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The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

Essential, contemporary, and inviting defines this extremely energy efficient, Energy Star certified, Passive House design-inspired home in the Pacific Northwest. Designed for an active family of four, the one-story 3 bedroom, 2 bath floor plan offers tasteful aging in place features, a strong sense of privacy for both kids and parents, and a low profile that doesn’t impinge on the natural landscape. This house will heat itself in the dead of winter with less energy than it takes to run a hair dryer, and be sensual to live in while it does it. The forms throughout the home are simple and neutral, allowing for ample natural light, rich warm materials, and of course, room for the Guinea pigs makes this a great example of artful architecture applied to a genuine family lifestyle.
This ultra energy efficient home relies on extremely high levels of insulation, air-tight detailing and construction, and the implementation of high performance, custom made European windows and doors by Zola Windows. Zola’s ThermoPlus Clad line, which boasts R-11 triple glazing and is thermally broken with a layer of patented German Purenit®, was selected for the project. Natural daylight enters both from the tilt & turn and fixed windows in the living and dining areas, and through the terrace door that leads seamlessly outside to the natural landscape.
Designed and constructed by The Artisans Group out of Olympia, Washington - a small but mighty firm co-owned by Randy Foster and Tessa Smith. Fun, funky and innovative, The Artisans Group has designed and built more Passive Houses than any other firm on the West Coast. Known for their striking, award winning, and sensible work, they provide solutions for projects of any size and budget.

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith
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Essential, contemporary, and inviting defines this extremely energy efficient, Energy Star certified, Passive House design-inspired home in the Pacific Northwest. Designed for an active family of four, the one-story 3 bedroom, 2 bath floor plan offers tasteful aging in place features, a strong sense of privacy for both kids and parents, and a low profile that doesn’t impinge on the natural landscape. This house will heat itself in the dead of winter with less energy than it takes to run a hair dryer, and be sensual to live in while it does it. The forms throughout the home are simple and neutral, allowing for ample natural light, rich warm materials, and of course, room for the Guinea pigs makes this a great example of artful architecture applied to a genuine family lifestyle.
This ultra energy efficient home relies on extremely high levels of insulation, air-tight detailing and construction, and the implementation of high performance, custom made European windows and doors by Zola Windows. Zola’s ThermoPlus Clad line, which boasts R-11 triple glazing and is thermally broken with a layer of patented German Purenit®, was selected for the project. Natural daylight enters both from the tilt & turn and fixed windows in the living and dining areas, and through the terrace door that leads seamlessly outside to the natural landscape.
Designed and constructed by The Artisans Group out of Olympia, Washington - a small but mighty firm co-owned by Randy Foster and Tessa Smith. Fun, funky and innovative, The Artisans Group has designed and built more Passive Houses than any other firm on the West Coast. Known for their striking, award winning, and sensible work, they provide solutions for projects of any size and budget.
Photography: Art Gray of Art Gray Photography

Essential, contemporary, and inviting defines this extremely energy efficient, Energy Star certified, Passive House design-inspired home in the Pacific Northwest. Designed for an active family of four, the one-story 3 bedroom, 2 bath floor plan offers tasteful aging in place features, a strong sense of privacy for both kids and parents, and a low profile that doesn’t impinge on the natural landscape. This house will heat itself in the dead of winter with less energy than it takes to run a hair dryer, and be sensual to live in while it does it. The forms throughout the home are simple and neutral, allowing for ample natural light, rich warm materials, and of course, room for the Guinea pigs makes this a great example of artful architecture applied to a genuine family lifestyle.
This ultra energy efficient home relies on extremely high levels of insulation, air-tight detailing and construction, and the implementation of high performance, custom made European windows and doors by Zola Windows. Zola’s ThermoPlus Clad line, which boasts R-11 triple glazing and is thermally broken with a layer of patented German Purenit®, was selected for the project. Natural daylight enters both from the tilt & turn and fixed windows in the living and dining areas, and through the terrace door that leads seamlessly outside to the natural landscape.
Designed and constructed by The Artisans Group out of Olympia, Washington - a small but mighty firm co-owned by Randy Foster and Tessa Smith. Fun, funky and innovative, The Artisans Group has designed and built more Passive Houses than any other firm on the West Coast. Known for their striking, award winning, and sensible work, they provide solutions for projects of any size and budget.
Photography: Art Gray of Art Gray Photography

Essential, contemporary, and inviting defines this extremely energy efficient, Energy Star certified, Passive House design-inspired home in the Pacific Northwest. Designed for an active family of four, the one-story 3 bedroom, 2 bath floor plan offers tasteful aging in place features, a strong sense of privacy for both kids and parents, and a low profile that doesn’t impinge on the natural landscape. This house will heat itself in the dead of winter with less energy than it takes to run a hair dryer, and be sensual to live in while it does it. The forms throughout the home are simple and neutral, allowing for ample natural light, rich warm materials, and of course, room for the Guinea pigs makes this a great example of artful architecture applied to a genuine family lifestyle.
This ultra energy efficient home relies on extremely high levels of insulation, air-tight detailing and construction, and the implementation of high performance, custom made European windows and doors by Zola Windows. Zola’s ThermoPlus Clad line, which boasts R-11 triple glazing and is thermally broken with a layer of patented German Purenit®, was selected for the project. Natural daylight enters both from the tilt & turn and fixed windows in the living and dining areas, and through the terrace door that leads seamlessly outside to the natural landscape.
Designed and constructed by The Artisans Group out of Olympia, Washington - a small but mighty firm co-owned by Randy Foster and Tessa Smith. Fun, funky and innovative, The Artisans Group has designed and built more Passive Houses than any other firm on the West Coast. Known for their striking, award winning, and sensible work, they provide solutions for projects of any size and budget.
Photography: Art Gray of Art Gray Photography

