Koondoola Community Centre Project Year: 2016 Project Cost: $ 4M Country: Australia AIA Awards Finalist, this development consists of a new community centre and upgrade of a local AFL oval, tennis courts, floodlights, and new sports amenities. The community centre buildings form around existing native trees to avoid cutting. The facilities provide an innovative environmentally sustainable development focusing on passive climate control, longevity, low maintenance costs, and low energy/water consumption. The buildings function as a live organism: they breathe in and out with automatic sensor-controlled louvres around the building fabrics interconnected to the air conditioning system through a smart control hub. This results in natural airflow, temperature control, and significantly reduced need for the use of air conditioners. All materials are naturally exposed both internally and externally with no touch up finishes, resulting in a significant reduction in capital costs and operational costs.

The Science of Light and Learning To understand the relationship between lighting and learning, it’s critical to grasp the concept of correlated colour temperature (CCT). CCT refers to the warmth or coolness of light, measured in Kelvin (K). Lower CCTs (around 3000K) provide a warm, cosy atmosphere, while higher CCTs (5000K or above) emit a cool, daylight-like glow. Studies have shown that cool white light, which mimics natural daylight, can increase alertness and mood, contributing to improved cognitive performance. LED lighting, with its ability to produce this desired CCT, makes an ideal choice for educational settings. LED Lighting: Brightening the Future of Education Energy Efficiency and Cost Effectiveness One of the main advantages of LED lighting is its energy efficiency. Traditional lighting solutions like fluorescent and incandescent bulbs consume much more energy to produce the same amount of light as LEDs, which is not only environmentally harmful but also financially costly. Switching to LED lights can result in substantial cost savings for schools, enabling them to redirect funds to other critical areas of education. Durability and Longevity LED lights are renowned for their durability and longevity. They have a significantly longer lifespan compared to conventional lights, which means less frequent replacement and reduced maintenance costs. This durability also minimises disruptions caused by light failure, providing a consistent, well-lit learning environment. Improved Visibility and Reduced Eye Strain With their superior colour rendering index (CRI), LED lights render colours more accurately, leading to improved visibility. This is particularly beneficial in educational settings, where activities often require distinguishing fine details and colours. LED lights also emit less glare than traditional lighting solutions, reducing eye strain and fatigue. This can lead to better concentration and increased comfort for both students and teachers. Incorporating LED Lighting in Classrooms: Practical Considerations When transitioning to LED lighting in classrooms, a few key factors need to be taken into account. Firstly, the lighting design should ensure an even distribution of light, preventing shadowy or overly bright spots that could distract or discomfort students. Secondly, the integration of dimming capabilities can provide flexibility, allowing educators to adjust the lighting level based on the task at hand. Finally, lighting controls can be used to take advantage of natural light, automatically dimming or turning off the LEDs when sufficient daylight is present. Conclusion: The Bright Promise of LED Lighting in Education As education systems continue to evolve, it’s imperative to keep sight of the physical factors that significantly impact learning, one of which is lighting. LED technology, with its myriad benefits, offers an innovative and effective way to enhance the quality of lighting in classrooms. By prioritising investments in such improvements, we can take a significant step towards creating an optimised learning environment that nurtures the educational success of future generations.

Boston Bathroom Remodeling
Inspiration for a mid-sized contemporary kids' multicolored tile porcelain tile tub/shower combo remodel in Boston with shaker cabinets, an undermount tub, a one-piece toilet, green walls, an undermount sink, quartz countertops and brown cabinets

