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Sunday, September 14, 2014
Is Your Interior Design Depressing You?
By Joseph Pubillones
(DailyHerald.com http://www.dailyherald.com/article/20140913/entlife/140919600)
From time to time, someone will corner me and confess to me that they are depressed; they whisper that they believe their decorating is making them sick. They tell me that their interiors are not to their liking because of choices made by their spouse, their designer, or because of their own misguided attempts at decorating.
Is it possible for their environment to make them feel sick? Yes (as I think about it), it is possible for design to alter moods.
In the mid-1950s, Norbett Mintz, a researcher at Brandeis University, and his mentor, the renowned psychologist Abraham Maslow, decided to conduct research about the effects of "beauty" on behavior. Mintz had already conducted experiments about the effects of color on human behavior and concluded that color selection has a palpable effect on personal behavior.
A room's design can have an impact on your mood. Mismatched colors or an
overstuffed room can affect your ability to relax and feel comfortable.
In their experiment about beauty, they designed three rooms. The first was "the ugly room", replete with clashing colors and patterns, disorganization and too much furniture for the size of the space. The second was "the average room", arranged with a monochromatic scheme, basic furniture pieces and subtly colored nondescript art. The third was "the beautiful room", decorated with quality case-goods, and fashionable fabrics and colors. Overwhelmingly, the test group rejected "the ugly room". "The average room" and "the beautiful room" were tied as the preferred room. When asked to describe the rooms, the test group was best able to describe "the beautiful room".
As a designer, this is not news to me. There are rooms, especially those that I like, that I can describe with remarkable detail. Although our notion of what is beautiful varies from person to person, it can be said that beautiful design is more memorable. We can deduce that each person prefers the beautiful.
From the time we are born, there are foods that are preferred -- some love sweets; others prefer more savory flavors. Over time, our taste buds evolve, and what was once a favorite food can become insipid or nauseating. The same is true for interior design. Over time, everyone develops preferences about what makes us feel comfortable and at home.
When I hear that someone's home is depressing, I am concerned. I suggest immediate action to change what is most bothersome. If it is wall color: a painting party is overdue. If it is furniture: I ask them to consider new upholstery; a new furniture arrangement; or substituting new pieces for those that offend. And for those too timid or dismayed to tackle their problems head-on and alone, I suggest hiring a professional interior designer.
( Joseph Pubillones is the owner of Joseph Pubillones Interiors, an award-winning interior design firm based in Palm Beach, Fla. © 2014 Creators.com)
[Comment by Brandon Oriental Rugs: Good quality is evident in the words we use when we appreciate its presence: beauty, harmony, integrity, excellence. These are appealing impressions it makes upon our minds and spirits. It can't be faked. Attempts to put a stamp of "quality" -- as in "good quality" -- upon things which possess or convey "bad quality" doesn't fool anyone who appreciates quality and the benefits it inherently brings.]
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Labels: Brandon, Brandonrugs.com, Bucks County oriental rugs, colorful rugs, designing for mood, environment, interior design, personal expression, rug store Bucks County, rugs and design
Saturday, September 13, 2014
Bucks County Rug Store Helps Bethlehem, PA Homeowners Select Rugs to Complete Newly Furnished Living Room and Dining Room
Our customers purchased new living room and dining room furniture from Hendrixson's Fine Furnishings in Shimersville, PA.
With most of both rooms finished, they asked Brandon Oriental Rugs to help them find two fine quality oriental rugs that would coordinate with each other, and serve as the last puzzle pieces to complete their decorating.
Both rugs are finely detailed, hand-knotted, antique reproduction Persian Tabriz design oriental rugs made in India. The living room rug has a golden-maize color background with an antique gold border that subtly complements the fabrics and floor color in the room. The small scale motifs add color and interest while not defeating the supporting role the rug plays in the room to the customer's collection of fine original artworks.
