Example of a transitional home office design in Chicago

Tessa Neustadt http://tessaneustadt.com
Inspiration for a scandinavian entryway remodel in Los Angeles

The centerpiece of the room is the colorful gallery wall of mid century original paintings. The room is modern and rustic at the same time.
Inspiration for an eclectic light wood floor living room remodel in New York with white walls

Modern meets playful color and quirky style in this charming 1940's home. My clients, a fun and energetic couple with an adorable young son were looking for something that reflected their modern yet eclectic taste. Incredibly playful and fun throughout, this was one of my favorite projects to date. Photography by Amy Bartlam

This home features full Control4 automation, networking, entertainment, lighting, comfort control and surveillance. The homeowners enjoy a dedicated home theater room, complete with Revel speakers and full acoustic treatments that provide an unforgettable theater experience. The outdoor living areas include outdoor audio, controlled landscape lighting and surveillance cameras that are monitored through the Control4 platform. Gorgeous custom cabinetry throughout the home makes for a stylish, yet high-tech smart home.

A Kentucky Derby-inspired sitting room, Holiday House NYC, 2014. Interior design: Patrick James Hamilton Designs; Photo: Jody Kivort.
Inspiration for a transitional open concept light wood floor living room remodel in New York with gray walls

Jesse Snyder
Family room - mid-sized transitional enclosed medium tone wood floor and brown floor family room idea in DC Metro with gray walls, no fireplace and no tv

Example of a classic foyer design in New York

Heidi Pribell Interiors puts a fresh twist on classic design serving the major Boston metro area. By blending grandeur with bohemian flair, Heidi creates inviting interiors with an elegant and sophisticated appeal. Confident in mixing eras, style and color, she brings her expertise and love of antiques, art and objects to every project.

If you’re on the prowl for some seriously salacious wallpaper that celebrates eroticism, masculinity and sexual liberation, then Tom of Finland is for you! A collaboration two years in the works, this carnal creation comprises two designs—TAME and XXX—both conceived by Michael Reynolds, Hoffman Creative and the Tom of Finland Foundation. A bold and ballsy tribute to the dynamic graphite and pencil drawings of Touko Laaksonen (aka Tom of Finland), the famed renegade Finnish artist known for his stylized homoerotic art and its profound effect on late twentieth century gay culture and fetish lifestyle. From cops, cowboys and bikers, to sailors, lumberjacks and leather men — there’s a little something (and then some) for everyone. That-a-boy! Michael Reynolds is a New York-based creative director, curator, editorial stylist, book editor and design consultant. He is the US Editor of Wallpaper* Magazine and Editor at Large for Architectural Digest USA. His first book, TOM HOUSE – Tom of Finland in Los Angeles, is available through Rizzoli Publications. Eric Hoffman founded Hoffman Creative a decade ago in New York, a firm creating brand identities for a range of clients with an ethos rooted in psychology and emotional intelligence. Tom of Finland Foundation maintains the archive and former Los Angeles home of the 20th-century artist, known for his graphic, highly stylized illustrations. Dedicated to protecting and preserving erotic art and erotic arts education, the foundation continues to advocate the artist’s significant influence on gay and LGBT culture.

Image provided by 'Ancient Surfaces' Product name: Specialty Lighting Complimenting our Antique Limestone. Contacts: (212) 461-0245 Email: Sales@ancientsurfaces.com Website: www.AncientSurfaces.com Lighting or illumination is the deliberate use of light to achieve a practical or aesthetic effect. Lighting includes the use of both artificial light sources like lamps and light fixtures, as well as natural illumination by capturing daylight. Day-lighting (using windows, skylights, or light shelves) is sometimes used as the main source of light during daytime in buildings. Proper lighting can enhance task performance, improve the appearance of an area, or have positive psychological effects on occupants. Indoor lighting is usually accomplished using light fixtures, and is a key part of interior design. Lighting can also be an intrinsic component of landscape projects.

