Search results for "Diffuser" in Home Design Ideas
Neumann & Rudy ArchitectureThis is a quintessentially urban prewar-into-modern hybrid: a broad, laterally organized reception room whose principal architectural gesture is the corner glazing that dissolves two walls into a panoramic register of treetops and distant skyline. The plan reads as a series of soft, overlapping conversational precincts rather than a single axial arrangement — a pair of swivel-capable lounge chairs anchoring the window wall, a facing pair of high-backed tub chairs, and a deep tuxedo-profile sofa closing the composition toward the viewer — all orbiting an organically contoured cocktail table that performs as the room's centrifugal keystone. The ceiling is treated with a recessed reveal and shallow soffit that traces the perimeter, a device that both conceals drapery hardware and lifts the plane visually, granting the low-slung modern floor plate an unexpected sense of loft. A blade wall carrying a single framed canvas performs critical spatial work, terminating the living volume while permitting an enfilade sightline through to a secondary dining zone beyond, where a glazed wall of ivy-clad courtyard reads as a green tapestry. The geometry throughout is deliberately curvilinear — barrel-backed seating, amoeboid tabletops, splayed tapered legs — set against the orthogonal discipline of window mullions, drapery pleats, and rectilinear millwork, producing a productive tension between architectural rigor and furnishings that behave sculpturally.
**II. Materiality, Color & Texture**
The palette is a study in tonal restraint calibrated for maximum textural incident. Walls are finished in a matte, faintly striated plaster or grasscloth with a warm ecru undertone that absorbs rather than reflects light, establishing a neutral field against which every surface differential registers. Seating is upholstered in a lustrous chenille or crushed velvet of pale greige, whose short pile catches raking daylight and reads almost pearlescent, while the foreground sofa introduces a coarser boucle in an oatmeal register and the opposing sofa shifts decisively into a saturated tobacco-and-umber channel-tufted chenille, its French-polished rosewood or macassar ebony frame supplying the room's darkest, most reflective note. Stone is deployed with connoisseurial precision: the cocktail tables are honed alabaster or backlit-quality onyx, their translucent creamy strata and honey veining offering a warm mineral counterpoint to the cool, ink-washed abstraction of the hand-knotted area rug, which functions as a painterly ground — a gestural silver-and-charcoal wash pooling beneath the furniture. Bronze, patinated brass, and stainless accents appear in table bases, the vessel-form vase, and the sconce, providing metallic punctuation without gleam. Drapery in a heavy sand-toned linen, edged in a beaded or embroidered tape, softens the glazing perimeter and reinforces the room's tactile vocabulary of nap, weave, slub, and polish.
**III. Lighting, Atmosphere & Style Profile**
Natural light is the dominant luminous strategy: the corner glazing admits a soft, diffuse northern wash under overcast conditions, which the designer has intelligently accepted rather than resisted — the flat, shadowless quality flatters the velvet piles and plaster walls, and the drapery is stacked to admit maximum daylight while modulating glare at the jambs. Artificial sources are almost entirely concealed or decorative: a slim architectural sconce on the blade wall, a sculptural biomorphic table lamp in white lacquer or ceramic in the dining zone, and an extraordinary petal-form pendant in patinated metal that reads as an art object first and a fixture second. The resulting atmosphere is hushed, cerebral, and quietly patrician — a room of low chroma and high material intelligence, where drama is supplied by silhouette and surface rather than by color or ornament. Stylistically, the project synthesizes into what might best be termed **Modernist Salon** or **Warm Continental Minimalism**: the DNA of mid-century French decorative arts — Royère, Frank, Adnet — filtered through a contemporary sensibility of tonal layering and soft geometry, with an Art Deco undertow in the ebonized woods and channel tufting. It is a scheme of curatorial discipline: nothing is decorative for its own sake, the view is treated as the primary artwork, and every material is selected for how it behaves in light.
Galilee LightingThe "BUBBLES" pendant lighting by Galilee lighting are made of artistic hand blown glass in a unique texture of bubbled colored glass, formed by heat.
