Example of a transitional single-wall dark wood floor and brown floor home bar design in New York with shaker cabinets, gray cabinets, mirror backsplash and white countertops

Enclosed dining room - mid-sized transitional brown floor and dark wood floor enclosed dining room idea in New York with multicolored walls and no fireplace

Main floor, kitchen, and dining remodel plus addition replacement by Minneapolis / St. Paul-based McDonald Remodeling. See more examples of our work and learn more at www.mcdonaldremodeling.com

Matthew Millman
Photo of a large transitional garden path in San Francisco.

Classic custom project featuring rift-sawn white oak cabinetry and millwork. Home Builder, J. Pinelli; © Casey Dunn Photography
Large trendy u-shaped open concept kitchen photo in Austin with an undermount sink, flat-panel cabinets, light wood cabinets and stainless steel appliances

The highlight of this bathroom is the color block tile design on the shower walls. The top 2/3 of the walls are clad in bold emerald green subway tiles laid in a simple vertical soldier stack pattern while the bottom third are in a lovely white subway tile in a horizontal soldier stack pattern. The ceramic tiles are simple yet color blocking created a dramatic effect. In order to keep the green tile as the hero in this space, we kept the color palette minimal. White and gold finishes, such as the white marble mosaic floors and Kohler brass plumbing fixtures, accent the green tiles beautifully without competing.

Jim Wilson
Example of a transitional l-shaped medium tone wood floor and brown floor kitchen design in Dallas with a farmhouse sink, recessed-panel cabinets, black cabinets, white backsplash, mosaic tile backsplash, stainless steel appliances, an island and white countertops

This is a compact, pre-war urban parlor handled with the confidence of a much larger room, and its success rests on a disciplined negotiation between rectilinear architecture and curvilinear furnishings. The volume is defined by two competing datum lines: a substantial dropped beam and soffit bridging the left-hand window wall, and the crisp stepped architrave of the fireplace surround opposite, which projects into the room as the primary architectural event. That mantel—executed in tiered, chamfered planes with a shallow reveal and a honed black stone hearth extending as a cantilevered shelf—reads as a stripped-classical or Art Deco–inflected aedicule, its symmetry anchoring the seating plan. Circulation is organized on a diagonal: the long axis established by the low, tight-back sofa beneath the fenestration is intercepted by the oval mahogany cocktail table, whose ellipse dissolves the room's orthogonal grid and permits comfortable passage on all sides. Sightlines are deliberately layered—the gilt mirror above the mantel captures a reflected register of the opposing wall's cornice, drapery, and framed art, effectively doubling the perceived depth of the plan and admitting borrowed light. The furniture is uniformly low-slung, an intentional strategy that preserves headroom and visually raises the ceiling plane, while the exposed leg profiles (turned casters, tapered mahogany posts, square-section table legs) keep the floor plane continuous and the composition buoyant rather than freighted. The palette is a masterclass in tonal modulation within a narrow chromatic band—warm ivory plaster walls with a faintly pinkish undertone provide the neutral ground against which a family of golds, ochres, and honeyed camels is arranged in ascending saturation. The sofa's cut velvet in a deep saffron-caramel is the room's chromatic keystone, echoed in the club chair at right and moderated by two temperature-shifting accents: sage and moss velvet cushions that introduce a cool, desaturated counterpoint, and a damask-woven celadon slipper chair with matching ottoman whose subtle jacquard relief supplies pattern without noise. Textiles are stratified by pile depth and light response—the matte, slightly slubbed linen of the box-pleated pelmet and floor-length panels absorbs light, while the velvets refract it, producing that characteristic gilded bloom along the seat rolls and cushion edges. Against these soft goods, the designer sets three hard, contrasting registers: the French-polished mahogany table, whose figured, mirror-like top functions as a horizontal reflector; the water-gilded, deeply carved acanthus mirror frame, its burnished high points offering the room's only true metallic brilliance; and the patinated bronze bulldog andirons and blackened firebox, which supply necessary chromatic weight. Underfoot, a coarse woven sisal or seagrass rug provides the essential textural antithesis—dry, granular, and vernacular—as do the loose-woven rush baskets flanking the window, grounding the room's refinement in something agrarian and unpretentious. Daylighting is generous but rigorously controlled: the twin windows are filtered through translucent roller blinds that diffuse direct sun into an even, high-key wash, and the pelmet with its softly gathered box pleats crops the aperture to conceal hardware and reinforce the horizontal. The result is a luminous, almost overexposed north-facing quality along the left flank that gradates into softer shadow at the hearth wall—a chiaroscuro that gives the room its sense of depth and repose. Artificial illumination is deliberately architectural and understated rather than decorative: a swing-arm picture light above the abstract framed work at left, a second slim picture light on the return wall, and an articulating chrome task/floor lamp with a polished conical shade positioned to serve the reading corner. Notably, there is no central fixture; the strategy is entirely peripheral and layered, calibrated for evening intimacy at cushion height. Stylistically, the room synthesizes into what one might call Restrained American Traditionalism, or more precisely a Warm Modern Classicism—the vocabulary of a New York or London town-house drawing room, edited of clutter and pattern, retaining the ceremonial gestures (gilt overmantel mirror, tailored drapery, symmetrical hearth) while adopting modernist restraint in silhouette, chromatic economy, and the absence of ornament on the case goods. The reference points span Deco, Regency, and mid-century upholstery forms, yet the assembly feels neither eclectic nor historicist. It is, instead, a quietly authoritative interior—luxurious in material and light, ascetic in gesture, and calibrated for daily habitation rather than display.

