## I. Spatial Composition & Architectural Volume This bedroom operates as an exercise in controlled asymmetry, its plan organized around a freestanding headboard wall that reads less as partition than as inhabited architecture. Framed in a crisp oak reveal that traces its full perimeter, the wall detaches from the ceiling plane and terminates short of the right-hand elevation, generating a threshold that draws the eye into a secondary corridor volume beyond. This device — the *poché* wall as spatial pivot — establishes a layered enfilade: the intimate sleeping zone in the foreground, a transitional dressing passage in the middle distance, and a slot of daylight at the terminus. The ceiling is articulated with a shallow recessed tray and delicate stepped cornice, a restrained gesture toward classical Parisian *moulure* that regulates the room's proportion without ornamental excess. Sightlines are deliberately choreographed: the bed sits low and horizontal, the joinery plinth of the nightstand cantilevers from the wall to preserve floor-plane continuity, and the herringbone parquet visible beyond the threshold introduces a directional pull that animates what would otherwise be a static rectilinear volume. The result is a composition of nested frames — millwork within millwork — that lends considerable depth to a comparatively compact footprint. ## II. Materiality, Color & Texture The palette is tonal rather than chromatic, calibrated within a narrow band of oatmeal, greige, and pale putty, and enlivened almost entirely through surface incident. The dominant wallcovering — a vertically striated, marquetry-like textile of tessellated ivory and taupe fibers — supplies a subtle warp-and-weft rhythm that shifts under raking light, functioning as texture masquerading as pattern. Against this, rift-sawn white oak framing introduces a honeyed, gently reddish undertone, while the bespoke bedside cabinet deploys a radiating sunburst veneer in a blush-tinged walnut or eucalyptus, its book-matched geometry providing the room's single moment of overt figuration. Textiles carry the tonal counterweight: the channel-tufted headboard in a muted heather-aubergine linen offers the deepest saturation in the frame, cooling the prevailing warmth, while cotton percale with contrast tape borders, a slubbed lumbar cushion, and a hand-stitched matelassé coverlet with tambour scrollwork build a gradient of tactility from crisp to plush. The doorway's parchment-and-verdigris art panel — appearing as a gilded, oxidized *gessoed* screen — supplies a patinated, almost frescoed counterpoint, while unlacquered brass at the sconce introduces the only metallic warmth, deliberately restrained. ## III. Lighting, Atmosphere & Style Profile Illumination is handled with notable discretion. Natural light enters obliquely from an off-frame source at right, filtered through a floor-to-ceiling striated linen drapery that diffuses rather than admits, producing an even, shadowless wash consistent with northern European daylight. A secondary aperture — the narrow vertical slot glimpsed down the corridor — acts as a luminous punctuation mark, terminating the sightline with a slender bar of brightness that draws the occupant forward. Artificial lighting is intentionally sparse and task-oriented: a brass scissor-arm sconce with an unbleached linen shade, adjustable and near-vernacular in its mechanism, provides articulated reading light while contributing a note of atelier informality against the otherwise refined joinery. The absence of visible downlights or decorative pendants reinforces the room's quietude. Stylistically, the scheme resolves into a sophisticated **Soft Minimalism** inflected with contemporary Parisian classicism — the restraint and tonal discipline of the former, the millwork rigor and proportional literacy of the latter, warmed by a *wabi*-adjacent appreciation for patina and handwork. It is a room that eschews statement in favor of atmosphere, achieving luxury through material intelligence and the calibrated withholding of contrast.

**I. Spatial Composition & Architectural Volume** This vignette operates as a masterclass in the choreography of compressed urban space, deploying a classic enfilade strategy to extract depth from a modest footprint. The composition is organized around a cased opening — flanked by heavy, mitered pilaster-style jambs and a substantial crown-capped header — that frames the kitchen beyond like a proscenium, establishing a telescoping sightline from the foreground banquette nook through to the range wall and its marble backsplash. The immediate volume is a canted, faceted room; the angled corner walls and the polygonal ceiling perimeter generate a subtle rotational geometry that is echoed, with deliberate rhyme, in the octagonal tabletop and its faceted plinth base. Architectural discipline is supplied by comprehensive millwork: recessed applied-molding wall panels calibrated to the wall heights, a built-in bibliothèque with adjustable shelving and integrated media niche on the left, and a bench base detailed as cabinetry with a plinth and reveal, so the seating reads as architecture rather than furniture. The crowning gesture is a stone-clad soffit and cove above the multi-part cornice, which visually lifts the ceiling plane and dissolves the corner conditions of the canted plan into a continuous, luminous band. **II. Materiality, Color & Texture** The palette is a study in low-chroma tonal layering, structured on a base of dove-grey lacquered joinery whose cool, faintly greige undertone reads as both patrician and contemporary. Against this, book-matched white marble with grey and taupe veining appears in three registers — the ceiling cove, the kitchen backsplash, and the honed tabletop — creating a vertical and horizontal continuity of stone that binds the two rooms into one material narrative. Underfoot, wide-plank white oak laid in a herringbone pattern is finished in a wire-brushed, cerused grey-brown, its open grain supplying essential tactility and directional energy that counteracts the smoothness of the cabinetry. The tonal reserve is punctured by a single decisive chromatic move: the oxblood-to-cognac aniline leather banquette, its capitonné-adjacent piping and channeled seat cushion delivering saturated warmth and a supple, patinating counterpoint to the cool minerals. Metals are deliberately stratified — brushed stainless on the appliance suite, polished nickel on the cabinet hardware and pendant collars, and a high-mirror chromed column and base on the table that pulls reflected fragments of the room into itself. Textile relief arrives through a heather-grey wool bolster and the woven, honeycomb-textured sconce shades, while the sunflowers and pantry provisions behind glazed muntin doors introduce a curated, humanizing note of the quotidian. **III. Lighting, Atmosphere & Style Profile** The lighting scheme is layered and hierarchical. Ambient illumination is borrowed rather than direct: the kitchen functions as a light well, its own concealed under-cabinet lighting and cove-washed ceiling projecting a cool, diffuse glow forward through the cased opening, so the brighter volume beyond reads as both destination and light source. In the foreground, symmetrically paired wall sconces with textured drum shades cast a warm, amber-filtered ellipse of light onto the paneling — providing intimate, low-level modeling that emphasizes the millwork's shadow lines and flatters the leather's depth. The kitchen's aligned trio of spun-metal dome pendants, with polished collars and diffused lenses, reinforce the axial perspective and supply task-appropriate downlight, while the marble cove above serves as an indirect reflector, softening any residual harshness. The cumulative atmosphere is hushed, refined, and slightly cinematic — a quiet formality more contemplative than performative. Stylistically, the project synthesizes into a form of Transitional Classicism, or more precisely a tailored American Neoclassicism recalibrated for contemporary living: the vocabulary of paneled millwork, crown profiles, and cased openings is retained, but stripped of ornament, flattened in profile, and rendered in a monochrome envelope, then energized by faceted geometries, mirror-finish metal, and a single confident stroke of leather. It is restraint deployed as luxury.