The exotic textures and colors create a beautiful light transparency and a warm atmosphere in the space.
Colors available: Bubbled Amber, bubbled flames, coral, amber.
Pendant size: 4", 5", 6", 7"
Chandelier size: any size with any number of pendants, in ay length.
Design: We advise our customers about the right size of chandelier for each space.
Shipping: We deliver worldwide.
To receive our catalog by email, contact Sales@GalileeLighting.com
visit www.GalileeLighting.com
UserJewett Farms + Co’s Reclaimed Antique Heart of Pine Select flooring is hard wearing and extremely durable. Reclaimed Heart Pine’s exceptionally tight grain and vibrant tawny tone make for a beautiful floor that will stand up to hard work and high traffic. This wide plank floor features a more uniform appearance with a light mix of knots, cracks and nail holes.
Jewett Farms + Co’s Reclaimed Heart of Pine Select flooring is available to be shipped throughout the United States from our New England headquarters
Find the right local pro for your project
Backyard X-Scapes Inc.Virosurface™ is the age-defying, high-performance indoor or outdoor wall coverings that are non-toxic and UV tested. These fibers are fully water-resistant and insensitive to sun, chlorine and harsh weathering. Available in four distinctive weaves; Basket weave, Trifecta, Herringbone and Bandeau. Viro Surface from Viro Build is produced from artificial fiber matting extrusions woven from polyethylene bases plastic to mimic natural fibers. These synthetic matting’s are eco-friendly and 100% biodegradable. Uses for residential and commercial applications include surfacing and paneling projects, wall coverings, wainscoting, Palapa underpayments ceilings, and cabana mats.
SCM Design GroupSCM Design Group
Stefanie Keeland
Mid-sized minimalist master gray tile and porcelain tile ceramic tile walk-in shower photo in Houston with a vessel sink, flat-panel cabinets, dark wood cabinets, glass countertops, an undermount tub and white walls
Mid-sized minimalist master gray tile and porcelain tile ceramic tile walk-in shower photo in Houston with a vessel sink, flat-panel cabinets, dark wood cabinets, glass countertops, an undermount tub and white walls
First Choice Home BuildersThe owners of this new contemporary farmhouse opted to feature the same fiber cement siding used on the exterior of the home, in their foyer leading into the Great Room.
The Georgia Plan by First Choice Home Builders, features a bedroom and the owner's suite on the main floor, with two bedrooms and a bonus room upstairs. This home was customized by the homeowners during the building process and the finished product is a stunning contemporary farmhouse look.
The Stucco DoctorsDesigned by Scott Roberts 908-451-6256
Installed by The Stucco Doctor
stuccodoctor.net
Traditional exterior home idea in New York
Traditional exterior home idea in New York
RangecraftRangecraft Range Hood, Custom Cone Design in Stainless Steel Powder Coated Matte Black with Stainless Steel Trim and Scarlet Buttons.
Mid-sized elegant eat-in kitchen photo in New York with stainless steel appliances
Mid-sized elegant eat-in kitchen photo in New York with stainless steel appliances
Colby AshlineIndustrial straight up lamp on a sturdy wood base with a valve on/off switch. Comes with a light bulb. UL listed electrical components.
Example of a small urban foyer design in Burlington
Example of a small urban foyer design in Burlington
Neumann & Rudy Architecture**I. Spatial Composition & Architectural Volume**
This powder room operates as a compressed, processional vestibule — a jewel-box volume whose narrowness is deliberately weaponized to intensify the encounter with a single focal event. The plan reads as a tight rectilinear corridor, entered obliquely past a pivoting sculptural door leaf at the left foreground, with the sightline funnelling directly to a recessed alcove at the terminal wall. That alcove is the compositional engine of the room: a deep, orthogonal reveal framed in slender blackened-metal profiles, within which a monolithic marble vanity cantilevers as a full-width plinth, its shadow-gap plinth detail dissolving the mass into apparent levitation. The full-height glazed screens flanking both side walls — divided into a disciplined grid of stile-and-rail metal mullions above a stone dado — introduce a Miesian rhythm of verticals that visually widen the space while preserving enclosure. Above, a crisp plaster soffit with a razor-thin perimeter reveal caps the volume, while the mullion grid's continuation across the ceiling plane and door surround creates a cage-like armature, an architectural drawing rendered in three dimensions. The suspended, wall-hung water closet at left is deliberately subordinated, half-concealed by the stone return, ensuring the axial procession terminates not on plumbing but on art.