CHEHALIS NW CONTEMPORARY RAMBLER Are you ready to start your project? We look forward to working with you on your next remodel or new custom built home, from the design process through construction and delivery. Book a service with us! Consultations, Property Research and Project Consultations, Permit Set, Pierce County Site Visit, Washington State Project Design Review. Indoor, outdoor, and all general construction contracting services! All other services, we have got you covered! DCS BUILT: Contact Us https://dcsbuilt.com/contact-us Exterior, Porch, Structural, Concrete construction, Driveway, Concrete patio, Bedroom Additions, Square Footage, Custom Flatwork, remodel, renovate, near me, Electrical, Plumbing, Mechanical, Upgrades, Roofing, Paint, Windows, Doors, Finishing, Trim, Stairway, Framing, Existing, New Addition, fascia, siding, HVAC, fence contractor, fence company near me, fence company, fence installation near me, fence builders, fence installers, local, near me, deck company, house lift company, house foundation leveling, foundation repair, beam repair, flexural repair, non-destructive testing, repair materials, repeated loading, reinforce beam, structural beam repair near me, structural support, structural support jacks, beam support, floor joist repair, beam replacement, remodeler, bathroom renovation, kitchen renovation, new kitchen cost, bathroom remodelers, kitchen remodelers, bathroom designer, bathroom remodel, basement remodeling, cost to finish, basement finishing, deck builders near me, plumber near me, electrician near me, hvac near me, flooring near me, roofing near me, framing near me, carpentry near me, structural repair. Residential, exterior, installation, install, Development, Permits, Exterior, custom, deck, rafters, soffit, fascia, new, existing, rafter, beam, brace, post, anchor, carpentry, framing, load, truss, purlin, tie down, joist, hanger, support, sub frame, refinish, update, renovate, remodel, paint, before, after, railing, stairway, tread, step, sturdy, structure Interior, Kitchen, Tiling Shower and tub, Glass Door, Cabinets, Vanity, Finishing Trim, Moulding and Millwork, Granite countertop, Quartz, butcher block, Epoxy Resin, Fixtures, Lighting, HVAC, Appliances, Additional Closet Space, Hot water Heater, interior design, elevations, floor plan, permit plan, construction, remodel, bedroom, bathroom, hallway Exterior Custom Covered Porch Steel Posts Structural Concrete construction Driveway Concrete patio Bedroom Additions Adding Square Footage Custom Flatwork Tongue and Groove Electrical Plumbing Mechanical Upgrades Roofing Paint Windows French Doors Finishing Trim stone pillar railing front entry custom addition Stairway Anderson Island, Vashon Island, Mcneil Island, Washington, Puget Sound, Key Peninsula, Gig Harbor, University Place, Lakewood, Steilacoom, Long Branch, Fort Lewis, Fox Island, Mcchord, Olympia, Shelton, Belfair, Pierce County, King County, Sumner, Puyallup, South Hill, Edgewood, Auburn, Enumclaw, Federal Way, Parkland, Graham, Spanaway, Eatonville, Covington, Elk Plain, Tacoma, Kent, Lakewood, Maple Valley, Des Moines, Auburn, Issaquah, New Castle, Tukwilla