## Spatial Composition & Architectural Volume This is a kitchen conceived less as a service zone than as a precisely calibrated architectural volume, resolved through an L-configuration of full-height cabinetry that terminates against a monolithic island set on an intentional diagonal to the orthogonal grid of the herringbone flooring. The island's waterfall treatment — a slab returning to the floor in a single unbroken plane — functions as both a peninsular counter and a piece of quasi-sculptural infrastructure, its overhang generating a shallow banquette-adjacent seating zone without resorting to a conventional breakfast bar. Above, a coffered soffit executed in flush drywall with a continuous cove-lit reveal establishes a datum line that both compresses and defines the working core, while the adjacent tray ceiling reads as a distinct volume, spatially decoupling the kitchen from the living room beyond. That threshold is the composition's most disciplined gesture: a wide cased opening framed in mitered rift-cut oak paneling, its architrave articulated as a shadow-gapped reveal rather than applied trim, drawing a deep enfilade sightline through to the window wall, its Roman shades, and the mid-rise cityscape beyond. Millwork here performs structurally as well as visually — the oak-clad pilasters and the fluted, hand-carved textural panel at right operate as pseudo-columnar elements, organizing the plan into legible bays. ## Materiality, Color & Texture The palette is constructed on a deliberate dialectic between two wood registers. The envelope employs a pale, quarter-sawn white oak with a honeyed, faintly amber undertone, its figure suppressed and its finish matte, functioning as a luminous neutral ground. Against this, the cabinetry deploys a deeply fumed or ebonized ash — likely a heavily lacquered, open-grain veneer — where the cathedral figuring is exaggerated into near-graphic striation and the high-gloss sheen produces a lacquered, almost Art Deco lustre. This contrast of value (blonde against bitter chocolate) and of sheen (matte against specular) is the project's principal tension. Mediating between them is the stone: a white quartzite or dolomitic marble with soft grey-taupe veining and a distinctly warm, cream-adjacent field, book-matched across the full-height backsplash and repeated on the island slab, its subtly honed surface refusing the glare of a polished finish. Metallic accents are restrained and consistently warm — satin brass on the pendant canopies and stool footrails, blackened bronze on the hardware, glazing frames, and the stools' slender tubular frames. Textiles introduce a low-frequency counterpoint: nubby bouclé upholstery on the sectional, a striated woven sheer at left, ikat-patterned cushions, and a tonal blue-grey geometric rug that supplies the only chromatic departure from the room's ochre-to-espresso spectrum. ## Lighting, Atmosphere & Style Profile The lighting scheme is layered with unusual rigor. Daylight is admitted obliquely, filtered through the plaid-toned Roman shades of the adjacent living room, so the kitchen receives it secondhand — soft, directional, and already warmed. Artificial light works in three tiers: the recessed cove uplighting that grazes the soffit and dissolves the ceiling's edges; concealed under-cabinet illumination that renders the stone backsplash as a glowing plane; and the pair of spun-brass disc pendants suspended on slender blackened stems, whose downward-facing diffusers deliver a controlled pool of task light while their polished undersides register as small suns in the composition. The absence of visible downlight clutter is notable and disciplined. The resulting atmosphere is enveloping and low-glare — cosseting rather than clinical — with a distinctly residential, almost salon-like decorum reinforced by the framed genre painting hung casually on the oak paneling, a curatorial gesture that domesticates the kitchen decisively. Stylistically, the project reads as **Warm Modernist Luxe**, drawing on the vocabulary of high-craft European cabinetry and mid-century Milanese interiors: the grain-forward veneers, brass discs, and slender bronze seating carry a whisper of 1970s Italian sophistication, while the flush detailing, shadow-gap reveals, and rigorous suppression of ornament situate it firmly in contemporary practice. It is tailored rather than austere — a demonstration that minimalist discipline and material sensuality need not be adversaries.

The photograph is composed as a deliberate enfilade study, framing the dining room through a deep, mahogany-cased cased opening that functions as both proscenium and threshold. This heavy portal — with its substantial reveal, plinth-like jambs and crisply mitered head casing — establishes a strong rectilinear armature that compresses the foreground and, by contrast, releases the eye into the luminous volume beyond. The plan reads as a classic pre-war apartment sequence: an axial sightline runs from the gallery floor, across the field of the dining room, and terminates at the window wall, where a curtained bay borrows daylight from the street. The ceiling is articulated by shallow beam drops or applied soffits — a coffer-adjacent treatment that registers the building's structural grid while lending the room a subtle sense of enclosure and datum. Geometry is orchestrated around opposing figures: the orthogonal rigor of casings, valance, beam lines and picture frames set against the centralized circular table, whose radial symmetry anchors the room's midpoint directly beneath the chandelier. Furnishings are held in a loose, non-touching arrangement, with generous circulation clearance at the perimeter, so that the room's volume — rather than its contents — remains the primary subject. Secondary sightlines to the left, toward a mirrored console and gilt-framed panel, and to the right, toward a picture-lit artwork, quietly widen the perceived footprint and imply adjacent rooms beyond the frame. The material narrative is built on a controlled tonal ascent from dark to light. The foreground is dominated by richly figured, warm-red mahogany millwork and a chevron-laid oak parquet whose bleached, honeyed grain reads with a slight gray wash — a directional pattern that visually propels the viewer toward the interior. Within the dining room, the palette shifts to a low-saturation envelope of chalky off-white plaster walls and putty-toned textiles: floor-length linen or silk-blend drapery panels with a faint slubbed weave, gathered beneath a tailored, flat-front upholstered valance whose crisp horizontal band imparts an atelier precision. Underfoot, a natural sisal or seagrass rug with a linen tape border introduces a coarse, granular tactility that grounds the refined upholstery above; its woven, matte texture is deliberately calibrated against the smoother satin sheen of the dining chairs' subtly striped fabric. The room's tonal fulcrum is the antique carved pedestal table — a near-black, deeply modeled Anglo-Indian or Colonial Revival piece whose pierced apron, scrolled tripod base and paw feet supply the composition's only ornamental exuberance and its darkest value. Accents are chosen for restraint: silvered leaf on the console's fretwork facing, water-gilt on the framed panel, polished nickel or silver on the chandelier and the flower vessel, and the cool white of massed oriental lilies. Undertones remain uniformly warm — greige, ecru, taupe, oatmeal — with cool relief supplied only by the metals and the daylight itself. Lighting is layered with quiet discipline. Natural light enters as a diffused, north-facing wash through a sheer-veiled window, its intensity softened by roller or Roman shading so that the glazing reads as a luminous plane rather than a view; this creates a gentle contre-jour that silhouettes the chandelier and the table's carved base. The multi-arm chandelier — a silvered, pagoda-crested fixture with slender candle sleeves and faceted drops — serves as sculptural punctuation more than as a working source, its warm 2700K glow registering as ambient sparkle. Accent illumination is deployed with curatorial intent: a picture light grazes the framed work at right, while the recessed downlights and the darkened foreground casings produce a chiaroscuro that heightens the sense of arrival. The cumulative atmosphere is one of hushed formality — composed, aerated, and almost monastic in its refusal of visual noise. Stylistically, the room synthesizes into what might be termed Transitional Classicism, or Warm Neutral Modern Traditional: the bones and millwork are unmistakably pre-war Beaux-Arts-derived, yet the flat-front valances, unadorned wall planes, natural-fiber flooring and simplified parson-back chairs reflect a contemporary editorial sensibility. The single antique table operates as a considered anachronism — a note of patinated gravitas within an otherwise pared-back, texturally driven interior — demonstrating a designer's confidence in restraint punctuated by one authoritative gesture.

