Search results for "Basic principals" in Home Design Ideas
Field Architecture
The Yountville Residence was designed to accommodate three family generations coming together over food, wine, outdoor living and the land. Located amongst continuous vineyards on the broad flood plain of the Napa River, creating a strong sense of place was foremost. Rich in a culture of wine making and production from the land, the site demanded a design solution that honored its history and elevated the experience of the land.
The house pays homage to its context by creating a reimagined agrarian compound. Conceived as a family of smaller buildings, the architecture comes together around a shaded patio and pool. The kitchen, dining, and living spaces all flow onto the shaded outdoor patio and gardens. Low-sloped gable roofs evoke the agricultural history of the region and echo the gentle slope of the foothills beyond.
The home remains understated – quietly drawing one’s attention back to the magnificent natural features of the landscape. Gently pulled back into the heart of the serene vineyards, it is carefully oriented with Stag’s Leap at the foot of the Vaca Mountains to the East and the Mayacamas Range to the West. Scenic views continue uninterrupted through the home. Large window walls slide open and pocket on either side of the house, connecting the family to the outdoors and building a personal experience of place on the Valley floor.
“If we can enrich people’s lives, and just maybe inspire them to do something beyond what they might otherwise have done, that brings us great satisfaction.” – Stan Field, fA Principal
The connection of the architecture to the land goes beyond its visual connectivity. The design sensitively responds to land and place by recognizing key passive cooling and natural daylighting strategies present on the site. Broad overhanging roofs and the large slide away doors capture prevailing breezes up the valley. The patio, which is pulled close into a recessed cut-out in the main living space of the house, allows summer breezes across the pool to cool the house. Expansive windows and a narrow cross-section allow natural daylight to penetrate deep into the spaces and illuminate the rich and earthy palette of natural materials.
The architecture created is a vehicle through which the powerful forms of the landscape craft a powerful experience of place. It is a respite from urban life, designed to bring one back to the basics: a love of family, land, food, and of course, wine.
Field Architecture
The Yountville Residence was designed to accommodate three family generations coming together over food, wine, outdoor living and the land. Located amongst continuous vineyards on the broad flood plain of the Napa River, creating a strong sense of place was foremost. Rich in a culture of wine making and production from the land, the site demanded a design solution that honored its history and elevated the experience of the land.
The house pays homage to its context by creating a reimagined agrarian compound. Conceived as a family of smaller buildings, the architecture comes together around a shaded patio and pool. The kitchen, dining, and living spaces all flow onto the shaded outdoor patio and gardens. Low-sloped gable roofs evoke the agricultural history of the region and echo the gentle slope of the foothills beyond.
The home remains understated – quietly drawing one’s attention back to the magnificent natural features of the landscape. Gently pulled back into the heart of the serene vineyards, it is carefully oriented with Stag’s Leap at the foot of the Vaca Mountains to the East and the Mayacamas Range to the West. Scenic views continue uninterrupted through the home. Large window walls slide open and pocket on either side of the house, connecting the family to the outdoors and building a personal experience of place on the Valley floor.
“If we can enrich people’s lives, and just maybe inspire them to do something beyond what they might otherwise have done, that brings us great satisfaction.” – Stan Field, fA Principal
The connection of the architecture to the land goes beyond its visual connectivity. The design sensitively responds to land and place by recognizing key passive cooling and natural daylighting strategies present on the site. Broad overhanging roofs and the large slide away doors capture prevailing breezes up the valley. The patio, which is pulled close into a recessed cut-out in the main living space of the house, allows summer breezes across the pool to cool the house. Expansive windows and a narrow cross-section allow natural daylight to penetrate deep into the spaces and illuminate the rich and earthy palette of natural materials.
The architecture created is a vehicle through which the powerful forms of the landscape craft a powerful experience of place. It is a respite from urban life, designed to bring one back to the basics: a love of family, land, food, and of course, wine.
Field Architecture
The Yountville Residence was designed to accommodate three family generations coming together over food, wine, outdoor living and the land. Located amongst continuous vineyards on the broad flood plain of the Napa River, creating a strong sense of place was foremost. Rich in a culture of wine making and production from the land, the site demanded a design solution that honored its history and elevated the experience of the land.
The house pays homage to its context by creating a reimagined agrarian compound. Conceived as a family of smaller buildings, the architecture comes together around a shaded patio and pool. The kitchen, dining, and living spaces all flow onto the shaded outdoor patio and gardens. Low-sloped gable roofs evoke the agricultural history of the region and echo the gentle slope of the foothills beyond.
