Originally built in 1859 by Justice William J. Robertson and listed on the National Register of Historic Places in 1999, this home has elements of both the Italianate and Gothic Revival styles which were taken into consideration during the design process. The project consisted of three main components: a basement renovation, a new screened in porch and a new two car garage. For the basement renovation we removed the original brick floor which was causing moisture issues and replaced them with an insulated, colored concrete slab. The end result: a previously unusable space was transformed into a family room with a complete guest suite and an exercise room. In the guest bedroom, low ceilings due to existing duct work were strategically wrapped with stained pine tongue and groove creating a cozy sleeping nook. In the bathroom, subway tiles and lightly stained wood are the background to a livelier tile accent in the shower and around the vanity. The family room features floor to ceiling millwork piece that has several storage cubbies; some with doors to conceal and others open for display. The screened porch is located at the back of the house overlooking a new stone patio at the lower level yard. The new porch takes cues from the existing sun room by matching materials, colors, and proportion. The new porch off the living room allows the clients to sit and relax while staying close to their children when inside or playing in the yard. The garage was built using the same material palette and style of the house but set back so as to not to detract from the main house. With large sliding barn doors on the back, it opens up to a manicured lawn allowing the garage to double as a pavilion for outdoor entertaining and yard parties. Alloy worked with Water Street Studio, a local architectural landscaping firm, to create more inviting and usable spaces for the children and adults to enjoy. Andrea Hubbel Photography

Originally built in 1859 by Justice William J. Robertson and listed on the National Register of Historic Places in 1999, this home has elements of both the Italianate and Gothic Revival styles which were taken into consideration during the design process. The project consisted of three main components: a basement renovation, a new screened in porch and a new two car garage. For the basement renovation we removed the original brick floor which was causing moisture issues and replaced them with an insulated, colored concrete slab. The end result: a previously unusable space was transformed into a family room with a complete guest suite and an exercise room. In the guest bedroom, low ceilings due to existing duct work were strategically wrapped with stained pine tongue and groove creating a cozy sleeping nook. In the bathroom, subway tiles and lightly stained wood are the background to a livelier tile accent in the shower and around the vanity. The family room features floor to ceiling millwork piece that has several storage cubbies; some with doors to conceal and others open for display. The screened porch is located at the back of the house overlooking a new stone patio at the lower level yard. The new porch takes cues from the existing sun room by matching materials, colors, and proportion. The new porch off the living room allows the clients to sit and relax while staying close to their children when inside or playing in the yard. The garage was built using the same material palette and style of the house but set back so as to not to detract from the main house. With large sliding barn doors on the back, it opens up to a manicured lawn allowing the garage to double as a pavilion for outdoor entertaining and yard parties. Alloy worked with Water Street Studio, a local architectural landscaping firm, to create more inviting and usable spaces for the children and adults to enjoy. Andrea Hubbel Photography

Originally built in 1859 by Justice William J. Robertson and listed on the National Register of Historic Places in 1999, this home has elements of both the Italianate and Gothic Revival styles which were taken into consideration during the design process. The project consisted of three main components: a basement renovation, a new screened in porch and a new two car garage. For the basement renovation we removed the original brick floor which was causing moisture issues and replaced them with an insulated, colored concrete slab. The end result: a previously unusable space was transformed into a family room with a complete guest suite and an exercise room. In the guest bedroom, low ceilings due to existing duct work were strategically wrapped with stained pine tongue and groove creating a cozy sleeping nook. In the bathroom, subway tiles and lightly stained wood are the background to a livelier tile accent in the shower and around the vanity. The family room features floor to ceiling millwork piece that has several storage cubbies; some with doors to conceal and others open for display. The screened porch is located at the back of the house overlooking a new stone patio at the lower level yard. The new porch takes cues from the existing sun room by matching materials, colors, and proportion. The new porch off the living room allows the clients to sit and relax while staying close to their children when inside or playing in the yard. The garage was built using the same material palette and style of the house but set back so as to not to detract from the main house. With large sliding barn doors on the back, it opens up to a manicured lawn allowing the garage to double as a pavilion for outdoor entertaining and yard parties. Alloy worked with Water Street Studio, a local architectural landscaping firm, to create more inviting and usable spaces for the children and adults to enjoy. Andrea Hubbel Photography