This dining room operates as a processional volume, choreographed along a deep axial sightline that terminates not in a wall but in a garden — an ivy-clad plane of green glimpsed through full-height glazing. The architecture is fundamentally additive rather than decorative: a coffered, stepped ceiling plane with recessed reveal channels floats above the seating zone, its subtle datum lines describing a rectangular "room within a room" that anchors the table without recourse to enclosing partitions. Flanking this central passage, two millwork pylons — one clad in pale limed oak on the right, one in a fine bone-toned wallcovering on the left — function as vestigial pilasters, compressing the entry threshold before releasing into the loftier dining volume. The floor reinforces this directionality through a wide-plank chevron parquet laid on the primary axis, its herringbone rhythm accelerating the eye toward the terrace. The furniture plan is deliberately non-orthogonal: an elongated oval table on twin cylindrical pedestals softens the room's rectilinear discipline, while the loosely arrayed chairs break parade-ground symmetry in favor of a more inhabited, gestural composition. Deep-set corner windows and a low banquette-height sill with integrated casework at left introduce a secondary spatial episode, a quieter alcove that relieves the room's axial insistence. ## II. Materiality, Color & Texture The palette is a study in warm neutrality calibrated across a narrow tonal band, with contrast delivered through texture rather than hue. The foundational register is greige-to-oatmeal: floor-to-ceiling drapery in a heavy, densely gathered linen falls in pin-sharp cartridge pleats, its matte drape absorbing light and softening the glass wall's hard geometry. Against this, the dining chairs are upholstered in a slubbed, striated fabric — likely a raw silk or abaca-like bast fiber — whose horizontal grain reads almost as bark, and which is set in taut opposition to the ebonized, tapered hardwood frames in the Italian mid-century idiom of Gio Ponti or Ico Parisi. The tabletop, a mottled verdigris-and-bronze stone or fossilized surface, introduces the room's only earth-toned saturation, echoed by the burl-and-walnut plinth supporting a slender fluted bronze sculpture. The oak millwork is limed and open-grained, deliberately dry and tactile beside the high-polish patinated brass of the pendant. Underfoot, a hand-knotted silk rug in cloud-grey with charcoal ombré edges introduces atmospheric perspective — a painterly gradient that dematerializes the floor plane. Chromatic release arrives entirely from two sources: the framed abstract expressionist canvas at right, with its viridian, cobalt and violet gestural detonations, and the living wall of ivy beyond the glass. Both function as color events, not color schemes. ## III. Lighting, Atmosphere & Style Profile Daylight is the primary luminaire here, entering as a broad, north-soft wash through the terrace glazing and diffused further by the ivy screen, which acts as a natural lambrequin filtering glare into a cool, even green-tinted light. Artificial sources are deployed sculpturally rather than functionally: the pendant — a folded, petal-form composition of smoked glass and patinated metal — reads as a suspended object of art, throwing a warm downward pool onto the table while its dark bronze silhouette provides essential visual weight against the white ceiling. Wall-mounted alabaster sconces bracket the room at both thresholds, their translucent stone glowing with a low-lumen, candle-adjacent warmth that establishes perimeter intimacy after dusk. The resulting atmosphere is serene, curated and quietly patrician — a room engineered for extended conversation rather than display. Stylistically, the project synthesizes a **contemporary Soft Minimalism** with a strongly collected **Mid-Century Italian** sensibility: the restraint of the architectural envelope and monochromatic textile program provides a gallery-like neutral ground, upon which a small number of high-character objects — the sculptural pendant, the Ponti-esque seating, the abstract canvas, the exterior stone sculpture — perform as museum-grade punctuation. It is an interior that achieves luxury through material integrity and negative space rather than ornament.