The home remains understated – quietly drawing one’s attention back to the magnificent natural features of the landscape. Gently pulled back into the heart of the serene vineyards, it is carefully oriented with Stag’s Leap at the foot of the Vaca Mountains to the East and the Mayacamas Range to the West. Scenic views continue uninterrupted through the home. Large window walls slide open and pocket on either side of the house, connecting the family to the outdoors and building a personal experience of place on the Valley floor.
“If we can enrich people’s lives, and just maybe inspire them to do something beyond what they might otherwise have done, that brings us great satisfaction.” – Stan Field, fA Principal
The connection of the architecture to the land goes beyond its visual connectivity. The design sensitively responds to land and place by recognizing key passive cooling and natural daylighting strategies present on the site. Broad overhanging roofs and the large slide away doors capture prevailing breezes up the valley. The patio, which is pulled close into a recessed cut-out in the main living space of the house, allows summer breezes across the pool to cool the house. Expansive windows and a narrow cross-section allow natural daylight to penetrate deep into the spaces and illuminate the rich and earthy palette of natural materials.
The architecture created is a vehicle through which the powerful forms of the landscape craft a powerful experience of place. It is a respite from urban life, designed to bring one back to the basics: a love of family, land, food, and of course, wine.
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Field Architecture
The Yountville Residence was designed to accommodate three family generations coming together over food, wine, outdoor living and the land. Located amongst continuous vineyards on the broad flood plain of the Napa River, creating a strong sense of place was foremost. Rich in a culture of wine making and production from the land, the site demanded a design solution that honored its history and elevated the experience of the land.
The house pays homage to its context by creating a reimagined agrarian compound. Conceived as a family of smaller buildings, the architecture comes together around a shaded patio and pool. The kitchen, dining, and living spaces all flow onto the shaded outdoor patio and gardens. Low-sloped gable roofs evoke the agricultural history of the region and echo the gentle slope of the foothills beyond.
The home remains understated – quietly drawing one’s attention back to the magnificent natural features of the landscape. Gently pulled back into the heart of the serene vineyards, it is carefully oriented with Stag’s Leap at the foot of the Vaca Mountains to the East and the Mayacamas Range to the West. Scenic views continue uninterrupted through the home. Large window walls slide open and pocket on either side of the house, connecting the family to the outdoors and building a personal experience of place on the Valley floor.
“If we can enrich people’s lives, and just maybe inspire them to do something beyond what they might otherwise have done, that brings us great satisfaction.” – Stan Field, fA Principal
The connection of the architecture to the land goes beyond its visual connectivity. The design sensitively responds to land and place by recognizing key passive cooling and natural daylighting strategies present on the site. Broad overhanging roofs and the large slide away doors capture prevailing breezes up the valley. The patio, which is pulled close into a recessed cut-out in the main living space of the house, allows summer breezes across the pool to cool the house. Expansive windows and a narrow cross-section allow natural daylight to penetrate deep into the spaces and illuminate the rich and earthy palette of natural materials.
The architecture created is a vehicle through which the powerful forms of the landscape craft a powerful experience of place. It is a respite from urban life, designed to bring one back to the basics: a love of family, land, food, and of course, wine.
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
RHEINZINKArchitect: Patrick Kane
Photographer: Carolyn Bates
In many regards, little has changed at New Hampshire’s Squam Lake in the nearly 35 years since the classic movie On Golden Pond was filmed there. The lake is still a generational favorite for family getaways and vacations in a traditional setting. But now, beautifully designed and strikingly contemporary residences are being constructed among the classic old cabins. A good example is the new Squam Lake House that is the year-round vacation retreat for a large and active family.
Design for the 3,500 sq. ft. residence was significantly influenced by the site. The south-facing house follows the natural topography along the shoreline to maximize views and the passive solar effect. The building includes three linked masses called “wigwams” that include family bedrooms, communal living spaces and guest areas. “A part of the narrative was to reference the Native American culture of the area,” according to designer Patrick Kane, principal, Kane Architecture, East Hardwick, VT. “The large architectural zinc panels on the façade were meant to be reminiscent of the Abenaki Tribe wigwams which were made of large slabs of bark."
Approximately 7,500 sq. ft. of RHEINZINK prePATINA blue-grey Standing Seam Panels were utilized in both roof and façade applications. Low or no maintenance was a key factor in the design from the beginning. “The owner didn’t want to own a single bucket of exterior paint,” Kane said. “We considered several metals initially but quickly settled on the RHEINZINK. We really liked the color of the prePATINA blue-grey. It has color qualities similar to the beech trees on the site and we really wanted the building to blend into the natural environment. We also liked the embodied energy. So we basically selected the RHEINZINK because of its environmental benefits and the unique color.