The dining room rug is an unusual "Hasht-guli" design with berry-red background and golden-maize border that complements the living room rug, the rich mahogany wood-tones of the dining room suite, and the fabrics used in the custom window treatments designed and installed by Hendrixson's.
The wonderful result wrought by our customers expressing their good taste in an unswerving commitment to quality is proof that a modestly sized home can look and feel as elegant and luxurious as any palace.
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Labels: Bethlehem, Brandon, choosing an area rug, Doylestown, interior design, Lehigh Valley home furnishings, oriental rugs bucks county
Tuesday, September 9, 2014
Oriental Rugs: What More Can You Say?
(BrandonRugs.com) Sometimes when there's a lot to be said, saying it quietly commands more attention.
You almost want to invite the oriental rugs to speak up, but they are always content playing a supporting role.
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Rug Placement Helps Determine Room Function and Where Rooms Begin and End
(BrandonRugs.com) If feel that your decorating is neither here nor there; the appropriate use of handmade oriental rugs will definitely help you to figure out where here is.
http://www.pinterest.com/pin/133348838942090547/
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Saturday, September 6, 2014
Why You Should Hire a Professional Interior Designer
by Cindy Beyer — August 27, 2014 at 1:00 pm
( http://www.restonnow.com/2014/08/27/why-you-should-hire-a-professional-interior-designer)
The interior of your home says a lot about you. Your home is your castle. Many of my clients have said they couldn’t imagine the results after their project was completed. They say it was the WOW factor. I say, that is why you hired a professional designer.
There are many situations that warrant the hiring a professional interior designer. This includes something as simple as choosing paint and window covering to full scale renovation work such as a new kitchen, bath or lower level. In addition to achieving that WOW factor, a professional interior designer will save their clients’ money in many ways, most importantly the avoidance of costly mistakes.
Not only will a professional designer understand the context of the project, they will have access to many resources and their trained eye can make a world of difference in the final result. And those final results also will improve the value of your home.
Professional interior designers are able to work closely with architects and contractors and are comfortable with drawing floor plans, as well as understanding the implications of how interiors will be used as it relates to structural and available floor space.
Beyond floor plans, program management, installation and understanding how structural design will be used in a practical setting, a professional interior designer will also be knowledgeable in color and fabric design, space planning, window coverings, furniture design, architecture and much more. So when you see the initials ASID and NCIDQ next to an interior designer’s name, know they have been through significant amount of formal certification.
When hiring a professional interior designer, it is important to have an understanding of the scope of the work to be done. Before my initial meeting with a new client, I ask them to spend some time making a list of their needs as well as any pictures they saved of items or rooms they like. Upon our first meeting, I take photos and measurements. Together,we then develop a detailed itemized list covering all areas of concern. The next step is to draw up and present a floor plan. Depending on the type of project this could include floor plans and furniture placement as well as construction and lighting if needed.
Once the plan is approved appropriate furnishings and finishes are selected. This can be fun - and exhausting as well. I often present my clients with many samples from which to choose. After the furniture choices, I develop a comprehensive budget itemizing all purchases.
I also may call on several of the contractors I work with such as electricians, plumbers, cabinet wholesalers and cabinet makers, painters, as well as drapery workrooms and installers. It has taken many years to compile trusted associates, which is an important part of being a good designer.
Lead times for good furniture and furnishings can take from 6-12 weeks depending on availability. This extra time gives sufficient time to finish the required preparatory work, and allows clients time to dispose of old furniture.
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Thursday, September 4, 2014
Homeowners Select Persian Kashan Rug from Bucks County Oriental Rug Store Brandon Oriental Rugs (www.BrandonRugs.com) for Family Room of Their Upper Montgomery County Farmhouse
- See more at: http://brandonrugs.blogspot.com/#sthash.QMFruxxC.dpuf (Pamela Ward/ Brandon Oriental Rugs)