LEED Certification Level: Platinum. Builder: R & S Engineering & Construction. The Cavanaugh Residence is a contemporary split level with a split personality. Totally designed from the ground up to minimize impact and maximize energy and water efficiency, its beautiful facade belies its hard-working, high-producing systems, earning it a LEED Platinum score of 116.5, and a HERS rating of minus 22. The 2774 square foot home produces over 100 per cent of its power with a 10.8 kw pv system, and captures 100 per cent of its freshwater needs from the curved metal roofs through an engineered collection and purification system, stored in an integrated concrete cistern. Constructed of locally made SIP panels on an infill waterfront lot, the home is oriented to maximize the production of the pv panels. Six inch SIP panels work together with a highly reflective, highly emmisive cool standing seam roof, icynene insulation in ceiling and floors, and carefully placed high efficiency windows and doors to create a tightly sealed environment. The 17-seer Trane heat pump variable speed compressors and TAM 7 air handlers, along with a whole house dehumidifier and fresh air intake provide a comfortable, clean indoor environment while using little energy. In the shoulder seasons, natural ventilation cools the home with fresh breezes drawn from lower windows in each room flowing through the curved ceilings to clerestory windows at the top of the house. Natural daylighting, with windows placed in corners and high clerestories, bounce the abundant natural light so that the owners use the interior LED lighting primarily at night. Windows were sited to frame views of the neighboring park and water, and capture the light, but represent a very low percentage of glazing to wall to conserve energy. Primarily native, xeriscaped turfless landscaping sips reclaimed water from its drip and bubbler irrigiation system, and requires little trimming or chemicals. Established trees, protected during construction, shade the home, FSC certified decks, and yard, providing a cool place to enjoy the outdoors at any time of the day, even in Florida's summer heat. Rainwater is diverted from the bay through the engineered collection and filtration system to an integrated concrete cistern hidden beneath the decks. Abundant Florida rainwater supplies 100 per cent of the home's needs, including drinking, bathing, and cleaning. Naturally soft, the highly filtered and UV purified water requires no chemical treatment or water softener. Coupled with minimal hardscape and permeable drive and walkways, almost all ground water remains on the lot, and out of storm sewers and bay runoffs. Designed as a forever home for this active retired couple, an open floor plan provides diagonal interior views along with great circulation space. Wide hallways and doors, curbless showers, an elevator, and extra blocking in the walls for grab rails insures the couple of being able to use their home even if physical disabilities arise. The home's footprint is minimized by building over the conditioned crawlspace and over-sized garage, and the finished floor height, at least two feet above flood code requirements, significantly reduces insurance costs while maximizing storage space for camping and water sports equipment. Materials, fixtures and appliances were carefully selected for energy and water efficiency, local production where possible, recycled content/recyclability, durability, and cost-effectiveness. The owners were very involved in vetting and materials selections, and assisted in just-in-time purchasing to minimize waste. Scrap materials were sorted daily for re-use elsewhere in the project (blocking, concrete forms, drywall scraps as acoustical insulation in interior walls, etc.), resulting in a tiny waste pile at the end of a dumpster-free project. Concrete waste was hauled to a local recycler to become road base, and extra useable materials were returned to the vendor or donated to Habitat Restore. Cost-effective choices, and careful planning, saved significant dollars in construction cost as well as landfill space. One of the biggest challenges was finding qualified subcontractors who would work within the guidelines. With the help of our LEED consultant and meetings and explanations, most subcontractors not only bought into the ideas readily, but offered up new ideas. Highly skilled and professional, the team of subs, LEED consultant, and contractor proved that LEED construction is excellent construction. The team, the owners, and I also found that LEED construction makes great economic sense. Most materials (other than increased insulation and photovoltaic panels) cost no more, and sometimes less, than those employed in construction of a lesser standard. The owners have been living in the home for a year now, and are thrilled with the results. No power bill. No water bill. Extremely low insurance bill. Minimal ground maintenance. No fabric softener. Reduced use of soap, detergents, and shampoos and cleaning supplies. Less time cleaning with spot-free rainwater. Careful planning and materials selection brought the project in under budget, and the home operates at an extremely low cost, both to the homeowners, and the environment. Who wouldn't be thrilled?

**Spatial Composition & Architectural Volume** This is a room conceived as a stage for a single object, and the architecture obligingly recedes into the role of proscenium. The plan reads as a generous, laterally-oriented salon — likely a piano room carved from the corner of a metropolitan penthouse — organized around an L-shaped glazing sequence that turns the corner and dissolves two of the four enclosing planes. A dropped soffit tray, articulated as a crisply mitred perimeter reveal with an integrated cove, floats above the seating and instrument zone, its shadow-gap detailing lowering the apparent datum and conferring intimacy on an otherwise expansive volume. The plaster ceiling reads as a single continuous membrane, its recessed channels doubling as concealed curtain tracks and linear light slots, thereby suppressing any surface-mounted apparatus. On the left, a full-height run of hand-carved, ripple-textured oak millwork operates as both threshold and tectonic bookend — a vertical mass that anchors the composition against the weightlessness of the fenestration opposite. The pier between the two window bays is clad in pale ribbed limestone or fluted plaster, functioning as a quiet pilaster that structures the sightlines rather than interrupting them. Circulation is centrifugal: the herringbone-laid oak parquet establishes a diagonal grain that pulls the eye toward the terrace, while the rug's rectilinear footprint carves out a defined *piano nobile* island within the open field. The grand piano, positioned obliquely with its raised lid oriented back into the room, becomes the volume's sculptural fulcrum — its cabriole-derived silhouette and blade-thin tapered legs (a distinctly contemporary reinterpretation, likely a designer-authored instrument) providing curvilinear counterpoint to the room's orthogonal discipline. **Materiality, Color & Texture** The palette is a study in monochromatic warmth punctuated by a single decisive act of contrast. Nearly every surface resides within a narrow chromatic band of oatmeal, bone, greige and pale honey — undertones consistently warm-neutral, veering toward the sandy rather than the grey, which prevents the minimalism from reading as clinical. The floor's white-oak herringbone is finished with a matte, lightly limed patina that keeps the grain legible without gloss; the field rug in silk-and-viscose introduces a lustrous, cloud-like abraded pattern, its mineral-grey striations reading almost as sumi-e wash or weathered concrete, and providing the room's only tonal modulation at floor level. The drapery — a densely woven linen or linen-blend in a slubbed sand tone, hung with tightly gathered, full-height pinch pleats — carries a subtle vertical stripe or ribbed jacquard that catches raking light and animates the perimeter. Against this, the carved oak volume at left is the tactile protagonist: a low-relief, chiselled facetting that reads as adze-worked or gouged, generating a shifting moiré of micro-shadow and elevating a utilitarian storage wall into applied art. The piano's satin-black lacquer is the compositional anchor — deep, absorbent, and deliberately non-reflective on its exterior case while its interior lid reveals a mottled, patinated bronze-brown, a warm secret held within the black. Brass appears with real restraint: the lid hinges, the harp and action, the sabot-like disc on the bench flank. Nature supplies the only saturated chroma — the emerald ivy hedge framed in the left window and the topiary beyond the right — treated as living tapestry, effectively a curated *borrowed landscape*. **Lighting, Atmosphere & Style Profile** The lighting strategy is almost entirely subtractive: daylight is admitted in broad, low-glare sheets through minimal-sightline steel or slim-profile aluminium glazing, then softened and diffused by the sheer-adjacent linen and the pale, light-returning plaster envelope. The result is a high-key, shadowless luminosity with a distinctly diffuse northern quality, in which form is described by gradient rather than by hard contrast — note how the piano's black mass reads as silhouette against the terrace glare, while its curved bentwood rim catches a single soft specular highlight. Artificial illumination is entirely concealed within the ceiling reveals and coves, ensuring that after dark the room will be washed rather than punctured; the deliberate absence of decorative pendants or table lamps in this frame reinforces the reading of the instrument as the sole permitted ornament. Atmospherically the room is contemplative, acoustically soft, and tuned to a single activity — a *musica da camera* interior in the truest sense. Stylistically it synthesizes into what might best be termed **Soft Minimalism with a couture-craft inflection**: the rigour and reductive detailing of late-modernist practice, warmed by the tactile, hand-worked surfaces and neutral tonalities of Japandi and Belgian-inflected quiet luxury. The governing thesis is one of *sublimated luxury* — value expressed through millwork tolerance, drapery yardage, plaster craft and the confident emptiness of the plan, rather than through pattern, colour or accumulation.