"TaylorPro remodeled our kitchen, replacing cabinets, countertops and appliances. Keeping with the same footprint of our original kitchen and keeping our original travertine floors, Kerry Taylor helped us select a palette of rich, natural colors and materials--mocha-maple glazed cabinets, handsome granite and polished travertine backsplash tiles--to create a warm and beautiful new kitchen. He offered excellent design suggestions for placements of cabinetry and appliances. He recommended and implemented window trim enhancements as well as paint color and lighting design that brought the kitchen and attached family room together with a modern and very warm look. He created a rich, textured backsplash behind the stovetop that enhances the modern stainless steel vent hood. We couldn't be more pleased with the character and design of the kitchen and family room suite. To begin with, Kerry gave us a detailed estimate covering the likely costs of labor, cabinetry, granite, tile backsplash, construction materials and appliances. His estimate for labor, granite and tile turned out to be ""spot-on"" accurate. Much to our surprise, for example, the granite slabs we selected from Daltile turned out to be exactly the price Kerry had estimated when evaluating the level of materials we would likely install in our kitchen. Kerry kept to his original labor costs, to the penny. Each week, he provided us with an invoice that showed, in percentages, exactly how much labor had been performed that week and how much remained to be done in future weeks. The amounts he charged each week for his labor were exact percentages of the amount of labor his crew had performed to that point. Though these invoices invited us to do a little math to confirm the accuracy of these percentages, Kerry's figures were consistently accurate. The only categories in which Kerry's original estimate did not conform to the actual costs were in the areas of supplies from Home Depot (needed for the remodeling) and supplies from paint and hardware stores (needed for painting). These materials ended up costing somewhat more that Kerry had estimated. However, Kerry did provide us with receipts for all of these supplies. Kerry's cabinet man, Jerry, made a very workable design using pre-fabricated cabinets; he then customized the sizes of at least half of these cabinets to conform to the requirements of the center island, cooktop and pantry spaces. We are very happy with the quality of the cabinets. We found the installation expertise of Jerry's installer, Gil, to be top-rate. His installation achieved a custom look and all the cupboards and drawers worked flawlessly. Kerry's crew, Jake, Randall and Kevin, were great guys to have on site. They respected our property (and our dog) and possessed both skill and integrity. They arrived daily at the time they specified and worked tirelessly to achieve what they set out to do. We couldn't have been happier with their work. Kerry was on site frequently to supervise and coordinate their work and the work of subcontractors. The project went quickly and efficiently, and the final result was outstanding. We recommend TaylorPro very highly." ~ Judy & Ron C, Clients Photo By: Kerry W. Taylor

Joseph Eichler developed his moderately priced houses for the mass-market starting in 1949. His homes were designed using affordable materials and simple construction techniques. Nearly 70 years later these homes are in need of updating and remodeling an Eichler home today can become an imposing and costly project if you’re not careful. For this project the clients, who had undergone several previous house renovations, were determined to stick with an established budget from the beginning. Klopf Architecture helped them modernize their Eichler with a premium appearance on a reasonable budget. The clients challenged the Klopf team to create a design that had a high-end feel and nicely done while adhering to their budget. That meant not all of the initial project scope could be built. Like many other Eichler homes, the original floor plan did not meet the family’s needs leaving them feeling disconnected from one room to another. While an early goal was to expand the house into a carport and create a larger garage, it did not survive the contractor pricing phase of the project. The goals that did survive through to the end of the project included blurring some of the boundaries and opening up some of the spaces, making them more functional and creating a smoother flow in the house. The Klopf team joined the former separate kitchen and formal living room into one large space and shift the dining room where it is now connected to the kitchen. Klopf swapped the family room to the front alongside the living room, so the spaces feel more cohesive and are now better suited for family activities. The functional layout of the master bathroom was changed to include a large, curbless shower. Installing a complete IKEA kitchen including cabinets, countertops, appliances, light fixtures, and furnishings was key to staying within budget. Bath fixtures in this house are also exclusively IKEA. Klopf Architecture has designed many homes using IKEA products, which are quite compatible offering an affordable, contemporary take on Eichler homes. The clients saved additional money from the simplicity and availability of IKEA products and by orchestrating the orders and purchases themselves. Following each construction meeting, the clients would make a run to IKEA and purchase items, pick up needed spare parts, and bring them back right away to stay ahead of the contractor’s schedule and minimize the chance of delays and bottlenecks. Klopf balanced material selections by retaining some of the original woodwork and simply refinishing the mahogany paneling. They were able to retain the original windows and sliding doors which were still in good shape, avoiding some of the most costly replacement expenses. Additionally interior doors were simply refinished and the exterior siding cleaned up and repainted. Formerly dark interiors are now illuminated with new slimmer semi-recessed lighting eliminating the need for costly roof work. Attention to design details allowed the Klopf team to ensure the house ended up with a high quality feel. Key visual elements were strictly aligned and Klopf worked with the clients to select a unified materials palette throughout the spaces so the house flows seamlessly together. Aligning the tile layout with the trusses and keeping it level with the concrete slab outside allowed them to achieve a level of quality that may otherwise be missed. The clients were able to keep their budget on track by determining clear goals and making critical decisions upfront, choosing materials and furnishings wisely, working with the right design and construction teams in place and to a large part, their willingness to participate throughout the process. In the end the clients were much happier with their reconfigured Eichler home and Klopf Architecture managed to keep their remodeling costs to about $325/sf – a good amount below the average Bay Area Eichler remodel. Project Team: John Klopf, Angela Todorova, Sherry Tan Contractor: Keycon Construction Structural Engineer: Sezen & Moon Photography: Sabrina Huang Year Completed: 2020