**I. Spatial Composition & Architectural Volume** This interior operates on a strategy of framed extension, in which the room's perceived volume is borrowed from the garden beyond rather than asserted through internal grandeur. The composition is governed by a rigorous orthogonal discipline: a full-height sliding glazing system, set within a deep oak-lined reveal, functions as both aperture and proscenium, its slender mullions dividing the exterior into a triptych of vegetal planes. The generous depth of that reveal — expressed as a substantial threshold plinth and continuous jamb casing — reads less as trim than as tectonic gesture, giving weight and thickness to the enclosure and reinforcing the sense of a pavilion pressed against a green wall. To the left, a floor-to-ceiling pocketing door of book-matched, quarter-sawn oak establishes a monolithic vertical counterpoint, its recessed flush pull the only interruption of an otherwise uninflected plane; the shallow return of the wall beyond it creates a compressed entry sequence that releases into the primary volume. The flat, shadowless plaster ceiling maintains a neutral lid over the composition, while the furniture plan is deliberately low-slung and horizontal — a deep sectional set parallel to the glazing, a leather-topped ottoman, and a low occasional table — so that no element rises to compete with the sightline. Circulation is implied along the wall's edge, funnelling toward the terrace and its al fresco dining vignette, which acts as the room's terminal focal point and extends the interior axis outward. **II. Materiality, Color & Texture** The palette is a study in low-contrast tonal layering, calibrated within a narrow band of warm neutrals and animated almost entirely by the saturated chlorophyll green of the ivy screen. Rift-cut white oak, finished in a matte oil that reveals rather than glosses its medullary figure, provides the room's structural warmth — appearing in the joinery, the window surround, and the herringbone parquet, whose fine chevron rhythm introduces a subtle graphic pattern at foot level. Walls are treated in what appears to be a woven grasscloth or linen-effect wallcovering in a pale oatmeal tone, its faint horizontal striation catching raking light and lending textile softness to the perimeter. Against this, the seating is upholstered in a tightly woven, undyed linen-cotton blend with a biscuit-tufted seat platform, its slubbed irregularity a deliberate foil to the precision of the millwork. The cushion program provides the composition's only chromatic incident: an indigo-ground ikat or *kasuri* resist-dyed weave, with its blurred weft-broken banding, paired with a heavier blanket-stitched wool in glaucous blue-grey and buff stripes. Underfoot, a hand-knotted silk-and-wool rug in slate and mineral grey carries an attenuated ogee lattice, its lustrous pile providing cool relief beneath the warmer wood tones. The plinth-mounted travertine or reconstituted-stone planter — matte, porous, faintly chalky — and the honed grey stone paving beyond introduce lithic gravity, balancing the prevailing softness with a mineral edge. **III. Lighting, Atmosphere & Style Profile** Illumination here is almost entirely diurnal and indirect: north-oriented or hedge-filtered daylight arrives diffuse and green-cast, washing the space in a soft, even luminance that suppresses hard shadow and privileges texture over drama. The ivory sheer, hung on a discreet recessed track, tempers glare while retaining silhouette legibility, and the adjacent pinch-pleated overdrape in a taupe-bronze silk-blend — with its subtle vertical striation and slight sheen — offers the option of full blackout while contributing a note of drapery-weight formality. Artificial sources are conspicuously concealed; no decorative fixture interrupts the ceiling plane, implying a scheme of recessed low-glare downlights or perimeter cove washing designed to sustain the daytime ambience after dusk. The resulting atmosphere is one of composed reticence — quiet, tactile, and deeply oriented toward the garden. Stylistically, the project synthesises Japandi restraint (the pocketing timber plane, the shadow-gap detailing, the reverence for the framed view) with the material sensuality and drapery conventions of European Soft Modernism, yielding a warm minimalism in which luxury is communicated through joinery tolerance, textile hand, and the disciplined editing of the palette rather than through ornament or statement furniture. It is an interior conceived as a calm neutral ground — an armature for light, landscape, and the slow accretion of daily life.