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

Sponsored
Columbus, OH
Snider & Metcalf Interior Design, LTD
Leading Interior Designers in Columbus, Ohio & Ponte Vedra, Florida

In this recent kitchen design and renovation project, these long time clients came to me originally, several years ago to start discussing the design of their kitchen. At that time, the kitchen in this 1800’s home included a kitchen that had been poorly remodeled in the 1980’s, so the kitchen had already lost most of it’s original charm. I created a design plan creating a beautiful large kitchen expanding the space into the adjacent rooms. My clients loved this design plan, but other home issues took precedence, so after a few additional years, my clients were now ready to start their kitchen project.
Their overall goals for the property did change since we first looked at this project, my clients decided that they did not want to enlarge or expand the small kitchen by opening it up to the adjacent rooms. So, I went back to the drawing board to create a kitchen in the existing kitchen space that fulfilled their new goals and created a beautiful functional space within the existing kitchen space. This new design, like my former design, honored this home’s traditional architecture, but added a light, fresh feel to the space using updated colors and material selections. This design consisted of additional storage and cabinetry, additional countertop space, and a small space to sit. We added new cabinetry, appliances, electrical, plumbing, beautiful quartz countertops, glass backsplash tile, traditional lighting fixtures, and finished everything off using beautiful classic hardware elements.
My clients are now in love with this new renovated kitchen space. It contains many of the elements of a much larger kitchen, and melds beautifully with the rest of the house which we have also designed renovated over the last few years. Finally my client’s get to enjoy their new kitchen space as much as they enjoy the rest of this beautiful home!

Essential, contemporary, and inviting defines this extremely energy efficient, Energy Star certified, Passive House design-inspired home in the Pacific Northwest. Designed for an active family of four, the one-story 3 bedroom, 2 bath floor plan offers tasteful aging in place features, a strong sense of privacy for both kids and parents, and a low profile that doesn’t impinge on the natural landscape. This house will heat itself in the dead of winter with less energy than it takes to run a hair dryer, and be sensual to live in while it does it. The forms throughout the home are simple and neutral, allowing for ample natural light, rich warm materials, and of course, room for the Guinea pigs makes this a great example of artful architecture applied to a genuine family lifestyle.
This ultra energy efficient home relies on extremely high levels of insulation, air-tight detailing and construction, and the implementation of high performance, custom made European windows and doors by Zola Windows. Zola’s ThermoPlus Clad line, which boasts R-11 triple glazing and is thermally broken with a layer of patented German Purenit®, was selected for the project. Natural daylight enters both from the tilt & turn and fixed windows in the living and dining areas, and through the terrace door that leads seamlessly outside to the natural landscape.
Designed and constructed by The Artisans Group out of Olympia, Washington - a small but mighty firm co-owned by Randy Foster and Tessa Smith. Fun, funky and innovative, The Artisans Group has designed and built more Passive Houses than any other firm on the West Coast. Known for their striking, award winning, and sensible work, they provide solutions for projects of any size and budget.
Photography: Art Gray of Art Gray Photography

Essential, contemporary, and inviting defines this extremely energy efficient, Energy Star certified, Passive House design-inspired home in the Pacific Northwest. Designed for an active family of four, the one-story 3 bedroom, 2 bath floor plan offers tasteful aging in place features, a strong sense of privacy for both kids and parents, and a low profile that doesn’t impinge on the natural landscape. This house will heat itself in the dead of winter with less energy than it takes to run a hair dryer, and be sensual to live in while it does it. The forms throughout the home are simple and neutral, allowing for ample natural light, rich warm materials, and of course, room for the Guinea pigs makes this a great example of artful architecture applied to a genuine family lifestyle.
This ultra energy efficient home relies on extremely high levels of insulation, air-tight detailing and construction, and the implementation of high performance, custom made European windows and doors by Zola Windows. Zola’s ThermoPlus Clad line, which boasts R-11 triple glazing and is thermally broken with a layer of patented German Purenit®, was selected for the project. Natural daylight enters both from the tilt & turn and fixed windows in the living and dining areas, and through the terrace door that leads seamlessly outside to the natural landscape.
Designed and constructed by The Artisans Group out of Olympia, Washington - a small but mighty firm co-owned by Randy Foster and Tessa Smith. Fun, funky and innovative, The Artisans Group has designed and built more Passive Houses than any other firm on the West Coast. Known for their striking, award winning, and sensible work, they provide solutions for projects of any size and budget.
Photography: Art Gray of Art Gray Photography

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith

This image is a detail of the exposed aggregate concrete driveway. The aggregate used is a granite that matches the granite stone wall at the front of the home.

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot.
The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded.
Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness.
A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed.
Photo by Charles Davis Smith
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