Originally built in 1859 by Justice William J. Robertson and listed on the National Register of Historic Places in 1999, this home has elements of both the Italianate and Gothic Revival styles which were taken into consideration during the design process. The project consisted of three main components: a basement renovation, a new screened in porch and a new two car garage. For the basement renovation we removed the original brick floor which was causing moisture issues and replaced them with an insulated, colored concrete slab. The end result: a previously unusable space was transformed into a family room with a complete guest suite and an exercise room. In the guest bedroom, low ceilings due to existing duct work were strategically wrapped with stained pine tongue and groove creating a cozy sleeping nook. In the bathroom, subway tiles and lightly stained wood are the background to a livelier tile accent in the shower and around the vanity. The family room features floor to ceiling millwork piece that has several storage cubbies; some with doors to conceal and others open for display. The screened porch is located at the back of the house overlooking a new stone patio at the lower level yard. The new porch takes cues from the existing sun room by matching materials, colors, and proportion. The new porch off the living room allows the clients to sit and relax while staying close to their children when inside or playing in the yard. The garage was built using the same material palette and style of the house but set back so as to not to detract from the main house. With large sliding barn doors on the back, it opens up to a manicured lawn allowing the garage to double as a pavilion for outdoor entertaining and yard parties. Alloy worked with Water Street Studio, a local architectural landscaping firm, to create more inviting and usable spaces for the children and adults to enjoy. Andrea Hubbel Photography

Originally built in 1859 by Justice William J. Robertson and listed on the National Register of Historic Places in 1999, this home has elements of both the Italianate and Gothic Revival styles which were taken into consideration during the design process. The project consisted of three main components: a basement renovation, a new screened in porch and a new two car garage. For the basement renovation we removed the original brick floor which was causing moisture issues and replaced them with an insulated, colored concrete slab. The end result: a previously unusable space was transformed into a family room with a complete guest suite and an exercise room. In the guest bedroom, low ceilings due to existing duct work were strategically wrapped with stained pine tongue and groove creating a cozy sleeping nook. In the bathroom, subway tiles and lightly stained wood are the background to a livelier tile accent in the shower and around the vanity. The family room features floor to ceiling millwork piece that has several storage cubbies; some with doors to conceal and others open for display. The screened porch is located at the back of the house overlooking a new stone patio at the lower level yard. The new porch takes cues from the existing sun room by matching materials, colors, and proportion. The new porch off the living room allows the clients to sit and relax while staying close to their children when inside or playing in the yard. The garage was built using the same material palette and style of the house but set back so as to not to detract from the main house. With large sliding barn doors on the back, it opens up to a manicured lawn allowing the garage to double as a pavilion for outdoor entertaining and yard parties. Alloy worked with Water Street Studio, a local architectural landscaping firm, to create more inviting and usable spaces for the children and adults to enjoy. Andrea Hubbel Photography

Originally built in 1859 by Justice William J. Robertson and listed on the National Register of Historic Places in 1999, this home has elements of both the Italianate and Gothic Revival styles which were taken into consideration during the design process. The project consisted of three main components: a basement renovation, a new screened in porch and a new two car garage. For the basement renovation we removed the original brick floor which was causing moisture issues and replaced them with an insulated, colored concrete slab. The end result: a previously unusable space was transformed into a family room with a complete guest suite and an exercise room. In the guest bedroom, low ceilings due to existing duct work were strategically wrapped with stained pine tongue and groove creating a cozy sleeping nook. In the bathroom, subway tiles and lightly stained wood are the background to a livelier tile accent in the shower and around the vanity. The family room features floor to ceiling millwork piece that has several storage cubbies; some with doors to conceal and others open for display. The screened porch is located at the back of the house overlooking a new stone patio at the lower level yard. The new porch takes cues from the existing sun room by matching materials, colors, and proportion. The new porch off the living room allows the clients to sit and relax while staying close to their children when inside or playing in the yard. The garage was built using the same material palette and style of the house but set back so as to not to detract from the main house. With large sliding barn doors on the back, it opens up to a manicured lawn allowing the garage to double as a pavilion for outdoor entertaining and yard parties. Alloy worked with Water Street Studio, a local architectural landscaping firm, to create more inviting and usable spaces for the children and adults to enjoy. Andrea Hubbel Photography

Originally built in 1859 by Justice William J. Robertson and listed on the National Register of Historic Places in 1999, this home has elements of both the Italianate and Gothic Revival styles which were taken into consideration during the design process. The project consisted of three main components: a basement renovation, a new screened in porch and a new two car garage. For the basement renovation we removed the original brick floor which was causing moisture issues and replaced them with an insulated, colored concrete slab. The end result: a previously unusable space was transformed into a family room with a complete guest suite and an exercise room. In the guest bedroom, low ceilings due to existing duct work were strategically wrapped with stained pine tongue and groove creating a cozy sleeping nook. In the bathroom, subway tiles and lightly stained wood are the background to a livelier tile accent in the shower and around the vanity. The family room features floor to ceiling millwork piece that has several storage cubbies; some with doors to conceal and others open for display. The screened porch is located at the back of the house overlooking a new stone patio at the lower level yard. The new porch takes cues from the existing sun room by matching materials, colors, and proportion. The new porch off the living room allows the clients to sit and relax while staying close to their children when inside or playing in the yard. The garage was built using the same material palette and style of the house but set back so as to not to detract from the main house. With large sliding barn doors on the back, it opens up to a manicured lawn allowing the garage to double as a pavilion for outdoor entertaining and yard parties. Alloy worked with Water Street Studio, a local architectural landscaping firm, to create more inviting and usable spaces for the children and adults to enjoy. Andrea Hubbel Photography

Example of a large mountain style brown one-story stone gable roof design in Portland

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

One frustrating thing about tree infections and diseases is that they are virtually completely unpredictable. It is essential to understand all the different types of risks and causes that can contribute to these issues in an attempt to understand how you can try and prevent and manage these things when they happen. Five Star Tree Services is going to go over the reasons as to how and why your trees can develop these certain issues. Since there are so many different causes behind why a tree’s development might be interrupted, first think of them as two different categories you can split them into; non-living factors or abiotic, and living factors or biotic. We also want to note that it is possible for more than one factor to affect a tree’s health and development at any given time. You can also make a distinction between primary pests and secondary pests. The primary pests exert a serious influence on the tree’s immediate survival. Whereas secondary pests have a less significant influence on the survival of the tree. The only time they will jeopardize a tree’s survival is if the tree has a previous debilitating issue from another risk factor. For an individual tree’s circumstances, this will distinct the chances of an infestation, especially if it has any past debilitating issues. Which can be seen from any compromising management practices or pre-existing issues which affect the tree’s development as well as lower its resistance to infections. Poor management in planting is a very common predisposed factor that compromises a tree’s infection defense. For instance, any saplings that are pot-bound will not get to develop solid root systems which doesn’t allow them to develop properly when they eventually get planted. Another example is when a tree gets stressed, along with other outer factors, will have significant effects on the overall wellbeing of the tree and its condition. Other factors to consider are bad soil quality as well as bad drainage. Abiotic Non-Living Influences The overall health of a tree can be linked to impacts such as bad growing conditions and bad soil quality. These things will put trees at a higher risk for catching a number of different biotic issues. Sickness, infections, and infestation can all be linked to ineffective nutrient absorption when a tree has insufficiently developed its natural resistances and defenses. One of the worst factors for this is fire damage. It is so debilitating that it makes trees hopeless at defending themselves against biotic attacks. To uncover what circumstantial predispositions your tree might have due to poor developmental conditions, arborists can use the growth rings as a means of assessment for the long-term effects, wellbeing, and growth of a tree. There are many outer and non-living variables that will influence the health of a tree and if it will be predisposed to biotic infestations. Such variables can include things like extensive cold winters and long dry spells. Abiotic Common Influences Include: -Water -Chemicals -Soil Conditions -Weather -Mechanical Agents Biotic Living Influences Sometimes, you are able to notice certain infestations easily, while others can be hard to tell. For instance, seeing an insect on a tree is no cause for alarm. A lot of them are harmless to the tree and do not cause harm while they regularly feed. However, some insects are actually harmful to a tree’s survival and knowing the difference between harmless and harmful ones is what you need to notice. You might also see fungi on rotting matter or a dead tree. Fungi are not usually the immediate influence of a negative manifestation found in a tree’s development. There are other growths that can be seen living on trees. These include saprobic and pathogenic organisms. Saprobic growths are mostly found on rotting or dead tissues and pathogenic growths are less common. Some other living infestations include lichens, epiphytes, and mosses. But these don’t usually have any effect on a tree’s wellbeing. They live symbiotically together. Biotic Common Influences Include: -Mites -Deer and Rodents -Fungi -Weeds -Viruses -Parasitic Plants -Bacteria -Phytoplasmas -Insects How Five Star Tree Service Can Help It is important to know the basics to look out for when trying to prevent developmental issues or help a tree that is developing. There are a lot of factors to take into consideration when helping a tree grow, flourish, and live a healthy long life. If you have any questions or concerns about your trees, contact us at Five Star Tree Services today at (416) 990-3355. We will be able to help you with all your tree related needs. Check out our website for a full list of our Tree Services in Toronto!