**I. Spatial Composition & Architectural Volume** This interior operates on a strategy of framed extension, in which the room's perceived volume is borrowed from the garden beyond rather than asserted through internal grandeur. The composition is governed by a rigorous orthogonal discipline: a full-height sliding glazing system, set within a deep oak-lined reveal, functions as both aperture and proscenium, its slender mullions dividing the exterior into a triptych of vegetal planes. The generous depth of that reveal — expressed as a substantial threshold plinth and continuous jamb casing — reads less as trim than as tectonic gesture, giving weight and thickness to the enclosure and reinforcing the sense of a pavilion pressed against a green wall. To the left, a floor-to-ceiling pocketing door of book-matched, quarter-sawn oak establishes a monolithic vertical counterpoint, its recessed flush pull the only interruption of an otherwise uninflected plane; the shallow return of the wall beyond it creates a compressed entry sequence that releases into the primary volume. The flat, shadowless plaster ceiling maintains a neutral lid over the composition, while the furniture plan is deliberately low-slung and horizontal — a deep sectional set parallel to the glazing, a leather-topped ottoman, and a low occasional table — so that no element rises to compete with the sightline. Circulation is implied along the wall's edge, funnelling toward the terrace and its al fresco dining vignette, which acts as the room's terminal focal point and extends the interior axis outward. **II. Materiality, Color & Texture** The palette is a study in low-contrast tonal layering, calibrated within a narrow band of warm neutrals and animated almost entirely by the saturated chlorophyll green of the ivy screen. Rift-cut white oak, finished in a matte oil that reveals rather than glosses its medullary figure, provides the room's structural warmth — appearing in the joinery, the window surround, and the herringbone parquet, whose fine chevron rhythm introduces a subtle graphic pattern at foot level. Walls are treated in what appears to be a woven grasscloth or linen-effect wallcovering in a pale oatmeal tone, its faint horizontal striation catching raking light and lending textile softness to the perimeter. Against this, the seating is upholstered in a tightly woven, undyed linen-cotton blend with a biscuit-tufted seat platform, its slubbed irregularity a deliberate foil to the precision of the millwork. The cushion program provides the composition's only chromatic incident: an indigo-ground ikat or *kasuri* resist-dyed weave, with its blurred weft-broken banding, paired with a heavier blanket-stitched wool in glaucous blue-grey and buff stripes. Underfoot, a hand-knotted silk-and-wool rug in slate and mineral grey carries an attenuated ogee lattice, its lustrous pile providing cool relief beneath the warmer wood tones. The plinth-mounted travertine or reconstituted-stone planter — matte, porous, faintly chalky — and the honed grey stone paving beyond introduce lithic gravity, balancing the prevailing softness with a mineral edge. **III. Lighting, Atmosphere & Style Profile** Illumination here is almost entirely diurnal and indirect: north-oriented or hedge-filtered daylight arrives diffuse and green-cast, washing the space in a soft, even luminance that suppresses hard shadow and privileges texture over drama. The ivory sheer, hung on a discreet recessed track, tempers glare while retaining silhouette legibility, and the adjacent pinch-pleated overdrape in a taupe-bronze silk-blend — with its subtle vertical striation and slight sheen — offers the option of full blackout while contributing a note of drapery-weight formality. Artificial sources are conspicuously concealed; no decorative fixture interrupts the ceiling plane, implying a scheme of recessed low-glare downlights or perimeter cove washing designed to sustain the daytime ambience after dusk. The resulting atmosphere is one of composed reticence — quiet, tactile, and deeply oriented toward the garden. Stylistically, the project synthesises Japandi restraint (the pocketing timber plane, the shadow-gap detailing, the reverence for the framed view) with the material sensuality and drapery conventions of European Soft Modernism, yielding a warm minimalism in which luxury is communicated through joinery tolerance, textile hand, and the disciplined editing of the palette rather than through ornament or statement furniture. It is an interior conceived as a calm neutral ground — an armature for light, landscape, and the slow accretion of daily life.

