We took a pass through room without purpose and turned it into a vibrant, functional, high design office that works well for the entire family. Wrap around shelving, inspired by mid century designs, gave the room loads of personality and storage for both husband and wife, and their 2 year old son. While children's books, crafting tools and educational supplies are stored on the easy-access lower shelves, work materials and reference books are stored on the top shelves. A room-wide desk provides an ample side by side work space for both professionals to share comfortably.

The Saint Albert The Great, Newman Center project is a multiple phased project that includes the development of a new church and teaching facility. The first phase of the project involved the demolition of housing adjacent to the existing facility. A new chuch is intended to be built on this site. The church design includes a large seating area for visitors with vaulted ceilings and diffused day-lighting. Additional spaces included within the church design are: an entrance lobby with a gift shop and coffee shop, an exterior yard/ colombarium, a marian, a sacrisity, a multi-purpose room, an audio room and a reconciliation room. The overall design intent of the project was to create a modern church facility with traditional aspects that relate to the established image of the Saint Albert the Great Church and the missionary architectural style of the region. The second phase of the project includes the construction of “Ministry” for the campus. This facility houses a mult-purpose teaching space as well as a recreational area for youth. Additionally, the new facility aims to distribute food to the needy through a bodega and a small kitchen. This phase of the project involves some demolition and renovations to the existing Newman Center facility. The final phase of the project includes the construction of the Education Building for the campus. This facility is equipped with multiple teaching and office spaces for the Church’s youth education programs. The design intent for this facility was to appeal to the youth through the use of modern and inviting design elements.

The Ubuntu Center provides pediatric HIV testing and treatment, counseling, education, and community empowerment. The design is focused on de-stigmatization and normalization of HIV testing and treatment. It provides access to a state-of-the-art facility in a beleaguered post-apartheid community. The design is a model for sustainable development that begins with environment and extends to the preservation of life. Funded globally and operated locally, Ubuntu reflects a world defined by unprecedented global connection and the resurgence of local, community based organization. Ubuntu center brings state of the art services to vulnerable children by providing centrally located, free and accessible social services in a single facility. It comprises a multi-purpose hall for education, concerts and shelter when needed; an empowerment wing with career guidance and computer centre, and a fully equipped Pediatric HIV /TB testing and counseling clinic with 47,691 people reached through community HIV prevention outreach. Ubuntu’s organic rooftop garden, together with Ubuntu’s neighborhood gardens feed 2,245 students daily. It provides a timely and practical template for sustainability on a societal as well as an environmental level. Ubuntu has been adopted by the US President’s Emergency Plan for AIDS relief (PEPFAR), and has become a model of success for the Clinton Global initiative, the Kresge foundation, and countless individual supporters.

The Ubuntu Center provides pediatric HIV testing and treatment, counseling, education, and community empowerment. The design is focused on de-stigmatization and normalization of HIV testing and treatment. It provides access to a state-of-the-art facility in a beleaguered post-apartheid community. The design is a model for sustainable development that begins with environment and extends to the preservation of life. Funded globally and operated locally, Ubuntu reflects a world defined by unprecedented global connection and the resurgence of local, community based organization. Ubuntu center brings state of the art services to vulnerable children by providing centrally located, free and accessible social services in a single facility. It comprises a multi-purpose hall for education, concerts and shelter when needed; an empowerment wing with career guidance and computer centre, and a fully equipped Pediatric HIV /TB testing and counseling clinic with 47,691 people reached through community HIV prevention outreach. Ubuntu’s organic rooftop garden, together with Ubuntu’s neighborhood gardens feed 2,245 students daily. It provides a timely and practical template for sustainability on a societal as well as an environmental level. Ubuntu has been adopted by the US President’s Emergency Plan for AIDS relief (PEPFAR), and has become a model of success for the Clinton Global initiative, the Kresge foundation, and countless individual supporters.

TIMELESS AWARD PROJECT: The Board of Public Education CLIENT: Pittsburgh Public School System ARCHITECTURE FIRM: Ingham and Boyd, Predecessor to IKM Incorporated PHOTOGRAPHER: IKM Incorporated DESCRIPTION: Like much of the neighboring architecture that resides in the Schenley Farms National Register Historic District, the Pittsburgh Board of Public Education Building was designed in the Beaux Arts style, completed in 1938. The building is an example of Italian High Renaissance palace architecture including four stories, widely spaced fenestration on the exterior elevations, and a well-lit interior courtyard. JURY COMMENTS: This is a wonderful example of the City Beautiful movement, which characterizes the Oakland neighborhood. It is a handsome civic building that is nicely scaled. It is very unusual in this day and age to see a building still used for its original purpose. What is there not to like?