Small elegant gray one-story mixed siding gable roof photo in Charleston

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

There is always an easy way out. A simple, uninteresting solution that neither challenges nor engages the mind or the soul. The 50s rambler is a simple structure that lacks character and charm. Its greatest contribution to architecture was the single floor living concept. We came to this project because the homeowners believed their home had the potential to be something more and had invested their time and creativity into developing ideas for what it could become. We embraced the opportunity to collaborate with the homeowner to create a home that was unique, thoughtful, customized for their use, and cared for. The curved exterior shell of this addition wraps around to accommodate a screen porch under a lifted peak. Inside, the new kitchen follows the curve with custom cabinets and honed granite creating a dynamite space for a chef. Shade tree, bamboo and honed slate flooring weave the living room, dining room, bathroom and kitchen together. Walls jog and jump with color and dimension. One of the major challenges was to ensure that the space could accommodate large family gatherings of 12 – 16 people yet still feel intimate and comfortable for two people when guests were not present. As you move through the home you will notice that none of the spaces feel cavernous or restrictive. Careful attention was paid to mapping out the space to create areas that were cozy and appropriate while taking traffic patterns into consideration. The dining room entrances are staggered which creates the illusion of two separate spaces. The warm red halogen lights further encourage a sense of scale. One can easily extend the dining room table to accommodate a large crowd without causing guests to feel uncomfortable or confined. The use of color is an often noted feature in our projects. Our philosophy is that the selection of color for the walls is as important as the selection of all the other materials. Color influences everything we do and gives us direction for how to feel, where to go, where to stop, and how to interact. It is the binding component between all the elements in a design. It bends, bounces, twists, manipulates light and the eye, and is required to fully develop and design a space. This project was an exciting and rewarding challenge, and we are grateful to the homeowners for asking us to be a part of it and to opening up their home to the public. We hope that you will enjoy your time visiting this remarkably transformed home. highlights Re-use of existing housing stock Icynene insulation Super-insulated ceilings Remnant granite countertops Energy Star windows Shade tree floors Bamboo floors Hardishingle siding Halogen lights Dimmers and separated task lighting Energy efficient Panasonic fans Locally manufactured cabinets FSC certified millwork Energy Star appliances Dual flush toilet