”With its passive solar effect, triple glazing and superior insulation, the structure provides outstanding energy efficiency. “The hot tub takes more energy than it requires to heat the entire house,” according to Kane.The Standing Seam Panels were installed by European Custom Sheet Metal (formerly Vintage Sheet Metal), Salem, NH. RHEINZINK distributor Beacon Sales, Brockton, MA, fabricated the architectural panels.
Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
RHEINZINKArchitect: Patrick Kane
Photographer: Carolyn Bates
In many regards, little has changed at New Hampshire’s Squam Lake in the nearly 35 years since the classic movie On Golden Pond was filmed there. The lake is still a generational favorite for family getaways and vacations in a traditional setting. But now, beautifully designed and strikingly contemporary residences are being constructed among the classic old cabins. A good example is the new Squam Lake House that is the year-round vacation retreat for a large and active family.
Design for the 3,500 sq. ft. residence was significantly influenced by the site. The south-facing house follows the natural topography along the shoreline to maximize views and the passive solar effect. The building includes three linked masses called “wigwams” that include family bedrooms, communal living spaces and guest areas. “A part of the narrative was to reference the Native American culture of the area,” according to designer Patrick Kane, principal, Kane Architecture, East Hardwick, VT. “The large architectural zinc panels on the façade were meant to be reminiscent of the Abenaki Tribe wigwams which were made of large slabs of bark."
Approximately 7,500 sq. ft. of RHEINZINK prePATINA blue-grey Standing Seam Panels were utilized in both roof and façade applications. Low or no maintenance was a key factor in the design from the beginning. “The owner didn’t want to own a single bucket of exterior paint,” Kane said. “We considered several metals initially but quickly settled on the RHEINZINK. We really liked the color of the prePATINA blue-grey. It has color qualities similar to the beech trees on the site and we really wanted the building to blend into the natural environment. We also liked the embodied energy. So we basically selected the RHEINZINK because of its environmental benefits and the unique color.
”With its passive solar effect, triple glazing and superior insulation, the structure provides outstanding energy efficiency. “The hot tub takes more energy than it requires to heat the entire house,” according to Kane.The Standing Seam Panels were installed by European Custom Sheet Metal (formerly Vintage Sheet Metal), Salem, NH. RHEINZINK distributor Beacon Sales, Brockton, MA, fabricated the architectural panels.
Field Architecture
The Yountville Residence was designed to accommodate three family generations coming together over food, wine, outdoor living and the land. Located amongst continuous vineyards on the broad flood plain of the Napa River, creating a strong sense of place was foremost. Rich in a culture of wine making and production from the land, the site demanded a design solution that honored its history and elevated the experience of the land.
The house pays homage to its context by creating a reimagined agrarian compound. Conceived as a family of smaller buildings, the architecture comes together around a shaded patio and pool. The kitchen, dining, and living spaces all flow onto the shaded outdoor patio and gardens. Low-sloped gable roofs evoke the agricultural history of the region and echo the gentle slope of the foothills beyond.
The home remains understated – quietly drawing one’s attention back to the magnificent natural features of the landscape. Gently pulled back into the heart of the serene vineyards, it is carefully oriented with Stag’s Leap at the foot of the Vaca Mountains to the East and the Mayacamas Range to the West. Scenic views continue uninterrupted through the home. Large window walls slide open and pocket on either side of the house, connecting the family to the outdoors and building a personal experience of place on the Valley floor.
“If we can enrich people’s lives, and just maybe inspire them to do something beyond what they might otherwise have done, that brings us great satisfaction.” – Stan Field, fA Principal
The connection of the architecture to the land goes beyond its visual connectivity. The design sensitively responds to land and place by recognizing key passive cooling and natural daylighting strategies present on the site. Broad overhanging roofs and the large slide away doors capture prevailing breezes up the valley. The patio, which is pulled close into a recessed cut-out in the main living space of the house, allows summer breezes across the pool to cool the house. Expansive windows and a narrow cross-section allow natural daylight to penetrate deep into the spaces and illuminate the rich and earthy palette of natural materials.
The architecture created is a vehicle through which the powerful forms of the landscape craft a powerful experience of place. It is a respite from urban life, designed to bring one back to the basics: a love of family, land, food, and of course, wine.