Staging a home for sale or for a major transition is a strange in-between state. You are still living in the space, but you are also preparing it to impress strangers, support showings, and remain functional until the final move-out day. That tension between “home” and “product” is where storage quietly becomes one of your smartest tools. Used well, storage lets you reduce clutter, protect important items, and create the kind of rooms that photograph beautifully and feel calm when buyers walk through the door. A staged move is rarely just about shifting boxes from one address to another. It is about managing timing, presentation, and stress at the same time. When storage is built into the plan from day one, the entire process feels less rushed and more strategic. Rooms open up gradually, essentials stay accessible, and you never feel like you are drowning in half-packed chaos. Understanding how to use storage as a staging partner, not just a place to dump excess stuff, is what turns a messy transition into a controlled, professional-looking move. Why Storage Is the Backbone of Every Staged Move Visual space is emotional space. When every surface is covered, and every corner is full, buyers feel crowded before they have even evaluated the layout. Storage gives you a way to pull back without making drastic decisions about what to keep or donate. Seasonal décor, bulky furniture, duplicate items, archives, and personal collections can be moved out early, so the home reads cleaner and more open while still feeling lived-in. That balance between warmth and simplicity is exactly what good staging tries to achieve. In more complex situations, such as live-work properties or home offices, storage becomes even more important. You may need to keep a business running while also presenting a polished environment to viewers. Partnering with local movers in Boston makes it easier to shift equipment, files, and nonessential pieces into storage in phases, so work can continue while the visible areas of the property stay controlled and presentable. How Staging and Storage Work Together to Control Visual Impact Staging works best when every object in a room has a clear purpose. A sofa frames a conversation. A table suggests gathering. A lamp softens the mood. Everything else that is not essential to that story competes for attention. Storage supports staging by giving you a clean staging bench off-site, where nonessential items can wait without being constantly shuffled between rooms or piled into overstuffed closets. The art lies in deciding what stays and what goes. Family photos, extensive collections, excess seating, and rarely used appliances often move into storage first. What remains should be enough to show scale, comfort, and function without revealing the full weight of daily life. Commercial properties go through a similar filtering process. Extra desks, surplus equipment, outdated signage, and inactive files often move out early so the active workspace feels lean, efficient, and future-ready before a relocation supported by commercial movers takes place. Strategic Timing of Storage before the Actual Move The worst time to think about storage is when boxes are already stacked in the hallway. In a staged move, storage decisions ideally begin as soon as you know the property will be listed or the space will be transitioned. That might be a month or more before the main moving date. Starting early gives you time to sort, label, and prioritize instead of throwing things together in a panic. An early storage phase also helps you test how the home feels with less in it. You may discover that removing a few large pieces transforms a cramped room into an open, inviting space. For commercial spaces, early storage lets operations continue with fewer interruptions. Departments can send nonessential items out in waves. When the main relocation comes, much of the excess is already safely stored, and what remains is easier for a commercial movers Boston team to handle with speed and care. The Emotional Psychology behind Letting Storage Hold Your Belongings Letting belongings leave the house ahead of you can feel unsettling. There is always a quiet fear that once something is out of sight, it will be forgotten, damaged, or harder to reclaim. That is why some people resist using storage even when they know it would make the staging process easier. Acknowledging that emotion instead of dismissing it helps you plan more honestly and avoids last-minute regret. The reality is that good storage is not a black hole; it is a temporary pause. When items are packed thoughtfully, labeled clearly, and placed in an environment you trust, they become easier to manage than when they are tucked into random cupboards or stacked in spare rooms. For many people, living with fewer visible possessions during staging actually reduces tension. The home feels lighter and easier to maintain. Businesses notice the same effect when storage removes outdated equipment and clutter from the floor. The workspace looks more focused, and staff can concentrate on current tasks instead of navigating around accumulated history. Protecting Assets While They Live in Storage Sending belongings into storage is only a good idea if they come back in the same or better condition. That is where quality control matters. Furniture, textiles, electronics, files, and artwork each have different vulnerabilities. Moisture, temperature swings, dust, and rough handling can all damage them in ways that only become obvious later. Choosing the right type of storage and packing accordingly is central to the genius of using storage as part of a staged move rather than as a desperate overflow container. Climate-controlled units, padded wrapping, elevated pallets, careful stacking, and clearly marked boxes all reduce risk. The goal is to handle items fewer times, not more. When storage is integrated into the move plan, belongings can travel directly from the home to storage and later from storage to the new address with minimal extra movement. Many owners coordinate those transfers through a well trusted movers in Boston, so the same team that moves items out early also manages their final delivery, preserving continuity and accountability. How Storage Reduces Risk during Multi-Phase Moves Few staged moves happen in a single clean step. There are often gaps between listing and selling, between selling and closing, between closing and final move-out. If renovations, inspections, or office reconfigurations are involved, the timeline becomes even more layered. Storage absorbs those gaps, so you are not forced to live among towers of boxes or stack equipment in hallways waiting for the next phase. By treating storage as a flexible middle ground, you can move things out gradually while still having access when needed. For example, archived files can go first, followed by seasonal décor, then surplus furniture. As each stage ends, fewer items remain to be shifted on the final date. This phased approach reduces the risk of rushed, late-night packing sessions, careless stacking, and damaged items. It also makes it easier for commercial moving crews to work efficiently because they are handling a manageable volume of goods at each phase rather than everything at once. Using Storage to Maintain Clean Show-Ready Conditions One of the hardest parts of staging is keeping the property consistently show-ready. Every viewing becomes its own small event. Floors need to be cleared, surfaces wiped, and personal items tucked away. When too many belongings remain in the home, each showing takes a heavy amount of effort. Storage cuts that workload dramatically by taking nonessentials completely off the stage. With fewer items to move and hide, maintaining a neutral, inviting look becomes much more realistic. You are not scrambling to stuff things into closets or push items under the bed. Instead, the home sits closer to show condition all the time, and the final touches before a viewing are minimal. In commercial environments, using storage helps maintain a professional appearance for clients and staff, even while the space is being prepared for a larger transition. Active tools and furniture stay in play, while inactive pieces quietly support the future from storage. Storage as a Strategic Tool in Business Relocation Planning For businesses, storage is more than a convenience; it is part of risk management. Office relocations and staged commercial moves have to juggle lease deadlines, equipment deliveries, IT cutovers, and staffing realities. Trying to shift everything in one move often results in downtime, lost files, and strained teams. Storage turns the move into a series of controlled steps instead of a single disruptive jump. Unused furniture, archived documents, and non-critical inventory can be moved into storage weeks ahead of the main relocation. As the new space becomes ready, items can move out of storage and directly into position. This reduces double-handling and keeps the old and new locations from filling with half-unpacked material. A business that coordinates these flows with professional commercial movers in Boston usually experiences smoother transitions, because storage is treated as a working part of the operational plan rather than a leftover problem. The Hidden Cost Benefits of Proper Storage Planning On paper, storage looks like an extra expense. In reality, poorly managed moves cost far more. When everything is rushed into boxes at the last minute, items are damaged, misplaced, or transported multiple times. Extra labor hours, emergency packing supplies, replacement furniture, and extended timelines quickly outweigh the cost of well-used storage. Staging without storage also tends to keep homes and offices crowded longer, which can hurt impressions and, in the case of a sale, influence offers. When storage is integrated from the beginning, you minimize waste. You handle items fewer times, you know where things are, and you avoid paying people to shift the same objects repeatedly. Staged homes that look better often sell faster or draw stronger interest, which helps recover investment on the back end. Businesses benefit from less downtime, safer handling of equipment, and predictable work schedules. Those gains are why many clients prefer partnering with a commercial moving company in Boston that understands storage as a cost-control tool, not just a place to park overflow. Conclusion The true genius of using storage during a staged home move is that it quietly rewrites the rules of transition. Instead of treating space as something that must absorb every box and belonging until the last possible moment, you treat storage as a flexible extension of the home or office. This shift in thinking opens rooms, clears sightlines, and makes every phase of the move more intentional. Staging becomes easier, maintenance becomes lighter, and the stress of living in a half-moved environment drops noticeably. When storage is chosen carefully, used early, and coordinated with the overall moving plan, it protects both physical assets and emotional energy. Buyers and visitors see a calm, collected space. You experience a less chaotic path from “here” to “there.” Whether you are selling a home, repositioning a business, or managing a complex phased relocation, storage can turn a disruptive event into a managed, almost elegant process. For people who want that level of control and care during a staged move, Stairhopper movers have built a strong reputation by treating storage, timing, and transport as parts of one connected strategy. Their team is known for listening closely, planning around real-life constraints, and moving both residential and commercial clients through transitions with calm, steady execution. They approach every project as a partnership, aligning storage use, staging needs, and final delivery so that what matters most arrives safely, on schedule, and with as little disruption as possible. Frequently Asked Questions Q1. When should I arrange storage for a staged home move? Ideally, four to six weeks before listing or transition, so clearing, packing, and staging can happen gradually without rushed decisions or last-minute stress. Q2. Is climate-controlled storage necessary for staged moves? It is highly recommended for wood furniture, electronics, artwork, and documents, since temperature and humidity swings can quietly damage materials over time. Q3. How does storage help keep a home show-ready? By moving nonessential items off-site, daily tidying becomes simpler, and each room can stay closer to a staged condition between viewings or inspections. Q4. Can storage reduce the length of the final moving day? Yes. When many items are moved into storage in advance, the final moving day focuses on essentials, which shortens timelines and reduces physical and mental strain. Q5. Is storage useful for short-term business relocations? Even in short relocations, storage helps prevent overcrowded offices and allows departments to move in phases without interrupting everyday operations. Q6. How do I decide what should go into storage first? Start with rarely used items, seasonal décor, surplus furniture, and archived materials, then work toward pieces that are visually distracting or make rooms feel cramped. Q7. Will using storage make it harder to find things later? Not if packing and labeling are done carefully. Clear categories, room-based labels, and simple inventories make stored items easier to locate than when scattered at home. Q8. Does storage still make sense if my move happens in one day? Yes, because staging and preparation begin well before that day. Storage keeps the home functional and attractive during the weeks leading up to the final move.