There is always an easy way out. A simple, uninteresting solution that neither challenges nor engages the mind or the soul. The 50s rambler is a simple structure that lacks character and charm. Its greatest contribution to architecture was the single floor living concept. We came to this project because the homeowners believed their home had the potential to be something more and had invested their time and creativity into developing ideas for what it could become. We embraced the opportunity to collaborate with the homeowner to create a home that was unique, thoughtful, customized for their use, and cared for. The curved exterior shell of this addition wraps around to accommodate a screen porch under a lifted peak. Inside, the new kitchen follows the curve with custom cabinets and honed granite creating a dynamite space for a chef. Shade tree, bamboo and honed slate flooring weave the living room, dining room, bathroom and kitchen together. Walls jog and jump with color and dimension. One of the major challenges was to ensure that the space could accommodate large family gatherings of 12 – 16 people yet still feel intimate and comfortable for two people when guests were not present. As you move through the home you will notice that none of the spaces feel cavernous or restrictive. Careful attention was paid to mapping out the space to create areas that were cozy and appropriate while taking traffic patterns into consideration. The dining room entrances are staggered which creates the illusion of two separate spaces. The warm red halogen lights further encourage a sense of scale. One can easily extend the dining room table to accommodate a large crowd without causing guests to feel uncomfortable or confined. The use of color is an often noted feature in our projects. Our philosophy is that the selection of color for the walls is as important as the selection of all the other materials. Color influences everything we do and gives us direction for how to feel, where to go, where to stop, and how to interact. It is the binding component between all the elements in a design. It bends, bounces, twists, manipulates light and the eye, and is required to fully develop and design a space. This project was an exciting and rewarding challenge, and we are grateful to the homeowners for asking us to be a part of it and to opening up their home to the public. We hope that you will enjoy your time visiting this remarkably transformed home. highlights Re-use of existing housing stock Icynene insulation Super-insulated ceilings Remnant granite countertops Energy Star windows Shade tree floors Bamboo floors Hardishingle siding Halogen lights Dimmers and separated task lighting Energy efficient Panasonic fans Locally manufactured cabinets FSC certified millwork Energy Star appliances Dual flush toilet

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

Using the right furniture is an essential element of living room design. Interior designers take this into substantial consideration when planning a home design as it consumes the most space in the living room area. These furniture pieces are treated as “constants,” as once they are positioned in the room, other installments will adjust based on how and where they are placed. You may not realise it right away, but there are things to consider when buying new living room furniture. If you happen to be thinking about changing your current living room design by purchasing new furniture pieces, then below are a few factors to look at: 1. Size of the home. The furniture you intend to buy should not only fit in your home but leave enough room for you to move freely. You may want to look at the floor space of the living room first and then inquire about furniture sets that will fit in your allocated space. A bulky 7-seater may eat up most of your living room space, and this will limit your freedom of movement. Perhaps it would be better to settle with a three or five-seater at the most whose make and structure do not impede your mobility. 2. Durability of the furniture. Another reason interior designers have high regard for furniture when designing home interiors is that sofas and couches are intended to be used for several years. Hence, you should look for a set that can last for a long time. You may want to check out furniture sets and compare their form, structure, and material. It is also great to look into the background of their makers, so you have an idea that your sofa is done by a reputable brand. 3. Comfortability. Not all fluffy cushioned sofas are comfortable. Some of them can be stiff and may cause you pain the long run. Thus, when shopping for a couch, better test its comfortability before purchasing it. You can check the ergonomics of the sofa or couch to see whether it accommodates your need for comfort without putting your posture at risk. Also, you should know the type of cushion used on the furniture. This way, you know when and how to have your sofa reupholstered or when it is time to dispose it. 4. Form and style. It is also right that you look into the aesthetics of the furniture. You may have to go through several renovations in your home, and the style you will go for might not always adhere to the style of your sofa. Hence, you may want to invest in living room furniture that can keep up with the sign of the times, or one that is not difficult to dress up. Some homeowners opt for a sofa set that is made of wood or minimalist steel due to their durability and flexibility to blend in with different home interior trends. The living room often serves as a witness to your life as a homeowner. With the right choice of furniture, you can enjoy every memory you make in your home.

