This Pink Cristallo Quartzite is certainly the belle of the ball – rare, luxurious, and full of color. The stone appears quite delicate with its rosy hue “marred” by the unique pattern left by the dark veins scrawled across the surface. Elegance still reigns, thanks to the patches of white quartz. 2CM Quartzite slabs w/ polished finish, custom finishes available upon request. Call for Inventory 00026

This dining room operates as a processional volume, choreographed along a deep axial sightline that terminates not in a wall but in a garden — an ivy-clad plane of green glimpsed through full-height glazing. The architecture is fundamentally additive rather than decorative: a coffered, stepped ceiling plane with recessed reveal channels floats above the seating zone, its subtle datum lines describing a rectangular "room within a room" that anchors the table without recourse to enclosing partitions. Flanking this central passage, two millwork pylons — one clad in pale limed oak on the right, one in a fine bone-toned wallcovering on the left — function as vestigial pilasters, compressing the entry threshold before releasing into the loftier dining volume. The floor reinforces this directionality through a wide-plank chevron parquet laid on the primary axis, its herringbone rhythm accelerating the eye toward the terrace. The furniture plan is deliberately non-orthogonal: an elongated oval table on twin cylindrical pedestals softens the room's rectilinear discipline, while the loosely arrayed chairs break parade-ground symmetry in favor of a more inhabited, gestural composition. Deep-set corner windows and a low banquette-height sill with integrated casework at left introduce a secondary spatial episode, a quieter alcove that relieves the room's axial insistence. ## II. Materiality, Color & Texture The palette is a study in warm neutrality calibrated across a narrow tonal band, with contrast delivered through texture rather than hue. The foundational register is greige-to-oatmeal: floor-to-ceiling drapery in a heavy, densely gathered linen falls in pin-sharp cartridge pleats, its matte drape absorbing light and softening the glass wall's hard geometry. Against this, the dining chairs are upholstered in a slubbed, striated fabric — likely a raw silk or abaca-like bast fiber — whose horizontal grain reads almost as bark, and which is set in taut opposition to the ebonized, tapered hardwood frames in the Italian mid-century idiom of Gio Ponti or Ico Parisi. The tabletop, a mottled verdigris-and-bronze stone or fossilized surface, introduces the room's only earth-toned saturation, echoed by the burl-and-walnut plinth supporting a slender fluted bronze sculpture. The oak millwork is limed and open-grained, deliberately dry and tactile beside the high-polish patinated brass of the pendant. Underfoot, a hand-knotted silk rug in cloud-grey with charcoal ombré edges introduces atmospheric perspective — a painterly gradient that dematerializes the floor plane. Chromatic release arrives entirely from two sources: the framed abstract expressionist canvas at right, with its viridian, cobalt and violet gestural detonations, and the living wall of ivy beyond the glass. Both function as color events, not color schemes. ## III. Lighting, Atmosphere & Style Profile Daylight is the primary luminaire here, entering as a broad, north-soft wash through the terrace glazing and diffused further by the ivy screen, which acts as a natural lambrequin filtering glare into a cool, even green-tinted light. Artificial sources are deployed sculpturally rather than functionally: the pendant — a folded, petal-form composition of smoked glass and patinated metal — reads as a suspended object of art, throwing a warm downward pool onto the table while its dark bronze silhouette provides essential visual weight against the white ceiling. Wall-mounted alabaster sconces bracket the room at both thresholds, their translucent stone glowing with a low-lumen, candle-adjacent warmth that establishes perimeter intimacy after dusk. The resulting atmosphere is serene, curated and quietly patrician — a room engineered for extended conversation rather than display. Stylistically, the project synthesizes a **contemporary Soft Minimalism** with a strongly collected **Mid-Century Italian** sensibility: the restraint of the architectural envelope and monochromatic textile program provides a gallery-like neutral ground, upon which a small number of high-character objects — the sculptural pendant, the Ponti-esque seating, the abstract canvas, the exterior stone sculpture — perform as museum-grade punctuation. It is an interior that achieves luxury through material integrity and negative space rather than ornament.

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PHOTO CREDIT ... INTERIOR DESIGN BY: Pierre Jean-Baptiste Interiors, Ltd. © All rights reserved SOURCE GUIDE ROOM ITEMS Sofa:Paul Robert Vaughn 671-3860-80 | Theater Chairs: by Pierreji.com | Wallpaper: Phillip Jeffries 8202 | Carpeting: Shaw floors Coatbridge 00551 | Theater Platform: Custom by Pierreji.com | Wall Paint: Sherwin Williams SW 7066 | Soffit Wall Paint: Sherwin Williams SW 7068 | Wall Sconces: Justice Design Group MSH-8911 | Ceiling Strips: Reclaimed Pine by Pierreji.com | Curtains: Custom velvet fabricated by Pierreji.com | TV: Samsung 74” curved QN75Q8CAMFXZA | Wall Molding: Smoot Lumber Ogee 11/16” |

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This very tiny + outdated kitchen was begging for a fix me up. So we gave it just what it was asking for and we gutted it down to the bare bones and started fresh. A new functional open concept layout, much larger working triangle and massive amount of work space gave this kitchen the love it needed. We opted for no uppers on half of the kitchen to get a slight Scandinavian vibe and a nice neutral slate to keep it timeless and ready to flow with the rest of the home.