**I. Spatial Composition & Architectural Volume** The photograph frames the space through a deep, cased opening — a device that immediately establishes a proscenium condition, compressing the viewer's aperture and heightening the sense of discovery beyond. The room reads as an ancillary galley or scullery-pantry: a compact, U-shaped plan whose counter runs return at the right to form an L, generating an efficient work triangle within a footprint of considerable modesty. Vertical ambition compensates for lateral restraint. The wall cabinetry rises in a tall, unbroken register, terminating in a stepped cornice and a subtle crown that carries the eye to a ceiling plane of generous height, while a bracketed corbel at the upper left signals the transition to the adjoining volume. The millwork is the primary architectural gesture here: inset, beaded-face frame construction with recessed panel doors, mitred stiles and rails, and a rhythmic alternation between solid and glazed fronts. Those mullioned glass doors — divided into two- and three-light configurations — perforate the cabinet mass, dissolving what could have been a monolithic wall into a permeable, vitrine-like screen. The lower casework counters this with a disciplined stack of graduated drawer banks, the deepest at the counter line and diminishing downward, a compositional hierarchy borrowed from classical apothecary and butler's-pantry precedent. Sightlines are deliberately layered: the herringbone floor draws forward, the sunflower stem anchors the center axis, and the pendant fixtures descend in perspectival sequence, reinforcing depth along the room's short axis. **II. Materiality, Color & Texture** The palette operates within a narrow tonal bandwidth, deriving its interest from textural rather than chromatic contrast. Cabinetry is finished in a cool, greige-inflected pale gray — a low-saturation hue with just enough green-gray undertone to read as architectural rather than decorative — hand-applied to a satin sheen that registers the shadow-lines of the beaded frames with precision. Against this, the backsplash of honed marble subway tile, laid in a running bond with tight, matched grout, introduces linear grain and soft gray veining that echoes the cabinetry's undertone. The countertop and the returning waterfall-edge marble continue the vein pattern in a broader, more sculptural expression, its polished-to-honed surface catching light in diffuse planes. Metals are curated with restraint and consistency: polished nickel bin pulls, knobs, and cup handles supply a warm-silver punctuation across the casework, while brushed and mirror-polished stainless steel — the wall oven, the microwave drawer, the professional refrigerator with its cylindrical tubular handle — introduces a cooler, more industrial register. The oak flooring, laid in a fine-scale herringbone with a pale, wire-brushed, matte finish, delivers the room's essential warmth and its only pronounced pattern, grounding the cool upper volume. Small accents of natural material — an end-grain butcher block, turned wooden pepper mills, a hammered silver kettle — reintroduce the tactile and the hand-made against so much precision-milled surface. The sunflowers, in a matte white vessel, provide the single saturated chromatic event, and their yellow is deliberately reprised in the pantry's glazed shelves of packaged goods, transforming provisions into intentional color composition. **III. Lighting, Atmosphere & Style Profile** The lighting strategy is unapologetically artificial and theatrical. Three oversized, spun-metal industrial pendants — polished nickel or chrome domes with heavy cast collars and flush opal-glass diffusers — hang in a linear array, their scale intentionally disproportionate to the room, which is precisely the source of their impact. They function simultaneously as luminaires and as sculptural objects, their reflective canopies mirroring the ceiling and multiplying the light. Illumination beneath the wall cabinets grazes the marble tile at a raking angle, revealing its subtle relief and the depth of its veining, while the interior-lit glazed cabinets glow as illuminated vitrines, converting storage into display. Natural light is inferred rather than shown — a suggestion of daylight from the right — leaving the space in a controlled, even, shadow-managed luminosity that reads as both crisp and enveloping. The atmosphere is one of ordered domestic industry: pristine, quietly luxurious, and legibly functional. Stylistically, the room resolves as *Transitional Classicism with a Warm Industrial inflection* — the inset, beaded millwork and stepped cornices citing Georgian and Edwardian butler's-pantry tradition; the professional-grade stainless appliances and factory-scale pendants asserting a contemporary, utilitarian counterpoint; and the herringbone oak and marble mediating between them. It is a synthesis in which historical grammar governs the composition while modern hardware and lighting supply the accent, producing a space that feels neither pastiche nor austere, but assured, timeless, and thoroughly of the present moment.

LEED Certification Level: Platinum. Builder: R & S Engineering & Construction. The Cavanaugh Residence is a contemporary split level with a split personality. Totally designed from the ground up to minimize impact and maximize energy and water efficiency, its beautiful facade belies its hard-working, high-producing systems, earning it a LEED Platinum score of 116.5, and a HERS rating of minus 22. The 2774 square foot home produces over 100 per cent of its power with a 10.8 kw pv system, and captures 100 per cent of its freshwater needs from the curved metal roofs through an engineered collection and purification system, stored in an integrated concrete cistern. Constructed of locally made SIP panels on an infill waterfront lot, the home is oriented to maximize the production of the pv panels. Six inch SIP panels work together with a highly reflective, highly emmisive cool standing seam roof, icynene insulation in ceiling and floors, and carefully placed high efficiency windows and doors to create a tightly sealed environment. The 17-seer Trane heat pump variable speed compressors and TAM 7 air handlers, along with a whole house dehumidifier and fresh air intake provide a comfortable, clean indoor environment while using little energy. In the shoulder seasons, natural ventilation cools the home with fresh breezes drawn from lower windows in each room flowing through the curved ceilings to clerestory windows at the top of the house. Natural daylighting, with windows placed in corners and high clerestories, bounce the abundant natural light so that the owners use the interior LED lighting primarily at night. Windows were sited to frame views of the neighboring park and water, and capture the light, but represent a very low percentage of glazing to wall to conserve energy. Primarily native, xeriscaped turfless landscaping sips reclaimed water from its drip and bubbler irrigiation system, and requires little trimming or chemicals. Established trees, protected during construction, shade the home, FSC certified decks, and yard, providing a cool place to enjoy the outdoors at any time of the day, even in Florida's summer heat. Rainwater is diverted from the bay through the engineered collection and filtration system to an integrated concrete cistern hidden beneath the decks. Abundant Florida rainwater supplies 100 per cent of the home's needs, including drinking, bathing, and cleaning. Naturally soft, the highly filtered and UV purified water requires no chemical treatment or water softener. Coupled with minimal hardscape and permeable drive and walkways, almost all ground water remains on the lot, and out of storm sewers and bay runoffs. Designed as a forever home for this active retired couple, an open floor plan provides diagonal interior views along with great circulation space. Wide hallways and doors, curbless showers, an elevator, and extra blocking in the walls for grab rails insures the couple of being able to use their home even if physical disabilities arise. The home's footprint is minimized by building over the conditioned crawlspace and over-sized garage, and the finished floor height, at least two feet above flood code requirements, significantly reduces insurance costs while maximizing storage space for camping and water sports equipment. Materials, fixtures and appliances were carefully selected for energy and water efficiency, local production where possible, recycled content/recyclability, durability, and cost-effectiveness. The owners were very involved in vetting and materials selections, and assisted in just-in-time purchasing to minimize waste. Scrap materials were sorted daily for re-use elsewhere in the project (blocking, concrete forms, drywall scraps as acoustical insulation in interior walls, etc.), resulting in a tiny waste pile at the end of a dumpster-free project. Concrete waste was hauled to a local recycler to become road base, and extra useable materials were returned to the vendor or donated to Habitat Restore. Cost-effective choices, and careful planning, saved significant dollars in construction cost as well as landfill space. One of the biggest challenges was finding qualified subcontractors who would work within the guidelines. With the help of our LEED consultant and meetings and explanations, most subcontractors not only bought into the ideas readily, but offered up new ideas. Highly skilled and professional, the team of subs, LEED consultant, and contractor proved that LEED construction is excellent construction. The team, the owners, and I also found that LEED construction makes great economic sense. Most materials (other than increased insulation and photovoltaic panels) cost no more, and sometimes less, than those employed in construction of a lesser standard. The owners have been living in the home for a year now, and are thrilled with the results. No power bill. No water bill. Extremely low insurance bill. Minimal ground maintenance. No fabric softener. Reduced use of soap, detergents, and shampoos and cleaning supplies. Less time cleaning with spot-free rainwater. Careful planning and materials selection brought the project in under budget, and the home operates at an extremely low cost, both to the homeowners, and the environment. Who wouldn't be thrilled?