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units. 330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans. The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates. Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality; Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city. To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside. We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building. Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique. It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space. All images by KURV Architecture ©

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units. 330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans. The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates. Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality; Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city. To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside. We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building. Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique. It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space. All images by KURV Architecture ©

Joseph Eichler developed his moderately priced houses for the mass-market starting in 1949. His homes were designed using affordable materials and simple construction techniques. Nearly 70 years later these homes are in need of updating and remodeling an Eichler home today can become an imposing and costly project if you’re not careful. For this project the clients, who had undergone several previous house renovations, were determined to stick with an established budget from the beginning. Klopf Architecture helped them modernize their Eichler with a premium appearance on a reasonable budget. The clients challenged the Klopf team to create a design that had a high-end feel and nicely done while adhering to their budget. That meant not all of the initial project scope could be built. Like many other Eichler homes, the original floor plan did not meet the family’s needs leaving them feeling disconnected from one room to another. While an early goal was to expand the house into a carport and create a larger garage, it did not survive the contractor pricing phase of the project. The goals that did survive through to the end of the project included blurring some of the boundaries and opening up some of the spaces, making them more functional and creating a smoother flow in the house. The Klopf team joined the former separate kitchen and formal living room into one large space and shift the dining room where it is now connected to the kitchen. Klopf swapped the family room to the front alongside the living room, so the spaces feel more cohesive and are now better suited for family activities. The functional layout of the master bathroom was changed to include a large, curbless shower. Installing a complete IKEA kitchen including cabinets, countertops, appliances, light fixtures, and furnishings was key to staying within budget. Bath fixtures in this house are also exclusively IKEA. Klopf Architecture has designed many homes using IKEA products, which are quite compatible offering an affordable, contemporary take on Eichler homes. The clients saved additional money from the simplicity and availability of IKEA products and by orchestrating the orders and purchases themselves. Following each construction meeting, the clients would make a run to IKEA and purchase items, pick up needed spare parts, and bring them back right away to stay ahead of the contractor’s schedule and minimize the chance of delays and bottlenecks. Klopf balanced material selections by retaining some of the original woodwork and simply refinishing the mahogany paneling. They were able to retain the original windows and sliding doors which were still in good shape, avoiding some of the most costly replacement expenses. Additionally interior doors were simply refinished and the exterior siding cleaned up and repainted. Formerly dark interiors are now illuminated with new slimmer semi-recessed lighting eliminating the need for costly roof work. Attention to design details allowed the Klopf team to ensure the house ended up with a high quality feel. Key visual elements were strictly aligned and Klopf worked with the clients to select a unified materials palette throughout the spaces so the house flows seamlessly together. Aligning the tile layout with the trusses and keeping it level with the concrete slab outside allowed them to achieve a level of quality that may otherwise be missed. The clients were able to keep their budget on track by determining clear goals and making critical decisions upfront, choosing materials and furnishings wisely, working with the right design and construction teams in place and to a large part, their willingness to participate throughout the process. In the end the clients were much happier with their reconfigured Eichler home and Klopf Architecture managed to keep their remodeling costs to about $325/sf – a good amount below the average Bay Area Eichler remodel. Project Team: John Klopf, Angela Todorova, Sherry Tan Contractor: Keycon Construction Structural Engineer: Sezen & Moon Photography: Sabrina Huang Year Completed: 2020

Bathroom - modern bathroom idea in Los Angeles

Are you searching for the best home elevator companies near me? Whether you need an elevator for accessibility, luxury, or future-proofing your home, finding a reliable provider is crucial. With many options available, selecting the right residential lift elevator company can be overwhelming. This guide will help you discover top home elevator companies near me, factors to consider, and how to choose the best residential elevator for your needs.