If you’re on the prowl for some seriously salacious wallpaper that celebrates eroticism, masculinity and sexual liberation, then Tom of Finland is for you! A collaboration two years in the works, this carnal creation comprises two designs—TAME and XXX—both conceived by Michael Reynolds, Hoffman Creative and the Tom of Finland Foundation. A bold and ballsy tribute to the dynamic graphite and pencil drawings of Touko Laaksonen (aka Tom of Finland), the famed renegade Finnish artist known for his stylized homoerotic art and its profound effect on late twentieth century gay culture and fetish lifestyle. From cops, cowboys and bikers, to sailors, lumberjacks and leather men — there’s a little something (and then some) for everyone. That-a-boy! Michael Reynolds is a New York-based creative director, curator, editorial stylist, book editor and design consultant. He is the US Editor of Wallpaper* Magazine and Editor at Large for Architectural Digest USA. His first book, TOM HOUSE – Tom of Finland in Los Angeles, is available through Rizzoli Publications. Eric Hoffman founded Hoffman Creative a decade ago in New York, a firm creating brand identities for a range of clients with an ethos rooted in psychology and emotional intelligence. Tom of Finland Foundation maintains the archive and former Los Angeles home of the 20th-century artist, known for his graphic, highly stylized illustrations. Dedicated to protecting and preserving erotic art and erotic arts education, the foundation continues to advocate the artist’s significant influence on gay and LGBT culture.