This is a close up of our designed art glass window in the Japanese Tea House. All our art glass designs are copyrighted and come with a book detailing the metaphysical meanings. All our designs for our clients are unique for them and copyrighted. Each is signed and the pattern is never repeated. Photo credits: Dan Drobnick

Great spacious bathroom with lot of amenities. Photographer: Jon Upson
Large elegant master beige tile and porcelain tile drop-in bathtub photo in San Diego with an undermount sink, raised-panel cabinets, medium tone wood cabinets, granite countertops, beige walls and a two-piece toilet

Tucked away in the backwoods of Torch Lake, this home marries “rustic” with the sleek elegance of modern. The combination of wood, stone and metal textures embrace the charm of a classic farmhouse. Although this is not your average farmhouse. The home is outfitted with a high performing system that seamlessly works with the design and architecture. The tall ceilings and windows allow ample natural light into the main room. Spire Integrated Systems installed Lutron QS Wireless motorized shades paired with Hartmann & Forbes windowcovers to offer privacy and block harsh light. The custom 18′ windowcover’s woven natural fabric complements the organic esthetics of the room. The shades are artfully concealed in the millwork when not in use. Spire installed B&W in-ceiling speakers and Sonance invisible in-wall speakers to deliver ambient music that emanates throughout the space with no visual footprint. Spire also installed a Sonance Landscape Audio System so the homeowner can enjoy music outside. Each system is easily controlled using Savant. Spire personalized the settings to the homeowner’s preference making controlling the home efficient and convenient.

Basement Bath Shower Neri White 4 x 8 subway tiles by Builders Floor Covering & Tile. Jet Mist honed granite shower seat and niche shelf by Atlanta Kitchen.

TruCedar Steel Siding shown in 10" Board & Batten in Napa Vine.
Beige two-story metal exterior home idea in Grand Rapids

When your pipes burst, a toilet overflows, or you notice suspicious dampness, you need more than a plumber—you need an emergency plumber in Atlanta you can trust. Meet Atlantis Plumbing, a family-owned, trusted local company serving the greater Atlanta area with fast, friendly, and reliable plumbing services 24/7. Decades of Experience Rooted in the Community Established over 60 years ago and now with thousands of satisfied customers, Atlantis Plumbing has built a reputation on steady, dependable service. Their licensed professionals bring years of experience to every job, giving you peace of mind when you're dealing with urgent, unexpected plumbing disasters. 24/7 Availability When You Need It Most Emergencies don't wait for business hours—and neither does Atlantis. With around-the-clock service, including live operators ready to take your call, they ensure help is just a phone call away. Whether it’s the middle of the night or a busy weekend, Atlantis is on call and on site fast. Upfront Pricing and Honest Communication A plumbing emergency shouldn't add financial stress. Atlantis offers transparent, upfront pricing so you're never blindsided. Before any work begins, they'll provide a clear estimate—no hidden fees, no surprises. Speed Meets Expertise Emergencies demand swift action—but not at the cost of quality. Atlantis strikes the perfect balance: rapid response paired with the skilled, licensed professionals who understand the complexity of modern plumbing systems. Fully Equipped to Handle Any Crisis From burst water lines to sewer backups and leaking water heaters, Atlantis’s team carries the tools and know-how to address your emergency promptly: • Water leaks: Quick diagnosis and repair, including high water bill analysis. • Clogged drains and sewer issues: Advanced solutions ranging from snaking to hydro-jetting or camera inspection. • Sewer repair & replacement: Trenchless methods available to minimize disruption. • Water heaters: Repair or replacement—gas, electric, or tankless. • Polybutylene pipes: Experts in identifying and replacing this outdated material. • Gas leaks: Safe, professional response (after gas company clearance). Trusted Service with a Personal Touch Emergencies are stressful. Atlantis eases the burden with professional, courteous technicians who get the job done with respect and care for your home. Their approach is old-fashioned in the best way—friendly, honest, and dedicated to customer satisfaction. Multiple local voices have recommended them as the one plumber they’d always call. It's that level of trust that assures homeowners and businesses alike in times of crisis. Comprehensive Coverage Throughout Metro Atlanta Whether you're in Atlanta proper or surrounding areas—like Marietta, Smyrna, Roswell, or Lawrenceville—Atlantis covers it. Their reach spans Fulton, Cobb, Gwinnett, Dekalb, Cherokee, and more, ensuring emergency plumbing help isn't far when you need it most. Value Beyond the Emergency Atlantis doesn’t just put out fires—they help prevent them. With services like free high water bill analysis and long-term maintenance options, they add value that stretches well beyond the immediate fix. They offer senior and military discounts, plus financing with approved credit—helping ease the financial burden of unavoidable plumbing repairs. Hiring an Emergency Plumber: Why Atlantis Stands Out 1. 24/7 live support—get help when it counts. 2. Licensed, experienced plumbers—quality you can rely on. 3. Transparent pricing—know what you're paying. 4. Quick, efficient responses—fast relief without sacrificing standards. 5. Wide range of services—from leaks to sewers to water heaters. 6. Easy scheduling and flexible payment options—designed for your convenience. Sample Emergency Scenarios & How Atlantis Helps Your Basement Is Flooding at 2 AM A frozen pipe has burst, sending water everywhere. You call Atlantis. Their team answers immediately, dispatches licensed plumbers within the hour, stops the leak, assesses the damage, and begins cleanup and pipe repair—all before breakfast. Sewer Backup During Dinner Party Your main sewer line backs up, and your guests are greeting more than your cooking. Atlantis arrives pronto, uses a camera inspection to pinpoint the blockage, resolves it with hydro-jetting or replacement, and gets everything draining again—without using your yard as a trench. Unexplained Spike in Your Water Bill You notice a huge spike in your bill—but no visible leak. Atlantis sends a tech for a free high water bill analysis, finds a small underground leak, and repairs it promptly—saving you money on unnecessary wastage. Water Heater Fails on a Winter Morning No hot water on a chilly morning? Atlantis arrives, diagnoses the heater issue, and either repairs it or replaces it with a similarly warranted unit—serving gas, electric, or tankless systems with equal confidence. Outdated Polybutylene Pipes Start Failing You suspect your home has older polybutylene piping prone to leaks. Atlantis offers specialized inspection and replacement options, bringing your plumbing system back up to modern safety and reliability standards. Final Thought In crisis situations, you don’t want to waste time or money. Atlantis Plumbing delivers fast, knowledgeable, and compassionate emergency plumbing services across Atlanta. With fair pricing, skilled professionals, and full-service capabilities—from leak detection to sewer repair to water heater replacement—you’re not just hiring a plumber. You’re hiring peace of mind. When plumbing emergencies strike, remember: Atlantis Plumbing is standing by, 24/7, ready to restore order to your home or business.