Karuna Passive House designed by Holst Architecture and built by Hammer & Hand. This high performance home meets the world's most demanding green building certifications. Photo by Jeremy Bittermann.

A rustic kids' room designed for ages 4 to 10, featuring cozy double deck beds, soft gray carpet flooring, and a warm, playful ambiance. This functional and eco-friendly space is part of the sustainable organic modern mountain home.
Find the right local pro for your project

Project by Studio H:T principal in charge Brad Tomecek (now with Tomecek Studio Architecture). This project tests the theory of bringing high quality design to a prefabricated factory setting. Enrolled in the LEED-Home Pilot, this residence completed certification. The modular home was conceived as two boxes that slide above one another to create outdoor living space and a lower covered rear entry. The passive solar design invites large amounts of light from the south while minimizing openings to the east and west. Factory construction saves both time and costs while reducing waste and using a controlled labor force.
Built in a factory north of Denver, the home arrived by flatbed truck in two pieces and was craned into place in about 4 hours providing a fast, sustainable, cost effective alternative to traditional homebuilding techniques. Upgraded lighting fixtures, plumbing fixtures, doors, door hardware, windows, tile and bamboo flooring were incorporated into the design. 80% of the residence was completed in the factory in less than 3 weeks and other items were finished on site including the exterior stucco, garage, metal railing and stair.
Stack-Slide-Stitch describes the conceptual process of how to tie together two distinct modular boxes. Stack refers to setting one modular directly on top of the other. Slide refers to the action that creates an upper southern deck area while simultaneously providing a covered rear entry area. The stitching or interlocking occurs with the upward extension of the lower volume with the front deck walls and with the rear two story vertical.

Rodwin Architecture and Skycastle Homes
Location: Boulder, CO, United States
This LEED Platinum certified modern farmhouse is our first “regenerative home,” producing more energy than it consumes. This 3,900 s.f. custom home uses passive solar design, 10.2kW of solar photovoltaics, a ground source heat pump, double wall well-insulated exterior envelope, high performance doors and windows, to achieve a HERS negative 8 rating and Energy Star v.3.0 certification. The interior has low-VOC finishes and custom built-in FSC-certified wood and beetle kill pine cabinets throughout. The site is designed to be very low water use, incorporating permaculture and urban farming, with raised planting beds and a passive solar chicken coop/greenhouse. What makes this project special is its combination of extraordinary sustainability with conventionally attractive, cost-effective design tailored to the owner’s needs.

Black PVC vinyl privacy fence. V300-6 Illusions Vinyl Tongue and Groove Privacy Fence shown in the Grand Illusions Color Spectrum Black (L105).
Photo of a traditional landscaping in New York.
Photo of a traditional landscaping in New York.

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Delaware, OH
Buckeye Basements, Inc.
Central Ohio's Basement Finishing ExpertsBest Of Houzz '13-'21

Project by Studio H:T principal in charge Brad Tomecek (now with Tomecek Studio Architecture). This project tests the theory of bringing high quality design to a prefabricated factory setting. Enrolled in the LEED-Home Pilot, this residence completed certification. The modular home was conceived as two boxes that slide above one another to create outdoor living space and a lower covered rear entry. The passive solar design invites large amounts of light from the south while minimizing openings to the east and west. Factory construction saves both time and costs while reducing waste and using a controlled labor force.
Built in a factory north of Denver, the home arrived by flatbed truck in two pieces and was craned into place in about 4 hours providing a fast, sustainable, cost effective alternative to traditional homebuilding techniques. Upgraded lighting fixtures, plumbing fixtures, doors, door hardware, windows, tile and bamboo flooring were incorporated into the design. 80% of the residence was completed in the factory in less than 3 weeks and other items were finished on site including the exterior stucco, garage, metal railing and stair.
Stack-Slide-Stitch describes the conceptual process of how to tie together two distinct modular boxes. Stack refers to setting one modular directly on top of the other. Slide refers to the action that creates an upper southern deck area while simultaneously providing a covered rear entry area. The stitching or interlocking occurs with the upward extension of the lower volume with the front deck walls and with the rear two story vertical.