If you’re on the prowl for some seriously salacious wallpaper that celebrates eroticism, masculinity and sexual liberation, then Tom of Finland is for you! A collaboration two years in the works, this carnal creation comprises two designs—TAME and XXX—both conceived by Michael Reynolds, Hoffman Creative and the Tom of Finland Foundation. A bold and ballsy tribute to the dynamic graphite and pencil drawings of Touko Laaksonen (aka Tom of Finland), the famed renegade Finnish artist known for his stylized homoerotic art and its profound effect on late twentieth century gay culture and fetish lifestyle. From cops, cowboys and bikers, to sailors, lumberjacks and leather men — there’s a little something (and then some) for everyone. That-a-boy! Michael Reynolds is a New York-based creative director, curator, editorial stylist, book editor and design consultant. He is the US Editor of Wallpaper* Magazine and Editor at Large for Architectural Digest USA. His first book, TOM HOUSE – Tom of Finland in Los Angeles, is available through Rizzoli Publications. Eric Hoffman founded Hoffman Creative a decade ago in New York, a firm creating brand identities for a range of clients with an ethos rooted in psychology and emotional intelligence. Tom of Finland Foundation maintains the archive and former Los Angeles home of the 20th-century artist, known for his graphic, highly stylized illustrations. Dedicated to protecting and preserving erotic art and erotic arts education, the foundation continues to advocate the artist’s significant influence on gay and LGBT culture.