"TaylorPro remodeled our kitchen, replacing cabinets, countertops and appliances. Keeping with the same footprint of our original kitchen and keeping our original travertine floors, Kerry Taylor helped us select a palette of rich, natural colors and materials--mocha-maple glazed cabinets, handsome granite and polished travertine backsplash tiles--to create a warm and beautiful new kitchen. He offered excellent design suggestions for placements of cabinetry and appliances. He recommended and implemented window trim enhancements as well as paint color and lighting design that brought the kitchen and attached family room together with a modern and very warm look. He created a rich, textured backsplash behind the stovetop that enhances the modern stainless steel vent hood. We couldn't be more pleased with the character and design of the kitchen and family room suite. To begin with, Kerry gave us a detailed estimate covering the likely costs of labor, cabinetry, granite, tile backsplash, construction materials and appliances. His estimate for labor, granite and tile turned out to be ""spot-on"" accurate. Much to our surprise, for example, the granite slabs we selected from Daltile turned out to be exactly the price Kerry had estimated when evaluating the level of materials we would likely install in our kitchen. Kerry kept to his original labor costs, to the penny. Each week, he provided us with an invoice that showed, in percentages, exactly how much labor had been performed that week and how much remained to be done in future weeks. The amounts he charged each week for his labor were exact percentages of the amount of labor his crew had performed to that point. Though these invoices invited us to do a little math to confirm the accuracy of these percentages, Kerry's figures were consistently accurate. The only categories in which Kerry's original estimate did not conform to the actual costs were in the areas of supplies from Home Depot (needed for the remodeling) and supplies from paint and hardware stores (needed for painting). These materials ended up costing somewhat more that Kerry had estimated. However, Kerry did provide us with receipts for all of these supplies. Kerry's cabinet man, Jerry, made a very workable design using pre-fabricated cabinets; he then customized the sizes of at least half of these cabinets to conform to the requirements of the center island, cooktop and pantry spaces. We are very happy with the quality of the cabinets. We found the installation expertise of Jerry's installer, Gil, to be top-rate. His installation achieved a custom look and all the cupboards and drawers worked flawlessly. Kerry's crew, Jake, Randall and Kevin, were great guys to have on site. They respected our property (and our dog) and possessed both skill and integrity. They arrived daily at the time they specified and worked tirelessly to achieve what they set out to do. We couldn't have been happier with their work. Kerry was on site frequently to supervise and coordinate their work and the work of subcontractors. The project went quickly and efficiently, and the final result was outstanding. We recommend TaylorPro very highly." ~ Judy & Ron C, Clients Photo By: Kerry W. Taylor

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units. 330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans. The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates. Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality; Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city. To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside. We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building. Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique. It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space. All images by KURV Architecture ©

kitchen floors with dark custom stamped concrete
Eat-in kitchen - mid-sized traditional eat-in kitchen idea in Minneapolis with white cabinets, gray backsplash, cement tile backsplash, black appliances and an island

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units. 330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans. The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates. Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality; Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city. To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside. We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building. Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique. It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space. All images by KURV Architecture ©

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units. 330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans. The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates. Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality; Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city. To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside. We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building. Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique. It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space. All images by KURV Architecture ©

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units. 330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans. The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates. Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality; Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city. To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside. We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building. Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique. It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space. All images by KURV Architecture ©

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