This article is posted here with the consent of the author. The views and opinions expressed in this article are those of the author and do not necessarily reflect the official policy, position, view, or opinion of Crestron Electronics, Inc., or of any of its employees. Crestron Electronics is not responsible for, and does not verify the accuracy of, any of the information contained in this article. By Jeff Singer The “smart” revolution began several years ago with smartphones (a.k.a phones) and has extended in recent years to thermostats, doorbells, alarm systems, and kitchen appliances. Smart devices are so ubiquitous that the term “smart” is overused to the point that it is almost meaningless. Companies are eager to jump on the bandwagon and claim their products are “smart,” and consumers proudly claim they have a smart home because they have lighting control. Misconceptions about smart homes are prevalent and create confusion in the marketplace. This can have deleterious effects on businesses and underserve consumers. Here are seven of the most popular misconceptions about smart homes: 1. Apps are smart Apps are convenient and easy to use. Yes, it seems there’s an app for everything. People expect to be able to download an app and do just about anything. App developers and many companies do not disavow consumers of this myth. On the contrary, they promote this idea with carefully worded descriptions. The promise of having the world at your fingertips for $1.99 is very enticing. Although it sounds too good to be true, it is also too good to pass up for many people. This leads to undervaluing home control and disappointment when the apps don’t work, which undermines confidence in our industry. The fact is that apps are not smart. They do not control anything. They must connect to and communicate with a control system or cloud service that processes, prioritizes, and executes commands. That’s the real magic and what most people do not understand. 2. Smart devices work together With so many smart appliances and devices on the market today, it’s understandable that the average consumer might think that they actually communicate and work together. This is simply not the case. Smart devices are not that smart. They are designed and manufactured by different, often competing, companies. There are no national or industry standards governing these products. Even if they all operate using Wi-Fi® communications, that doesn’t mean they work together. Some companies promote a home control platform, which unites different devices from different companies – in theory. The platform is yet another third-party software totally dependent on other companies developing APIs and writing control modules for their hardware to run on that piece of software. The devices are not independently compatible. Also, when updates are made to either the hardware or the software, functionality may be affected for some period. That’s a nice way of saying the device or system won’t work and there’s no way of knowing for how long. 3. It’s a DIY project Which brings us to the next myth, which is that the average person can do it themselves. Unless you are a skilled professional, I would not advise taking on a smart home project. You want to make a light turn on and off with your Alexa® or Google Assistant™ virtual assistant software, go for it. A smart home takes much more planning and expertise. I have no problem changing a light bulb or hanging a light fixture in my dining room; however, I am not going to rewire my house. I may change the flush valve in my toilet, but I’m not going to replace the pipes in my house. You get it. Integrating devices and systems, establishing different zones, creating scenes, designing the UI with a balance between control, feedback, and simplicity – all takes experience and skill. 4. Need a programmer to make changes Early adopters may have experienced the pain of trying to make a simple change or update to their home control system. Years ago, if the cable provider changed the channel line-up, the homeowner would have to call the dealer or programmer to make an appointment for them to come out to the house to reprogram the system. The system wouldn’t work as expected until it was updated, which often took several days and beaucoup bucks. Not anymore. Technology has evolved so now it’s easy for system owners to change favorite channels, create scenes, rename buttons, update images, and more. While a professional is needed for the initial installation and setup, the system is easy to manage once it’s up and running. This makes life so much easier for both dealer and customer. 5. Tech becomes obsolete quickly Similar to updating the UI, updating firmware or hardware used to be a stressful process. A smart home should be intelligent enough to update itself. Apps don’t become obsolete. Updates are constantly pushed out from the cloud, making them better all the time. The same is true for a good smart home system. New features, functions, and device support gets added in the background consistently, so the system you installed (or purchased) yesterday gets better over time. Swapping out decorative elements, such as keypads, dimmers, and touch screens is also seamless. When a new device is added, all the settings are pulled down from the cloud and it just works. No system interruptions. No sunk costs. No imposing house calls. No surprise bills. 6. Lighting control saves energy and money Lighting control is one of the most popular smart systems, but it takes more than just one system to make a home smart. On the surface, it makes sense that if you dim the lights ten percent, then you save ten percent of energy costs. If the shades are raised during the day to take advantage of sunlight so the lights don’t need to be on (or at least not 100%), but that causes the room temperature to rise a few degrees, which triggers the air conditioner to run longer and more often, was energy usage (or cost) reduced? A smart home integrates all the various systems and technology to optimize comfort, convenience, safety, and sometimes energy. 7. Home technology is easy to hack Security is at the forefront of people’s minds these days. Personal identities are stolen; email accounts hacked; private photos publicized; and more. A smart home must outsmart those who don’t respect privacy. Crestron control systems adhere to the strictest security standards. The same Crestron control system that goes into a home is also installed in secure government and military facilities, global banking institutions, hospitals, and other mission critical applications. When installed correctly by a trained professional, a Crestron smart home is the gold standard for security, comfort, and convenience.

Pinnacle Mountain Homes
Transitional kitchen photo in Denver

Hunter Door
Inspiration for a mid-sized timeless single front door remodel in Philadelphia with a dark wood front door