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
RHEINZINKIn many regards, little has changed at New Hampshire’s Squam Lake in the nearly 35 years since the classic movie On Golden Pond was filmed there. The lake is still a generational favorite for family getaways and vacations in a traditional setting. But now, beautifully designed and strikingly contemporary residences are being constructed among the classic old cabins. A good example is the new Squam Lake House that is the year-round vacation retreat for a large and active family.
Design for the 3,500 sq. ft. residence was significantly influenced by the site. The south-facing house follows the natural topography along the shoreline to maximize views and the passive solar effect. The building includes three linked masses called “wigwams” that include family bedrooms, communal living spaces and guest areas. “A part of the narrative was to reference the Native American culture of the area,” according to designer Patrick Kane, principal, Kane Architecture, East Hardwick, VT. “The large architectural zinc panels on the façade were meant to be reminiscent of the Abenaki Tribe wigwams which were made of large slabs of bark."
Approximately 7,500 sq. ft. of RHEINZINK prePATINA blue-grey Standing Seam Panels were utilized in both roof and façade applications. Low or no maintenance was a key factor in the design from the beginning. “The owner didn’t want to own a single bucket of exterior paint,” Kane said. “We considered several metals initially but quickly settled on the RHEINZINK. We really liked the color of the prePATINA blue-grey. It has color qualities similar to the beech trees on the site and we really wanted the building to blend into the natural environment. We also liked the embodied energy. So we basically selected the RHEINZINK because of its environmental benefits and the unique color.
”With its passive solar effect, triple glazing and superior insulation, the structure provides outstanding energy efficiency. “The hot tub takes more energy than it requires to heat the entire house,” according to Kane.The Standing Seam Panels were installed by European Custom Sheet Metal (formerly Vintage Sheet Metal), Salem, NH. RHEINZINK distributor Beacon Sales, Brockton, MA, fabricated the architectural panels.
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
Janvrin & Co.A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home.
The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals:
-weaving in an abundance of textures
-incorporating natural finishes
-keenly curating art
-giving extra attention to scale
-limiting purely decorative items
-maximizing natural light
This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury:
-architectural bead for trim-less doors
-first-of-its kind interior door hardware made of terrazzo
-historical marble found in landmark interiors like the NY Public Library
-premium flush air vents that disappear out of site
-luxury appliances from GE Café and Signature
-elegant and resilient terrazzo field tiles
Ours was not a simple interior remodel and addition:
-gutted and remodeled the existing 2,000 SF
-added on approximately another 1,000 SF
-moved and installed all new major mechanicals i.e. heating, plumbing and electrical.
-knocked through foundation walls to extend the space back
-dug down and built up
Field Architecture
The Yountville Residence was designed to accommodate three family generations coming together over food, wine, outdoor living and the land. Located amongst continuous vineyards on the broad flood plain of the Napa River, creating a strong sense of place was foremost. Rich in a culture of wine making and production from the land, the site demanded a design solution that honored its history and elevated the experience of the land.
The house pays homage to its context by creating a reimagined agrarian compound. Conceived as a family of smaller buildings, the architecture comes together around a shaded patio and pool. The kitchen, dining, and living spaces all flow onto the shaded outdoor patio and gardens. Low-sloped gable roofs evoke the agricultural history of the region and echo the gentle slope of the foothills beyond.
The home remains understated – quietly drawing one’s attention back to the magnificent natural features of the landscape. Gently pulled back into the heart of the serene vineyards, it is carefully oriented with Stag’s Leap at the foot of the Vaca Mountains to the East and the Mayacamas Range to the West. Scenic views continue uninterrupted through the home. Large window walls slide open and pocket on either side of the house, connecting the family to the outdoors and building a personal experience of place on the Valley floor.
“If we can enrich people’s lives, and just maybe inspire them to do something beyond what they might otherwise have done, that brings us great satisfaction.” – Stan Field, fA Principal
The connection of the architecture to the land goes beyond its visual connectivity. The design sensitively responds to land and place by recognizing key passive cooling and natural daylighting strategies present on the site. Broad overhanging roofs and the large slide away doors capture prevailing breezes up the valley. The patio, which is pulled close into a recessed cut-out in the main living space of the house, allows summer breezes across the pool to cool the house. Expansive windows and a narrow cross-section allow natural daylight to penetrate deep into the spaces and illuminate the rich and earthy palette of natural materials.
The architecture created is a vehicle through which the powerful forms of the landscape craft a powerful experience of place. It is a respite from urban life, designed to bring one back to the basics: a love of family, land, food, and of course, wine.
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