Casey Dunn
Bathroom - contemporary white tile and subway tile bathroom idea in Austin with an undermount sink, flat-panel cabinets and gray cabinets

Example of a mid-sized transitional l-shaped light wood floor eat-in kitchen design in Seattle with an undermount sink, glass-front cabinets, quartz countertops, gray backsplash, ceramic backsplash, stainless steel appliances, an island and white countertops

Inspiration for a contemporary living room remodel in Minneapolis

Example of a french country family room design in DC Metro

Photo: Mina Brinkey © 2014 Houzz
Example of a beach style living room design in Miami with white walls

The in-law suite kitchen could only be in a small corner of the basement. The kitchen design started with the question: how small can this kitchen be? The compact layout was designed to provide generous counter space, comfortable walking clearances, and abundant storage. The bold colors and fun patterns anchored by the warmth of the dark wood flooring create a happy and invigorating space. SQUARE FEET: 140

"I cannot say enough good things about the Innovative Construction team and work product. They remodeled our water-damaged, 1930s basement, and exceeded all of our expectations - before and after photos simply cannot do this project justice. The original basement included an awkward staircase in an awkward location, one bedroom, one bathroom, a kitchen and small living space. We had a difficult time imagining that it could be much more than that. Innovative Construction's design team was creative, and thought completely out of the box. They relocated the stairwell in a way we did not think was possible, opening up the basement to reconfigure the bedroom, bathroom, kitchenette, living space, but also adding an office and finished storage room. The end result is as functional as it is beautiful. As with all construction, particularly a renovation of an old house, there will be inconveniences, it will be messy, and plenty of surprises behind the old walls. The Innovative Construction team maintained a clean and safe work site for 100% of the project, with minimal disruption to our daily lives, even when there was a large hole cut into our main living room floor to accommodate new stairs down to the basement. The team showed creativity and an eye for design when working around some of the unexpected "character" revealed when opening the walls. The team effectively uses technology to keep everyone on the same page about changes, requests, schedules, contracts, invoices, etc. Everyone is friendly, competent, helpful, and responsive. I felt heard throughout the process, and my requests were responded to quickly and thoroughly. I recommend Innovative Construction without reservation."

"I cannot say enough good things about the Innovative Construction team and work product. They remodeled our water-damaged, 1930s basement, and exceeded all of our expectations - before and after photos simply cannot do this project justice. The original basement included an awkward staircase in an awkward location, one bedroom, one bathroom, a kitchen and small living space. We had a difficult time imagining that it could be much more than that. Innovative Construction's design team was creative, and thought completely out of the box. They relocated the stairwell in a way we did not think was possible, opening up the basement to reconfigure the bedroom, bathroom, kitchenette, living space, but also adding an office and finished storage room. The end result is as functional as it is beautiful. As with all construction, particularly a renovation of an old house, there will be inconveniences, it will be messy, and plenty of surprises behind the old walls. The Innovative Construction team maintained a clean and safe work site for 100% of the project, with minimal disruption to our daily lives, even when there was a large hole cut into our main living room floor to accommodate new stairs down to the basement. The team showed creativity and an eye for design when working around some of the unexpected "character" revealed when opening the walls. The team effectively uses technology to keep everyone on the same page about changes, requests, schedules, contracts, invoices, etc. Everyone is friendly, competent, helpful, and responsive. I felt heard throughout the process, and my requests were responded to quickly and thoroughly. I recommend Innovative Construction without reservation."

A perfect little seating area next to a heritage orange tree.
Design ideas for a large traditional full sun backyard gravel vegetable garden landscape in San Francisco for spring.

"I cannot say enough good things about the Innovative Construction team and work product. They remodeled our water-damaged, 1930s basement, and exceeded all of our expectations - before and after photos simply cannot do this project justice. The original basement included an awkward staircase in an awkward location, one bedroom, one bathroom, a kitchen and small living space. We had a difficult time imagining that it could be much more than that. Innovative Construction's design team was creative, and thought completely out of the box. They relocated the stairwell in a way we did not think was possible, opening up the basement to reconfigure the bedroom, bathroom, kitchenette, living space, but also adding an office and finished storage room. The end result is as functional as it is beautiful. As with all construction, particularly a renovation of an old house, there will be inconveniences, it will be messy, and plenty of surprises behind the old walls. The Innovative Construction team maintained a clean and safe work site for 100% of the project, with minimal disruption to our daily lives, even when there was a large hole cut into our main living room floor to accommodate new stairs down to the basement. The team showed creativity and an eye for design when working around some of the unexpected "character" revealed when opening the walls. The team effectively uses technology to keep everyone on the same page about changes, requests, schedules, contracts, invoices, etc. Everyone is friendly, competent, helpful, and responsive. I felt heard throughout the process, and my requests were responded to quickly and thoroughly. I recommend Innovative Construction without reservation."