This beautiful Terrazzo floor was uncovered in the hallway of a house in Doncaster, as you can see it had taken a bit of a beating over the years, but the owners were keen on having it restored. Restoring period features like these are a great idea as they are very sought after and can add a lot of value to a property. The floor had spent many years below carpet and nails had been hammered through the floor to hold carpet grippers in place. Along with this there was a lot of glue and paint to remove. However, I was confident that we could get the floor restored, I gave them a quotation for the work, and they were happy to proceed as soon as possible. Doncaster is a hot spot for terrazzo floors, apparently there was a big Italian community there in the early part of the 1900s. Doncaster is also famous for its rich rail heritage; the main Doncaster train station is on the East Coast mainline and you find many original station buildings have Terrazzo floors in the public areas. The first job was to remove as much of the paint, glue and other contaminates as possible. These were scraped off the floor by hand using a razor-sharp scraper. We then moved onto using a set of five diamond burnishing pads of different grits to cut through the top layers and grime to eventually bring this floor back up to its’ former glory. Starting off with the most coarse pad first I started to go over the floor a pad at a time, each pad is fitted to a rotary machine which has extra weight added to it to make the pads work ever better. Each time a pad is changed, it is slightly less coarse, this starts to polish the floor up to a shine eventually ended with a very fine diamond pad. Water is added at each stage and removed with the wet vacuum before the next pad is used. Gradually the original floor started to shine through, the colours were quite pronounced, and you could see the floor was a lovely example of terrazzo. After a final rinse to remove the soiling generated by burnishing, I turned my attention to filling the many holes where the nails had been. The floor was left to dry off overnight and the following morning I returned to seal the floor with several coats of Tile Doctor Colour Grow. I choose this product as its designed to enhance the subtle colours in the floor and its fully breathable which is an important consideration when sealing floors in older properties. Damp proof membranes are a common feature these days but are a relatively recent invention. With older floors you need to allow the floor to breathe so the moisture in the sub floor can rise and evaporate at the surface, without this the moisture will reach out to the walls where it can cause rising damp. The result was a highly polished floor just the way it would have looked when it was first installed 90 years ago. As you can imagine the owners were over the moon with the transformation. Matthew Lovett South Yorkshire TIle Doctor

The Science of Light and Learning To understand the relationship between lighting and learning, it’s critical to grasp the concept of correlated colour temperature (CCT). CCT refers to the warmth or coolness of light, measured in Kelvin (K). Lower CCTs (around 3000K) provide a warm, cosy atmosphere, while higher CCTs (5000K or above) emit a cool, daylight-like glow. Studies have shown that cool white light, which mimics natural daylight, can increase alertness and mood, contributing to improved cognitive performance. LED lighting, with its ability to produce this desired CCT, makes an ideal choice for educational settings. LED Lighting: Brightening the Future of Education Energy Efficiency and Cost Effectiveness One of the main advantages of LED lighting is its energy efficiency. Traditional lighting solutions like fluorescent and incandescent bulbs consume much more energy to produce the same amount of light as LEDs, which is not only environmentally harmful but also financially costly. Switching to LED lights can result in substantial cost savings for schools, enabling them to redirect funds to other critical areas of education. Durability and Longevity LED lights are renowned for their durability and longevity. They have a significantly longer lifespan compared to conventional lights, which means less frequent replacement and reduced maintenance costs. This durability also minimises disruptions caused by light failure, providing a consistent, well-lit learning environment. Improved Visibility and Reduced Eye Strain With their superior colour rendering index (CRI), LED lights render colours more accurately, leading to improved visibility. This is particularly beneficial in educational settings, where activities often require distinguishing fine details and colours. LED lights also emit less glare than traditional lighting solutions, reducing eye strain and fatigue. This can lead to better concentration and increased comfort for both students and teachers. Incorporating LED Lighting in Classrooms: Practical Considerations When transitioning to LED lighting in classrooms, a few key factors need to be taken into account. Firstly, the lighting design should ensure an even distribution of light, preventing shadowy or overly bright spots that could distract or discomfort students. Secondly, the integration of dimming capabilities can provide flexibility, allowing educators to adjust the lighting level based on the task at hand. Finally, lighting controls can be used to take advantage of natural light, automatically dimming or turning off the LEDs when sufficient daylight is present. Conclusion: The Bright Promise of LED Lighting in Education As education systems continue to evolve, it’s imperative to keep sight of the physical factors that significantly impact learning, one of which is lighting. LED technology, with its myriad benefits, offers an innovative and effective way to enhance the quality of lighting in classrooms. By prioritising investments in such improvements, we can take a significant step towards creating an optimised learning environment that nurtures the educational success of future generations.