcase stemware and spirits. This custom cabinet install allows the wood to shine and offers storage. Lastly, the additional lighting installed in all areas now is controllable. Siene and Kentay have full control and can direct the light and how much is used. When they want a night in, they can turn down the lights and relax. In their new updated family room in front of a newly integrated modern fireplace. Kitchen getting renovated before and after photo Laundry Room Remodeling Jokingly, Siene called her Laundry Room the Christmas Box. We traded the red and green wallpaper for paint called Drift of Mist from Sherwin Williams. The new white cabinetry offers a lot of storage they are , and a dedicated folding station was integrated for easy transitioning between loads of laundry.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Starting Each Day Clean and Refreshed In This Classically-Modern, Marble Masterpiece In 1985, the previous owner of the house had added an addition of which part included a 17 feet by 13 feet space off the master bedroom for both a master bath and walk-in closet. Irrespective of the dated red carpet that blanketed the entire bathroom of this 1964 colonial in Annandale, VA, the combination bathroom/closet space had its other oddities, primarily in that there was no shower. The current homeowners -- a family of five, who has been in the home for 7 years, was tired of going down the hall to use the kids’ bathroom to take a shower before work. The renovation that they have created now is a bright and luxurious space that one could bask in all day. They used this bathroom renovation opportunity to total remake the layout and function of this essential room that sets the tone for the day ahead. Prior to the renovation, the existing bathroom oddly had two entrances, a typical one off of the master bedroom, but another straight off the upstairs hallway. As the toilet was out in the open in the previous design, ensuring that this second door was closed when company was in town was essential and a nuisance. As you entered the room, situated below the arc window, a large soaking tub that was covered on three sides with wooden steps dominated the room from the corner it projected. A relatively small 42” single bowl sink did not leave much space for his and hers toiletries, and there was no other linen closet or cabinetry for storage in the bathroom. The 8 foot by 5 foot closet with accordion doors had poorly laid out rungs not letting the storage space to be fully utilized. At over 220 square feet, the room did offer considerable space to work with, yet the existing layout, which even included a partition wall behind the vanity, felt cramped and dysfunctional. The homeowners wished to create a classic yet modern, private, deluxe bathroom that would better integrate into their master suite and enable them to start and end each day in a luxurious way. They wanted to maintain having a soaking tub, add in a large shower, have an enclosed commode, expand to include double sinks, and add more storage for toiletries and linens. We worked with the customer to develop a creative design with extensive plumbing rework that accomplished all these needs and more. The first order of business was to gut out all the carpet, tub, cabinetry, and non-load bearing partition walls. The new tub would be generally in the same location, but as the previous walk-in closet would be repurposed for the commode and the walk-in shower additional water lines, plumbing, and draining needed to be added; fortunately the room below is the garage, which enabled the team to frame out some bulkheads to accomplish this complex plumbing. Following the framing, including walling up the second entrance to the bathroom, adding in a pocket door for the commode, and creating the shape of the new shower, the team also laid down the wiring for one of the luxuries of this room – heated flooring. A glossy percaline boarder, and two-inch hexagon shape percaline tiles cover the entire floor, making it much easier and cleaner than the previous carpet. Marble look tile is predominant throughout the bathroom as despite the angled frameless glass door, the entire shower is covered in 18 inch polished marble look tiles. The shower coats the user in water from either the overhead rain head, large main showerhead and/or the hand held sprayer. Over 7 feet of white Italian Statuetto marble countertop, enable the couple to have two sink bowls and plenty of room on each side. The bowls are exposed in this stainless steel console sink design which required the team to ensure that the exposed plumbing looked pristine, and painting the bottom of the porcelain bowl to match the coloring. The white cast-iron 72-inch Cecilia claw-foot soaking tub and its chrome lion’s paws complement that other chrome and white used throughout the room. A tall, almost floor-to-ceiling linen closet finished in arctic white is nestled in the corner near the tub, enabling ample storage of towels, etc. Other cabinetry includes an 18 inch-wide vanity with decorative footing is centered between the two sinks, and a 27 inch wall mounted cabinet with shelf is above the Kohler Devonshire elongated toilet. Billowing cloud colored grey blue paint was a great choice for this room to pick up on the veining in the marble. Mirrored medicine chests, a chandelier, wall sconces, and overhead recessed lighting also were incorporated into the design and function of the new room. The artful combination of classic design from material choices, such as free-standing Victorian claw-foot tub along with the modern design as seen in the angled shower, frameless medicine cabinet mirrors, and frosted glass pocket door on the commode, make this bathroom quite a masterpiece. The clients are enjoying having their private space and not having the use the kids’ bathroom anymore.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Their Kitchen Remodel Siene & Kentay’s tired kitchen needed some attention. The large and heavy stone covered hood vent paired with the dark stained cabinets sucked the life and light out of the room. One thing that struggled was lighting. Even with the walls of windows the dark features just absorbed the light. We started by using a soft white shaker cabinet called Dove White as the main cabinet color in the kitchen. We removed the stone from the hood and the dark slate from the backsplash. We also removed the dated shape of the peninsula by squaring it off. By doing this, the new walking area improved and allows for transitioning between rooms. The oddly shaped island in the center struggled to give them the storage they needed. They were large cabinets, but items usually got stuck or lost. After determining that Siene wanted to prepare food here, we opted to do deep drawer cabinets to store a lot of her prep items at arm’s reach. The Island and bar cabinets are in a natural stain called Fawn. This color complimented the existing slate flooring. We also lined the hood in trim that matches the island. The island is also waterfalled on both sides with quartz from Arizona Tile called Ivory White Honed. Kitchen getting remodeled before & after photo Kitchen being remodeled before and after photo Just off the kitchen there was a bar, however it was hidden from all rooms. We decided that we would move the bar to a more prominent place in the home, and the existing would be turned into an appliance pantry. A place for the coffee maker, microwave, and other smaller appliance storage. We finished the kitchen with a simple backsplash in a lantern white mosaic with a natural tan grout. The door hardware, faucet from Delta and the new pendant lighting are all in the stainless family allowing for depth and consistency. The new bar features a Sub-Zero wine column with refrigerated storage below. The upper lit glass cabinets offer a chance to showcase stemware and spirits. This custom cabinet install allows the wood to shine and offers storage. Lastly, the additional lighting installed in all areas now is controllable. Siene and Kentay have full control and can direct the light and how much is used. When they want a night in, they can turn down the lights and relax. In their new updated family room in front of a newly integrated modern fireplace. Kitchen getting renovated before and after photo Laundry Room Remodeling Jokingly, Siene called her Laundry Room the Christmas Box. We traded the red and green wallpaper for paint called Drift of Mist from Sherwin Williams. The new white cabinetry offers a lot of storage they are , and a dedicated folding station was integrated for easy transitioning between loads of laundry.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons. The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space. Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client. Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.