The thickness of the sapele wood kitchen countertop is expressed at the stone island counter. The existing ceilings were removed and replaced with exposed steel I-beam crossties and new cathedral ceilings, with the steel beams placed sideways to provide a cavity at the top and bottom for continuous linear light strips shining up and down. The full height windows go all the way to floor to take full advantage of the view angle down the hill. Photo by Lisa Shires.

Laura Moss Photography
Mid-sized transitional formal dark wood floor living room photo in Boston with gray walls, a standard fireplace and no tv
Mid-sized transitional formal dark wood floor living room photo in Boston with gray walls, a standard fireplace and no tv

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by NIls Finne

Project by Studio H:T principal in charge Brad Tomecek (now with Tomecek Studio Architecture). This project tests the theory of bringing high quality design to a prefabricated factory setting. Enrolled in the LEED-Home Pilot, this residence completed certification. The modular home was conceived as two boxes that slide above one another to create outdoor living space and a lower covered rear entry. The passive solar design invites large amounts of light from the south while minimizing openings to the east and west. Factory construction saves both time and costs while reducing waste and using a controlled labor force.
Built in a factory north of Denver, the home arrived by flatbed truck in two pieces and was craned into place in about 4 hours providing a fast, sustainable, cost effective alternative to traditional homebuilding techniques. Upgraded lighting fixtures, plumbing fixtures, doors, door hardware, windows, tile and bamboo flooring were incorporated into the design. 80% of the residence was completed in the factory in less than 3 weeks and other items were finished on site including the exterior stucco, garage, metal railing and stair.
Stack-Slide-Stitch describes the conceptual process of how to tie together two distinct modular boxes. Stack refers to setting one modular directly on top of the other. Slide refers to the action that creates an upper southern deck area while simultaneously providing a covered rear entry area. The stitching or interlocking occurs with the upward extension of the lower volume with the front deck walls and with the rear two story vertical.

The stepped patio, bamboo planter and surrounding greenery transform the back of this row house to an urban oasis.
Photograph: Sam Oberter
Inspiration for a transitional deck remodel in Philadelphia with no cover
Inspiration for a transitional deck remodel in Philadelphia with no cover

Rodwin Architecture and Skycastle Homes
Location: Boulder, CO, United States
This LEED Platinum certified modern farmhouse is our first “regenerative home,” producing more energy than it consumes. This 3,900 s.f. custom home uses passive solar design, 10.2kW of solar photovoltaics, a ground source heat pump, double wall well-insulated exterior envelope, high performance doors and windows, to achieve a HERS negative 8 rating and Energy Star v.3.0 certification. The interior has low-VOC finishes and custom built-in FSC-certified wood and beetle kill pine cabinets throughout. The site is designed to be very low water use, incorporating permaculture and urban farming, with raised planting beds and a passive solar chicken coop/greenhouse. What makes this project special is its combination of extraordinary sustainability with conventionally attractive, cost-effective design tailored to the owner’s needs.

The kitchen area is dramatically transformed to fit the needs of the owner―clean lines, open spaces, natural light, use of healthy materials and Energy Star rated appliances. FSC-certified, formaldehyde-free lumber is used throughout the house. Cabinets are carefully constructed to maintain the wood pattern of the walls and floors creating a unified look.
Project designer: Sherry Williamson
Architect: Andrew Mann Architecture
Landscape Architect: Scott Lewis Landscape Architecture
David Wakely Photography

Flooring by Shaw Industries, Foundations Collection
Living room - contemporary living room idea in Atlanta
Living room - contemporary living room idea in Atlanta

Design: Joni L. Janecki & Associates
Photo: Margot Hartford © 2015 Houzz
This is an example of a mediterranean landscaping in San Francisco.
This is an example of a mediterranean landscaping in San Francisco.

The 'before' shot of this period home covered in lead based paint that we stripped off.
Inspiration for a timeless exterior home remodel in Seattle
Inspiration for a timeless exterior home remodel in Seattle
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