**II. Materiality, Color & Texture**
The material palette is orchestrated as a controlled dialogue between the geologic, the vegetal, and the metallic. Book-matched Calacatta Viola — or a closely related Paonazzo — sheathes the dado and vanity in slabs whose oxblood, umber, and graphite veining reads as gestural brushwork, its cool bone-white ground counterweighted by the warm ferrous rust of its fissures; the veining on the right-hand wall is sequenced to cascade, treating stone as a continuous painterly field rather than a modular cladding. Against this, the foreground door presents a deeply carved, three-dimensional sculpted timber relief in a mid-tone oak or walnut, its undulating, plaited chevron texture introducing a haptic, almost textile-like tactility that provides the composition's most overtly artisanal register. The glazed screens deploy reeded or fluted glass in a smoky sage-olive cast, their striations diffusing and abstracting whatever lies beyond into vertical striae of light — a translucent counterpoint to the opacity of stone and wood. Blackened bronze or patinated steel mullions supply the graphic scaffolding, while unlacquered brass appears as accent punctuation: the gooseneck spout with exposed swivel collar, and, most emphatically, the flame-patinated bronze oval of the mirror frame, whose molten amber bloom is the single high-saturation event in an otherwise desaturated envelope of greys, greiges, and bone. Underfoot, chevron-laid oak parquet in a soft tobacco stain grounds the palette and repeats the door's zigzag geometry at a domestic scale.
**III. Lighting, Atmosphere & Style Profile**
Lighting is handled with theatrical restraint and a distinctly museological logic. The terminal alcove is backlit by a full-height plane of sheer, pinch-pleated linen sheers washed with daylight — an ambiguous, screened luminance that functions as a lightbox, silhouetting the mirror and reading as a window without conceding a view. Concealed cove or perimeter LED at the soffit reveal lifts the ceiling and grazes the plaster, while the reeded glass side screens capture and refract borrowed light along their flutes, producing a soft vertical shimmer that keeps the narrow volume from collapsing into gloom. The lower register is intentionally darker, the recessed shadow gap beneath the vanity and the bronze toe detail anchoring the composition in a low-key, chiaroscuro base. The atmosphere is hushed, contemplative, and faintly ecclesiastical — the alcove operating as a reredos, the framed portrait glimpsed in the mirror's reflection functioning as an unexpected, wry apparition that injects narrative and humor into an otherwise austere scheme. Stylistically, the room synthesizes into what might be termed *Tactile Luxe Modernism* or Refined Warm Modernism: the structural clarity and metal-gridded transparency of mid-century International Style, tempered by Italian post-war sensuality in the bronze and marble, and finally humanized by contemporary craft-forward texture. The result is a space of considerable discipline that nonetheless privileges touch, patina, and surprise over minimalist abstinence.
YOLO InteriorsMid-sized trendy formal and open concept porcelain tile and beige floor living room photo in Miami with gray walls, no fireplace and no tv
Coastal Trim and Design LLCPopcorn ceiling before Shiplap added
Inspiration for a coastal home design remodel in DC Metro
Inspiration for a coastal home design remodel in DC Metro
Kentucky Tile CloseoutsThis is the side party room for Winchell's. They chose the darker American Estates for their remodel. Wood tile has come a long way in its realistic features and likeness to real wood. Our selection of wood tile is always changing, but check with us and see what's arriving soon.
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