If you’re on the prowl for some seriously salacious wallpaper that celebrates eroticism, masculinity and sexual liberation, then Tom of Finland is for you! A collaboration two years in the works, this carnal creation comprises two designs—TAME and XXX—both conceived by Michael Reynolds, Hoffman Creative and the Tom of Finland Foundation. A bold and ballsy tribute to the dynamic graphite and pencil drawings of Touko Laaksonen (aka Tom of Finland), the famed renegade Finnish artist known for his stylized homoerotic art and its profound effect on late twentieth century gay culture and fetish lifestyle. From cops, cowboys and bikers, to sailors, lumberjacks and leather men — there’s a little something (and then some) for everyone. That-a-boy! Michael Reynolds is a New York-based creative director, curator, editorial stylist, book editor and design consultant. He is the US Editor of Wallpaper* Magazine and Editor at Large for Architectural Digest USA. His first book, TOM HOUSE – Tom of Finland in Los Angeles, is available through Rizzoli Publications. Eric Hoffman founded Hoffman Creative a decade ago in New York, a firm creating brand identities for a range of clients with an ethos rooted in psychology and emotional intelligence. Tom of Finland Foundation maintains the archive and former Los Angeles home of the 20th-century artist, known for his graphic, highly stylized illustrations. Dedicated to protecting and preserving erotic art and erotic arts education, the foundation continues to advocate the artist’s significant influence on gay and LGBT culture.

TER won an honorary mention as a part of the YAC’s Calamity Atelier Competition, in addition to the prestigious A' Design Award for Interior Space & Exhibition Design 2019-2020. The Calamity Atelier competition was based in the art forest of Arte Sella in northern Italy that was in recent years destroyed by a storm. The focus was to bring back life to the forest through the design of a number of spaces. Design concept description: Stability is a universal value one seeks to reach in their lifetime. Given the recent events that shook the core of Art Sella, the basis of its recovery should be in the form of a stable foundation. The design concept of TER, Malga Costa’s new restaurant expansion, derives from 3 main ideas: 1. What does a “stable” space feel like? Psychologically and physically. 2. The connection between the forest land and the food that is served at the restaurant. 3. How to integrate this space harmoniously into the forest in a way in which it will live cohesively with the neighboring artwork, nature, and people. The idea of stability is translated through mass, shape, and materials. Different from most of the forest’s artwork, TER looks like a massive boulder rearing in the forest. The stone exterior makes up the majority of the interior as well, acting as its base material. With the materials, there is a clear balance of old and new. The old acts as the foundation and pays homage to the area’s roots whereas the new alludes to a burgeoning future. Together, they play a game of layering and develop throughout the space. The connection between the land and the food comes through the method of cooking in the restaurant- which is campfire cooking. In the center of the plan, there is an open outdoor space that is used to cook foods on an open fire. The plan is designed in a circular motion around the open space in order to fully commit to this concept. Everyone in the four areas of the restaurant can view and enjoy the chefs at work, creating a seemingly interactive dining experience. The restaurant blends into its surroundings by acting as another rock in the landscape. It is differentiated by the smoke arising from its center, which creates a sense of allure and intrigue. It’s a sight that draws people in toward the center – reestablishing the core essence of Art Sella.

Carole Margand
Inspiration for a mid-sized contemporary concrete floor and gray floor kitchen/dining room combo remodel in Brisbane with gray walls and no fireplace

©Artbyjolla Please visit my website for a selection of available products and throw pillows. The original painting is available for sale. Please contact me.