The Ubuntu Center provides pediatric HIV testing and treatment, counseling, education, and community empowerment. The design is focused on de-stigmatization and normalization of HIV testing and treatment. It provides access to a state-of-the-art facility in a beleaguered post-apartheid community. The design is a model for sustainable development that begins with environment and extends to the preservation of life. Funded globally and operated locally, Ubuntu reflects a world defined by unprecedented global connection and the resurgence of local, community based organization. Ubuntu center brings state of the art services to vulnerable children by providing centrally located, free and accessible social services in a single facility. It comprises a multi-purpose hall for education, concerts and shelter when needed; an empowerment wing with career guidance and computer centre, and a fully equipped Pediatric HIV /TB testing and counseling clinic with 47,691 people reached through community HIV prevention outreach. Ubuntu’s organic rooftop garden, together with Ubuntu’s neighborhood gardens feed 2,245 students daily. It provides a timely and practical template for sustainability on a societal as well as an environmental level. Ubuntu has been adopted by the US President’s Emergency Plan for AIDS relief (PEPFAR), and has become a model of success for the Clinton Global initiative, the Kresge foundation, and countless individual supporters.

The Ubuntu Center provides pediatric HIV testing and treatment, counseling, education, and community empowerment. The design is focused on de-stigmatization and normalization of HIV testing and treatment. It provides access to a state-of-the-art facility in a beleaguered post-apartheid community. The design is a model for sustainable development that begins with environment and extends to the preservation of life. Funded globally and operated locally, Ubuntu reflects a world defined by unprecedented global connection and the resurgence of local, community based organization. Ubuntu center brings state of the art services to vulnerable children by providing centrally located, free and accessible social services in a single facility. It comprises a multi-purpose hall for education, concerts and shelter when needed; an empowerment wing with career guidance and computer centre, and a fully equipped Pediatric HIV /TB testing and counseling clinic with 47,691 people reached through community HIV prevention outreach. Ubuntu’s organic rooftop garden, together with Ubuntu’s neighborhood gardens feed 2,245 students daily. It provides a timely and practical template for sustainability on a societal as well as an environmental level. Ubuntu has been adopted by the US President’s Emergency Plan for AIDS relief (PEPFAR), and has become a model of success for the Clinton Global initiative, the Kresge foundation, and countless individual supporters.

Concrete can be made to look like any substance. Tile, stone, wood, brick, etc. With unlimited color options, Ky-Kan Coatings can transform any room in your home or business using lightweight, beautiful concrete.

We used: Custom cherry cabinetry in Arts & Crafts Shaker style by Kabinart in Boulder and Espresso stains. Liberty Hardware Venetian bronze 1-1/2" cabinet knobs. KitchenAid Architect II Series 22 CF counter-depth French door refrigerator. KitchenAid Architect Series II 27" convection single wall oven. KitchenAid 36" 6-burner dual fuel freestanding commercial-style range. KitchenAid Architect II Series 24" dishwasher. Sharp Insight Pro Series 24" built-in microwave drawer (Model #KB6524PS). Crystorama Solaris 12" wide pendant lights in English bronze. Granite countertops in Brown Fantasy. 3"x6" polished marble backsplash. Paint colors: Walls: Glidden Silver Cloud 30YY 63/024 Ceilings/Trims/Doors: Glidden Swan White GLC23 Robert B. Narod Photography

Grays add a softness to the design, whether as a primary color, shown in the kitchen here, or as a secondary color, often on an island. Gray is the perfect fit for the growing trend of Transitional design. The washed look and character of Peppercorn cherry paired with our Boardwalk door style creates a naturally calm and simple space. Designing with consistent horizontal sight lines, linear crown and a blended color palette are a few of the key elements to create a Transitional haven. Pairing gray toned finishes, such as stain and paint, allows you to showcase multiple textures and values for creating depth through a layered approach

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

ENGINEERING + SCIENCE: Award of Excellence PROJECT: Chatham University Eden Hall Campus CLIENT: Chatham University ENGINEERS: Civil & Environmental Consultants, Inc.; Biohabitats; Interface Engineering ARCHITECTURE FIRM: Mithūn CONTRACTORS: SOTA Construction Services, Inc. PHOTOGRAPHER: Annie O’Neill Photography DESCRIPTION: The Eden Hall Campus’ stormwater and wastewater management systems employ a number of proven strategies and technologies in combination and with a unique decentralized approach. A “treat it where it falls” approach utilizes a series of rain gardens around the site to manage small drainage areas while roof runoff is directed to a 50,000 gallon retention tank and is repurposed for site irrigation needs. The wastewater treatment system includes individual building primary treatment tanks and two sub-surface constructed wetland cells. Site design and landscape not only performs a functional purpose for stormwater and wastewater but also provides an aesthetic bridge between the architecture and the site. JURY COMMENTS: This building reminds us of the importance of water, and also basic and natural technologies that are highly effective. The complete built project functions as an efficient machine while never giving the appearance of being a machine. As a first phase of a proposed new campus, the standards are already set impressively high.

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture